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#but also because like. i was not a human being. that was not a person in there
tofixtheshadows · 2 days
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You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.
The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.
For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.
I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.
Like, this
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is funny.
But this?
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Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.
The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.
I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:
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Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.
And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.
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lowgothree · 2 days
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𝐀𝐍𝐘𝐓𝐇𝐈𝐍𝐆 𝐁𝐔𝐓 𝐘𝐎𝐔 ━━ ❛ 𝐅𝐑𝐈𝐄𝐍𝐃 𝐎𝐅 𝐀 𝐅𝐑𝐈𝐄𝐍𝐃 ❜
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chapter no. 001!          
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𝗈𝗈𝗈.               ⠀CONTENT : paige “with” another girl (for the plot). reader is so terribly down bad. also, i don’t proofread so if you see typos or grammar mistakes i’m sorry. and this chapter is kinda boring but it's necessary soo.
𝗈𝗈𝗈. ⠀      WORD COUNT : 1.5k
𝗈𝗈𝗈.   ⠀AUTHORS NOTE : yall seemed to like the prologue so i hope yall like this too!!
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THEY’RE KISSING. and she’s enjoying it, by the looks of it. you can tell because she’s doing that thing where she pulls the other person closer like they could never be close enough. the thing she used to do to you. 
it’s almost comical that the first time you see paige again, she’s kissing some other girl with eyes like yours outside the diner where you and the girls were. she thinks she’s being sneaky (she’s not). she always thought she was sneaky, you remember that much. in fact, you somehow remember everything about the blonde except what her lips tasted like. so of course you’re a little jealous, feeling a bit out of the loop. that’s normal. right? and maybe definitely it’s stupid to mourn so deeply over a relationship that you ended but, whatever, you can’t help that you miss her.
there was nothing human about the feeling, it was more like a typhoon or a volcanic eruption, something so completely out of your control. it was purely sickening…but whenever you see the peroxide-blonde with someone new, you  find yourself apprehensively scanning their hair, their skin, the words that they would say –– always finding a hint of yourself within them. the delusional part of you wanted that to mean she still wanted you, but logic said that maybe she just started having a type. but then you’d think back to before…the paige before you never had a specific type. but since you? there’s an unmistakable one. but that’s not enough proof that she still feels for you. in fact, it’s nothing. it’s hard not to see yourself when you’re actively looking for it. you’d keep up with the torture by staring at paige kissing that girl through the window but then you feel a sharp kick to your shin from underneath the table. 
“stop staring, perv.” nika mutters, rolling her eyes lightly. although nika was one of the few people who knew about the dead relationship, she didn’t know that your feelings for paige still lingered. she only knew what paige told her, that the two of you were friends.
“i wasn’t ––”
“you were.”
okay –– maybe you were. you sigh silently to yourself, taking a sip of your milkshake. this is the first time you’re actually hanging out with your friends together rather than just one on one (which you only did because you didn’t want to see paige). the two of you agreed to be friends but that was clearly not going to happen. however, you felt bad for denying your friends every time they asked to spend time with you. so, you sucked up your pride. you could spend an hour in paige’s presence, it wouldn’t kill you. at least not literally.
angel, a redhead who shares a dorm with nika and a major with you, is sitting in between azzi and you. she’s eyeing you carefully, after all, the two of you are very close and she knows why you and paige broke up. she also knows that you still care about her. her gaze is simultaneously suffocating and protective.
“...are you okay?” she whispers only loud enough for you to hear. you simply nod, munching on your fries trying not to look out of the window again. in truth, your head was spinning. you haven’t seen paige face to face since the breakup. you were hoping you’d never have to again…
then she finally enters, walking up to the booth. every step she takes is just as confident as they always are. her hair is down, running across the length of her back. her eyes meet yours, they’re more familiar than your own name. her beauty is still unquestionable –– but you wouldn’t admit it. it would make looking away from her even more difficult. so instead you pretend not to look as she sits down at the booth right next to nika…right in front of you. she pokes nika’s side just to piss her off  before snatching a fry from angel’s plate and dipping it in her own milkshake. angel rolls her eyes but says nothing.
“that’s disgusting.” nika turns up her nose as paige bites it. 
“don’t knock it till you try it.” paige dramatically licks her fingers. nika makes a fist, gently hitting the table a few times with her knuckles. you chuckle at nika’s attitude.
“what are you giggling about? you used to like it too.” paige mutters, smiling lightly but her words send a pang to your chest. nobody else seems to catch the bitterness in her tone….but you do. her eyes look almost guilty when she sees the sharp intake of breath you take. but before she could say anything else, you look away. you avoid her eye contact like it’s deadly.
nika clears her throat, eventually sensing the tension, and turns her attention to azzi whose eyes are close and head is rested against the booth. “you okay?”
“mhm…just really tired.” she mutters, opening her eyes to sip her lemonade. 
you chuckle. “i bet you are, we stayed up all last night studying.”
“finals?” angel questions.
“yeah…” azzi mumbles.
“can we please not talk about that right now?” paige groans.
“says you, scholar athlete.” azzi mutters, rolling her eyes at the blonde.
“she’s too busy with that girl to focus on studying these days.” nika chuckles. angel looks over at you for a quick moment but you keep your gaze steady on your plate.
you nearly jump out of your skin trying to relax your tensing shoulders before someone notices. you ended things with her…she couldn’t even call you her girlfriend. so why did it hurt so much to even hear of someone else in your place? this wasn’t exactly the plan, you were meant to move on by now. but seeing her…again…all you can wonder is what she’s thinking about right now.
“who? cleo?” paige snorts. “we’re not talking about that either.”
cleo. cleo. the girl who just had her tongue down paige’s throat no less than ten minutes ago. you feel sick to your stomach at the mention but you hide it well, then you feel sicker when you think about how pathetic it is that you even felt this way to begin with. it’s just another indignity among many.
“why not?” nika mutters. “it’s more interesting than talking about studying.”
“true.” azzi adds.
paige looks over at you, her way of saying that she’s not going to talk about another girl in front of you. “where’s aubrey?” 
you appreciate the conversation shift even if you know it’s in vain. they want to know about this mystery girl and honestly, so do you.
“late.” nika mutters.
“i ordered her food for her.” angel smiles softly. 
“and she’s gonna wanna talk about the girl too.” azzi chuckles. angel’s leg shakes underneath the table, she’s clearly empathetic for you. she knows the girls don’t mean to hurt you but she also knows that it is hurting you. you wanted to relax her, make her feel less guilty for not saying anything even if she wasn’t participating in the conversation.
so you chuckle lightly, pretending to be completely fine and say, “can you please be still?”
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“can you please be still?” you sigh softly, braiding her hair in its signature style. paige is sitting in front of you on the bed with her legs crossed. she has a game later, and she asked you to braid her hair for her. 
“you’re pretty.” paige mumbles as you finish up her first braid, still squirming at your touch. 
for a second you almost forget yourself, paige being damn near sickeningly sweet. she seems to notice how her words have temporarily struck you, pride swelling within her since she loves making you happy. 
you shrug it off and remember that her back is facing you, so you chuckle at her commenting on your appearance. “you can’t even see me.”
“i don’t have to. i’m thinking about how your face looks right now.” she turns back to look at you over her shoulder. “pretty.”
you bite back a smile, turning her head back so you can braid the other side. “you’re corny, you know that?”
“i’m enamored.”
“oh, someone learned a new word.” you snort, continuing braiding her hair, being as gentle as you can with her. (though it gets increasingly difficult when she won’t stop moving).
“shut up.” she mutters. “i’m super smart.”
you finish braiding her hair, tapping her side to let her know that you’re done and she can go look. she stands up from the bed, long legs taking her to the dresser which has a mirror over it, she eyes her braids carefully. “they’re a little crooked, babe.”
you roll your eyes. “cause you wouldn’t stop mo––”
she turns back your way, walking back to you. paige towers over you while you sit on the bed, she puts a hand under your chin and kisses you. “i’m joking. they’re perfect. thank you, baby.”
“anything for you…” you whisper back and your words make her smile. it’s wide and toothy –– the most beautiful thing you’ve ever seen.
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Also, I would like to add that Malleus’s blatant disregard for the autonomy of others and fits of rage is DELIBERATE on his end. Being one of the top five mages in the entire world, I am sure that he KNOWS there is a large disparity between his power/social and the rest of the peers/subordinates etc. His sheer and utter confidence in his abilities to get what he wants and general disregard for others isn’t only an indicator of his awareness about this disparity, but is also a reflection of the abuses of his power AND social status as a whole.
In light of his age, imagine the amount of times he has repeated these mistakes despite others advice and criticisms against his choices. Only Ace has been able to overcome others general reverence and fear towards Malleus when it came to calling him out. He is not an innocent person who is ignorant about the ways of humanity verses faes, and is certainly not the innocent character the fandom (especially those who are infatuated by him) think he is.
[Referencing this post!]
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***Standard disclaimer: In sharing my thoughts, I do not mean to disparage Malleus fans. Furthermore, me disliking him should not detract from your own enjoyment of the character. If you do not feel comfortable reading about this topic (ie critique of Malleus’s character), then I encourage you to scroll on and to not engage with this post.***
My thoughts below the cut!
I do feel that, to some degree, the disregard for others and inappropriate fits of rage come from blatant ignorance (since Malleus did have a very isolated and sheltered upbringing). However, it's also hard for me to believe that in his 178 years of living that he was NOT told countless times by those around him (mostly Lilia and his grandmother, Maleficia) to wield his power and social status more tactfully than how he has. Did he take none of those lessons to heart??? What about the 2-3 years he spent living among the non-fae at NRC? Nothing from then too?? Regarding self-awareness of his strength and social status, Malleus has made it clear on more than one occasion that he stands above others. Right from his first appearance in the main story (in book 2), it's implied he's well aware of his position--so much so that he deliberately hides his identity from Yuu. He also cannot propose to Eliza in Ghost Marriage because he is the crown prince of a nation. Time and time again, Malleus's status is mentioned and it plays into his importance as the sole heir to Briar Valley. He must also know he is powerful, given that he is one of the top 5 strongest mages in the world and can perform incredible feats (like reassembling a stage and walking through Vil's poisonous miasma in book 5) like they're nothing. His grandmother and Lilia tell him the Draconias are powerful and shouldn’t use their magic to harm, but to help those they rule over. Yet he seems to have surprisingly few qualms when turning these powers against people who are only at a fraction of his power (Rook, his dorm mates, everyone in the Scalding Sands trip group, Ortho, etc.) or have no magic at all (remember when he attacked those civilians in Terror is Trending and the other Diasomnia students had to restrain him?). Malleus may be emotional in these moments, but the fact remains that he's making the deliberate, intentional choice to wield his magic in this way. He has the ability to hold himself back (as we see him refrain from fighting Rook in Malleus's PE Uniform vignette, only because he knows Rook is baiting him), but the vast majority of the time he fails to do this. For someone who is acutely aware of his power, you'd think he would... I don't know, keep a better leash on it? And what about his identity? So Malleus is concerned about Sebek insulting Leona (the prince of another country) but he ISN'T concerned about how his own fits of anger poorly reflect on himself, who is the CROWN PRINCE of a country??? Please make that make sense... Why is Malleus so selective 💀
I'm actually quite shocked at how little Malleus's pride and arrogance is pointed out; it's usually Leona who gets those labels even though Malleus is also just as arrogant, prideful, and confident in his own powers. Most of the time, I feel like I see Malleus being called "innocent". Maybe his negative traits on display get overlooked because TWST tries so hard to present Malleus to us as someone we are supposed to like (especially with how often they use his overpoweredness or loneliness is used as a punchline for jokes). Our interactions with Malleus are also so few and so short, particularly early in the main story, that fan project their own ideas about what he's like onto him and that forms a certain “image” of him that may not be the same as how he actually is. Him being lonely makes it easy for fans to perceive him as desperate for company and even easier for fans insert themselves as his “special” friend or S/O to fill the void.
It's... quite ironic, really? Malleus says in Riddle's Suitor Suit vignettes that he is familiar with the concept of "noblesse oblige", which is the implied duty of the privileged and nobility to act gracefully towards those less privileged. Yet... he is sometimes overstepping "fae playfulness" or "teenage childishness/immaturity" and continuously creating situations which put people around him in danger (all of Endless Halloween Night, not holding back his attacks against the Magicam Monsters, all the times he let his temper get out of control, book 7 OB, etc.) When defending the extremes he took in book 7 by citing his status and his UM, Malleus has this to say, which is very telling of his lucidity: "Monitoring? Meddling? Heh, how silly. It's a king's duty to govern, is it not? I'm watching over you. To ensure no nightmares befall you in the fairy tales you now reside in... To ensure you have happy dreams that last forever!" It's implied that Malleus's grandma has told him since childhood that their line has powerful magic to protect their people's smiles--and here he is, overextending those words to people that aren't even his subjects, and twisting the meaning to justify his own brutal rule.
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What I noticed is... Malleus is often so oriented on seeing the situation from his POV that he fails to consider those from any entity aside from himself. In Endless Halloween Night, he feels sorry for the ghosts who showed up late and were left out of the festivities because he can relate to them, so therefore he wants to make sure they are included. In book 7, Malleus fears his loved ones leaving and projects this fear onto everyone else so he feels right in being the one coming in to be their "hero" and grant them happy endings they never asked for. In his own Dorm Uniform vignettes, Malleus frames the circumstances as, "I wouldn't be mad if you did the same thing to me" instead of listening to his peers' complaints. He centers problems around himself (which admittedly is very frustrating to me), and this is how Malleus tries to understand and navigate the world. This gives me the impression that he has a very particular way of thinking and it's perhaps difficult for him to understand others, even with extensive pointers.
I truly believe Malleus is ignorant about humans and fae. That much matches up with what we know of his history. What I do NOT get is why he continues to remain ignorant when 1) he has spent a few years exposed to non-fae and their ways; even if this pales in comparison to the 175ish other years of his life, he should have some new basis for appropriate social interactions with other races, and 2) most of the major adult figures in his life are exposing to him he should consider others' perspectives and try to learn more about that which he is unfamiliar with. Malleus has so many opportunities to expand his horizons and get to know new people, but he seems to sit around and keep waiting for others take the initiative for him. But he could initiate too, so why doesn't he???? (He has shown he is capable of it, as he approaches Deuce to fix his virtual pet and chatting with Idia about the same pet in the main story; if not by himself, then Lilia can easily assist or invite him into activities such as the Silk City trip.) Even if Malleus fails to socialize in a way that's considered appropriate, at least that's something he can learn from and correct for next time... But why doesn’t he????????? If he did, it would sure help out with his inability to empathize with his peers and could even curb his temper (which would be seen as socially inappropriate). So why exactly does he seem to know so little and make so little effort to try and rectify this???? Why does he keep postulating that his word is above everyone else’s and then get upset when people don’t like him for this very alienating attitude? Aaaaah, it's a sad cycle to witness him devolve into again and again... 😭
P. S. Bless Ace for being the one character who still held it against Malleus for the fucked up “prank” he pulled in Endless Halloween Night (and then convincing everyone the misunderstanding was their faults for “attacking the ghosts first”).
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ronintales · 2 days
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ೃ₊ 🌾 ❝ So When I Die ❞ ╰►, Gojo Satoru
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𝐒𝐘𝐏𝐍𝐎𝐒𝐈𝐒 | following gojo satoru’s death, his ex wife is in charge of taking care of his funeral service and everything else that comes with it.
𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓 | 4,676 words
𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 | character death, possible spoilers, funeral, angst, and not proofread ;p
 𝐍𝐎𝐓𝐄𝐒 | I did NAWT want this to be my first work on here but due to certain circumstances…. AHEM his DEATH!!!! I felt it was necessary because laik… grief LOL. I wrote this a while back tho. Enjoy.
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꒰ 💌 ꒱ ♡ ༘° 𝒅𝒆𝒂𝒓, gojo satoru …
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Your ex-husband is dead, and in his line of work, yes, you know that he has a higher risk of dying than the average person, but still, death never comes expected, does it? Even if he always says—oh wait… used to, you suppose, say that he was crazy strong and no one could ever take him down. Well, he was wrong in the end like a bunch of other things. Like how well he took care of you, how he’d give you six kids, how—you won’t ramble, noting he’s dead now and there’s no point, but also because it’s quite rude of you to talk down on someone who is dead and can’t defend themselves. Whatever.
You just… don’t expect it. Yes, you understood he was hard headed and insanely cocky, but in a way… you always believed that he would always come home alive and, even if he did get hurt, he would be okay eventually as he heals. You don’t forget it, he’s only human, you know because of the many mistakes he’s made, but still… he’s… he’s gone?
You hesitated when you heard that. Gojo Satoru, the so-called love of your life from two years ago, is dead? Impossible, you think. Gojo Satoru found death embarrassing, with all the things he said. He said that he would be okay. He was always okay. What are you supposed to say to that?
When you get the call, you wonder why you, of all the people in his life, were the one they called to inform about his status. Why did you have to go to his place and clean out all his things? Take all his belongings with you? At first, your instinct was to say “throw it all away,” because what does Gojo Satoru mean to you now? You’re not his wife! He neglected you for years and filled your days and nights with sorrows. He broke your heart. But still, he didn’t mean nothing to you at the same time.
Those precious years of being his acquaintance in middle school. When you had shorter hair and he didn’t know much about you other than you were in his class and he had bought you cute white socks for your class gift exchange on Christmas that year. The long years that Gojo Satoru pined for you after you both attended the same high school. The hard and dark times he went through losing Suguru and shutting you out, though he loved you for so long. When you turned twenty, and Satoru had gotten better, to the point where he felt he was ready to move on and continue with his pursuit for you. When you turned twenty-three, and got married to him on a spur. When you moved in and shared a bed, until the marriage got cold and most nights you spent alone.
You couldn’t say for the past fourteen years, Gojo Satoru was nothing at all to you. The news was shocking, and knowing he was dead… did you have to be careful about how you felt about him, or how you thought of him? Well, now that he is dead, should you be so ruthless and hostile toward the man who broke your heart? You don’t know, so naturally, and it really just slips out, you agree to take care of the process of his passing.
For the most part, you’re calm. You don’t actually know how to feel, and you don’t know how to be. You’re not his wife, you have no obligations to take care of him, or anything that he cared about. Yet, you’re here. In his lonely apartment that doesn’t even smell like him. He probably never even spent much time in this place, even so, he still had a lot of belongings. Pictures of you in frames surprisingly. He did take them all when you got divorced and he moved out of the house, you just didn’t expect that he’d put them up on display. He probably didn’t get many visitors to question him about the lady in his pictures. You were sure that would get annoying.
Anyway, you don’t know if you’re supposed to cry or even feel sad. You don’t know if it’s strange to feel that way or not. You can’t quite make out how you feel, being surrounded by Gojo Satoru’s personality and things. You don’t think too much about the things inside the apartment because you don’t want to be too reminded of what you used to be. What you felt about the man once upon a time. If there was still love in your heart for him.
Gojo Satoru wasn’t a slob, but he wasn’t clean either by any means. Given he probably didn’t stay here much, it made sense that you didn’t need to clean a whole lot of the apartment. You get there and you take it all in. Satoru’s little apartment, because he didn’t want to pay for such a luxurious place he wouldn’t even stay in. Maybe that kind of place made him feel more alone too. Thoughts you should not be thinking start to trickle into your brain, but you stop yourself. You shouldn’t feel bad for leaving, nor should you want to go back. You made a decision to leave and you should honor it. It was the right thing to do for yourself (hopefully).
Do you even want his things? No, not really. But you have a keep, donate, and a throw away bin anyway. Most of it keeps going to the keep bin and donation box. Somehow the feeling of someone else getting Gojo Satoru’s things is unsettling to you, but it’s even worse to think that all these things will just go to a landfill where things that were once valued are forgotten and it’s all going to be considered “trash.” Maybe that’s because you know why every item is there and the story behind that certain mug or decor piece. You don’t know it, but you’re trying your best not to care.
You sigh, the thought that this is all so strange, bothering and pestering you like an annoying fly. You tell yourself you know that already, so stop thinking about it. Maybe you’re in denial that Gojo Satoru is actually gone. You can feel him. He’s still there, you know it. That or you’re just surrounded by his belongings and that’s why his presence is here.
In your hand, you hold a big black garbage bag as you make your way to his bedroom to clear out his closet. This is a room of his that you haven’t been to, strange right? You wondered if another woman spent time here. Jealous much? You’re supposed to be clearing out your ex-husband’s apartment, not pondering about what he was up to after you two had split. The man is dead for one, what are you going to do about it? Confront his dead body? You shouldn’t be thinking about things like that, so that thought is one you shake off and ignore too.
You sigh because you’re tired from cleaning all day and clearing his things out and you’re probably only a quarter’s way done with the place. It’s not even that big, it’s just been uncomfortably hard for you to bring yourself here with your mixed and strange feelings about this whole situation. Isn’t there anyone else who cares about Gojo Satoru? How come you’re stepping up to the plate when this is how you feel—confused and unsure? What are you even going to do for the funeral? You took the task up because Gojo Satoru would probably turn in his grave knowing the higher ups organized his funeral. So while it is strange for you to do all of this, you’ve rationalized the lot of this situation that you put yourself in. Once upon a time, he loved you right? So surely he would prefer you over—you’re so silly, thinking all these things when Gojo Satoru is your dead ex-husband.
You plop on the bed with a small groan as you turn over. This is a bit inappropriate, to be laying on your ex husband’s unmade bed. It’s left in the state that it was the last time he woke up. That’s a little precious you think, freely, not even denying it. Are you ruining this precious thing here? Well, in all honesty, you’re kind of cherishing it, because this is a small piece of Satoru that is really still here in the present times. He always liked soft things and this blanket is soft. The sheets still smell like your ex-husband. The light musk of his skin and his soap is there. The thought of this bed being his is comfortable enough. Like you miss his warmth and touch, you curl up on the mattress, hugging yourself to the scent of him surrounding, and you can almost imagine that he’s holding you right now, like he used to. His detergent is faintly there too, well actually, it’s the same as yours. He asked when you two had split and he was settling into his own place all the household items you used. You supposed that it was all he knew.
You offered to go shop for household things with him and it was probably the last time you two had exchanged any kind of affection. You let him put his hand on your thigh as he drove you two to the supermarket. He let you link your arm with his, sides flush together like you two didn’t just get divorced. It was a silent message of “I miss you,” because it was and—quite frankly, still is—hard to get over someone you loved for so long. Even if he left the marriage long before you did, emotionally and physically. This was something you wanted while you married, for Satoru to present, and in your arms. For him to show you that he cared and loved you. You were even a little upset that was the only time he was doing all of that for you, but you chose not to ruin the moment for the both of you.
Funny how all these memories and things between the two of you are flooding in constantly. It makes you feel kind of sick. Nauseous and unable to breathe. You open your eyes in realization of what you’re doing right now. You sit up immediately, flustered and embarrassed as if Satoru would open the door right now and have that annoying smug grin on his face with his arms crossed, just to say as he leans on the door frame, “I knew you missed me.” Following with your name because he liked your name the best. He always said your name was pretty and he wouldn’t give you a pet name because nothing will ever be as great as calling you by your name. A nice little reminder that Satoru loved your name makes you smile a bit. Weird how all of these just keep piling up. One thought triggers another and it almost makes you itch and feel bad for the way things ended between the two of you. You almost have regrets about—
Whatever, you have a deadline to clean this place up you remind yourself. You spread your palms out on the sheets once more, feeling every thread that Satoru once laid his body on. You should take these for your bed, you think. They’re not so bad, just a plain white sheet, but it reminds you of Satoru’s hair and it would be waste.You lift yourself from the bed and open his closet, not even noticing how you keep having to make excuses for yourself to keep some of his things.
Already feeling overwhelmed because you keep holding back, opening the closet makes you feel like you’re cracking. You let out a suppressed sound. You can’t even register what it sounds like. A squeak or something? But looking at all his clothes almost makes everything so real for you. All his uniform? All his coats and sweaters? Ah, the one from high school. And then you can see all the ones you bought him. Damn, does that really test your strength.
Lined up neatly and nicely put away, it’s almost a shame to you to give these away. Your hand shakes as you hesitantly reach for one of his favorite button ups. Your skin meets the soft fabric and you only lightly touch it because you don’t want to wrinkle it. You remember when you used to iron Satoru’s clothes early in the morning before he woke up. Even until the end of your marriage, you still ironed them.
You look up, reaching for his work uniform. This is what he wore most often, you know that. So you let yourself crumble. Carefully taking off the hanger and sitting on his bed as you hold the shirt close to you. You bring it to your nose, just to smell it. You wish it smelled like Satoru more, but even so, it makes you break down.
Tears prickle at the corners of your eyes as you take another sniff. The thought that Satoru really isn’t here anymore makes your heartbreak. It comes crashing down on you. You really miss him, and you regret that you didn’t spend as much time as you would have liked to with him. You wish you could have had the courage to tell him how much you still cared and loved him. Yes, it might not have been the same kind of love you had for him before, but you did still love him.
You let out a little sob. In frustration and despair, tears flow out as you hold his clothes close to you. The walls of your bruised heart collapses as you hold his clothes so tight as if he was still in them. Well, you really do wish he was. You’re desperate to feel him in your arms physically. Just a moment with him so you could say your last sentiments. Just a moment to see him again. Just a moment to love him.
You’re helpless as your tears flow endlessly onto his shirt. You feel silly, but you just can’t stop. You really miss Satoru, and you have been for so many months now. You stroke the shirt as you would his body, wallowing in the grief you’re supposed to feel, even if the dead man is your ex-husband. You spent so many years loving him, how could you just not feel anything to hear news of his death? How could you not feel any regret or remorse for how messy you left things with him? There’s so many things you want to say to him, and it kills you to know you will never get to say any of it to him.
You wonder if Satoru was still around, would he wrap his arms around you and tell you not to cry? Would he kiss your temple like he always did when you were down? You wish he would just do all of it. You wish you two could have tried harder. Your love for him never burned out, you know that much. It’s the reason why you’re here, alone in his room crying as you hold his clothes dearly to you. And even if you hate to say it, even if you don’t want to admit it, Satoru loved you until the very end too.
“I’m still in love with you y’know…”
“Shut up,” You mutter as you slide the eggs off the pan for the hungry man at the table.
It was the dead hours of the night when he returned from a mission, knocking on your door, telling you that he was hungry and needed a place to crash.You slammed the door on him of course, but he wedged his foot in the gap of the door (no, it didn’t hurt, he’s got magical powers that prevent him from actually getting hurt like damn maniac) and used his own strength against you to push his upper body through the door to beg you to let him stay. It was a mistake on your part, but it actually wasn’t all that terrible that night. You were just bitter.
“My bad,” Satoru said dramatically as he took a bite. “Just thought you missed me. That’s the reason you let me in, right?”
You narrowed your eyes at him, not in the mood for any of his games. His smug grin made everything even worse, because he was right. “Gojo Satoru, wipe that grin off your face.”
“Must have hit a nerve,” He teased like it was still appropriate to do so.
You actually don’t even remember what you said then after that, but you just know… Gojo Satoru has you all figured out yet… he never said anything about it to you. And that was just him. He knew well enough not to break your heart one more time, but he was selfish enough to constantly flirt with you any time he could. If he passed by, or was coming home late from a mission and knocking on your door to remind you that he existed. Not anymore.
After cleaning his apartment, it’s all empty now. Which is a little strange. You’ve never even been to his place until after he died, and yet… it makes your stomach turn and feel upset after realizing that this place is no longer where your ex-lover resides. You understand that he’s no longer occupying it. There’s no point in keeping it for him. But maybe because you don’t think it through while you’re still in the grieving process. You don’t think about Gojo Satoru being dead because you don’t want to. It makes your heart squeeze and your breath stop. You can’t face the fact that he no longer exists and you can no longer see him anymore. You just can’t, so you wonder: where will his home be? Who's going to take care of him? Where is he going to go to shelter himself from the rain or snow? Where is he going to sleep? Where can he feel safe and secure?
You sigh, rubbing your eyes. You really need to get some proper rest. You feel yourself withering in the bitter feelings you still have toward Satoru, but also the dangerous sorrow that’s sinking your whole body down. You can’t believe that you really miss Gojo Satoru after all this time hating him and wishing you two had never met when he was here and alive, waiting for you to just cave into what your heart wanted. Truth is though, you never would. You were too strong for that.
Finally, you pack up the final things, leaving absolutely nothing behind. Satoru isn’t here anymore, and it looks exactly like that. This little corner of the world isn’t his anymore, and you’d like to say that it never was because he didn’t spend much of his time in this place. It’s just sad to see it all gone, stripped to the bare white box it actually is without the fun of your late ex-husband. You shut the door, leaving this place behind and bringing this part of Satoru with you, maybe the only part of Satoru that is still worldly and able for you to have in your grasp. You leave the key to his apartment on the landlord’s desk and leave with the rest of Satoru’s things in your arms, all thrown in the cardboard box labeled “Satoru” in your handwriting with a permanent marker. Silly of you to not even realize it, Gojo Satoru’s home is not a place, it’s you.
The end of it was the funeral process. Which was much more work than cleaning his apartment. You wish somebody was worried about your well-being, but that somebody, the most likely candidate, was dead. Satoru would have told you to chill out a bit and ask you to wind down with him, but this is his funeral, he can’t really do that now, can he? But you don’t want to seem like you’re so reliant on him. You’ve done plenty of things without him, and this will be no exception. He just… sort of made the process easier and bearable. You’re on your 10th phone call with the carpenters of the coffin when you really wish you didn’t take on the task of carrying out Satoru’s dying wishes. He didn’t even have many, because he was so sure he wasn’t going to die so soon.
Through it all, you hold yourself together quite elegantly. Even through the eulogy. No one would even guess the mental strain you put yourself through to make this all happen. All the floral arrangements are beautiful, Satoru’s corpse is dressed nicely—though you grace him with a closed casket funeral because you were sure that he did not want anyone to see him so vulnerably lifeless and you simply could not handle the sight of his stale and unresponsive body. But everyone could indeed tell, Gojo Satoru was loved. They could understand your love for the man. You wouldn’t have done it if you didn’t love him. But you just deny it.
His guest list was quite large. Some people you didn't even know, and you were sure he did not want that. But the higher ups had their own agenda too, and you had to make compromises though you stood your ground quite well for the sake of your late ex-husband's well being in the afterlife. You wonder, would Satoru love you for eternity for loving and caring for him unconditionally and so thoroughly? When you eventually join him, will he thank you for so meticulously planning and giving him a proper send off? You hope so. You hope that he will continue to love you in the next lifetime, and in that lifetime, you two will be happily together. Not miserably apart like you are now.
Maybe the only time anyone can see you break is when the casket is lowered and this is the last time that you’ll ever see Satoru’s face again, except you don’t. His casket is closed and covered with all the flowers you bought to send him off beautifully. There’s a complex look on your face, and no one could quite read it, but it was clear that there was a storm going on inside of you, stirring and rumbling. Your eyebrows knitted together and your eyes glossy with a down turn of your lips. You’re just keeping yourself together for Satoru. You need to.
The only time you get to break down about it is when you get home from the long day. Crumbling down your door, as you miserably sob. How could the world be so possibly cruel that you had to bury the last man you loved for the past ten years? It never gave you time to move on. You weren’t ready to let go just yet and be content with the distance. Sure, you asked for it when he was still tangible, but now he was untouchable, not existing, and it felt so painful. You curl up in a ball, on the bed you used to share with him. The bed you two used to gossip on and the bed where you simply just held him to sleep on your good days. The bed that you laid alone for most nights wishing he’d come to hold you and not be too tired for you. All the bad and good memories come to make you think of one thing; you wish Satoru was here right now.
You lay there, contemplating if you just want to stay there for the whole week or get up and cook yourself something. You haven’t been eating with how hectic it’s been to take care of Satoru’s send off. You sigh, closing your eyes. Sleep sounds like the best thing to you at the moment. You were drained and exhausted from preserving the life of Gojo Satoru as well as commemorating it. You needed that rest.
When you drift into sleep, you kind of hope that Satoru is there for you, waiting in a field of beautiful flowers like he came to visit you in a dream. Even if it’s just your imagination. You’d like to think that he cared enough that he left you alone to deal with all of the things he left behind. He doesn’t though, because you don’t dream. You just black out and you wonder if you’ll ever dream again. But maybe you’re just being dramatic because you miss your ex-husband so much. You blink the tears out from your eyes, wiping them before getting up and pulling yourself together. You can be sad, but not miserable. You were never the type to just crumble, however, even this shook you down to the very ground and yes, it is hard to get back up. But everything with Satoru was hard, and this was no different. You should have been used to this.
Eventually, you do get yourself together. Sad, but you’re functioning. You go back to work and you continue with your daily life. Satoru’s never really been a part of your daily routine after the 3rd year of being married to him. It was no different not seeing him at all, but it was just the fact that he truly wasn't there anymore. If you were to call his cell, it would just ring on your dresser in your room and go to voicemail. Sometimes, you wait for the voicemail just to hear his voice, but most times you stay away from his contact. You’re recovering, just slowly.
People at work send their condolences, just like they did when they found out you divorced Gojo Satoru. They give you a pitiful look and tell you to be strong, but when they think you’re not listening they bash Satoru for passing and still putting the responsibility of carrying his will out on his ex wife—you. You don’t defend him nor does what they say settle well with you. They’re right, of course. Gojo Satoru has always been selfish, up until his last breath, but you just can’t seem to feel validated when you’re the one who buried Gojo Satoru. He was once your whole world, how could you just completely numb yourself to the pain of losing your connection with him, absolutely and completely?
Apparently, you’re the only person on his will too. You inherit everything of his one day, and it’s kind of overwhelming. All of his money is transferred to your bank account, all his belongings, everything is yours. You don’t even know what to do with most of it. You don’t even want to look and use anything of his. So you store most of his things in a box and label it “Satoru,” along with the other things that you took from his apartment, and you make an account to store all his money in, for what? You don’t know, just something.
When you're older, you’ll come to realize that you made Satoru a loved person until the very end, and that you were perhaps the only person that he still had love for, even if you weren’t his wife anymore. This is why Satoru loved you so much, and yes, he got very lucky with you, you will give yourself that. But you also won’t feel so bitter about having to be the person to handle his departure because you made sure to do just the way he wanted it, by you. for now, you’ll miss him lots and bring him flowers whenever the time comes. You won’t call him your ex-husband, but your late-husband. You keep some of his clothes to wear like you used to. You still sleep on your side of the bed, leaving the space Satoru used to fill empty for him. Life goes on the way it used to.
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comradekatara · 3 days
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so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?
toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.
zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.
azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.
we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows
mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.
ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.
iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??
jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.
haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do
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thydungeongal · 3 days
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Hey do you know any ttrpgs that take place in high fantasy worlds but aren't combat centric?
I've got a sprawling fantasy world or several I want to keep using for games but I want to step away from the combat-centric dungeon crawls of your dnd's and pathfinders for a bit and experience more of what's going on in the RPG space.
Sorry if you're not the right person to ask, you just feel like someone who might have opinions on the topic.
I have a few I could recommend!
First of all, Burning Wheel. Burning Wheel is an interesting game because it's a fantasy RPG with a very simple core system (d6 dice pool) with a bunch of systems built on top of it to the point where it's actually amazingly complex. Now, the default setting of Burning Wheel is very Tolkienistic. It assumes a medieval level of technology and a human-centric world, with elves, dwarves, and orcs filling the non-human side. It's a fascinating system but also a lot. What it does best is support characters with firm beliefs and ideals living according to those beliefs and ideals, and it can support high intrigue just as well as combat. (There is a combat system but it is almost better suited to duels instead of skirmishes.)
Mythras and RuneQuest are d100 fantasy RPGs, the former being basically a version of the latter but without the Glorantha license. Now, they are very trad RPGs and as such combat remains the one part of their systems they are most opinionated about, but both make combat into a very gritty and lethal affair to the point where engaging in combat without thinking is very much discouraged. They also have extremely detailed and fine-grained magic systems, as well as systems that encourage characters growing organically. And the system of Passions that mechanically reward characters acting according to their beliefs and building connections to the world. Now, Glorantha is one of the coolest fantasy settings on the planet, but if you've already got a setting of your own Mythras might be the better of the two.
Hmmm. I'm actually drawing a blank here. Oh, there's Free from the Yoke, which is a game based on Legacy: Life Among the Ruins, but set in a medieval fantasy setting where an alliance of noble houses has staged a revolution and freed their people from foreign rule. The game has some implied setting to it, with there apparently being some Slavic influences to the setting, but looking at it I think it could fit into almost any high fantasy setting with minimal modification. However, the gameplay loop will center around each player controlling a noble house, with two different levels of fiction (house level and character level, as they each also control an individual member of their own house), so it shouldn't be treated as a generic game.
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animentality · 9 hours
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not to be a boomer, but I do worry about the current generation of kids being raised with iPads.
first off. some of them literally can't hold a pencil because their parents never gave them physical toys to grip and play with, developing their fine motor skills.
you might ask why do we even need to learn how to write physically anymore- well, frankly, because if you're stranded on an island somewhere and you need to write HELP, you might not have the strength to hold a pencil, but you can at least hold a stick.
but on a more general note.
writing by hand helps you remember things better. it forces you to focus in a way that typing something word for word does not. a person can transcribe what a professor says without even thinking about it.
someone writing notes has to consider what to write and what to omit. it also activates more parts of your brain, forcing you to flex the parts of your brain related to learning and communicating, while also engaging the part of your brain dedicated to muscle control and precision.
but in general, I think the issue isn't even oh technology is bad and kids are getting dumber.
you can have PowerPoints AND take physical notes. that could help you learn even better than the olden days where you just had to remember everything that was thrown at you. or read very limited, out of date books.
the problem is that the generation that raised/is raising this generation of children just doesn't understand the true impact that all this technology will have on their kids. or they just don't care.
because our generation had the internet yes, but it wasn't widely accessible for most of us, sharing our computers with the entire family in the kitchen. it was also the internet in its infancy, where it wasn't quite so predatory, when it was lawless and disturbing, yes, but it wasn't weaponized by corporations trying to sell you things and steal your data, it wasn't flooded with bots and ai and all sorts of things that the human brain can't even distinguish as real or fake, especially when you're just a little kid.
that generation still played with physical toys. we celebrated when it snowed and we could stay home.
we also came from a gen that still, vaguely, cared about some form of community and had third spaces for kids to hang out.
90s children, who still had some memories of both playing outside on a playground and playing Mario Kart on the Nintendo 64 with their friends, who both went out to the mall and had a club penguin account.
we grew up with laptops and smart boards. maybe some of us had them in high school or college, but we still physically went to class and developed relationships. learned uncomfortable things about ourselves and others, the way humans do.
met new people and were exposed to new ideas, away from our parents. but not from some fucking influencer trying to sell us Sephora products.
we had to study for things, instead of just being able to Google shit for some bullshit online test.
which is also something that really concerns me. so many kids today can so easily Google answers for every test, and while tests don't ultimately matter in the real world, they still provide some basis for things that do matter.
like I'm just imagining medical students googling how to perform an appendectomy on the day of, and just using a YouTube tutorial to guide them through, and shuddering.
there are some things that the Internet can't teach you.
there always will be.
but I don't think my generation is really helping their kids find the balance that we were given naturally growing up.
the boomers and gen xers had fist fights and we had bullying someone online until they committed suicide.
and now kids use AI to spread fake nudes of girls.
but the laws haven't caught up with a lot of this stuff yet, and certainly won't while we have dinosaurs running our government. and culture takes even longer to change than laws.
I also worry because I know how badly covid affected kids worldwide. how they struggle to read and do math, because remote learning just isn't good for kids.
and I can't even blame them!! I literally teleworked for 4 years and even I can admit that I'm not nearly as good at focusing at home as I am in the office.
it's hard for kids with social anxiety and disabilities, yes I know, I know, trust me, I have social anxiety, and as a hybrid worker ATM, I highly doubt I'd be able to handle 5 days a week in the office.
but it's also not particularly good for kids to stay home ALL the time, entertaining themselves in their room and never being challenged, and never meeting people other than their parents.
the iPad is more of a symbol of that problem than the direct problem.
if your entire... world view is limited to what you can see on your iPad... I mean what a terrible world view you'll have.
you're a 10 year old using TikTok and all you ever see is the same opinion over and over until you can scarcely comprehend people who have an opposing opinion.
you see fake videos that seem so real. that must be real, and so comforting, aren't they, those videos that seem so real?
you let 30 year old influencers who are trying to grift people shape your world view.
and it's not even your fault.
your parents aren't doing anything to help you.
you're young and you're being barraged with entertainment and fake educational videos and how to guides that accidentally create mustard gas in your toilet.
your parents should be teaching you to find a balance between these things. they should be telling you what's real and caution you about the things you see.
they should limit your fucking time on the iPad actually. take you to a fucking park and let you roll in the mud or some shit.
and then when you're a teenager and a young adult, then you can start deciding for yourself what you believe.
but a lot of these weird millennial/gen z parents, man. just let your 1 year old scroll through vids on TikTok while you don't even talk to them or look at them once.
maybe it's because they don't see the harm in it, but I don't get it.
adults can watch TikTok all day and know, ahhh this is bad for me. I'm not doing anything I actually want to be doing.
adults can see other adults doing dumb shit and say ah you're sponsored. someone paid you money to say and do that. silly.
but kids are just kids.
they don't have discipline and frankly, that's not their responsibility. that is yours.
you should be teaching them that they can't have everything in life at their finger tips at all times, actually.
the iPad doesn't solve all of your problems, nor will it think critically for you.
so I worry about if humanity can really keep up with its own technology.
our species is still in its infancy, believe it or not.
so maybe these are just growing pains, and future generations will be able to look back on this era and know the proper balance.
but as someone living in 2024.
I wonder just how much pain is left before we really mature and either make it or break it.
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cassolotl · 2 days
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UK government planning to scrap a major disability benefit
I'm only just scraping by and the government are proposing to take away PIP (a disability benefit), which would be HALF of my income wiped out.
"Reforms to personal independence payments (PIP) could include stopping regular cash payments, and instead offering claimants one-off grants for things like home adaptations." -- "Disabled people face end to monthly benefits cash", BBC News, 29 April 2024
And:
"The plans, which will be consulted on over the coming months, also include proposals to “move away from a fixed cash benefit system”, meaning people with some conditions will no longer receive regular payments, but instead access to treatment if their condition does not involve extra costs." -- "People with depression or anxiety could lose sickness benefits, says UK minister", Guardian, 29 April 2024
That's what the NHS is supposed to be doing...
Genuinely absolutely terrifying.
Can anyone living in the UK join in with an (hopefully!) overwhelming cascade of unique emails to their MP opposing this? WriteToThem.com makes it very quick and easy.
They're proposing to replace it with one-off grants that the individual can apply for, which is absurd and horrifying, so feel free to point out how that won't work as well!
Here's what I'm writing, and do not just copy-paste my letter/email, because that makes it less legit. Do your own thing, even just one sentence telling your MP that you're opposed is enough if that's all you can manage. Whatever you want to say is what your MP needs to hear.
Dear [MP's name], Today I learned that the government plan to scrap PIP, and maybe replace it with something like a one-off grant application process, before the next election. ("Disabled people face end to monthly benefits cash", BBC News, 29 April 2024: https://www.bbc.co.uk/news/articles/cn0ry09d50wo) PIP is about half of my income (about 44%). I don't spend it on occasional large purchases, I spend it on countless things that are more expensive for me than they are for other people. PIP is in place to acknowledge, as it says in the above article, that disabled people's lives are more expensive than non-disabled people's lives by hundreds of pounds per week. ("Previous research from Scope suggests households with at least one disabled adult or child face an estimated average extra cost of £975 a month to have the same standard of living as non-disabled households." That's £225 per week, and the maximum amount of PIP you can get is £184.) So firstly, it could be argued that PIP doesn't even cover the additional expenses of the average disabled household. And next, the cost of implementing an alternative system would be worse for disabled people, totally unsuited to its purpose, and more expensive to run. Worse for disabled people: Currently PIP acknowledges that being disabled takes a lot more work to maintain a comparable standard of living, and as it's an amount of work that the claimant cannot sustainably do, they are given money so that they can pay someone else to do it. These costs are distributed across all living expenses, in addition to occasional one-off purchases of e.g. mobility aids. Having to apply for one-off payments for expenses would be more work on top of that, so if the disabled person isn't able to do it (which is very likely) they will either have to work less in their day jobs in order to spend more time applying for one-off grants, or they will have to also apply for one-off payments to pay someone to apply for more one-off payments. This is self-evidently a waste of energy and time, and totally impractical, as well as being counter to the entire point of disability benefits. It would also be extremely undignified for the disabled people, and arguably against human rights (right to private life and dignity), to have to justify each purchase to the government. Totally unsuited to its purpose: One off-grants are not suited to ongoing higher expenses such as having to buy more prepared food (e.g. carrot batons are more expensive than raw carrots and go off much more quickly). Does this policy assume that disabled people's PIP is only for things like wheelchairs and walking sticks? More expensive to run: The system for PIP applications is already fairly backlogged, in that my last application took over 6 months to complete. I was awarded PIP for 10 years. If every application for a one-off grant had to be accompanied by an application of a similar scale that wouldn't be workable, so presumably an initial PIP application like the current system's would still be required to qualify for the system in the first place, and then following that, numerous smaller applications for money (e.g. for taxis, pre-chopped veg, painkillers, specialist clothing, etc.) would be carried out per person per month. The disability benefits system would have to be scaled up significantly, and it would be much more expensive. It is far cheaper to give people a set amount of money based on their needs; it's the same money that you would be giving them in grants anyway, but without having to process each purchase/one-off application. I implore you to oppose this proposal. It is blatantly unworkable to the level of absurdity, but more importantly it is inhumane. I look forward to your reply detailing your stance. Many thanks in advance. Yours sincerely, [My name]
But, again, if you can't manage anything long or complicated like that, your best is good enough. Even if they're not all perfectly written and detailed, we want to bowl them over with sheer quantity of emails.
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ofallthingsnasty · 3 days
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tw: yandere, kidnapping/basement spousery, depression, mentions of noncon, gn reader characters: Crocodile, Sanji, Doflamingo, Law word count: 1.3k
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One thing I learned recently is that I'm definitely a social creature and would get horribly, horribly depressed as someone's basement wife, even a well entertained one. All the books, the crafts, the soft music in the world couldn't prevent me from sobbing into my pillows, couldn't get me to crawl out of bed and to paint a smile on my face. Oh, but how would your captor react? For some, it's definitely a necessary evil - Crocodile comes to mind here. Annoyed by your lethargy, by your random tears and your meek, taciturn responses, he finds himself frustrated at times. This state of mind really isn’t ideal - he wanted you docile, sure, but not lifeless. Yet it's also awfully convenient when you just let him push you around, let him caress and touch you - and not out of fear of him, simply because you don't care to struggle. He discovers that he can forgive a lot when you're especially shaken and cling to him, bury your head in his chest because he's the only human you'll ever know again and the world is so bleak around you and you just need him right now. Of course, it would be nicer if you didn't do it because he's the only warm-blooded creature that you interact with, but he'll take what he can get. (And with time, it weirdly grows on him: him turning into the center of your life, the way your eyes seem to light up the tiniest bit when he comes home to you, something he thought mildly annoying at first turning out to be awfully convenient.)
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To others, it's devastating. Sanji lives for your smiles, your warmth, the way your eyes crinkle and you jut your head forward when you fully, genuinely laugh - total apathy is worse than antagonism to him. If you were to scream, shout, put your fingers around his neck and squeeze with the desperation of a cornered prey animal, he'd at least get a reaction, some signs of life out of you. But you don't even do that. You just sit and try to suppress tears while he holds your hand. Sometimes he just cries with you, letting himself fall into the same hole you're being pulled into. It makes him regret taking you so utterly, bitterly, makes him feel all those memories from when he was a child bubble up in his stomach until they force themselves out and he has to vomit to be rid of them. He’s just like his father, he thinks, and it makes him sick. He’s rotten down to the very core, cursed from birth and now he has gone and soiled you, too - he’ll end up sobbing into the crook of your neck more than once, full of genuine remorse. And all you’ll be able to do is absentmindedly pat his hair, thoughts spilling like an knocked over ink well. No, you slipping into a deeply depressive state is only going to worsen the hatred he has for himself, is going to poison him slowly and steadily until he’ll be in agony. Maybe it’s his just punishment.
Then there are the ones like Doflamingo who simply don’t care. You don’t crawl out of bed until noon? You just stare into space or bury yourself in books when you finally do? You’re just lifeless by his side, just blink, shrug your shoulders when spoken to, just exist? Whatever, he has always treated you like a doll from the start. He can even weather the elusive bouts of sobbing and crying (even if he hates it when they happen), because most of the time you’re just his poseable thing and he is nothing if not generous to allow you a tantrum here and there. He doesn't feel bad about you being a more of a hollowed out shell of a person than a fully-fledged human with a rich inner life and doesn't care that most of it is his fault - his fault that you fester and rot beneath the surface, his fault that all the opulent, vibrant clothing and the scorching hot days by the pool still leave you frosty and weirdly bloodless, like a cold-blooded creature in winter. Food is ash in your mouth and only sours your stomach but you still eat when he tells you to, touches feel foreign and loveless but you still let him fuck you if he so wishes. Why should he care what circles around in your head when he gets to do anything he wants to you? That you feel like life is no luster, only desperation? The truly bothersome parts are taken care of by his myriad of servants and the family. Messes left behind get cleaned up, baths are forced on you regularly, as are grooming sessions. If you don’t get dressed on your own either someone else will see to it or he will - and he’ll have his payment for his time, trust me. The solemn mood, the non-existent smiles… he doesn't care for that. You’re not here for your entertainment, you’re here for his. And you just accepting your fate and letting him do whatever it is he wants… That’s just perfect, isn’t it?
Of course, let’s not forget about the ones who secretly love it. Law is a prime example, especially with his medical background. He isn’t surprised that your mood sways - he expected as much when he restricted your every move, declared the outside world to be too unhealthy for you. Of course you’d slip into a depressive episode. And it’s not a flaw, it’s intentional. Because now - now, when you can’t peel yourself out of bed, when everything feels too much, when you can’t feed or move or dress or take care of yourself- he gets to swoop in. He gets to do it for you, gets to tell you that he’s here and that he’ll always catch you when you fall. That his assessment of your condition was accurate - that you always needed him, right from the start. Dependency is worth more than all the love in the world to him. It simply doesn’t matter if you’d rather slit his throat than to behave for him out of your own volition - as long as you can’t leave. Even if he genuinely loves you, he’s not deluded enough to cling to daydreams of him and you living a quiet, happy life full of reciprocated affection, that ship has long sailed - sailed ever since his childhood got irrevocably destroyed. No. Love is nice and good and makes him wash you gladly, makes him care for you with delicate hands and with a patient brow - but your sickness makes you stay, renders you unable to leave him. It’s the only currency he can trade in when it comes to you. He’s your savior and tormentor rolled into one person; but above all he is the only one who cares and will forever care. You could rot yourself into a pathetic, sweat-soaked, disgusting corner, could turn into nothing but a husk and he’d always, always nurse you out of the ditch he’s found you in, just at the right time.  What he doesn’t tell you is that he could help you. At least artificially. Boost your moods with SSRIs until you bounce off the walls with nervousness and sweat thrice as much; make you giddy and shaky until you get used to the dose. Until the world seems worth living in once more, until at least some color returns to your drab eyes. He could get you the medication, even try some speech therapy, could help you like a good boyfriend should. But why? It makes no sense. Why help you only to get some fire back, maybe even for you to slip through his fingers? It’s easier to sit in twosome silence with tired eyes watching him, eyes that one day might be grateful for all the work he has put into them. Until then, it’s of utmost importance that they stay right where they are: in a cramped, dirty corner of a bed, dull and lifeless.
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hi hi! do you have any things that non little people should be aware of when headcannoning/ drawing a character with dwarfism? is there anything that would be offensive to do when it comes to headcannon?
Hello! Whether head-cannoning or drawing people with dwarfism, a major thing to keep in mind is anatomy - it's something that a lot of artists get wrong because they usually pull from fantasy "dwarves" vs. dwarfs with the actual disability. You need to do your research when drawing us, and it's important to note it when head-cannoning.
Since I'm in love with Steven Universe right now (despite it's issues), here's an example on how to discern if a character is likely a little person, and not simply a small character.
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Consider: Peridot.
She's about the height of Steven (who we know to be 13 and 4 feet tall), however the rules of the world tell us that the (alien) Gems are sized relative to their stones.
"This height is indicative of my rarity and importance!" - Period Season 3 Episode 9
So though she is short and petite, she is not a little person. (Though you could by all means still headcannon her as such)
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Sadie Miller on the other hand, is human and also around Steven's size despite being five years older than him. She's a good foot shorter than her peers and is depicted using stools multiple times throughout the show. She is very clearly a little person, despite it never coming up in conversation.
I personally like to draw a clear line when headcannoning between characters that are simply small for artistic/world reasons vs. characters that actually seem to have dwarfism.
When it comes to drawing them, it's important to actively choose which type of dwarfism they have (there are hundreds of types, including skeletal dysplasia) and ensure that their anatomy is on point.
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ryin-silverfish · 1 day
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One nerd's musing about Chinese religion and "respect"
-I try to stay away from fandom discourse, but, much like how you can smell the stench from a dumpster fire without walking into said dumpster fire, I've noticed something that seemed to come up a lot in western JTTW + adjacent fandoms: "respect Chinese religion".
-Usually as a reason for why you shouldn't ship a character, because of fucking course it's shipping discourse too.
-And my first reaction is "Man, you are taking Chinese religion too darn seriously, more than people who are born and raised in China."
-My second reaction is "I mean, most of us are atheist/agnostic by default anyways, with a good number of what I'd call 'atheist/agnostics with superstitions': people who said they were not religious, yet believed in Fengshui or divinations and burnt incense at temples for good luck."
-My third reaction: "But why do I get the feeling that when you mention 'Respect', you are thinking about something completely different?"
-Then I reread an essay from Anthony C. Yu, "Religion and Literature in China: The "Obscure Way" of Journey to the West", and the metaphorical lightbulb just lit up over my head.
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(Everything below applies more to Daoism + associated folk religions, but by the time most classic Chinese vernacular novels were written, the blending of the three religions had become well and truly mainstream.)
(The conception of gods differs from dynasty to dynasty. What I'm describing here is mostly based on Ming and Qing ones; if you went back to Han or pre-Qin times, most of these would not apply.)
(I am one of the "atheist/agnostic by default" people. I just have an interest in this kind of stuff. I am also just one Chinese person, and an actual Daoist/Buddhist/Religion Studies researcher would probably have a lot more valuable information and perspective to offer when it comes to contemporary practices and worship. Like any people on the internet: take my words with a grain of salt.)
-Even in the past, when society was far less secularized, Chinese gods are not omniscient, perfect beings whose worship is a solemn, humorless affair. Some's worship are Serious Business, but that has more to do with the sort of gods they are and the patronage they enjoy, not godhood in and of itself.
-And even the ones that you are supposed to "treat seriously" are still very human. To use an analogy I've used plenty of times before: you respect and fear them in the same way you'd respect and fear an emperor's official, or the emperor himself, because if you don't, you are not gonna like the consequences.
-However, unlike Jesus, the emperor & his officials were capable of being temperamental, flawed, or an outright asshole, divine or not. Ideally, they wouldn't be, and if you were one of the "serious" believers——people who actually got an official permit, became ordained clergy, and went to live in a temple, you were unlikely to think of your gods in that manner.
-But it wasn't a complete, utter impossibility. The lower you go in the pantheon, the closer you get to popular religion, the less "serious" the gods and their worship become. By that, I mean general attitude, not sincerity of faith. You still shouldn't be rude to them, but, well, they are more likely to take a joke in stride, or participate in the "vulgar" pleasures of commoners because they weren't as bound to Confucian moral standards or religious disciplines.
-To stretch the same analogy further: you should still respect your village head, they could still give your ass a good spanking for being a disrespectful brat, but you were not obligated to get on your knees and kowtow to them like you would do in front of a provincial magistrate, the emperor's minister, or the emperor himself, nor did they have the power to chop your head off just because you were rude.
-On the other hand, the emperor would never visit a random peasant just to help them fix their broken plow or treat them to a nice meal, but your village head could, and your relationship would probably be warmer and a lot more personal as a result.
-Your respect for them was more likely to stem from the things they actually did for you and the village as a whole, instead of something owed to this distant, powerful authority you might never get to see in your lifetime, but could change its course with a single stroke of a brush.
-Now exchange "village head" for your run-of-the-mill Tudis and Chenghuangs and friendly neighborhood spirits (because yes, people worshipped yaoguais for the exact same reasons), emperor + his officials for the Celestial Bureaucracy, and you'd have a basic idea of how Chinese religions worked on the ground level.
-This is far from absolute: maybe your village head was a spiteful old bastard who loved bullying his juniors, maybe your regional magistrate was an honest, upright man who could enjoy a good drink and a good laugh, maybe the emperor was a lenient one and wouldn't chop your head off for petty offenses. But their general degree of power over you and the closeness of your relationships still apply.
-Complicating the matter further, some folk gods (like Wutong) were worshipped not because they brought blessings, but because they were the divine equivalent of gangsters running a protection racket: you basically bribed them with offerings so they'd leave you alone and not wreck your shit. Famous people who died violently and were posthumously deified often fell into this category——shockingly enough, Guan Yu used to be one such god!
-Yeah, kinda like how your average guy could become an official through the imperial examinations, so could humans become gods through posthumous worship, or cultivate themselves into immortals and Enlightened beings.
-Some immortals aren't qualified for, or interested in a position in the Celestial Bureaucracy——they are the equivalent of your hermits, your cloistered Daoist priests, your common literati who kept trying and failing the exams. But some do get a job offer and gladly take it.
-Anyways, back to my original point: that's why it's so absurd when people pull the "Respect Chinese Religion1!!1!" card and immediately follow up with "Would you do X to Jesus?"
-Um, there are a lot of things you can do with Chinese gods that I'm pretty sure you can't do with Jesus. Like worshipping him side by side with Buddha and Confucius (Lao Tzu). Or inviting him to possess you and drink copious amount of alcohol (Tang-ki mediums in SEA). Or genderbend him into a woman over the course of several centuries because folks just like that version of Jesus better (Guan Yin/Avalokitesvara).
-But most importantly, Chinese religions are kinda a "free market" where you could pick and choose between gods, based on their vicinity to you and how efficient they were at answering prayers. You respect them because they'll help you out, you aren't an asshole and know your manners, and pissing them off is a bad idea in general, not because they are some omnipotent, perfect beings who demand exclusive and total reverence.
-A lot of the worship was also, well, very "practical" and almost transactional in nature: leave offerings to Great Immortal Hu, and he doesn't steal your imperial seal while you aren't looking. Perform the rites right and meditate on a Thunder General's visage, and you can temporarily channel said deity's power. Get this talisman for your kids at Bixia Yuanjun's temple, and they'll be protected from smallpox.
-"Faith alone" or "Scripture alone" is seldom the reason people worship popular deities. Even the obsession with afterlife wasn't about the eternal destination of your soul, and more about reducing the potential duration of the prison sentence for you and your loved ones so you can move on faster and reincarnate into a better life.
-Also, there isn't a single "canon" of scriptures. Many popular gods don't show up in Daoist literature until much later. Daoist scriptures often came up with their own gigantic pantheons, full of gods no one had heard of prior to said book, or enjoyed no worship in temples whatsoever.
-In the same way famous dead people could become gods via worship, famous fictional characters could, too, become gods of folk religion——FSYY's pantheon was very influential on popular worship, but that doesn't mean you should take the novels as actual scriptures.
-Like, God-Demon novels are to orthodox Daoism/Buddhism what the Divine Comedy is to medieval Christian doctrines, except no priests had actually built a Church of Saint Beatrice, while Daoists did put FSYY characters into their temples. By their very nature, the worship that stemmed from these books is not on the same level of "seriousness" as, say, the Tiantai school of Buddhism and their veneration of the Lotus Sutra.
-At the risk of being guilty of the same insertion of Abrahamic religion where it doesn't belong: You don't cite Dante's Inferno in a theological debate, nor would any self-respecting pastor preach it to churchgoers on a Sunday.
-Similarly, you don't use JTTW or FSYY as your sole evidence for why something is "disrespectful to Chinese religion/tradition" when many practitioners of said religions won't treat them as anything more than fantasy novels.
-In fact, let's use Tripitaka as an example. The historical Xuanzang was an extraordinarily talented, faithful, and determined monk. In JTTW, he was a caricature of a Confucian scholar in a Buddhist kasaya and served the same narrative function as Princess Peach in a Mario game.
-Does the presence of satire alone make JTTW anti-Buddhist, or its religious allegories less poignant? I'd say no. Should you take it as seriously as actual Buddhist sutras, when the book didn't even take itself 100% seriously? Also no.
-To expand further on the idea of "seriousness": even outside of vernacular novels, practitioners are not beholden to a universal set of strict religious laws and taboos.
-Both Daoism and Buddhism had what we called "cloistered" and "non-cloistered" adherents; only the former needed to follow their religious laws and (usually) took a vow of celibacy.
-Certain paths of Daoist cultivation allow for alcohol and sexual activities (thanks @ruibaozha for the info), and some immortals, like Lv Dongbin, had a well-established "playboy" reputation in folklore.
-Though it was rarer for Buddhism and very misunderstood, esoteric variants of it did utilize sexual imageries and sex. And, again, most of the above would not apply if you weren't among the cloistered and ordained clergy.
-Furthermore, not even the worship of gods is mandatory! You could just be a Daoist who was really into internal alchemy, cultivating your body and mind in order to prolong your lifespan and, ideally, attain immortality.
-This idea of "respect" as…for a lack of better words, No Fun & R18 Stuff Allowed, you must treat all divinity with fearful reverence and put yourself completely at their mercy, is NOT the norm in Chinese religious traditions.
-There are different degrees and types of respect, and not every god is supposed to be treated like the Supreme Heavenly Emperor himself during an imperial ceremony; the gods are capable of cracking a joke, and so are we!
TL;DR: Religions are complicated, and you aren't respecting Chinese religions by acting like a stereotypical Puritan over popular Chinese deities and their fictional portrayals.
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babyrdie · 1 day
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ALERT OF HADES II SPOILER
Okaaaayyy....seeing a considerable number of people act shocked at how Odysseus is in Hades II and think it's something against Odysseus, and now I'm wondering if they actually paid attention in the first game…I know everyone talks a lot about Hades' art, but I didn't think that was because it was the only thing you guys were really paying attention to.
It makes sense to be disappointed that the characters weren't treated the way a fan would have liked (for example, I'm not a fan of Hades, but I don't really like the idea of him in the game although I understand why he's the way he is), but I think it's weird to be that surprised by it or treat it like it's personal. Hades never fully followed the myths. They didn't do this because they haven't read Homer or because they don't like Penelope or hate Odysseus…it's simply because they don't follow the myths authentically. They don't specifically have anything against Odysseus or Penelope, it's just the way they do things. If this were the first game, I would understand this being unexpected… but it's the second game, we already know that they won't faithfully follow the myths because they didn't do that in Hades I.
I'll admit that I also didn't expect what was done with Penelope and Odysseus, but it's not really such a "wow! I could never imagine!" when it comes to Supergiant (I'm playing the technical test, for context). And I hoped they would already be together without relationship conflicts, because I really wasn't looking forward to a repeat of Nyx and Chaos, Patroclus and Achilles, Orpheus and Eurydice. I know most people wanted this, but I think it would be lazy to repeat this and I'm still hoping to not have this quest, whether with Odypen or other characters. And yet, even if I didn't expect it, I don't think it's as unexpected for Supergiant as some are making it seem.
Examples:
Melinoe and Zagreus are children of Persephone and Hades, and in mythology they aren't children of Hades.
Zagreus and Dionysus aren't the same person. The game makes humans believe that they're because the two played a prank on Orpheus, which made him invent a song with that story. Clearly a joke on the Orphic hymns.
Theseus is proud to be a demigod, but Poseidon denies that he's his father. Clearly a joke with the different versions of Theseus' birth, in which some he is Poseidon's demigod and others he's mortal.
Persephone is the daughter of Demeter and a mortal, not Zeus. For that reason, she and her children bleed red rather than gold.
Persephone isn't actually kidnapped by Hades. The kidnapping was an act that went wrong. Yeah, Odysseus wasn't the first character to have his non-con and dub-con aspect erased.
Achilles has a different personality than in myths. The game explains this as him maturing in the afterlife.
Patroclus is distant instead of communicative as in the myths, also explained by post-death events.
Asterius (Minotaur) is much more humanized than in the myths and he and Theseus are best friends.
There is a character heavily implied to be Medusa (Dusa) and she definitely doesn't behave like a monster.
Sisyphus is a kind and helpful guy, which is explained in the game with him having regretted his actions after his years of punishment.
Artemis and Callisto are on good terms even though they ended tragically in mythology.
Hades has a much more difficult personality to deal with than in mythology.
Thanatos, Megaera (one of the furies) and Zagreus are in a romantic relationship, which definitely doesn't exist in the myths.
The last aspects of the weapons to be unlocked do not even make reference to Greece, but to other figures. For example, the Twin Fists have the "aspect of Gilgamesh", a figure who is definitely not Greek.
Aphrodite says "You do know that I'm married, don't you love? I forgive you if you didn't. For my husband, he's always... busy with his work. I'm grateful that you are there for me to talk to" about Hephaesthus...her husband, she says. Hephaestus and Aphrodite are often divorced in mythology, including in Homer. And it's not because it wasn't yet at the time they got divorced, after all the Trojan War had already happened and they were already divorced at that time.
Also, they clearly don't use Homer as their only guide, so I don't know why you guys are saying "but Homer!" Patrochilles is there and not really canon in the Homeric tradition, but in Classical Greece they were considered a couple in certain sources (Aeschylus mainly). They use the name Asterius for the Minotaur (something Pausanias mentions, for example) although it wasn't the most common, they play with the various versions of Theseus' lineage, they reference Orphic hymns, etc. Like…it's really VERY obvious they took inspiration of more than one source.
On the Supergiant website, part of the Hades presentation is "Greek myth comes from stories of ancient gods and heroes filtered through new points of view; we’re excited to share ours." This already makes it more than evident that certain aspects were purposefully changed. It wasn't a surprise even before Hades I was released, for anyone who bothered to read it.
On Twitter, Kasavin (Creative Director) has already said that "it is a concerted effort over time, although Hesiod and Homer were very significant among the many authors we explored", which makes it clear that they don't focus on a specific source, although he recognizes that Homer and Hesiod are very influential.
In an interview available at Rock Paper Shotgun, he even said that he read more than one translation of the Odyssey and cites other sources like Diodorus Siculus.
Also, Odysseus cheating Penelope isn't even a modern invention, there were already versions of this in the Bibliotheca of Pseudo-Apollodorus (I'm talking about Callidice). And giving an unpopular opinion here: while I agree that Calypso in The Odyssey is undeniably an SA situation, Circe is more debatable than you guys like to make it out to be, it isn't undeniably. Both the interpretation that there was SA and the interpretation that there was no SA are valid, because the text itself doesn't make it explicit as it does with Calypso. In Circe's case, not necessarily not making it a relationship with SA makes it something that deviant from the myths.
Again because I don't want to be misinterpreted: what I'm taking issue with here isn't the disappointment in how Odysseus was portrayed. This is valid! I'm questioning the idea that this was done because they don't know about the myths or that it was something specific to Odysseus and Penelope. They know the myths, they just purposefully choose not to be completely authentic. They have nothing specific to Odysseus and Penelope, which is precisely why they aren't exempt from the changes they also made to other characters. They are no more special than Persephone, Hades, Zagreus, Melinoe (to name a few who had changes), that's why they receive the same treatment (that is, being changed).
I would never recommend Hades to someone who wanted complete authenticity to the myths. I wouldn't do that because I KNOW that's not the game's purpose. I thought everyone else knew too. You don't go to a vegetarian restaurant that you knew was vegetarian because you had eaten there before and be surprised because they don't have real meat dishes, be serious.
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k-s-morgan · 3 days
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I find it so intriguing and interesting that Ciel, even though he has a magnificent memory and good brains, stil at the age of only 10-13 can keep up with Sebastian, a centuries old being... in terms of plotting, arguing, creating
How must Sebastian feel about his Master? Does he not question how can he be so extraordinary and so young? Or does age at this point not matter to a demon?
Oh, Sebastian does question it! He's long since reached the stage of "My Master is the most impressive, smartest, most beautiful, most utterly breathtaking human being to ever walk the earth." At this point, he even overestimates some of Ciel's strengths because he's wearing the subjective glasses of infatuation.
With the age, I don't think Sebastian fully comprehends it because to him, the length of every human life is just a blink of an eye. He holds Ciel to the same standards he does adults, and he admires him as as a person in general, not just as a 12-13 year-old.
At the same time, I think it played its role. Ciel is inherently smart and I'd argue that he always had a penchant for manipulation, darkness, coldness, and inner strength in him. But meeting Sebastian when he did, as a child dealing with terrible trauma, then being practically raised surrounded by his influence and his standards - it left its mark. Sebastian was his closest confidant, the only relevant figure aware of what happened to him and what he's like. He was also a source of power and protection that Ciel desperately needed back then, so he clang to him with all he had. After quickly realizing that Sebastian, being a demon, despises weakness and can turn on him in an instant, Ciel did everything to become his match and to wrestle him for control. He pushed himself much harder than he would have otherwise to be someone worthy of demon's particular brand of respect.
It all had profound impacts on Ciel's personality. Children this young are still developing and absorbing the outside influence, and in Ciel's case, a demon was the one affecting him. I'm sure not every child brought up by a demon would have ended up like this, but Ciel already had all the seeds that could make him a perfect match for Sebastian - all Sebastian had to do was to water them.
I think a lot of Ciel's views on emotions and human value are tied to Sebastian's opinions. Without him, Ciel would still be smart and manipulative, but he probably wouldn't find emotional displays this abhorrent. He wouldn't consider them a weakness and he'd probably see humans more like humans, not like pieces in his game.
In some ways, Sebastian himself created his ideal partner. The foundation was always there, but who knows what it would have evolved into if it wasn't for his influence.
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bloogers-boogers · 2 days
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Idk if you're still doing requests but could you do one of Adam laughing his ass off when Micheal gives him a rooster toy but it's like one of those ugly loud long yellow rubber chickens but Adam thinks is cute and hilarious. Micheal, maybe, is just glad Adam likes it.
I have so many headcanons on WHY Michael loves roosters qusgwishsis but one of them is it being God assigning all the archangels an animal to represent them as, like Lucifer is a duck (cute and goofy) while Michael is a rooster (the one that fights to protect it's flock) ahsishsowjs anyways the second hc I have about it is that (it could be either seen as platonic or romantic) but Adam was the first person ever that Michael had to create SOMETHING after Lucifer was banished to wonder earth with Lilith; he was left with the responsibility of creating new creatures for Adam (and he wasn't like Lucifer in that category of creativity, so it meant a lot for him when Adam would praise him for his work). The rooster was literally the most convenient (he did it to help Adam wake up in time to do his chores bc the first human would complain about oversleeping and not being able to finish all of his duties in time before nighttime) and beautiful thing he's made not only for Adam but himself too.
Third hc is because of Lucifer. I love them being caring over the other but I like to see Lucifer admire and feel inspire by Michael's hidden creativity that isn't allowed to share bc he's meant to fight not dream. So Lucifer just loves whenever he sees Michael 'slip' up and do something like an object or creature. I have this whole idea about more than anything but it's Michael singing to a young dreamer lucifer 😭💕 ahdkwjsossjsow
[Michael: More than anything
More than anything
I'll shelter and adore you more than anything
Lucifer: Michael, I don't need you to protect me from this
Michael: I just don't want you to be crushed by them like
Like I was
Lucifer: Michael...
When I was young, I didn't really know you at all
I always felt so small
But I heard your stories and I was enthralled
The tales about your lofty dreams, I listen breathlessly
Imagining it could be me
So it's the view I had of you
That showed me dreams can be worth fighting for ]
I dunno it just makes things more tragic after Lucifer's fall.
I also hc Michael having his wings down when being only around Lucifer as he felt relax an at ease while being around him, the brothers all knew that Michael wings were always tensed, up (to look bigger), and alert or tucked away as he had issues on trusting someone/something won't happen if he let his guard down, and without Lucifer (fallen) it was unlikely to ever see his wings down but somehow after Adam entered heaven they started noticing Michael's wings flapped excitedly and flopped downwards while speaking or being around Adam.
Last hc I promise ahsuwwjiw but I also like hc Michael having a prosthetic wing after Lucifer's fall from trying last minute to protect Lucifer but having to be put down by one of the seraphim ripped his wing off as a warning (it was both traumatic for Lucifer and Michael that Lucifer just accepted his fate and shielded Lilith from most of the pain of the fall).
Anyways sorry for the long rant anon 😭😭😮‍💨
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comradekatara · 2 days
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i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.
Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,
And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)
i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.
frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.
as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.
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perpetual-ash · 10 hours
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to the people who want to have a conversation about john's being an indigenous man, a māori man, i would like to remind you that the first time we see māori spoke onscreen it goes as follows.
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one person in this room is interested in the cultures and languages of the world that came before, to the point her name and mission in life are respectively a human chain reaching back ten thousand years and justice for the destroyed earth: a mission that allowed her to persist beyond death, which brings her to being in control of cytherea the first's corpse. the other is john, who is disinterested in her idea of justice for them and speaks over her multiple times.
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that human chain, her name? he doesn't respect it just as he doesn't respect her. this conversation is beneath him and so is her full name. he is annoyed into reciting it.
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māori is spoken by john here, and it is spoken with contempt for the woman who wishes to avenge earth and whose name preserved a part of the language that he helped annihilate, along with aotearoa and all other māori people.
the first time māori is spoken in the series it is spoken by an indigenous man—who received an extensive colonial scholarship, who was alienated from his culture and sought respect and recognition in predominantly white academia, who was burned time and time again by the systems of oppression that formed the basis for climate change and the earth's abandonment by the trillionaires—who speaks it with a tone of condescension and a complete lack of gravitas because it is irrelevant to him. genuinely sad, bordering on very funny.
the second instance of māori is when he renames gideon the transliteration of her name into māori. she does not identify with it and she likely does not know its significance.
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she is also a corpse: killed indirectly by cytherea the first, who presented a threat to harrow's life that could only be dealt with via her ascension to lyctorhood via gideon's death, who groomed gideon into accepting her role as cavalier primary to harrowhark nonagesimus.
killed by one of the emperor undying's fists and gestures, killed by the ideals of cavaliership which he societally instituted, killed due to cytherea the first's disillusionment with him leading her to go on a killing spree at canaan house in order to gain his attention, killed due to john and john's actions and the systems of the society he created.
the only time we see john use the māori language in a way that isn't dripping for contempt is when he renames his daughter's corpse, wherein he clarifies that she is prince kiriona gaia, heir to the emperor divine and the emperor's only daughter, the emperor's construct.
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construct, like the skeletons that farm leeks on the ninth. she is not entitled to resurrection: she is to ownership, to being the ninth's chattel in life and her father's construct in death. he uses the language to declare her his.
gideon is the name of his saint, his oldest friend, spoken by the ghost of the woman that birthed her, to the nuns of her house—kiriona is john declaring a corpse his heir, and his daughter his construct.
there is a conversation i would love to have about john's indigeneity: it's the one where we acknowledge that after wakes death he has preserved the legacy of the māori language by using it to name his daughter, a māori woman killed by his society and the consequences of his actions, something she doesn't feel any connection to.
john is an indigenous man, a māori man, who was born into a land settled by colonisers who rendered it rife with systems of oppression that alienated him from his culture, and led him to fall back on the same systems of oppression when he founded the nine houses. indigeneity describes a relation to colonisation and settler capital, primarily in the form of dispossession; when john declared kiriona his, did he do so as an indigenous man or as the emperor of an empire that ships populations between planets like cattle?
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