She enjoyed that way too much.
OH NO CLARA DIED. I knew that was going to happen, I have seen it all on the tumbls. but how did she die? I genuinely couldn't remember (all I had was the toymaker going "killed by a... bird?") and yeah that's what I was thinking too. a bird? really? alright then
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 10/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored, or given agency to her emotional interiority): 6/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually): 5/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 9/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 6/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 9/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 8/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 8/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 6/10
Politics (how conservative is the story): 6/10
FULL RATING: 73/100 (if I can count….)
alright so we're on Big Episodes Time. technically Face The Raven is the first of three episodes but it very much stands alone in Vibe, so let us look at it
OBJECTIFICATION: seriously, we're pretty good on this by now. almost like one doesn't have to make a million jokes about women's appearances or sexually harass them to write a story
PLOT-POINT: okay first contentious rating, because the whole thing about Clara in this episode is that she figures out she is Gonna Die, which is all about her emotions isn't it?
I mean... a bit. but I think it highlights two things
1. "Maybe this is what I wanted. Maybe this is it. Maybe this is why I kept running. Maybe this is why I kept taking all those stupid risks. Kept pushing it" <- this is Clara being like "ah fuck I'm gonna die, but who knows maybe that's what my whole story and self was about" and I'm scratching my head a bit, going... was it? is that... the core of Clara? do the writers know the core of Clara? Or is this just her comforting the Doctor which is my second point
2. sooo much of this death is about Clara comforting the Doctor and telling the Doctor to not get revenge and to be okay with her dying. my love, you are about to die, why are we not getting more on you?
if this story had, say, echoed way back to early days Clara (s7) who was coming to terms with the fact that she was going to die over and over again, but then is rescued from that fate in one reality (I mean, it didn't quite nail that premise, but there's cool ideas within it), and this reality of Clara being afraid of death, but wanting to engage with the fun of life instead, to the point that maybe she forgot death was even an option... there's certainly some things you can use to read this into her, but it's not textual, it's not -- I would even say -- deliberate
Clara just kinda bounced about in the story a lot of the time, as if the writers had forgotten to do a simple character bible or something to that effect with her, so that in this moment when she dies... I'm not sure how it echoes back to how she lived. "Be brave" can mean anything, it's not a Clara-based mantra that relates to anything about her before. it doesn't relate to the idea that she's died before in a bunch of different lifetimes, or that her partner died to save her -- even though she mentions that death, but it's in the context of how she should also be brave and face it, and I'm like. no! aside from how I feel like Danny Pink's narrative was written, he at the very least canonically died so that Clara would not, it seems kind of not how that was framed to go "ah well, he could do it, so can I," he would be Upset at this idea surely???
we reach the seeming end of her life and I understand how it affects the Doctor -- hell how it affects Me and Rigsy -- more than how it affects her
I didn't rate this point lower, because I do think there's some emotional throughline in the episode itself, the problem is that it feels like it didn't relate to the entire rest of her run
COMPLEXITY: there's a Plot. who did the Plot? we don't know yet. we will find out! that's fine, this is the season finale one of three, we don't need to know everything yet
Me was hired to do the plot, and she did so in... kind of a complicated roundabout way. I kind of wish she'd targeted Clara to begin with, because why would she think Rigsy could get in contact with the Doctor? I really like Rigsy, I'm happy to see him again, and he's clearly doing well, but it's a bit ooh and then this plottwist happens, except I wasn't quite following why it needed to be twisted like that in the first place + I mean the fuckn. bit at the end when Me realises what's happened with Clara feels like it's doing so much heavy lifting "I didn't know she'd do something so stupid" really? I didn't realise it was stupid, because it's just inventing stuff as it goes along
I like a lot of the stuff around the plot, but that's another point!
CHARACTERS/LORE/PLOT: I mean yeah, Clara dies and the Doctor is transported... sooomewhere. (actually when I was watching Heaven Sent I hadn't realised it was this transporter that sent him into the Confession Dial, it took me until now)
Me is running a safe haven -- again, a compelling idea that isn't really explored a lot -- and is working for sooomeone to fuck with the Doctor. villain
so yeah, big stuff. Confession Dial now out of the Doctor's hands
COMPANIONS MATTER: second contentious rating perhaps, but Clara makes one big decision in this episode, and it's a huuuge mistake and gets her killed -- the fact that everything around that mistake was kind of silly aside, it's kind of a symptom of one of the main things that frustrated me for a lot of Clara's run (and Amy's for that matter) which was that M*ffat couldn't seem to figure out how to make them make decisions without the Doctor holding their hand, and the second she does in this episode, she literally dies
“GODLIKE” DOCTOR: the Doctor goes on a bit of a murder mystery romp in this one, and that's quite fun. again, I think Clara's death was more about him and how he might react to it, than about her, but on the whole there's nothing else egregious in this
also we get the return of the flashcards, I do enjoy the flashcards!
PREVIOUS DOCTOR WHO: Mmm there's not much in this one. obviously the Time Lords are about to arrive bit by bit, but on the whole -- apart from showing some various aliens...
“SEXINESS”: Clara mentions Jane Austen as "a great kisser" in this episode, and it's... the second? third hint? that she's not quite straight. I know it's baaaasically canon at this point, but I think generally Clara being bi was handled pretty terribly, in that it wasn't
INTERNAL WORLD: there's that secret world of aliens, which mimics a bit the Zygons outside. I kind of think this deserves more than what it gets, but it's not really about it, it's just a bit of set dressing
still, some cool concepts within it. I do wonder if I sometimes am unfair about when I think something is well-developed or not -- after all, Rings of Akhaten was also an alien culture briefly shown but not too dwelled on. I think that episode really did show bits of how that space worked, and crucially the religious festival aspect of it, whereas with this you get a sense of a kind of fucked up underlying politics, but it's not important to what's happening -- heck, we discover that Me pretended to kill someone and framed someone for that fake murder, so that she could lure the Doctor there, and it's confirmed that the law is so strict that just "assuming" someone committed that murder is enough to condemn them to death without trial or chance for defence
but we don't really understand how this affects the people in this supposedly safe haven, we don't really care about any of them, and Me's "plot" is never discovered or important to the running of this place (and the next time we meet Me is in the final episode at the very very end of the Universe so whatever this place was, it's gone now, it's just some random time she spent doing this thing)
I kind of wish there was an episode that was actually about this place
POLITICS: so we've got the refugee/secret society of aliens on earth, which is... somewhat thinly depicted. and the structure of this society is veeery not-good/vicious. but I guess it's mainly just that none of this really matters to the story of the episode
I like that we showed Rigsy again and that he has a kid and seems to be doing well for himself, I think having him specifically as a recurring character was a good choice
FULL RATING: 73/100 (if I can count….)
this is the highest-rated episode of the season actually, and I do enjoy a fair bit of it. some of this rating though comes from it being a Very Big Episode that sets up various things. I realise in structure it's got a bit in common with Utopia leading into that season's two-part finale (although of course, very different finales). straggler society that's holding on, Doctor arrives and is hoping to fix things only to get hit by a curveball in the last few minutes
I think that this is where the stuff that I do like about s9 comes up against the stuff that I knew wasn't going to land for me -- things like how Me is written into the lore feeling kind of clumsy to me, Clara not being as developed as I'd want her to be, and this season having a certain "and now suddenly something really important happens that came outta nowhere" style of writing
but it's a sweet little episode on its own, with some cool worldbuilding, and Rigsy is there!
also the post-credits Rigsy graffiti'ing the Tardis was beautiful. now we head into the. Final Episodes!
*
I'm not gonna lie -- this is not fair to the episode but oohhhh seeing Letitia Wright was transphobia jumpscare! she wasn't super transphobic and anti-vaxx back then either, it's just. yeah, jumpscare, as my friend and I call it whenever we don't expect sudden casual transphobia reminders
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