2023 Reads: thelonelybrilliance
Final count 72! I set a goal of 52 originally but raised the bar when I realized that would only bring me into early November.
Decided it would be fun to share some stats and recommendations along with the full list.
First, ten recommendations:
The Queen's Thief series by Megan Whalen Turner (best completed series)
Gregory Orr, The Last Love Poem I Will Ever Write (best new poetry read)
Minka Kelly, Tell Me Everything (best memoir)
E.B. White, Here Is New York (best short read)
Carrie Fisher, The Princess Diarist (best journals)
Sydney Taylor, All-of-a-Kind Family (best children's lit)
Laurie Halse Anderson, Shout (best poetry memoir)
George Eliot, Middlemarch (best classic)
Michelle Zauner, Crying in H Mart (best food writing)
Red Rising series by Pierce Brown (best sci-fi/ongoing series + best audio drama (Red Rising (Book 1))
Of my 72 reads, 31 were rereads, 41 new . Four were audiobooks, the rest print (primarily e-books). My longest read was David Copperfield by Charles Dickens. My shortest read (I think? A lot of poetry collections are short) was the longform essay, Here Is New York by E.B. White. I read the most books in December (15) and the least in June (2). 50 authors were women, 21 were men, and one poetry collection was multi-author. My most-read authors were as follows:
Megan Whalen Turner (7 books)
Lucy Maud Montgomery (6 books)
Louise Glück (5 books)
Elizabeth Wein (5 books)
Jane Austen (3 books)
Pierce Brown (3 books)
Full list organized by month under the cut!
Favorites: Bold | Rereads: Underline
Fiction: Blue | Non-Fiction: Red | Poetry: Purple | Audiobook: *
JANUARY
Megan Whalen Turner, The Thief
2. Annie Chagnot & Emi Ikkanda (eds.), How Lovely the Ruins
3. Banana Yoshimoto, Kitchen
FEBRUARY
4. Jane Austen, Pride & Prejudice
5. Richard Siken, War of the Foxes
6. Jane Austen, Sense & Sensibility
MARCH
7. Rita Dove, Playlist for the Apocalypse
8. Louise Glück, The Seven Ages
9. Jane Austen, Northanger Abbey
APRIL
10. Megan Whalen Turner, Moira's Pen
11. Megan Whalen Turner, The Queen of Attolia
12. Megan Whalen Turner, The King of Attolia
13. Megan Whalen Turner, A Conspiracy of Kings
MAY
14. Megan Whalen Turner, Thick as Thieves
15. Megan Whalen Turner, Return of the Thief
16. Elizabeth Wein, The Winter Prince
17. Elizabeth Wein, A Coalition of Lions
18. Elizabeth Wein, Sunbird
19. Elizabeth Wein, The Lion Hunter
JUNE
20. Harper Lee, To Kill a Mockingbird
21. bell hooks, Applachian Elegy
JULY
22. Michael Gibney, Sous Chef: 24 Hours on the Line*
23. C.S. Lewis, The Lion, the Witch, and the Wardrobe
24. Elizabeth Wein, The Empty Kingdom
25. Dorothy Dunnett, Spring of the Ram
26. Michael Bazzett, You Must Remember This
27. Lisa Ampelman, Romances
28. Anthony Bourdain, Kitchen Confidential
29. Natalie Diaz, Post-Colonial Love Poem
AUGUST
30. Jenny Han, The Summer I Turned Pretty
31. Jenny Han, It's Not Summer Without You
32. Natalie Diaz, When My Brother Was an Aztec
33. Ocean Vuong, Time Is a Mother
34. L.M. Montgomery, Anne of Windy Poplars
35. Ocean Vuong, Night Sky with Exit Wounds
SEPTEMBER
36. Gregory Orr, The Last Love Poem I Will Ever Write
37. E.B. White, Here Is New York
38. Minka Kelly, Tell Me Everything
39. P.G. Wodehouse, My Man Jeeves
40. Carrie Fisher, The Princess Diarist
41. Jonathan Stroud, The Screaming Staircase*
42. Tobias Wolff, Old School
OCTOBER
43. Emi Nietfeld, Acceptance*
44. Charles Dickens, David Copperfield
45. R.F. Kuang, Yellowface
46. Louise Glück, Vita Nova
47. L.M. Montgomery, Emily of New Moon
48. L.M. Montgomery, Emily Climbs
49. L.M. Montgomery, Emily's Quest
50. Ada Limón, The Hurting Kind
NOVEMBER
51. Ron Rash, Poems
52. Louise Glück, Meadowlands
53. Tom Perrotta, Election
54. L.M. Montgomery, Anne of Avonlea
55. Louise Glück, Averno
56. L.M. Montgomery, Anne of Green Gables
57. Curtis Sittenfeld, Prep
DECEMBER
58. Tom Perrotta, Tracy Flick Can't Win
59. Pierce Brown, Red Rising*
60. Diana Wynne Jones, Howl's Moving Castle
61. Frances Hodgson Burnett, A Little Princess
62. Pierce Brown, Iron Gold
63. Sydney Taylor, All-of-a-Kind Family
64. William Faulkner, As I Lay Dying
65. George Eliot, Middlemarch
66. Louise Glück, Ararat
67. Michelle Zauner, Crying in H Mart
68. Charles Dickens, A Christmas Carol
69. Kate Baer, And Yet
70. Marguerite de Angeli, The Lion in the Box
71. Pierce Brown, Golden Son
72. Laurie Halse Anderson, Shout
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Hello Giselle! I don't know if you have seen my two other asks, but I wan't try my luck three times. I hope you would answer this because I have no one to talk to. My days are very dull and dark, I am an aspiring writer/poet, people like us are made to love and be passionate...but these past few weeks I could not write my heart out. I am very heart broken, and the thought of being lonely kills me. I have been depressed, but what's more painful than sadness is the fact that you can't feel anymore and that is what I'm going through. Hope you advices to ease my pain and longing. As I mention that I am an aspiring writer, can you recommend me some steps and what to do to a procrastinating and chaotic mind like mine? My vocabulary is also not that good as English is not my first language, I hope that you can suggest me many words that reflect beauty and ethereal. And also poetry and books that can help my way out of this. My heart goes on to you, my sweet fairy💓💗 I really hope that you get to see this... :)
oh my love, I genuinely feel so heartbroken after reading this... I might cry... I am so sorry that I have not replied sooner; I very very rarely check my inbox and often asks get lost in the aether. I am deeply glad that you persisted though, I want to help as best I can. you write beautifully by the way- even with english not being your first language you are able to express yourself in a way that holds a lot of emotion and intensity. ♡
I understand loneliness; I understand being unfeeling. although, strangely, I feel that when I am so dissociated from the world, I write best. I simply write what I feel- I don’t try and make it ‘good’, or beautiful, just a reflection of what is happening within my mind or soul. even when one can’t feel anything, there is still something to encapsulate- a hollowness, an absence, a white, blank space or a dark, winding forest that can objectified and made less engulfing for being put into words.
as for some words that I feel are some of the most beautiful in the english language, they include for me:
♡ pearlescent, ephemeral, drowsy, moonbeam, languid, selkie, ethereal, mellifluous, enthralled, lull, ambrosia, translucent, lilting, twilight, enchanting, murmurous, dream, eglantine, wistful, aurora, reminiscent, dewdrop, seraphic, liminal, melancholy, faery, ineffable, haunting, sylph, enamoured, iridescence, lavender, spectre, eerie, luminescence, illicit, petrichor, perfumed, sublime, gossamer, lithe, ingenue ♡
as for books- I put so much of my faith and my heart in children’s books. it might have something to do with nostalgia, but I also believe that children’s books- especially older ones- are often so steeped in messages about light and love and generosity of the heart. and subtle, joyous threads of magic. my very favourites are ‘the little white horse’ by elizabeth gouge, ‘the secret garden’ and ‘the little princess’ by frances hodgson burnett, and ‘howl’s moving castle’ by diana wynne jones. when I find my mind to be ‘chaotic’ and unfocused, I know I can find solace in these books and others- there is a joy in rereading books over and over until reading them takes no effort at all, just like falling asleep or daydreaming.
if you, like me, are particularly drawn towards more ethereal and metaphysical elements of language, shakespeare is unparalleled- parts of ‘a midsummer night’s dream’, ‘the tempest’ and ‘romeo and juliet’ especially are truly, truly exquisite. similarly, there is some victorian and romantic poetry that is completely hauntingly beautiful. I adore ‘the lotos-eaters’ by tennyson, for instance, and absolutely anything by keats. I have been reading ‘to autumn’, of course, as it is late september- but I always return most of all to ‘ode to a nightingale’ when it comes to loneliness…
the passage where the monster is describing his flight in ‘frankenstein’ by mary shelley also makes me cry- it is also about loneliness, heartbreak, grief. and I feel so profoundly glad whenever I cry at a novel- it makes me feel human and connected to something and someone else and so relieves that ache of isolation. virginia woolf uses language in intricate and lovely ways too- ‘to the lighthouse’ and ‘orlando’ have such an innate musicality to them, they cut deep to what it is like to live and be alive. ‘jane eyre’ by charlotte bronte too, as well as ‘david copperfield’ by dickens and ‘adam bede’ by george eliot. they are long novels, and require patience and a little love, but perhaps finding a book like that might help relieve that ache for you too.
find a dream-like corner someplace quiet, light a candle, absorb yourself in someone else’s world and their troubles. please be kind to yourself, truly; you won’t feel like this forever. I promise you are not alone, and you may come and talk to me anytime, I promise I shall pay extra care to my inbox and private messages from now on. you have my sympathy and love and friendship if you need it angel ♡
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I began, by being singularly cheerful and light-hearted; all sorts of half-forgotten things to talk about, came rushing into my mind, and made me hold forth in a most unwonted manner. I laughed heartily at my own jokes, and everybody else's; called Steerforth to order for not passing the wine; made several engagements to go to Oxford; announced that I meant to have a dinner party exactly like that, once a week until further notice; and madly took so much snuff out of Grainger's box, that I was obliged to go into the pantry, and have a private fit of sneezing ten minutes long.
I went on, by passing the wine faster and faster yet, and continually starting up with a corkscrew to open more wine, long before any was needed. I proposed Steerforth's health. I said he was my dearest friend, the protector of my boyhood, and the companion of my prime. I said I was delighted to propose his health. I said I owed him more obligations than I could ever repay, and held him in a higher admiration than I could ever express. I finished by saying, "I'll give you Steerforth! God bless him! Hurrah!" We gave him three times three, and another, and a good one to finish with. I broke my glass in going round the table to shake hands with him, and I said (in two words) "Steerforth, you'retheguidingstarofmyexistence."
I went on, by finding suddenly that somebody was in the middle of a song. Markham was the singer, and he sang "When the heart of a man is depressed with care." He said, when he had sung it, he would give us "Woman!" I took objection to that, and I couldn't allow it. I said it was not a respectful way of proposing the toast, and I would never permit that toast to be drunk in my house otherwise than as "The Ladies!" I was very high with him, mainly I think because I saw Steerforth and Grainger laughing at me—or at him—or at both of us. He said a man was not to be dictated to. I said a man was. He said a man was not to be insulted, then. I said he was right there—never under my roof, where the Lares were sacred, and the laws of hospitality paramount. He said it was no derogation from a man's dignity to confess that I was a devilish good fellow. I instantly proposed his health.
Somebody was smoking. We were all smoking. I was smoking, and trying to suppress a rising tendency to shudder. Steerforth had made a speech about me, in the course of which I had been affected almost to tears. I returned thanks, and hoped the present company would dine with me tomorrow, and the day after—each day at five o'clock, that we might enjoy the pleasures of conversation and society through a long evening. I felt called upon to propose an individual. I would give them my aunt, Miss Betsey Trotwood, the best of her sex!
Somebody was leaning out of my bedroom window, refreshing his forehead against the cool stone of the parapet, and feeling the air upon his face. It was myself. I was addressing myself as "Copperfield," and saying, "Why did you try to smoke? You might have known you couldn't do it." Now, somebody was unsteadily contemplating his features in the looking-glass. That was I too. I was very pale in the looking-glass; my eyes had a vacant appearance; and my hair—only my hair, nothing else—looked drunk.
Somebody said to me, "Let us go to the theatre, Copperfield!" There was no bedroom before me, but again the jingling table covered with glasses; the lamp; Grainger on my right hand, Markham on my left, and Steerforth opposite—all sitting in a mist, and a long way off. The theatre? To be sure. The very thing. Come along! But they must excuse me if I saw everybody out first, and turned the lamp off—in case of fire.
Owing to some confusion in the dark, the door was gone. I was feeling for it in the window-curtains, when Steerforth, laughing, took me by the arm and led me out. We went downstairs, one behind another. Near the bottom, somebody fell, and rolled down. Somebody else said it was Copperfield. I was angry at that false report, until, finding myself on my back in the passage, I began to think there might be some foundation for it.
A very foggy night, with great rings round the lamps in the streets! There was an indistinct talk of its being wet. I considered it frosty. Steerforth dusted me under a lamp-post, and put my hat into shape, which somebody produced from somewhere in a most extraordinary manner, for I hadn't had it on before. Steerforth then said, "You are all right, Copperfield, are you not?" and I told him, "Neverberrer."
David Copperfield by Charles Dickens, Chapter 24: My First Dissipation
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