#fondazione querini stampalia

[architecturalcannibalism]

Carlo Scarpa stairs in Venice that i can’t ever miss when i visit:

fondazione Querini Stampalia | negozio Olivetti

#he was my hs archi teacher’s favorite architect so my class was kind of obsessed with him #architecture #architecture studyblr #architecture student #carlo scarpa #olivetti #fondazione querini stampalia #stairs #interiors

[ripplefactor]

Il Giardino di Carlo Scarpa alla Fondazione Querini Stampalia a Venezia ..  Antonio Monfreda for Cabana Magazine ..

#Carlo Scarpa #Fondazione Querini Stampalia #Venice #Antonio Monfreda #ripplefactor #rpf2

[particellare]

Fondazione Querini Stampalia, Luigi Ferrigno - Venezia 27-01-2028

Link Fondazione

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#Fondazione Querini Stampalia #Luigi Ferrigno

[pikasus-artenews]

DOORS CARE Lo spazio oltre la soglia

Una mostra di architettura con i 10 selezionati del concorso Doors Care sul valore e il significato dello spazio d’ingresso

#art #Fondazione Querini Stampalia #Pikasus #Pikasus Arte News

[trishanipha]

These are the illustrations I proposed for the contest Out of the box, promoted by fondazione Querini Stampalia and Viessman Italia. I really thank the judges for having selected my illos in the top ten projects, with which an exposition has been set up in Venice.

A contest with a green topic, so I’ve been teased right away! Thanks for this opportunity!

#illustratoriitaliani #digital artwork #illo #digital art #conc #concept art #out of the box #su #sustainability #green energy

[ddaggi]

Architettura in parallelo

Carlo Scarpa -  Fondazione "Querini Stampalia" - Venezia

Umberto Riva - Chiesa di san Corbiniani - Roma

#architecture #inparallel

[ramirollona]

en Fondazione Querini Stampalia Venezia https://www.instagram.com/p/Cgi5sT4NoAx/?igshid=NGJjMDIxMWI=

[licacecato]

Fondazione #querinistampalia Querini Stampaglia, tre artisti della White Cube gallery, Questo è Park Seo-Bo. #parkseobo (at Fondazione Querini Stampalia Venezia) https://www.instagram.com/p/CgHZIosDWIb/?igshid=NGJjMDIxMWI=

#querinistampalia #parkseobo

[damecuratedgoods]

#noguchi #isamunoguchi #akari #lightsculpture 🤍🏮🙌 #warmglow of #light a perfect match with the historic Venetian #palazzo that belonged to Conte Giovanni Querini ⚜️ (στην τοποθεσία Fondazione Querini Stampalia Venezia) https://www.instagram.com/p/Ce5Zc5lM52A/?igshid=NGJjMDIxMWI=

#noguchi #isamunoguchi #akari #lightsculpture #warmglow #light #palazzo

[emorris-arch]

Last week my group took a day trip to Tivoli as well as a weekend trip to Verona, Vicenza, and Venice. The photo above was sneakily captured when I thought I was pretending to be a column by myself in Hadrians Villa in Tivoli [shout out to Kiera for capturing this and embarrassing me a little]. The lack of photos I have from Hadrians Villa speaks to how in awe I was with the complex of baths, gardens, fountains, and ruins that I was not even able to discern. After walking around the Villa and being one with the architecture I proceeded to buy a book about Hadrians letters to his successor, Marcus Aueralius. The Villa, while beautiful, was not as attention grabbing as Villa d'Este (the next place I visited), but the brief history I received about the old emperor encouraged me to do more research of my own and I can definitely say that I have found a new hype fixation. Honestly, I could go on and on about Hadrian and this book but given that this is a travel blog I will save that information to inflict upon the next person that asks me about it. So, if you do not want to hear me talk about some random old guy for hours, don't ask me about Hadrian.

Villa d'Este was the next location after Hadrians Villa. Once again, I am lacking in photos of the Villa, so sorry about that but if you google photos you might understand why. This particular villa was heavily inspired by Hadrians Villa and gives a better idea to what Hadrians might have looked like before it became ruins. The complex was a dream. Every turn I took in the gardens brought me into a new outdoor-indoor space housing a small fountain, a long hall open to the sky but shaded with plant growth, and an amazing view of Tivoli.

The start of our weekend trip took my group to Museo di Castelvecchio, Juliet's balcony, and Villa Rotunda. I will be so honest right now: I do not care about Juliet's balcony. We spent a lot of time waiting in line to take a photo on the balcony and the whole time I am thinking, "How were Romeo and Juliet's meetings secret? Juliet lived in a small square with neighbors, the balcony is perfectly visible from that courtyard and the homes entrance, and the balcony is accessed right from the main staircase with no walls to hide it,". In my humble and completely biased opinion, not worth the visit. Castelvecchio, on the other hand, was so completely worth it. It used to simply be a castle for the residents but recently (1956 recently) Carlo Scarpa restored the building. This was met with some controversy at the time given that Scarpa removed some of the original structure, however, while I was walking around and experiencing Castelvecchio, I was taken aback by the skill and talent of Scarpa in his ability to take an existing structure and make it new again while never letting us forget that this was a renovation. Following the visit to Castelvecchio which I did not want to end, my group went to see Villa Rotunda. I talked about this feeling in my last blog post but I MUST reiterate: I learned so much about Villa Rotunda in my architecture history classes and never considered that I might have the opportunity to ever see it in person. It might seem silly to say, but visits where this feeling hits me are truly a religious one. Going from seeing a slide show of the site and having to write an essay on it to actually being there and playing karate on its walls is surreal.

After the full day of travelling to three different locations we arrived at the hotel to a free meal (thank god for queen Alba) and sleep. Venice was our next stop for Saturday and Sunday. I got to see more Scarpa work in the Fondazione Querini Stampalia and the Negozio Olvetti which was amazing. There's not really words to describe what I think of his work. Each visit that took me to see it made me appreciate the simplicity that architecture can be and reflect on my own work. Of course I would never compare my projects to his but it always makes me feel more adequate in what I turn in. Our styles and talent are far from each other and I am not sure I will create anything as moving as Scarpa but with each project I turn in I compare my simplicity and straight forwardness to my peers experimental and complex ideas. Seeing that a man like Scarpa is so revered for his simplicity being so moving encouraged me to not look at my work as a comparison to others ever again.

The Biennale took the group two days to get through and I did not even see both the Arsenale and the Giardini in their entirety. We began at the Arsenale which had both art installations on their own as well as countries pavilions. The art was modern and different to what we have seen so far. It was interesting to see the installations and not really understand what the message was (but still finding it interesting) and then moving to read the artists words on it. The pavilions of each country were my favorite part of both locations of the Biennale. The Giardini was completely comprised of the pavilions and I walked around without realizing that time was passing. The way each country chose to display their art was head whippingly different and a shock in each new pavilion I entered. In the Giardini I again saw pavilions that I had learned about in some of my classes. I would love another opportunity to visit both of the Biennale locations because I did not make it through either side completely with all of the time I spent there.

For next weeks blog I would say you will see better photos showcasing what I talk about (and that will be the goal!) but let's be real, I am too busy walking around, learning about and loving what I see to even remember I have a phone.

[conformi]

Carlo Scarpa, Fondazione Querini-Stampalia | Floor of the entrance hall, Venice, Italy, 1961-1963 VS Ellsworth Kelly, Spectrum Colors Arranged by Chance II, 1951

#Carlo Scarpa #fondazione querini stampalia #querini stampalia #venezia #venice #mosaic #floor #pavement #restoration #italy #italia #architecture #Ellsworth Kelly #hard edge #Hard edge painting #modern art #american art #contemporary art

[carolinewells]

#carlo scarpa #venice #querini stampalia #fondazione querini stampalia #fondazione #caroline wells #photography #architecture #details

[sil-vatica]

Carlo Scarpa - Floor at Fondazione Querini Stampalia, Venice

#carlo scarpa #fondazione querini stampalia #venice #Venezia #summer trip #travel #Architecture #square #art #marble #material #geometric #pattern #texture

[pikasus-artenews]

GRAZIANO ARICI. Oltre Venezia ‘Now is the Winter of our Discontent Una mostra che è un omaggio al fotografo Graziano Arici, per la donazione di una parte consistente del suo archivio alla Fondazione Querini Stampalia.

#art #Fondazione Querini Stampalia #Pikasus #Pikasus Arte News

[restlesswalls]

Wall_412

#Venice #Italy #Fondazione Querini Stampalia #wall #texture #textile #fabric #fabric wall #grey #tactile #colors #indoor #shadow #gradient #lines

[trilliantyler]

More Scarpa detail

#venice #italy #carlos scarpa #archtecture #Fondazione Querini Stampalia