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#because this is literally all i could think about after that ep
izzys-bluebell-woods · 3 months
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I feel like people have been quick to dismiss Mimzy's importance in Ep. 5
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I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.
Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.
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Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.
But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.
This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.
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As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.
But then there's Mimzy.
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We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.
Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.
You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.
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Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.
But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.
In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.
Nothing. He does it because Alastor cares about her.
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I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.
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This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.
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Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.
Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.
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barblaz-arts · 1 month
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Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.
Oh yeah sure I'd love to!
I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)
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Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.
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Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.
It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.
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But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.
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Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.
But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.
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This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--
(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)
--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.
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Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.
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I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.
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chrolloluvr · 2 months
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Hey, I saw some other headcanons similar to this and absolutely loved the concept! Adam x reader, love at first sight? Like he just makes it his mission to go out with reader afterwards?
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Adam falling love at first sight
Note: TY FOR REQUESTING!!! This is also before the big fight on ep 8!
Female!Reader
Warnings: Cussing, creepy behavior, adam is smitten for you 🌺🌺
When he first sees you, he immediately was struck by an unfamiliar feeling. Who the hell is this chick?
He has never felt this way about Lilith, or even Eve, so what was different about you? He had to find out. And usually when he sees a pretty face on a woman, he thinks of vile, guttural thoughts. But with you, all he thought about was the way you looked so graceful, and how you carried yourself, and your beautiful eyes, and your glistening skin, and your-
Lute had violently interrupted him from his daydreaming, by basically yelling at him for the whole promenade to hear.
He had Lute immididietley do some detective digging on you. He at first was going to go up to you to ask for your digits, but he felt... nervous?
After lute reported back about her findings, she had told him all about you. He didn't know it, but he was truly in love. He just could not stop thinking about you, and how to get you.
He told Lute about these feelings, and when she explained, 'Sir, it seems you are in love', he flat out refuses it. He tries to convince himself you are just some hot broad, that he just happened to run into.
If he were in a meeting with Sera, he would have you running laps in his mind. Planning the next extermination? Goddamnit, get out of my head you stupid bitch!
He comes to the conclusion that to stop thinking about you, he needs to talk to you. So he sad Lute figure out your number and address, and thats when he tries to get with you.
This man will literally rehearse his first meeting with you in the mirror, as if he is a teenage boy going on his first date. But he isn't, and this is definitely not his first date, or at least, this is his first real time trying to impress a woman. Because usually, he does not need to act fly to get any girl he wants.
After you find out he is THE Adam, you flat out say no, because you dont want that kind of attention. So you start to ignore him. But that just motivates him to keep contacting you.
XXX-XXX-XXXX 5:31
Hey babes, wyd? you down for dinner tonight? Just you and me.
XXX-XXX-XXXX 5:33
Or maybe we can watch a movie and chill?
XXX-XXX-XXXX 5:47
C'mon babe, how can you refuse me? Ill meet you there in 30 ;)
XXX-XXX-XXXX 5:50
Hey, respond?
XXX-XXX-XXXX 7:10
Hey sugar, lets do something tmrw isntead since your clearly busy 😘
He will send you huge bouquets of flowers, along with a handmade book he made, filled with "anonymous love letters" which you can clearly tell are from him due to his messy handwriting.
He will then eventually "accidentally" bump into you. Every time he does, you are basically forced to talk to him and listen to his tangents, on how going out with him is the best choice you will ever make.
And honestly, he just does not stop bothering you. Even if you were to straight up tell him to leave you the fuck alone, he wont.
"Hey y/n whats up? Whacha doing tonight...? Maybe it can include me. im free yknow, if you ever wanna hang. Im great at choosing places or if you want you can choose-"
He is truly in love with you. He wants you to eventually be his future wife in his mind, making you the third. And in his mind, you already are.
If you just keep telling him off for months, hell, maybe even years, he will never get over you and your beauty.
If you eventually say yes to a date, he will be so excited, but will play it off because hes just chill like that. But he is down so bad for you, and honestly wants you all to himself.
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madkiska · 7 months
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watching the entirety of jrwi: riptide again. here's some important things from the first few episodes that I feel we forgot (<110 mentions too though)
Jay
Had night terrors similar to those of Kubakinta's curse in episode 5, and they eventually start returning even after Loffinlot's curse is lifted ○ All of them were about her family and/or the navy ○ I simply think people leave her out of the nightmare stuff and she deserves it. Hurt her more, please (he said, lovingly)
was actually very upset at having to use her medal to get a Loffinlot rebellion to shut up ○ This could be because she didn't want them to guess she was a spy, but I choose to believe it's because she felt guilty
"If you're gonna be sailing with someone, you should have a good relationship with them. [nervous chuckle]." She says, while asking him for information about the Black Rose Pirates (ep. 10)
Said "thank god they didn't find me" after a nightmare about the navy attacking. Even when she was supposedly a spy, who one day would have to return to the navy ○ Very unclear if she was scared of her dad, or if it's because she was a secret spy so the navy would've just killed her
Rewatching, she was suspiciously into the plundering and gold and stuff. Like that was real sus. It doesn't fit her current character much
The only one among them who's gambled before
Chip
The entire thing literally starts off with Bizly holding a lit match
Called Gillion "Gill" and Jay "Sureshot" from an early stage
Was SO much more of a bastard. Lied to Gill constantly, didn't care about anything but the money, etc.
Had aggressive hand tremors alongside Jay's night terrors ○ Gill cures it with lay on hands
When he gets drunk married, they talk extensively about how he'd be released when he's dead. Welp.
They did actually break up and it was fine and they were still friends. They parted on good terms
Is really fucking good at chess ○ Beat Earl twice and Jay once. Jay had a point of exhaustion after a nightmare but Earl had no excuse ○ Lost to Gillion though, but only cause of prophetic screwup ○ This kid is smarter than he lets on, y'all
Was the first one to have a backstory dump while Jay is asking him about the Black Rose Pirates, yet still we know jack shit about his life before them other than "orphan"
Gill
Charlie has referred to Gillion with 'they' many times. I can pull receipts.
When describing Gill, Charlie said: "He's more.. elven, if you had to make a comparison. 'Cause I don't wanna be a fish guy". Oh, honey.
Smote a bald person by using his hair as a whip (ep. 4)
Was given anxiety and self-doubt alongside jay's night terrors and chip's tremors ○ "What do you want?" "I want the feeling of satisfaction I've been chasing my whole life." ○ This was episode FIVE.
First mention of the prophecy and how Gillion wasn't their ideal student is ep. 7, after he divine smites + prophetic screwups and deals like 60 damage to some beetles ○ Chip spends the next 30 seconds in gay awe
He refers to the crescent moon Niklaus tattoo as "my zodiac" (probably a bit) ○ It's not a lil basic white girl moon this thing is the entire size of his forearm
Gill had never heard about the Black Sea - it's unclear if the Undersea just don't know, or if that's just how sheltered he was (ep. 10)
Biz: "What would Gillion do. If he just had no goal - was just sitting there." "Gillion always has a goal." "Would his goal ever be to just.. Sit there?" "Absolutely not." ○ Later, Chip expresses that he doesn't know what Gillion likes. What he would want out of winning a bet. Gillion doesn't have an answer
Other
Apple, in a couple of early battles, acted like Gill's familiar (see: ep. 7)
They also pecked at his Niklaus tramp stamp and looked all confused at the idea of eating seeds
The specific crescent of the moon in the Niklaus tattoo is known as a symbol of "corruption" (ep. 9) and its antonym is the sun, for "life", similar to the yin and yang ○ Interesting to consider after what the tree said in 110 <_<
Pretzel has a masters degree in couple's therapy (ep. 10)
The Albatross/Millennium Chipper was described as the colour of rosewood or mahogany
Captain Lizzie's first introduction was a wanted poster, and Chip wanted to turn her in for the prize, then decided to try learn from her instead
Chip/Bizly called Old Man Earl "Erol" for a loooong time ○ Maybe it's an accent thing but I have an uncle called Erol and so this stands out to me
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Submission message: howdy, would like to submit keith and lance from voltron (lmao)
Submission message: BBC Sherlock and Moriarty / BBC Sherlock and John Watson
Additional propaganda: Now Keith and Lance on the other hand was a whole fucking mess that they then shoehorned in an hetero romance to try and "fix it" but by lord it was bad, everything about voltron is so fucking bad
Anyway this is my Klance propaganda : They were actually bait
Klance's queer baiting by the team was the worst!! We had to deal with NETFLIX ALSO GETTING IN ON THE QUEER BAITING!! If you searched up Kkance during the times for season 6-8, the SHOW WOULD POP UP. The directors would make jokes about it being canon, even Lance's VA got in the joke!
Their queer baiting was the worst for anyone who was even looking for an ounce of queer rep in that show. The only queer rep we got was a man who died after not even 5 minutes on screen, and shoehorned in the credit scene of a gay wedding of a character that was neither Keith nor Lance.
I do not know Agatha and Sophie, so I can't argue that klance was bigger bait or not, I just know voltron was mean lmao. the creators said stuff like "lance will be someone's first choice!" (meaning NOT ending up in a relationship with allura bc she very much chose another guy over him) and heavily implying he would be Keith's 1st choice (or a guy in general bc of point number 2). point number 2: they also released official art showing how super cool and diverse the main cast was! race! gender! LGBT - they had shiro (who was......canon gay but that's a whole other can of worms) and lance hold the sign with LGBT on it and then did absolutely nothing with that w lance at all (he hit on allura, so obvi he's not gay, but at least bi or smt) (UNLESS you count the scenes where he's flirty with keith). I just remember going into the last few seasons being like "klance probably won't be happen be honest with yourself there's like no queer kids shows!! but damn like it so could tho!!! because of how much it's been teased both in the show and by showrunners like I can't have no hope with the way the producers talk about it!" lmao I should have had no hope, but i genuinkey believed there was a possibility it could happen. and actually I discovered after the fact that i think one of the writers for the show who was the main advocate for klance (they had a lot of diff writers for eps, which led to lots of character butchering but ANYWAY) left not terribly long into the show I believe bc he didn't like the direction it was moving in and didn't want to be tied to the show anymore. so it's not like fans just made klance up either - it was written into earlier episodes with the hope and plan to continue developing later, and then just nothing ever happened with it besides INTENSE teasing it to keep queer fans around. esp after shiro's relationship was literally only a flashback and then his fiance thing or whatever got blown up before we even got to watch him interact w shiro as we knew him in present time in s7, so I think they kept being like hmmm klance and the stuff about lance being a first choice before s8 to keep ppl around. also esp bc klancers made up such a big portion of the fan base. then they made a horrible szn and ended it w a flashforward to shiro marrying some random background character who maybe had 1 line? I just remember hitting the flashforward and being like uhhhh who is this dude??? but they did that to hit those diversity points wow first gay marriage in a cartoon or smt idk it doesn't count to me really. so anyway voltron in general is queerbait lol but klance is because it started out as a legit possibility and then they said sike! but only maybe sike bc u guys are mad at us burying our guys in s7 so maybe klance could still happen haha okay now we're serious no it's not happening. anyway I think klance is p bad queerbait and a vote for them is a valid vote, not just u liking the ship.
#im sorry but johnlock is a household name in ther queerbait trenches
I don't know much about blaze runner, but this website made me endure Johnlock FOR YEARS, that ship makes me so fucking angry, and it's so much bait, the whole fucking show is just 4 kinds of bait in a trenchcoat trying to pass as something good, and Tumblr(and the rest of the goddamn world) ate it up like a five course meal. So anyway that's why I'm voting Johnlock
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portraitofadyke · 23 days
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what's been bugging me is how some people, especially steddyhands shippers, seem to ignore Stede's complete blind spot that is Ed. I've been rereading some post s1 fix-its, and it's amazing how almost every one of their reunions had Stede blaming Ed for marooning the crew and attempting to kill Lucius (same with ppl's expectation that there would be some sort of physical fight). And then he just. Doesn't.
Stede obviously cares for the crew. A lot. But the moment Ed's well being is in the picture, he becomes hyperfocused on Ed and Ed only. Obviously the crew told him about being marooned, but we don't see him mention that once in his letters. They reunite with Lucius, and yet all Stede talks about is Ed (and his poor portrayal on his wanted posters)- Lucius confesses about Ed throwing him overboard, and all Stede does is question 'why?', because he knows Ed wouldn't just randomly attempt to murder Lucius. The moment Lucius tells him Stede broke Ed, Stede is back to blaming himself, never Ed. He clearly cares about Lucius, because later in the ep, he tries to reconcile with him by giving him 'dating advice' and trying to save him from what happened to him and Ed, but Ed comes first.
We actually see it in s1 too, if only briefly, in s7 when Stede desperately tries to keep Ed abroad and becomes oblivious to the crew's concerns and problems and we get the iconic line "Eat and apple, for God's sake!" Stede cares, but Ed is at the front of his mind and it's hard for him to understand what could be more important.
In s02e03, he gets his ship and the rest of his crew back, but Ed is nowhere. Izzy is literally missing a leg and Stede just tells him to piss off.
And I've seen people questioning why Stede never questioned that, why he never bothered to ask about Izzy's missing toe or back scars or why he didn't care about the leg more. Izzy clearly lies again and tells Stede Ed shot it off because he told Ed he loves him, and yet stede just. Doesn't care.
And i mean, that question is valid. Because people see Stede as someone who's much more caring, more hero-coded. But Stede is far more a romantic hero to Ed than he is your general hero to the rest of the characters. Stede is selfish. Stede is blind-sided. Stede is willing to abandon his morals when it comes to Ed.
I think there are two reasons Stede doesn't question Izzy's Ed-inflicted-injuries, or any other, for that matter. First one is, Stede's blind spot for Ed. Yeah, Izzy got his leg shot off by Ed (not entirely true, but I digress), but there must have been a reason why. Yeah, Izzy got his toes cut off and hand-fed, but Ed had a reason. Stede knows Ed is not violent by default, so he knows something must have prompted him to do that. Is it completely justified? That's a differenr convo about people trying to portray Izzy as a victim rather than someone who kept pushing Ed over the edge until they were both too far.
The second is... Yeah, Stede just doesn't care. Especially about Izzy. Lie it's been pointed out, Stede just thinks izzy is a dick. He misnames him. He's rightuflly mad at him for selling them out to the english. He literally dreams about killing Izzy for that. Stede blames himself for abandoning Ed and everything that happened after (and yes, Ed's actions are Ed's actions, but that's how Stede sees it), but he clearly also blames Izzy for setting them up.
So, Stede sees Izzy's missing leg? Probably deserved that. Back scars, missing toe? Eh, probably deserved that, too, Ed would look absolutely lovely in a braid. Is that morally correct? No, but Stede isn't written to be a moral character. That's what makes him so real, and that's why so many other actors than Rhys would struggle making Stede sympathetic and likeable to the audiences.
That's not to say Stede doesn't see Ed's wrongs. He absolutely does. He just. Doesn't care that much in the end, because his love for all of Ed is that bright, to the point of being absolutely, utterly selfish. DJenkins said it from the beginning; this show is about Ed and Stede's relationship. Stede doesn't question Izzy's injuries bc in the end, it just doesn't matter to him when Ed is in the picture
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sugarrushproductions · 3 months
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Hazbin Hotel Finale Spoilers!! You have been fucking warned!!!
Viv you wonderful troll you! I called both Adam and Pentious dying, but I didn't expect to see the latter in heaven and the former meeting his end because of Nifty!
EP 7 doesn't have much I want to talk about, though a quick thing about all the songs. The only one I truly loved was Carmila's the rest were fine and I loved all the callbacks to previous songs.
Dude, the fucking rollercoaster of emotions I felt at the end-
Rosie is great, I still say her and the cannibal's are hellborn until I'm proven otherwise
I'm scared for that deal. I hate IOU deals, Al could ask Charlie for anything.
Vaggie gets her wings back, yeah!
Carmila's shoes being her weapons was amazing!
I think that's it for EP 7.
The bar scene with Huskerdust 😍
I think we saw Husk starting to really fall for him.
Them this whole finale is just so cute, I want more!
Nifty instantly going after Angel after Charlie tells her to stab angels is just perfect.
Nifty and Al, jeez, I didn't expect to be so cute.
The little roach crown 🥺
We were all worried for nothing, Charlie is just emotional.
Also, Chaggie kiss! Now Huskerdust and I'll be set!
The V's are literally just watching them and I feel like some of their reactions
Alastor has been holding back. His fight with Adam is amazing.
And he has a mask... Did not expect that.
Seeing him curse again was amazing.
Charlie is so cute!!!
Angel and Cherri are a power duo!
Husk is so real!
So it seems Adam really did eat the apple.
Vagatha.... I love you Pentious.
"These fucking angels won't stop coming!"
"Ha!"
"Ok, I walked into that one."
That whole exchange is gold.
Lucifer Ex Machina! Yes!
I love his fight with Adam. It's so much fun!
Husk used his wings to shield the others, I'm crying!
Luci, hun, that's not how you say that..
And shut up Val!
Ok, but really, Velvette looks so cute in this.
Fat Nuggets is alive! And Keekee too! Yay!
I was sad about Pentious dying
Then surprised and happy to see him in heaven!
I actually figured he'd been the first to be redeemed. Sorry Angel.
But seriously, suck it Sera!
Speaking of heaven....
How the FUCK did Lilith get there? Why is she there? How the hell could she just abandon her family?
Also, I can't believe they fo
So many fucking questions, Season two needs to come so quickly.
The Hotel looks so cool! I can't wait see it in action.
I know I missed a lot, but God damnit this show is awesome!
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wilbursoot-updates · 1 year
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Lovejoy is in this article!
Wake Up! Lovejoy are already a phenomenon
Squashed into a tour bus somewhere in Berlin are the biggest band that – unless you’re as chronically online as us, Dear Reader – you’ve maybe never heard of. With sold-out tours across the UK, Europe and North America, millions of monthly Spotify listeners and a spot in the UK Top 40 with their latest single ‘Call Me What You Like’, Lovejoy could be mistaken for veterans.
Far from it. Their first proper bit of press is, well, this very cover interview. They’re gearing up to release only their third (or maybe fourth, depending how you count their just dropped ‘From Studio 4’ collection, released under the name Anvil Cat) EP, ‘Wake Up & It’s Over’, and those sold-out tours? The first shows they’ve ever played. It’s rare this amount of hype surrounds a guitar band these days, so who the fuck are Lovejoy?
Formed during the early 2021 UK lockdown, Lovejoy consists of Will Gold as the frontman, Joe Goldsmith on lead guitar, Ash Kabosu on bass, and Mark Boardman on drums. Seemingly brought together by sheer luck, their epic ascent is the result of a lifetime of individual hard work and some serious fan devotion over the past couple of years.
It’s taken a while to pin the band down, and we catch them just after their first full UK tour as they embark on the European leg. It’s all been a bit of a whirlwind.
“I think it was our 32nd show yesterday, which is just nuts,” says Ash, who introduces himself as the one who doesn’t talk and proceeds to lead the interview. “Literally every show we’ve played, we’ve been like, ‘That was the best one!’ Then the next one, ‘Oh, that was the best one!’”
“I’ve especially been enjoying acclimating myself to not knowing where I’m going to be falling asleep every night,” says Will, “which is a very hard thing to get around. But it’s a lot of fun. I’m really enjoying it. And I love seeing everyone’s faces because we’ve been somewhat of a lockdown band. To now be able to put faces to the numbers is great; it’s lovely to see and speak to them.”
Describing their very first live shows at the end of 2022 as “teething”, Lovejoy admit they’re still getting to grips with it all. Although the size of their fanbase means they could’ve easily sold out bigger venues than the humble Electric Brixton they headed up on this tour, they didn’t want to skip steps for a good reason.
“Rock music has always been what me and Joe were the most interested in” -Will Gold
“We didn’t want to be bad,” says Ash, frankly. “It’s a completely different ballpark to just, you know, playing guitar in your bedroom, and there are so many moving parts and so many things you don’t think about that you need to learn and understand. We didn’t want to deliver a show to the fans that wasn’t good enough, so we’ve been deliberately ramping it up step by step and going through the process as naturally as possible.”
“It’s so much more personable and fun to make mistakes in front of a crowd of a couple hundred people who are along with you for the ride than when you start to get into the larger crowds,” adds Will. “Making a mistake, at least for me, really gets to me, but if I’m in a room with less people, and they’re there for the story, I feel more ready to make mistakes.”
Will and Joe cut their teeth playing with a folk punk band a few years prior to Lovejoy forming. After what Will describes as a “very dramatic first gig”, they went their separate ways, but his lust for live never went away. Finding one another at the beginning of the pandemic, Joe came to visit Will before the lockdowns kicked in and decided to sleep on the sofa rather than risking taking public transport back and forth to London.
“We wrote our entire first EP in my basement and very quickly decided we’re going to need a drummer and a bassist because all the stuff we were writing was band stuff,” Will explains. “It wasn’t our normal folk stuff that we were used to – and rock music has always been what me and Joe were the most interested in; even when we were in that folk band, we used to implore the lead singer if we could write some indie music please, and he would always be like, nah, not really into Arctic Monkeys actually.”
So they set out to find both a bassist and a drummer. Fate did its thing, and upon walking into a Smashburger in Brighton, Will met Ash, bass guitar in tow, and asked him if he’d like to be in a band.
“Ash is not one to say no to many exciting adventures,” says Will, “so he said yeah, and I gave him my address. Joe was very sceptical at first when I said I found a bassist in a burger shop.”
“I think for me personally,” adds Ash, “I’m living in Brighton – which is kind of a young, creative place – you often have conversations in pubs and places where people are like, we should do this, we should do that, and I genuinely thought that this was just another one of those conversations. Like, ‘Hey, I’m in a band, do you want to play?’ I never thought in my wildest dreams anything would even come of it. I didn’t even think we’d practice, let alone be playing shows in front of thousands of people.”
As for Mark, he was booked for the day via the freelancer hiring website Fiverr. When they couldn’t pay him the fee he was owed, they instead offered him a spot in the band. 
“I said, look, you’re sick at this, do you want to just join the band?” Will explains. “Mark thought about it for a good five seconds and then said yes.”
“I was really determined, playing acoustic guitar and learning stuff from YouTube and Arctic Monkeys songbooks” -Joe Goldsmith
Echoing Ash’s sentiments, Mark recalls, “I thought it would be another band that I’d join that wouldn’t even release on Spotify. Now we’ve sold out tours in the UK, Europe, America….”
Life before Lovejoy was very different for most of the boys. Mark was at university studying editing, hoping to work in visual effects, letting drumming take the back seat. “It would have been a grind for like 40 years to get a good paying job, and Will came along and saved me. So I’m very grateful for that,” he says.
Ash was working in broadcasting as a producer for TV, a job he’d gotten into after studying film production at uni, and had taught himself animation as another means of income. “Unlike Mark, I actually enjoyed it,” he adds.
As for Joe, he was working as a tree surgeon, which is a flashier-sounding name than what the job actually entailed. “I was literally just cleaning up branches on the floor,” he says. “I wasn’t even allowed to go up the trees.”
Will isn’t such a stranger to the spotlight, as he edited for the YouTube channel SootHouse in the late 2010s, later creating his own channel as Wilbur Soot and amassing a sizeable following on the streaming platform Twitch (although the other boys say they had no idea about his following when they joined the band, Ash noting, “I just thought he was quite a tall, handsome man, we’re just here because we fancy Will”).
With the band assembled, they started recording together in Will’s bedroom. In early 2021, the UK was still firmly in lockdown, so with all studios closed, it was their only choice. When they finally made it to a studio, the group had two days to record five songs, the ones that would make up their first EP, 2021’s ‘Are You Alright?’.
“We didn’t get enough done,” says Will, “which is why the first EP actually has scratch vocals. We just used my draft vocals that are then doubled up and thickened out. And also because it would have been far too expensive to just keep going back.”
“Which is why, little easter egg,” adds Ash, “some of the lyrics are wrong. We don’t sing those anymore, so the fans get very confused when we perform some of the earlier songs.”
The whole journey has been a learning curve for all four members. With none of them coming from a proper musical background, there was no one to guide them in the process. “We kind of had to jump headfirst in and see what we can do off the back of it,” says Will.
That isn’t to say they haven’t put the work in, though. With each of the boys picking up their instruments in their childhood or teenage years, it feels like they’ve been setting up their own individual dominoes, hitting the ground running when they were knocked down in perfect formation.
“There’s a photo of me when I was a baby,” Mark begins, explaining where he got his start in music. “I couldn’t even walk, and I’m on my auntie’s lap, who originally taught me drums. I’ve been wanting to play since I could speak, basically, but we could never afford a kit. And then I got to about eight years old, my parents finally got me an electric drum kit, and my auntie started teaching me. I caught up with her quickly, which was crazy. I always wanted to be in a band, but I was thinking more realistically, it’s the same odds as becoming a famous football player or something like that. Then along came these boys, and it all changed.”
“I was really determined from when I was about 13, 14?” Joe recalls, “Playing acoustic guitar and just learning stuff from YouTube and Arctic Monkeys songbooks, working out tabs and things like that. I was pretty dead set on at least giving it a shot to try.”
Ash’s start was similar, learning to play guitar with his dad. “When I was very young, my dad found an old Spanish guitar in the attic of our family home that wasn’t ours,” he tells us. “I’ve kind of always played guitar, and I’ve always been interested in music; my dad is in a band as well, bless him, doing dad rock. It’s always been a part of me, but I never ever thought I’d do anything with it.”
“Not for me,” Will jumps in. “The minute I first started learning guitar, I was like, this is what I want. When I was a teenager, I used to follow around bands and go to all their shows, and I knew from that moment I want this as my creative outlet. This is where I want to put my creative energy. I literally remember I shut myself in my room and practised guitar for like ten hours a day in the beginning. I missed two summers doing that. To finally be in this position I’m in now, thanks to all the wonderful support we’ve gotten from people, a lot of them have come across from the YouTube space, is just absolutely humbling. I’m trying to give it back in any way I can.”
“I like to make rumours amongst the fan base; we’ve made up a bunch of nonsense” -Ash Kabosu
It’s fair to say Lovejoy have been pulled substantially further up the ladder by a deeply devoted fan base, but that’s part of what makes their trajectory so exciting. There hasn’t been a new guitar band that’s had venues bursting at the seams like this for a long time. Just two self-released (on their own label Anvil Cat via AWAL) EPs, debut ‘Are You Alright?’ and follow-up ‘Pebble Brain’ garnered enough love to have fans queuing around the block for hours on end when the live shows finally came. It’s reminiscent of what 5SOS were seeing at the start of their career ten years ago, or that other numbers band.
And the devotion goes both ways, too; Lovejoy play games with the fans, leaving puzzles on social media for the fans to solve, firing confetti with QR codes printed on every other piece out at their London headline show. Their involvement hasn’t gone unnoticed.
“Oh, man, I love them,” Ash gushes. “One of the best feelings for me is when we create something, even if it’s something as simple as a little photo shoot, the response is incredible. And to inspire other people to create through our creativity is just so rewarding. My favourite part of it is seeing the writing, the poetry, the paintings, the drawings, like all the art that comes back to us is incredible.”
Joe adds, “Every single person that I’ve met after a show or before a show, they’re all so respectful and all so lovely. And they’re just so generous.”
Ash continues, “They make such an effort and go out of their way to listen to the support bands’ music and show up for them; they show up on time and fill the place out for everyone. And then they go crazy jumping around and singing to everyone’s music, and that’s just so fucking cool.”
With new EP ‘Wake Up & It’s Over’ on the horizon, it’ll be their first proper release since 2021. A break away from recording to do the touring part of being a new band has led to Lovejoy’s longest writing phase yet and has played a part in shaping the sound of their new material. This time around, being able to take more time to record and more studio options, they’ve fined tuned their sound and brought it closer to their personal ideal.
Aiming for something a little heavier this time, the boys wanted to pull in their individual influences more drastically. For Will, that’s shouty British lyrics and overdriven guitars (he calls Arctic Monkeys the most famous example), with Ash also growing up on the late 2000s indie of Foals and Bombay Bicycle Club. Mark, on the other hand, was introduced to bands like Bring Me The Horizon and Asking Alexandria by his sister at a young age, pushing him into heavier territory when it came to discovering his own tastes and allowing the band to take on the slogan of ‘the only indie band with a double kick drum’. (Joe simply adds, “In the words of Brandon Flowers, it’s indie rock and roll for me.”)
Opening track ‘Portrait of a Blank Slate’ pulls in those influences most brazenly, employing the mathy Foals-y lead guitar, ‘Favourite Worst Nightmare’ era Arctic Monkeys fiddly bass, and wordy vocals a la The Wombats. “I can’t wait to play that for thousands of people,” says Joe.
They’ve been road-testing some of the other tracks too, the poppier (see: jumpier) ‘Consequences’ and ‘Warsaw’, as well as the single ‘Call Me What You Like’, but the rest have been kept a secret, one track particularly well.
Initially beginning the recording of this EP late last year, the boys weren’t 100% satisfied with the tracks. Having already played some of the tracks live, fans developed a particular affinity for one called ‘It’s Golden Hour Somewhere’, and up until the EP drops, have been under the impression it isn’t going to be released.
“I like to make rumours amongst the fan base,” says Ash, “I sort of said yeah, it’s scrapped, we just don’t like it, it’s not up to scratch, it doesn’t fit the nature of the EP, blah, blah, blah. We’ve just made up a bunch of nonsense. And they’ve bought into it. And as I expected, they’re also campaigning to bring it back. We’ve seen signs at shows saying ‘PLAY GOLDEN HOUR’. It’s just a bit of fun, and I think the relief and the excitement they’ll feel on the day that it comes out to just see it in the tracklisting will be worth it. I think for the amount of time that the fans have been waiting, we want it to be as special as possible.”
Even with ‘Call Me What You Like’ landing at No.32 on the UK Top 40 – an enormous feat and a rarity for a new band these days – it’s still what the fans think that means the most to Lovejoy. 
“It was very validating to see it go that far,” says Will. “I think that was our longest-ever lyric writing time; we had the tune down for about ten months before I even penned the lyrics that ended up going in the final release. To see that time pay off is amazing, but we had no idea it would get that reception. It’s more important that our fans really love what we’re putting out. We’re aiming to create music that will really connect with our fan base, and you know, we’ll give them back what they’ve given us.”
With formative years that any new band would dream of, a knockout first tour and an audience hungry for more, Lovejoy are keen to maintain the hype. Currently using soundcheck time to write new material, every spare hour is used wisely while they’re on the road, Ash hinting they’ve already got new songs saved up for when they return home. This summer, they’ll be hitting the festival circuit, playing Reading and Leeds for the first time and undoubtedly not the last. The path may not be fully paved yet, but it’s definitely leading somewhere exciting.
Will says, “We’ve felt that wave of energy from the audience singing our words back at us, and that’s really influenced my lyrical style and our music instrumentally, which took a lot longer. 2022 was a sort of foundational year; I feel like this is the launch in 2023 into this next era of Lovejoy.”
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611 notes · View notes
kazumist · 3 months
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EPISODE 17 ✿ ENDEARING
YOU + ME = LOVE — A DILUC SMAU
masterlist / prev ep / next ep / wc: 794
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it was silly, really. 
it was silly ever since diluc realized his feelings. he suddenly finds everything about you so endearing. he finds it ridiculous how he feels himself get all giddy when you’re not even doing anything. he finds it ridiculously endearing that the simple thought of you is enough to make him feel this way.
with finals approaching, all you and diluc do is technically just review the coverage of your exams. and when you’re lucky enough to finish early, you two would just stay at your spot in the library and kill time. “professor barnes is the literal worst, i swear!” you complained. professor barnes, your teacher for practical research, isn’t really the best. he tends to skip his class (you once thought it was ironic that he was the one cutting class instead of his own students). “let me guess, he didn’t turn up for your class with him again?” diluc asks.
“yeah, and as per usual, we just sat in the classroom like total idiots because we haven’t received any feedback yet about our draft for chapters one and two!” you complained to him again, groaning in annoyance as you felt diluc rub a hand against your back—his personal way of showing comfort.
“if you’d like…” he starts.
“nope! nuh-uh. you are not going to be the one who’s going to review our draft.” you knew immediately what he was going to suggest. and you shut him down as soon as you can. as much as you admire how diluc is so dedicated and hardworking, you don’t really want to be a burden.
“but i don’t have much on my plate right now.”
“liar. kaeya told me that you guys are busy with your capstone project these days.” 
he tilts his head at you, confused. “you’re friends with kaeya?”
“who isn’t friends with kaeya?”
“fair enough.”
“but seriously, diluc. you don’t have to do it. professor barnes will get the consequences of his actions soon enough. thanks for the offer, though; it’s appreciated.” a sigh escapes your lips as you lay your head to rest on the table, using your arms as a pillow. “i’m so tired," you mumble.
“you should rest for now," he says in a softer voice this time.
“don’t you have class after this?” you moved your head to his direction so you could look at him. diluc stares back at you. you had a few strands of hair covering your vision and diluc had to resist himself from brushing them away and tucking them behind your ear. “our prof just left us with an activity since she had an errand to do.” he said a bit late.
“are you done with it?” 
“not yet.”
“huh? why not?” your voice was a bit… muffled? or a bit hard to decipher because of your position. but diluc understood you word for word nonetheless.
“i guess you could say that i’m a bit lazy at the moment.”
“you? lazy? are you really the diluc ragnvindr that everyone loves and adores?”
“oh, shut it.” he playfully rolled his eyes at you with a smile.
not too long after, you dozed off. leaving you and diluc in a comfortable silence. no one was around the floor you guys were in as usual. this time, he finds the courage to brush those strands of hair away from your face.
it’s alright to be selfish every once in a while, right? he thought.
he glances at you and observes your sleeping figure. you looked peaceful as you slept. calm breaths came in and out of you. is it silly of him to think that you look so pretty right now, even though you were just napping? diluc couldn’t formulate the right words to describe you back then. but now he has one.
endearing.
everything that you do or say is just so… endearing to him. diluc didn’t know that one could have such an effect on him. hell, he didn’t even expect to fall in love in the first place. during his years in school, he was only surrounded by people who would fall in love. never did he expect that he would end up being included in its population.
but if he’s going to be honest? he wouldn’t ask for anything more.
time ticked by and diluc sat there by your side during your whole nap. he simply shot a text at one of his classmates, saying that he wasn’t feeling well (he thought of saying that he got diarrhea, but he thought that would be too exaggerated) and that he wouldn’t be able to accompany them on their errand. so maybe skipping is a bit worth it.
after all, he was with you. and that was enough for him.
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taglist (open): @ryuryuryuyurboat @g4bbyyy @kizakiss @quackimilktea @mochiboo123 @thystarsshine @cerisescherries @jamieexistss @the-ghost-0f-t0m0 @aethion @dottoreworld-page @naishite @sleepyeri @staaarhin @eroxotckv @kiyiiaarchived @fallenssun @lolmeowing @dorryx @astolary @kissingkzuha @axerrri @a1-ic3 @lottierulez @livelaughlovekuni @sorcerersseestars @whipped-for-fictionals @morganadorodo @briluvspnk @venderretta @xiaosoneandonly @angeilix @morgyyyyyyy @kazioli @the-massive-simp @qtange @tiredjxnna @yuminako @acheronie @sn1perz @akitokisser @siu-ssi @artri-ad @hyeinszn @saeskiss @bubblegum-angelquartz @boomie-123 @moni11032 @sandwichmyonetruelove @cherrybb-ily @itztaki @dontmindtheevie @hotgirlshit5 [1/2]
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matan4il · 1 year
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Buddie 618 meta
Since this could have been the show finale, not just this season’s, I hope you allow me to do a small overview of the ep as a whole with this in mind.
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I’m gonna be honest, I want to send ABC a bouquet of flowers, because if this would have been the show’s last ep, it would have been an incredibly disappointing one. Not that it didn’t have merit. 911 has always been about the importance of the good that we do - for ourselves, for our loved ones and for strangers. That’s why the significance of this ep’s emergency was actually great. We got to see the 118 saving themselves, each other and be saved by a complete stranger, who wouldn’t have been there if it weren’t for the 118 saving him four seasons earlier. My issue with it is that it would have been better IMO to spread out this emergency over two eps, really give it room to resonate emotionally, in much the same way that Buck’s lightning strike did. That would have also left more airtime for the team’s personal lives to get closure.
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When looking at the personal resolution to the 118’s stories, I did like the return to Henren’s adoption via foster care storyline, it needed closure and I’m so happy this is the one it got. I have talked in more than one fandom about the importance of showing how same sex couples ACTUALLY go about becoming parents, so I think this is extra significant. I can’t wait to see this not just being a wink at the end of a show finale, but an actually developed storyline in s7. I also think “Here’s to more chaos and more love” is my fave line in this ep and a perfect summary of the best of 911. I also loved Bathena getting to go on their honeymoon, getting to live carefree for a moment. They absolutely deserve this, and it felt even better thanks to being a callback moment. I also enjoyed seeing Madney seal the details of their wedding. I have loved and enjoyed them since Maddie called Chim cute in 206, they deserve all the happiness and joy, and to me, having to see her twice this season bracing herself for the possibility of losing Buck and / or Chim (in 611 and now) made it even more meaningful to see Madney happy by the end of the ep. Again, I can’t wait to see the actual wedding in s7. It’s gonna melt all of our hearts. Still, all of these resolutions felt a bit rushed and I believe they could have had more of an impact if they were more than blink and you miss it moments during the final montage.
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But if those felt underdeveloped, that’s nothing in comparison with Buck and Eddie’s personal lives’ resolutions. Was 911 really going to leave them with the “endgame” of women who literally only showed up as Love Interests in the last couple of eps of the show? If I weren’t a part of fandom, as a casual viewer, I would sincerely not have even remembered Marisol from her emergency, so I would have been confused by her and Eddie’s conversation. In fact, I found it funny that when Eddie wants to text her, it’s presented as a disruption to Bobby’s talk, just like Buck’s call with Kameron. I also thought it was wild that we discover Marisol and Eddie exchanged numbers, because that most certainly wasn’t even hinted at during 617. We clearly saw him walking away, they exchanged a last look, and that was it. Eddie and Marisol are so underdeveloped, we don’t even know how they happened! Did Marisol rush after Eddie? Did he come back to ask her for her number? Did they both decide to take the leap? How did the conversation go? Why was their phone call in 618 so awkward if they had already made their intentions clear when they exchanged numbers? We have zero answers to these questions. This was so forced, so unearned, so underdeveloped, it makes it painfully obvious that it was done just to not leave Eddie heterosexually single. Because I’m sorry, homosubtextually, he’s been married for years.
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Which brings me to Buck and Natalia. I gotta roll my eyes at my own 615 meta, where I talked about the meaning of her name connecting her to birth, now we literally had her at the birth of Buck’s bio kid. What a piece of ironic foreshadowing. And yet, despite Natalia being a bit more developed than Marisol, despite the fact that Buck had what was maybe the most invested in personal resolution in the finale, it was still a let down for me. We have mostly seen why Natalia doesn’t suit him in eps 615 and 617. She did come back in the finale, but then so did Taylor in 414. That doesn’t mean either woman fits Buck as a partner. I’m left with the uneasy feeling that we have here a rerun of that s4 finale in terms of the ep shoving both men into relationships with underdeveloped LIs. TBH, the juxtaposition makes 618 worse IMO. Because the comparison with Marisol and Natalia actually makes Ana and Taylor look slightly more invested in! That says a lot about how little 911 cares about the 618 LIs. But it also gives me this bad sense of stepping in place with Buck and Eddie in terms of their romantic development. For example, the fact that Buck ends up tying yet another one of his couches to yet another gf at a way too early stage of their r/s (too much time couldn’t have passed between Kameron giving birth, ruining Buck’s couch, and his conversation about getting a couch together with Natalia since he was just getting around to having the old one looked at to see if it could be saved. He’s once again rushing into commitment with a girl he doesn’t yet know well enough, and who we saw in 615 he was idolizing as truly seeing him, when the truth was very different or she wouldn’t have run out on him in 617. I also can’t tell you why Natalia came back based on the few interactions we’ve seen between them, we haven’t had a single meaningful moment between them so far to explain it, making it clear he’s going in circles. I do suspect Buck doesn’t realize this is him repeating past mistakes, he thinks this is progress given his ability to let go of the baby, which could be an interesting angle to explore in s7. But probably what makes giving Buddie rushed heterosexual “endgame” LIs worse is that every bit of development either man made that isn’t about their love life got sidelined in this ep...
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I think in a sense, the underdevelopment of all of Buck and Eddie’s LIs, even the “endgame” ones in what could have been the show’s finale, might actually be a testament to the power of Buddie. If a showrunner knows they could never hope to develop any LI to have with either Buck or Eddie even a tenth of what they have with each other, that can explain not even trying. In fact, we got a reminder of the strong bond between these two men during the call. Buck saved Eddie, just as Eddie saved Buck during the lightning strike. The way they looked at each other, the zoom in on their hands grasping one another, was very emotionally poignant exactly because we have seen these two losing their whole damn minds trying to save the other man on more than one occasion. And Buck used the words “I got you,” a reminder that they will ALWAYS have each other’s back, on and off the field. 
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The good news is that ABC has a chance to correct the course of where this finale left off. I do believe the move is being done knowing they would have to rejuvenate 911 if they want it to fare better than on Fox, and I think that giving Buddie the room to become canon would be exactly that. But I have said in more than one of my ask replies that to me, no matter what, this show has been telling the epic love story of Buck and Eddie, with the little family they built. Whether TPTB go through with that canonically or not, this is what they gave us. And nothing will take that away from me. If 911 ends with Buddie being single, I’ll just assume their feelings realization and confessions happen after the end of the show. If 911 ends with “endgame” heterosexual LIs, I’ll just know that those couples eventually break up at some point during the 118’s post-show future, and then Buddie finally get together. Because that’s the story we got over the course of the last 5 seasons, one that only has a single possible resolution, whether the show itself gives it to us or whether it forces us to have to imagine and write it down in fix-it fics ourselves. We ALL know what we saw. We ALL get what Buddie have. We ALL see how that inevitably would lead to them getting together sooner or later, and if it doesn’t happen during the show, then later it is, but it WILL happen. That’s how I look at the show, and that’s why even if this were the last ep of it, it still wouldn’t have destroyed Buddie for me. I hope this POV can help others, too.
~~ I’m gonna be here during the hiatus, if anyone wants to be here with me. Thank you so much to all of you who made s6 a lovelier ride by taking it with me! I’m endlessly grateful for every single one of you. xoxox
~~ (my weekly meta posts) (my Buddie gifs) (all of my content)
~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here.
~~ Thank you to the amazing @whosoldherout​​ for making this season so much better with your gifs, for these meta posts and in general!
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mhsdatgo · 3 months
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Hotd writers choosing to adapt Mushroom's records out of everything they had in hand is the worst decision they could've ever come up with btw.
It's been stated time and time again that while F&B is purely built on records and gossip and morphed retelling of events out of bias and propaganda, Mushroom is the LEAST reliable of all the sources. He's a fool at Rhaenyra's court, his job is make people gasp and laugh, not retell historical events.
We're talking about the same guy who said that he had a penis large enough to match the size of his head, mind you. Also, he's obsessed with little girls giving BJs to Targaryen men somewhere in Flea Bottom. It's happened twice according to him.
The writers' reasoning for this choice is basically that F&B was written by Maesters and Septons, who were all greedy men, apart from being Green supporters. So anything they say is false, anything they say is written with sexist intent. Writer's intention was to do the exact opposite.
Then tell me, for the love of God, tell me, why is every woman apart from Rhaenyra, who is clearly whitewashed and I can go into heavy detail about that, basically shunned?
The Maesters claim Alicent left Viserys' body to rot and swell for days preparing and LEADING Rhaenyra's usurpation. She's the leader of the Greens, she and she alone. Not Otto. The Green Council answers only to her orders, they are loyal to HER.
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I've seen people argue that since Alicent is what Maesters view as an "ideal" woman, then they would try anything to paint her in the best light possible. While I agree that this may be true, I don't think this is the case. In history books, even in real life, women are rarely painted as leaders or important figures.
For Queen Alicent to be written as THE face of the Greens, you know this mama wasn't playing around.
Now, how is this:
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In ANY WAY, even comparable to THIS?:
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At the end of ep.8 and quite literally the entirety of ep.9, Alicent is shown as a lost woman who doesn't even seem to know what she's doing, pushed by Viserys' last words about prophecy rather than SHEER DESIRE to get her hands dirty for her children's safety (which by the way will always be superior imo). The Green Council conspires behind her back, and on top of it all, she's yelled at by one of her own men and is made to take it like a beaten dog.
Moreover, we had Helaena's ROAST (yes it was a roast, my Queen inherited cunty lines from her cunty mother) against Aegon and her coronation, the latter being addressed as something quite wholesome, if you ask me. Alicent places her own crown upon her daughter's head and calls her "my Queen" after kissing her cheeks and kneeling. Afterwards, her and Alicent are literally written to be the only ones who could get through Aegon II's thick skull when he wanted to start the war right then and there as a result of Rhaenyra crowning herself on Dragonstone.
You hear me??? Aegon sat down and fucking listened to the two women in his life. Not the Council, them. These two were dogwalking him, the KING, on the daily, how is that sexist writing on the Maesters' part????
Yet these things are nowhere to be seen in Ryan Condal and Sara Hess' "progressive" show. We got beaten dog Alicent and Helaena being nothing but a walking spoiler machine other than yet another instrument to paint Aegon as the big bad wolf and usurper. Not a single scene of them counseling Aegon.
Baela and Rhaena have nearly no lines or scenes that don't show them in the presence of the Strongs. They are seemingly okay with anything Rhae throws their way because it's Rhae. The one and only scene about Baela openly speaking to her grandma about her wish to fight for Rhaenyra was deleted.
Meanwhile, Rhaenyra is stripped of her rage and thirst for vengeance, and instead made to negotiate for peace while in the books she was the one pushing to go to war first.
Can you tell me, again, how the fanfiction that is Hotd supposed to prove that they want to be "progressive" in contrast to the Maesters' "sexist" work, when literally all they do is whitewash Rhaenyra and sideline any woman who isn't her?
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visenyaism · 7 months
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what do you think alicent & criston's relationship is from alicent's point of view? and why did she hire him after ep 5 if she's kinda obviously against murder?
so episode five is one of alicent’s lowest points: no real friends in court, evil all-powerful father exiled to oldtown, husband doesn’t give a fuck about her other than using her body when he wants, and then also she finds out the ONE point of solace she was going to have, that Rhaenyra was going to be equally as miserable as her in her own marriage so at least they’d suffer together, isn’t even happening because Rhaenyra fucked a hot knight and then lied to Alicent’s face about it and used it to get Otto removed from court.
and then Criston shows up and puts his entire life in Alicent’s hands because he is that devoted to following the Arbitrary Society Rules that Alicent’s mind prison is made up of. She’s never really had that kind of power over anyone before. And even when he snaps and beats a man to death with his bare hands at Rhaenyra’s wedding it’s because of his deep sense of shame about losing his honor because of those rules. Criston tries to kill himself to maintain his construction of his own honor, Alicent offers him a way out.
After that, I think the core of their relationship is that Alicent DID find someone to suffer alongside with in the confines of devotion to extreme societal duty, but instead of Rhaenyra, it’s Criston as the One True Chivalric Honor Knight and Alicent as the One True Dutiful Queen. Criston is the ONLY person in her life who is willing to acknowledge out loud that Rhaenyra is breaking the rules, and you can’t break the rules because if you could break them this entire time why has Alincent had to ruin her entire life over and over again to follow the rules? Everyone else was telling her she was literally insane for years for pointing out that Rhaenyra’s kids aren’t Laenor’s or for trying to say that it was unfair that the King cared more about her than he did Alicent’s children. Their codependency was built on shared resentment of AND devotion to these rules and it is soooo insane and very fascinating. i hope they stay miserable together forever
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wen-kexing-apologist · 3 months
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Last Twilight: Ep 12
The TL;DR of this post is just... Sincerely what the fuck?
I remember posting after Episode 1 that I was keeping a suspicious eye on the mention of the eye donation because while I do think in real life disabled people have the right to manage their disability any way they want to and would support someone's choice to get a cornea transplant, real life is not fiction and fiction is designed to pull messages and themes from. Episode 12 from almost it's first moments completely undermines two and a half month's worth of messaging about learning to accept a new reality. I don't think it is foolish of me to assume based on the set up of the first episode that Last Twilight was supposed to be an exploration of grief as told in conversation and parallel between someone who lost a loved one and someone who lost their vision.
If this story had continued in the way it started out the first half of this show, I honestly think it could have been a 10, those first few episodes I was enjoying so much I was worried it might knock out Moonlight Chicken as my favorite Aof offering. Now I have rated Last Twilight as a 3, I will never suggest it to anyone and I will never rewatch it. Why?
Because from a fictional narrative perspective, having Day gain his vision back at the end undermines the entirety of the show's messaging from the first 11 episodes. Every single lesson, every single message just absolutely obliterated by every moment of Episode 12.
Day getting his vision back right as he and Mhok get back undermines the narrative in the following ways:
Rewarding Day for managing to create a successful and happy life as a blind person (literally like "hey you graduated and ran a bookstore while blind! Congrats you get to be normal again!)
"Rewarding" Mhok by insuring that he never has to do any caregiving for Day going forward so we don't get any navigating or expectation of Mhok and Day being in a longterm inter-abled relationship
We eliminate all chances that the subject of pitying Day re-enters any future fights, meaning there is now zero risk for Day maintaining a relationship with someone he worries might infantilize or pity him
It absolves Night of any remaining guilt he may be carrying from thinking he caused the accident that made Day blind
It absolves Day of any remaining anger at Night thinking he caused the accident that made Day blind
Mhon's ableist fucking ass gets her "normal" son back the way she confided in Mhok she'd hoped for after the first failed cornea transplant
It undermines the theme of the in universe Last Twilight novel and the conversation that Day and Mhok have about Mee being turned in to a statue on the top of the mountain and how that was hopeful because her father had found a sight so beautiful he couldn't think of anywhere else Mee would need to see and instead turns the message essentially in to: "there is hope, you can be cured"
It dismantles their cute couple thing of the one palm distance which also makes the OST that they played all the fucking time completely irrelevant
And most importantly, it undermines all the growth that Day went through while processing his grief and the two, TWO separate occasions where he came to terms with his disability
And that's just the disregard for the narrative messages, giving Day his eyesight back is incredibly ableist in the case of this story because of certain ableist through-lines woven in to the entire show. Namely:
While Day is blind, there is no reciprocity of care. Mhok is always taking care of Day, I cannot think of a single instance where Day really took care of Mhok in a significant way. By focusing so much on Day, and abandoning any strong focus on Mhok's grief over losing his sister, Day is never given an opportunity to be a support system for Mhok. Which is fucking ableist. Disabled people have so many things to offer the world, and while they might have specific support needs that does not mean that they can't offer support in return.
Mhok doesn't introduce Day to his family at their graves until after Day has his vision restored, and it is only then that Mhok says he has someone to take care of him. Able-ist!
Day gets his vision back almost immediately after a conversation with his mother where she says he wants to be normal and the fight he had with Mhok is normal.
Handling the entire story this way, with the break up, and a three year time gap, and then Day having his vision restored literally hours after he and Mhok get back together does not allow for any exploration of Mhok and Day having to figure out the differences between Mhok being his caretaker and Mhok being his partner.
We shunted literally every part of Mhok's backstory completely to the side, which in and of itself is fucking ableist in my opinion because it implies that able bodied people who are caretakers for or who are in a relationship with a disabled person don't have any time for themselves, to deal with their own shit or to have their own needs because they are too busy taking care of a disabled person.
With this being, what, the first main character in a BL with blindness, you want to go for the cure route after acceptance? Like you are rewarding someone for their bravery of handling their disability instead of allowing the disabled person to remain happy and thriving in the life they have built for themselves while they continue to be blind?
I'm not blind, so forgive me if I am overstepping at any point here but in my opinion, if you want a narrative that gives Day back his eyesight, that story that not be written by a sighted person. You need blind writers, people with the lived experience having control over the story so the narrative is better able to navigate the complexity of a decision like that, to reverse a character's blindness. I just think blind people would be able to minimize how much returning someone's eyesight might come off as ableist in a story like this. Additionally going the cure route is not a choice I think anyone should be making with the first BL that focuses this heavily on blindness. This world is so fucking ableist, if you want to make a story with a disabled main character with how slim of pickings there are, it feels much more responsible and subversive to go a disability pride route.
And these are just the issues around disability in this show, I have problems with the classism in this show, I have problems with the absolute ridiculousness of Mhok and Day's breakup and their reunion. MHOK APOLOGIZES, MHOK THANKS DAY FOR BREAKING UP WITH HIM, DAY DOES NOT APOLOGIZE FOR BREAKING UP WITH MHOK OR BLOCKING HIM ON SOCIALS FOR THREE YEARS BECAUSE MHOK PITIED DAY ONE (1) TIME. I get not wanting to be pitied, I get it, but seriously it is so much less compelling to have Day just completely abandon Mhok after all of the positive experiences they've had together because he messed up once rather than reel himself back in and have an adult conversation about what happened and try to get back to a balanced state.
Anyway, fuck this show. I am so disappointed that this is Aof's last directed piece for who knows how long. He could have gone out with a bang after Moonlight Chicken and now I am just fucking thankful I won't have to see anything else from him for awhile.
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negrowhat · 4 months
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Hello! Kind of a specific one lol, but what are your Top 5 “I need to pause this bc I’m so overwhelmingly pleased with what’s happening and need to take a breath” moments in BL from this year, if you have any?
Hey Opal! Of course I have had those moments this year! We've been gifted so many grand things this year.
Top 5 "HOLY CRAP I need to pause and take a breath" Moments. I'm sure these will mostly be NC scenes...
Hira and Kiyoi's bathtub scene from Utsukushii Kare: Eternal. Between Hira's excitement to bathe with his mans, Kiyoi's red embarrassed face, and him basically asking Hira to manhandle him more often???? It took me 30 minutes to watch that scene because I couldn't stop pausing and screaming! Also when Hira had Kiyoi facing the mirror??? AND TELLING HIM TO LOOK AT HIMSELF? AT HOW PRETTY HE WAS???? That about ended me. I just couldn't deal. Hira really gets to see the best parts of Kiyoi.
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The Kitty Scene from Bed Friend. I really don't think I need to explain this one that whole scene was insanely good. But highkey I think my fave part of that scene was King asking Uea to do this and not cashing in his "You owe me one thing" ticket he won in their bet. He didn't want Uea to feel like he had to participate in the Kitty Play. But what honestly that whole scene had me pausing every few seconds.
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The role reversal locker room scene in Pit Babe. Color me surprised at how well they both remembered their first encounter. Charlie turned on his naughty boy mode quite seamlessly and I literally kept pausing because I couldn't stop screaming...also Babe's moaning??? HIS FACES??? The SCREAMS I SCRUMPT.
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LomNuea's wedding in Wedding Plan Special Ep. It was just so fucking beautiful. I had to pause to gather myself because I felt like a guest. Loved that it was a traditional wedding. Loved that Namnuea's entire family was there. Love that YiwaMarine were there to represent Sailom's family because they're really the only ones who were always there for him. It was just really perfect and I was very emotional and crying all over the place. (I didn't even try to find a gif from the special ep because literally no one was talking about it.)
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Wen telling Jim he liked to eat old people from Moonlight Chicken. After their insane one night stand. Wen really looked Uncle Jim right in the eyes and told him he wanted to eat him up like breakfast. Well that's what I got from it. The sexual tension between JimWen was extremely strong in that scene...they still didn't even know each other's names but really I just had no idea Mix could deliver a line like that so incredibly seductively that I had to pause and rewatch it idk like 40 times...
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ASK ME MY TOP 5 BL ANYTHING OF 2023
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I keep seeing so many people here getting angry that this season is "vilifying Ed", and it's depressingly fascinating to see how others can watch the same show and somehow see something completely different. Is it simply the lack of media literacy? Is it the inability to appreciate and enjoy complex, nuanced, morally grey characters without willfully blocking out anything even slightly unpalatable about them to the point where the character they think they love isn't really that character anymore?
Because, uh... Season 1 already "vilified" Ed plenty. Except "vilify" is the wrong word, of course. It wasn't in any way malicious or mean-spirited, quite the contrary, it was often played as comedic (until the end of episode 10 when it was anything but) - Ed was always meant to be a sympathetic character, he's a protagonist after all, and the show's portrayal of him is very compassionate. It merely refused to sugarcoat or shy away from his darker side. He's literally history's most famous pirate, you don't become one by being nice and treating everyone gently. He ambushed and strangled his own father to death when he was like 9 years old (100% deserved and justifiable ofc, but it still bears saying it out loud like this just to comprehend how unhinged this actually was). He loves torturing and maiming people for fun, and sometimes even animals (that scene with forcing a turtle to fight a crab). He didn't give a fuck about his crew members dying to satisfy his whim to meet Stede. He entirely failed in his role as a captain in ep 4. He effectively played a double agent with Izzy and Stede for a while before changing his mind. He attempted to murder Lucius. And while you could try to argue his punishment of Izzy was at least to some degree deserved, not only cutting Izzy's toe off but forcing him to eat went beyond punishment, it was sadistic torture.
So, yeah, please just read all that and take it in. And then remember once again that Ed is also a traumatised, lonely, depressed, sensitive, creative, curious, deeply passionate person yearning for true love and for something different in life... just like Stede. He loves music and can play the piano. He wrote a very vulnerable song and sand his heart out. He likes his tea with seven sugars. He enjoys fashion and dressing up. He has such a limitless sense of wonder for the world. He went on a trek with Stede just to make him happy, even though he hated nature and was in a shit mood that day. He wants to host a talent show. He wants to become free. He's clever and funny and fascinating. I love Ed.
Yes, it's possible to reconcile those two sides of him and accept both sides as the "real" Ed. You have to reconcile the two sides if you want to enjoy him as a character, because if you don't, you're going to either detest him to the core (which would make enjoying the show practically impossible since he's sort of a main character...), or you'll only be able to enjoy a diminished, crippled, cardboard cutout version of his character, which would be such a pity and a massive disservice to the creators of this show who worked hard to create interesting, multidimensional characters.
Not to mention you'd be missing one of the core messages of the show - the idea that people still deserve love and can be loved even if they're imperfect, or not necessarily good people. Because love is a human condition. It's not a sole dominion of "good" people. "Bad" people can fall in love too - even if, just like them, that love isn't exactly "nice" or "pure", and neither are the relationships that stem from it. They can be messy and exasperating. But "bad" people can also grow and change because of it. That's what OFMD is ultimately about - growth and change, learning to accept yourself but also become better. That can't happen if the character is already 100% perfect the way they are.Ed is far from that. So is Izzy. They can both become better, and they both still deserve compassion and understanding, because that's the environment people need to become better.
So, if you're mad that at the start of S2 the crew are sympathetic to Izzy's suffering and want to help him instead of kicking him when he's down, and what Ed did to him is being acknowledged as cruel and wrong... congratulations, you have completely missed what OFMD is all about.
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Pt VII good omens S1E3 but i'm in a fever-induced haze and i watched it four days ago
Hello maggots it turns out I may have a viral fever... or perchance I'm just going viral in the GO fandom and Crowley being so hot has given me a fever (this is what I learned from years of studying thermodynamics). BAHAHAHAHAHAH anyway this is a LOOOONG post.
EDIT: There are time inconsistencies, as some of you informed me. Paint before wall slam etc. But this show does not follow linear time, just like me. Time is cosmic Play-Doh, and @neil-gaiman, Einstein and I are toddlers playing with it all bendy-bendy. We may have eaten some. I blame Neil. So I will correct nothing.
(im sorry to all my followers, the maggots, and everyone reading this post, i'm afraid this level of quality will be sustained for the rest of the post)
Whatever it may be... haveth my summary of Good Omens Ep3, or whatever I remember of it, anyway.
The second the episode started streaming everyone was yelling about the cold open in the chat.
I could be conflating this with Ep 1 but I think it begins with Aziraphale's gaslight gatekeep girlboss moment where he straight up LIES TO GOD about giving the dumb humans a flaming sword right after they fell from grace.
Hot take from someone who has negligible biblical knowledge, look at it, guys. What harm has an apple ever done to mankind (except to doctors)? Nothing. *nods vigorously* And then our lovely angel goes and gIVES THEM A GODDAMN FLAMING SWORD. Nice, fire and weaponry, this is going to go well for the world!
Anyway lesson is Aziraphale is a chaotic lil bastard and it's why we and Crowley love him.
Fast forward to uh, Noah's Ark... There is a unicorn and it runs away, which Crowley/Crawly seems concerned about. Azi is just chilling there watching all of humanity be drowned and Crowley, looking gorgeous may I add, walks up and she's like CHILDREN? WHY ARE YOU KILLING CHILDREN?
Did I mention that she looks gorgeous with those flowing locks because she does. It gives kind of Disney Brave vibes, doesn't it? Wait is David Tennant Scottish I WANT A DAVID TENNANT/CROWLEY MERIDA COSPLAY.
Anyway so Aziraphale and Crowley watch everyone drown etc
I may have missed a few centuries but then we have ol' Bill Shakespeare and Hamlet (David!!) and Aziraphale like the bean he is wants to cheer them on, and does it badly.
Crowley is standing there thinking man this angel is a fucking doofus why do I love him, and then they make a deal that allows them to do NO work whatsoever since their work cancels out anyway.
Aziraphale pouts at Crowley and Crowley melts inside and makes Hamlet a success though he doesn't even like Shakespeare's tragedies but Azi does and that's all that matters.
OH YEAH FRENCH REVOLUTION. Just to fuck with Aziraphale and because the painkillers are getting to me, I'm gonna do this one in my shit French (et non, je ne peux pas utiliser les accents, j'utilise l'ordinateur et je ne veux pas ouvrir Google). Alors, la revolution est la, Aziraphale veut manger (quelle surprise) et ses vetements sont tres chers, les sans-culottes le tueront, mais Crowley vient et Aziraphale dis "Crowley! Mon hero"
Okay I ran out of French but yes so he was gonna be hanged but Crowley came and Aziraphale's face literally melted and then he switched clothes with the guard and left him to die while he and Crowley went to dine happily (Aziraphale dined, Crowley was hungry for Azi because he has a watching-angel-eat kink).
Aziraphale being a casual accessory to murder/murderer is the most underrated part of good omens.
Fast forward and it's the holocaust and Aziraphale is tricked by some Nazis and they're about to kill him. But Crowley walks down the aisle to their groom, well, more like skips while yelping, and burns the place down for Aziraphale. Naturally Azi's like OH NO MY BOOKS and is ready to cry, then Crowley gently hands him the suitcase full of books unharmed and says just a little miracle for you, baby, want a ride home? And Aziraphale is left holding the books (which by the by Crowley does not care about, they do NOT read books, again, just for Azi) and looking like the happiest man alive and like he would die for Crowley.
Fast forward and we have Crowley in the sixties SERVING with her bob cut, anyone who doesn't like it can fight me to the DEATH, I LOVE HER, and anyway Crowley manipulates, manslaughters and manwhores her way into getting into the car with Aziraphale. He hands her a bottle of holy water because fuck heaven he would do anything for Crowley, and Crowley offers to drive him anywhere (mmmhm Crowley sure you're just being a gentledemon) and Aziraphale tells her that she goes too fast for him. IF THIS ISN'T CALLBACKED IN S3 WITH CROWLEY SAYING "YOU RIDE TOO FAST FOR ME, ANGEL" on a motorbike or horse or his peepee ANYTHING IDC im gonna throw hands.
I'm choosing to forget all the breakups so end cold open back in present day
They're in a paintball arena and Crowley presses Aziraphale into the wall while growling I'm not nice (ok Crowley bro maybe it's time to take a break from 2010s wattpad) and Aziraphale is just gazing adoringly at him. Ex-Satanic nun comes and is like oh my bad this is an intimate moment and Crowley turns around immediately cross that someone's interrupting them but Aziraphale continues to stare at Crowley's face hornily until he reluctantly looks at the nun too. Thanks for the acting choices Michael Sheen.
They hypnotise her and Azi melts when she mentions the antichrist's toesy-woesies and then they leave and Azi is hit by paint, Crowley circles him devouring him with his gaze and finally blows away the paint with an air kiss. I see you, Azi, I KNOW you can get rid of it yourself. Anyway then Crowley turns all the paintball guns into rifles and people start shooting and Azi is like THIS is my husband and they walk away to have drinks while the police swarms.
People were like 'Crowley only ensured no one got killed because of the look Azi gave him' like LMAO have you MET them? Aziraphale is always fucking down for murder, Crowley is the one being like FOR THE LOVE OF GOD AZIRAPHALE NO. Azi was like "shit we gotta kill the antichrist you do it" and crowley's like "bitch slow down we can literally just raise the kid right"
Anyway Crowley gaslights some demons about seeing the hellhound and ig whatever I said happened in Ep 2 with Dog actually happened here etc
The bandstand scene, fuck me. Crowley asks Aziraphale to run away together from the end of the world and Aziraphale says no and they're both sad
we're all sad too
the end
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