One of the runner-up prizes! these are some headcanons about a sassy but motherly reader with the chain for @mickleloaf !! <3
I'm not entirely used to writing headcanons like these but I'm happy with how they turned out, I hope you'll enjoy them!! <3
[masterlist]
✦ The first time you bite back at them it catches them a little off guard, seeing as before you were quieter, they just didn’t realise that was you getting more comfortable around them and not what you’re really like in the slightest. When it does click for them they’re very pleased with the fact that they’ve gotten you to be happier with them than when you first started traveling with them!
✦ the mix of someone unafraid of biting back at them and who’s one of the most caring in the group now? They love it so much more than they can let on without being seen as somewhat suspicious.
✦ You’ve got to choose between the boys here, no matter who you either defend or snap at there’s gonna be one or more links begging you for forgiveness then, on the other hand, there’s the one who’s overly flustered over the fact that you’d step into defend them.
✦ If it’s clear that you have a favourite whether that's through the way you speak to them or how they seem to bring out your more caring side then there’s a good chance they’ll try milking that attention for all they can once they start falling proper.
✦ Legend loves having someone that he doesn’t have to hold back from speaking his mind with, he doesn’t say anything bad but he just adores how you understand his temperament and won’t be afraid of biting back at him, as well as the fact he doesn’t have to worry about scaring you off accidentally.
✦ Warriors just dies when you give him that look, when you say something with that tone of voice when bandaging up a cut that he got because in your words he was far too reckless with his own safety little do you know he’d be far more reckless just to get a tiny amount of that attention again, something about the way you care for him is near addictive
✦ Wild both adores how you’ll care for him unlike others that throw him aside like a broken toy, even if he does act on the sad puppy look to get you to lay back on being what he considers as “too overbearing”, he’s not entirely used to people caring for him after all!
✦ Twi, while he has a soft spot for how you help with lecturing wild? He about dies when you throw a lighthearted insult his way, it’s not something he’s got to experience much seeing as he got the pretty boy treatment most of his life. Even Midna lightened up on any teasing after seeing his face. His face flushes so quickly but he seems to always cover it up with how warm his pelt is making him at least so he thinks. You also remind him of Midna which was, painful at first but he doesn’t do it for long.
✦ Time acts more, gremliny around you if you seem to react to it more. Seeing as he’s the sensible older one most of the time, he tends to get jealous over the fact that your attention isn’t focused on him as much as he likes. It’s a deadly balance though, as if he takes it too far and one of the chain with a camera catch him? He’d never live it down.
✦ Four has some mixed feelings about it all, vio loves it, you’re like him isn’t that amazing? You’d get so close if you met him proper. The others? It might take a moment or two longer seeing as mentioned you’re a bit like vio, and look what he did. Four has this thing though, where the inside of his head is a bit of an echo chamber, so it won’t take long for him to warm up and start spending more time around you.
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breasts and eggs by mieko kawakami is so uniquely woman. not in a feminine sense, or a gender-identity sense, but in the sense that i can feel the soul of womanhood in it, which i have rarely ever felt in other books.
it captures the experience of being labelled ���woman” so precisely that it’s startling and there were several times in the novel i had to put it down and take really deep breaths.
natsuko, a 30 year old and unmarried woman living in tokyo, experiences the challenges of female bodily autonomy and questions what it means to be a woman and what it means to have children. the novel raises questions about family, sexuality, child-rearing, and womanhood through the eyes of its protagonist who, 10 years later and at the age of 40, grapples with wanting to have a child of her own without a partner.
in the novel, natsuko, while working on her book, begins to question what it means to raise children, as well as the possibility that she would like to have a child of her own. however, she faces roadblocks on account of strict social norms in japan and the lack of bodily autonomy of women.
the novel, deftly and beautifully, traverses across women’s reproductive rights while posing questions about not only the ethics of anonymous artificial insemination, but of having children in the first place. posing it as both delight and misery, natsuko navigates her way through conflicting ideas about life, death, and birth as a single woman.
the story deals a lot with natsuko’s own ideas of romance, sex, and loneliness, as well as her own image of herself. she questions her own family and history, reminiscing often on the time she spent with her mother, grandmother, and sister in her childhood, as well as what it meant for her to grow up poor. she considers cycles of poverty, as well as the cycles of mother and daughter, through the lens of a woman with no desire for a longterm partner or sex.
natsuko, is asexual and sex repulsed. it’s a large part of the story, though it’s not a defining trait in who natsuko is as a person. still, she experiences the desire to have a child. she calls her own womanhood into perspective, doubting it on account of her lack of sexual attraction, detailing it as it “being as if the sexual part of her never grew up”. she states often that she has breasts, that she gets her period, that she is as woman as any other woman, yet still feels that some part of her womahood is missing because of her lack of sexual attraction.
the novel raises challenging questions of self discovery, as well as details the frustration in being labelled “woman” in society. it beautifully captures the thoughts and burdens that come with womanhood, as well as gender identity and bodily autonomy.
there are so many aspects of this book i could go into. i truly could not get enough of it while reading. not just because i found the protagonist to be both relatable and interesting, but because kawakami’s voice as an author is so gripping and emotionally real. reading the book, it felt as if natsuko’s thoughts mirrored my own and often, after finishing reading, i questioned whether i had actually read lines in the book or if i had thought of them myself as part of my own inner dialogue.
it’s so beautifully layered, to the point that i think it would take me multiple posts just to cover what i’ve picked up on the first read-through, and reads like you’re looking back on a life i could have lived at some point. it’s delightfully human but also, uniquely woman. it touches on many of the unspoken (and often unaddressed) trials of being a woman that otherwise would go unheard about.
i don’t think i’ve ever read anything like it. it touched me in a way no other novel has and detailed an account of womanhood that i felt in a very deep part of my being. this may sound cheesy, but in a way, i felt a large kinship with a lot of the women in the story. whether it was their experiences with men, their experiences with children, or their experiences simply moving through the world, i found connection in all of them.
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for the drawing requests luz dressing up as eda for halloween if u feel like it xoxox
I ABSOLUTELY FEEL LIKE IT this was such a delightful request omg. Featuring some bonus clawthorne/Noceda family doodles because they come as a set. Do Not Separate Them
[ID: three images of digital fanart for the owl house. first image shows Luz dressed up as Eda's season 1 design, with her hair slicked back. she's posed mid-twirl, holding her dress in one hand, saying "surprise! I'm you. What do you think?". Next to her is a cartoony doodle of an emotional looking Eda.
The next image is a doodle of Luz and Eda dressed up as each other, looking at each other happily from a side view, labeled "they're matching".
Third image is a sketch page of Luz, Eda, Hunter and Lilith. It features a grinning Luz leaning on hunter saying "hey there sibling! How's my best brother doing?". She's labeled as "being a shit". Hunter looks unimpressed but has a thought bubble that says "sibling..." with a heart. Eda and Lilith are smiling, dressed as Luz and Hunter respectively. Eda says "remind you of anyone?" End ID]
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Nano 2023 Day 19
The boys start hatching a plan
“Unless I tell Father what you’re planning,” said Hermes, gears turning, a plan forming.
Apollo froze, bright eyes hard and sharp. “You wouldn’t.”
Hermes shrugged. “I might. What’s stopping me?” The archer’s hand flexed and Hermes rolled his eyes, waving him off. “None of that. I’m looking for a deal, not a fight.”
The messenger floated in a circle around him, laid back, arms crossed beneath his head, while Apollo’s eyes trailed after him, appraising him with a thin frown. “What kind of deal?”
“One that gets us both what we want,” Hermes supplied. “Athena was gonna send the boy to Tartaros.”
Apollo’s brows shot up. “What?”
“On Father’s orders but still,” Hermes said. “I wanted to go against it, but Athena reasoned that he’d be bound to notice. I mean, his top general and head messenger trying to hide something he wants very dearly to get rid of? The odds weren’t exactly stacked in our favor.”
The realization dawned across Apollo’s face. “But Ares is different.”
Hermes grinned. “Bingo.”
“Father doesn’t want Ares around on the best of days,” Apollo said, excited now, waving his hands as he spoke. “There’s no way he’d notice he’s gone now. We’d just need to keep Father from noticing while we track the two of them down.”
“And between us, we’d have no trouble,” Hermes finished, delighted to be on the same page.
But then Apollo paused. “Us?”
Hermes clicked his tongue. “Well, that’s where the deal comes in: I want you on Olympus with me.”
“Why?”
“I want you help.”
“Wouldn’t that raise suspicions?” Apollo argued. “God of prophecy and all hanging around, making people wonder why I’m there?”
“More than you roaming across the countryside?” Hermes gestured to his everything. “You’re not exactly subtle.”
“I can be subtle,” he said, a mite defensive, chin upturned.
“You could be a distraction. Look, I can lie through my teeth all day, but Father is.” Hermes sighed and scrubbed his hands down his face. “He snapped at Athena yesterday. We’re on thin ice up there and I don’t wanna see what happens when it cracks. I’d feel better if you were there.”
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i want to liveblog more books i am reading what about that, huh, tumblr. what if more excerpts of things that are just really cool. the other day i was reading a thing about motivational interviewing and it gave a v brief definition of trauma including "trauma can be caused by a variety of things, from experiences in war, poverty, rape, right through to hearing about someone else's trauma or sociopolitical events like genocide" or something along those lines but the important part was it said "sociopolitical events like genocide" and it was so right actually. hadn't categorised it in that spot in my brain but you know, it's not at all an incorrect spot to put it. yeah, book. you're right, sociopolitical indeed
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