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#bill moor
letterboxd-loggd · 2 years
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Kramer vs. Kramer (1979) Robert Benton
September 17th 2022
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disneytva · 5 months
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Walt Disney Imagineering, Disney Yellow Two Shoes & Disney Television Animation wish you a happy new year and happy #DisneyTVA40.
This new New Year's card features all the WDW Passholder Magnets 2022-2023 redesings from Asia Ellington (“The Wonderful World Of Mickey Mouse” franchise, “Primos”) and Paul Rudish. (“The Wonderful World Of Mickey Mouse” franchise)
The piece features a hint of Walt Disney World Passholder Magnet redesings from José, Michael, Pierre and Fritz from The Enchanted Tiki Room
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demifiendrsa · 1 year
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Spider-Man: Across the Spider-Verse poster illustrated by Bill Sienkiewicz
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pepsimaxxing · 2 months
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nobrashfestivity · 1 year
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Photographs by Bill Brandt and sculptures by Henry Moore
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browsethestacks · 30 days
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Alan Moore And Bill Sienkiewicz
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kitsunetsuki · 9 months
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James Moore - Dress by Bill Blass for Maurice Rentner (Harper’s Bazaar 1969)
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hooked-on-elvis · 5 months
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What is your favorite part of the '68 Special?
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Pictures: Singer Presents  ... Elvis, commonly referred to as the '68 Comeback Special. 1968.
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For me, undoubtedly I say my favorite part of the '68 Special is the sit-down concerts, specially the reunion between Elvis and the remaining members of Elvis' former band, the Blue Moon Boys, Scotty Moore and DJ Fontana.
I wonder if the fans, not the specialized critic such as musicians and general people in the business but specially the fans, back then, while watching this TV special for the first time, understood or merely felt the significance of this moment. I wonder if they were surprised in seeing Elvis not only back onstage after a while but back onstage with Scotty and DJ Fontana by his side. Man, that was special! To me, the most special portion of the '68 Comeback. ♥
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Bill Black, bassist, unfortunately passed away in 1965, while Elvis was still full time engaged with his Hollywood career. Fans only wish Bill could have been there with Scotty and DJ. He had that irreverent performance that fascinates me, surely he would've been a great asset to the show. I only feel sorry Elvis, neither Scotty or DJ, ever mentioned Bill on the '68 Special, but its understandable the reason why. It wasn't about the Blue Moon Boys more than it was about Elvis returning to the stage. Even so, had Bill made it to this moment, man! That would've been something else. Even more meaningful than it already was.
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Scotty Moore: His memories on the '68 Comeback Special and 'behind the scenes': Elvis and The Blue Moon Boys performing in Europe?
Source: Excerpt of the documentary "Elvis: The Birth of Rock n' Roll" (2004)
Scotty reveals Elvis asked him and DJ Fontana if they would agree to go on the road with him again, this time performing overseas, in Europe. Curious enough, to that question, Scotty says Elvis called him and DJ Fontana to another room in his home, so they could talk in private - which was something unusual for him because "usually anything he had to say, he'd say no matter who was around".
For the longest time, performing around the world was something Presley aimed. Ever since he had been stationed in Germany with the US Army during his service time, a period he did paused his career therefore he didn't perform while in Europe between 1958 to 1960, reporters asked him if and when that moment would come when Elvis would go back to Europe but this time for live concerts, to the thrill of his passionate fans overseas who followed him career from afar, many since the 50s. Unfortunately touring outside US (other than few performances in Canada in 1957) never seemed the get the right time.
Once Elvis begin performing live again in 1969, after he was out of the movie contracts, Elvis' manager, Colonel Tom Parker, would always have excuses on the tip of his tongue for why an European tour, or world tour for that matter, would not be a such good idea. When Elvis received some death threats coming his way through letters sent to his crew occasionally, starting from 1969 on, those incident perfectly fit to Colonel Parker's intentions for his gold boy. Parker would use the incidents to manipulate Elvis to believe they couldn't do his security properly out of the US. Colonel would tell Presley how it would be too dangerous for him, besides they could make just as much money performing home as they have been doing so far.
Elvis never had this one dream of performing overseas coming true in his life, as much as another reunion between him and the Blue Moon Boys never came to be after the '68 Comeback Special. Scotty says that private conversation in Elvis' home (in 1968) was the last time he was together with Elvis like that, which makes this moment in history one of a kind.
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During the '68 Special (sit-down concert), Scotty submits a special request to Elvis for them to play "Lawdy Miss Clawdy" together.
The song was recorded by them on February 3, 1956, at RCA studios in New York. It was released as B-side to the EP "Elvis Presley", out in September 1956. The cover shows Elvis, Scotty Moore and Bill Black performing together.
Later, the song would be featured on the LP "For Elvis Fans Only" released in 1959. Elvis would frequently include "Lawdy Miss Clawdy" to his main setlists from 1970 to 1975, occasionally performing it in 1976 and 1977.
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No wonder Scotty picked this song. Maybe a subtle way of honoring late Bill Black. ♥
About their performance of this tune during the '68 Comeback Special:
As they jam together, Scotty gives a cue and Elvis tears into “Lawdy Miss Clawdy” with a raw assault of mixed emotion. His performance is so intense that it almost—in the best way—scratches the ears. Vocal cords that, so far, have proved their owner’s mastery with smooth singing are pushed to the point of fraying at the edges. As Greil Marcus noticed, when Elvis lurches into the number, what he experiences is a feeling that is both joshing and liberated. At one point, as the musicians jam together, it’s possible to hear Charlie Hodge getting carried away with laughter, as if bobbing in the fray of a heady, almost oceanic moment. In his underrated 2004 pocket volume The Rough Guide to Elvis, Paul Simpson describes “Lawdy Miss Clawdy” as “Elvis’s answer to Jack Kerouac’s On the Road.” Taking on this old staple in the Comeback, what the singer delivers is lusty, passionate, and commanding, yet also desperate, angry, and sad. He conjures with immense powers. — Mark Duffett (Counting Down Elvis - His 100 Finest Songs, 2018)
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Again, what is your favorite part of the '68 Special?
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abbystanaccount · 3 months
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here's some shots of Abby, Ellie, Dina, Owen and Bill modded into Left4Dead2, you can find the files here!
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nikidontsurf · 1 year
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Elvis, Scotty and Bill at The Cotton Club in Lubbock, Texas, April 29 1955.
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simply-ivanka · 4 months
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Sens. Shelley Moore Capito (R-WV), Bill Cassidy (R-LA), Susan Collins (R-ME), John Cornyn (R-TX), Joni Ernst (R-IA), Chuck Grassley (R-IA), John Kennedy (R-LA), Mitch McConnell (R-KY), Jerry Moran (R-KS), Lisa Murkowski (R-AK), Mitt Romney (R-UT), Mike Rounds (R-SD), Dan Sullivan (R-AK), John Thune (R-SD), Thom Tillis (R-NC), Roger Wicker (R-MS), and Todd Young (R-IN)
VOTE THESE PIECES OF SHIT OUT OF CONGRESS.
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geekynerfherder · 8 months
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'Starscream' by Bill McConkey.
Officially licensed 18" x 24" fine art pigment print on 300gsm Fedrigoni art paper, in a numbered limited edition of 60 for £39.99.
On sale Friday September 29 at 6pm UK through Moor-Art Gallery.
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elvisbooty76 · 2 months
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austinbutlermischief · 2 months
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balu8 · 7 months
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League of Extraordinary Gentlemen Vol.1 #2: Ghosts of Miracles
by Alan Moore; Kevin O'Neill; Benedict Dimagmaliw and Bill Oakley
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