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[xaropinhoicons]

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[alternativw]

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[editfandom]

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[alonedits]

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[illicithawke]

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[illicitwpsd]

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[lacet]

The world's cutest cast

Atypical especial [3/3]

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[satanstuffs]

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[lesaphique]

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[illenium]

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[alternativw]

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[notavago]

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[withoutpsd]

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[noiredits]

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[stansinpsd]

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[wits-writing]

Bill & Ted Face the Music (Movie Review)

How I have missed having new movies to talk about!

And this is a most excellent movie to use as a return to reviews! (Thanks to the non-heinous decision to release it for digital rental/purchase, rather than force people to go into movie theaters as a pandemic continues to rage on.)

Bill & Ted Face the Music, from director Dean Parisot with a screenplay from the returning duo of Chris Matheson and Ed Solomon, pays tribute to and enhances the legacy of the previous two movies. In the decades since the end of Bogus Journey, Bill S. Preston, Esq. (Alex Winters) and Ted Theodore Logan (Keanu Reeves), have done everything they can think of to produce the song they were told would unite all of reality back in 1989. They’ve consistently fallen short of their destiny with Wyld Stallyn’s big song from the concert at the end of the last movie only amounting to a one-hit wonder. All other attempts have only led them further into obscurity and increasingly esoteric musical experiments.

When chasing this impossible destiny finally has their lives on the verge of falling apart completely and the pair are ready to quit, Kelly (Kristen Schaal), the daughter of Rufus, appears before them with a warning. Reality itself has started coming undone and will only right itself if the song is performed within a 77-minute time limit. Bill & Ted decide to take desperate measures and see if any of their own future selves succeeded where they’ve failed. Meanwhile, their own daughters, Thea Preston (Samara Weaving) and Billie Logan (Brigette Lundy-Paine), go on their own excellent adventure through the history of music to recruit the perfect band for the perfect song.

Face the Music is a multigenerational journey through that which binds us through time, a long-awaited reunion for the creative team and lead actors, and the final payoff of the destiny that kicked off the whole thing.

And against all odds… It works!

[Full Review Under the Cut]

To be honest, the initial trailer for this movie did not win me over to this series revival. Seeing the leaders of the idyllic 28th century roll their eyes as Bill & Ted repeated the iconic “Be excellent to each other! Party on dudes!” had me worried this would be mean-spirited in a way that goes against the core of the previous movies. There’s a sincerity in those movies about these two dudes’ optimism and perseverance being able to overcome anything, from passing history class to coming back from the dead. This movie being about what happens when that attitude finally gets worn down by the years of banging their heads against the wall to complete the single most important task in the universe. Ted especially feels the weight of the years catching up with them, being the one to suggest giving up before the strict time limit gets laid out in front of them.

Doing nothing but chasing the success they were promised in their youth begins to threaten their ability to see outside themselves. Hints of that show early on with them and their wives all in couples counseling together. Which becomes more apparent as they travel to increasingly dire futures for themselves. The older Bills and Teds we see have lost even more of their charming positivity, often happy to insult, trick, or threaten their past selves for their own benefits. It’s a humorous literalization of how people look back on their own mistakes or deal with their fears of the future and as a bonus gives us a chance to see Winters and Reeves play increasingly bizarre versions of their classic characters. Though Bill & Ted’s struggle against their inadequacies only account for half the story of this movie.

The other half comes from Billie and Thea’s adventure through time. The duo is introduced as the only people left in the world still believing in their dads’ abilities to make the prophesized song. Growing up around every sonic formulation Wyld Stallyns ever created gave them a passion for and encyclopedic knowledge of music that’s unmatched, even by their dads. Lundy-Paine and Weaving embody the Millennial versions of Winters and Reeves’ Gen X archetypes. They carry on the positive spirit their dads have lost with a gift for recognizing the finer details of music across all genres and figuring out how and why it fits together.

That passion takes them on a journey through history that also reflects a maturation of how this film series approaches history compared to Excellent Adventure with who the girls recruit along the way. I won’t give away when they go or who they recruit, but it speaks to a more complete understanding of history than the original movie had with its time travel story. Though I will say it includes an extended cameo by a time displaced Kid Cudi as himself, who ends up being one of the best comedic performers in the entire cast.

As much as I love this movie, it’s far from flawless. There are two subplots that feel clumsy in their execution. One involving Ted’s dad, Jonathan Logan (Hal Landon Jr.), not believing Bill & Ted ever went on any of their adventure through time, space, heaven, and hell, which simply resolves when circumstances force him to believe it. More frustrating is the involvement of Princesses Joanna and Elizabeth (Jayma Mays and Erinn Hayes, respectively), Bill & Ted’s wives, or rather the lack thereof. The best I can say is that they at least aren’t damseled like they were in Bogus Journey, but that doesn’t make up for them being almost aggressively sidelined by the plot of this one. In a movie that hinges on Bill & Ted’s connection to their families, these subplots being so thin is hard to ignore.

For every frustration those subplots caused, there was some amazing new or returning element from the series to prop things up again. When the time comes for Bill & Ted Face the Music to bring all of its threads together for the concert finale across time and space, I was left amazed how well it paid off what all three movies have told us about Bill & Ted’s destiny. The twist they manage to put on the payoff is simultaneously clever and touching, even if it’s a little easy to guess early on. It creates such a warm, comforting atmosphere within the movie that’s difficult not to give into as it plays out.

This is worth every cent of what the digital rental/purchase costs, especially if you’re a fan of the previous Bill & Ted movies.

Be excellent to yourselves, watch it, and party on dudes!

If you like what you’ve read here, please like/reblog or share elsewhere online, follow me on Twitter (@WC_WIT), and consider throwing some support my way at either Ko-Fi.com or Patreon.com at the extension “/witswriting”

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