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letterboxd-loggd · 1 year

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His Girl Friday (1940) Howard Hawks

January 24th 2023

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tcmparty · 1 year

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@tcmparty live tweet schedule for the week beginning Monday, January 02, 2023. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.

Friday, Jan. 06 NANCY DREW Double Feature

8:00 p.m. NANCY DREW...DETECTIVE (1938) A teen-aged sleuth investigates a wealthy woman's disappearance.

9:15 p.m. NANCY DREW...REPORTER (1939) A teen-aged sleuth sets out to prove a young girl innocent of murder charges.

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gatutor · 2 years

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Frank Orth-Leslie Brooks-Jimmy Lloyd "It´s great to be young" 1946, de Del Lord.

#Leslie Brooks #Frank Orth #Jimmy Lloyd #Del Lord

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lottievanclaire · 5 months

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IN AND OUT 1997, dir. Frank Oz

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swiftlypresley · 1 year

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TAYLOR SWIFT photographed by Andrew Orth (2008). | ELVIS PRESLEY photographed by Frank Powolny (1956).

#Taylor Swift #Elvis Presley #Elvis #1950s #2000s #50s #00s #epresleyedit #tswiftedit #*edits

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whatdoesshedotothem · 2 years

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Fri[day] 28 October 1836

7 3/4

12 20/..

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N

L

No kiss fine frosty morn[in]g F[ahrenheit] 34 1/2° now at 8 50/.. a.m. out ab[ou]t till br[eak]f[a]st at 9 1/2 - A- [Ann] d[i]d

h[e]r Fr[en]ch - out ag[ai]n at 10 1/4 – Ingh[a]m + 2 men and a boy at the parapet wall ov[e]r the dry wall arching –

Rob[er]t Mann + 3 lower[in]g and levell[in]g in front of the h[ou]se till 11 then took them off to prepare for mov[in]g the

heap of clay laid last y[ea]r ag[ain]st the gard[e]n wall - the run and all made ready and they beg[a]n mov[in]g the clay to the [foot]

the mound (to the east) of the rockwork immed[iatel]y aft[e]r their din[ner] – Rob[er]t Schof[iel]d and his man Jos[e]ph all the day wall[in]g

the hall-cellar drain - the gard[ene]r and Ch[arle]s and Ja[me]s How[art]h and John Booth and Mark Hepw[or]th help[in]g when they

c[oul]d to clear the orch[ar]d – lit[tle] trace left of an orch[ar]d this ev[enin]g - Mark Hepw[or]th levell[in]g soil aft[e]r the N[orth]g[a]te

carts on the gr[ea]t embankment in front of the h[ou]se - Frank cart[in]g for Ingh[a]m st[one] fr[om] the gard[e]n wall in the morn[in]g and rag

throughs fr[om] Hipperh[olme] quarry in the aft[ernoo]n - Booth the gr[eate]r part of the day and 2 masons all the day at the west tow[e]r

2 masons jobb[in[g – prepar[in]g for the top of the drab-r[oo]m chim[ne]y (hew[e]d by the 2 hewers Ja[me]s Murgatroyde and

Booths’ son Jos[e]ph and w[oul]d ha[ve] been put up but for the windy days we ha[ve] late[l]y h[a]d) - and prepar[in]g

lancet-lights for the groin[e]d dry wall arch - In the gard[e]n and ab[ou]t all the day exc[ept] fr[om] about 2 to 4 when

saunt[ere]d d[o]wn the walk - and along the low[e]r brea daisy bank thro’ Wellroyde wood int[o] the N[or]thow[ra]m r[oa]d to so[me]

dist[an]ce ab[ou]t Upper brea - to where Shibd[e]n is 1st seen - stood compar[in]g the diff[eren]t points of view –

ret[urne]d by the Stump X Inn and the Lodge – 1/2 h[ou]r there talk[in]g to Matty for Hannah Pearson the cook here

20 y[ea]rs ago h[a]d been at the hall and call[e]d on her way b[a]ck to see Matty - poor Hannah! she told me how I w[a]s

altered – so[me]bod[y] h[a]d told h[e]r lately how m[u]ch I w[a]s aged - But she d[i]d n[o]t kno[w] she sh[oul]d expect

me to look just as I us[e]d to do - no! s[aid] I, you ha[ve] n[o]t seen me these 20 y[ea]rs - it is ti[me] for

me to be alt[ere]d - it is fr[om] s[u]ch peop[le] one hears the truth - I h[a]d th[ou]ght, on her ent[erin]g the

r[oo]m, she w[a]s grown an old wom[a]n - so chang[e]d I might n[o]t ha[ve] known her en passant –

b[u]t I made no rem[ar]k on this to her – ho[me] ab[ou]t 4 – w[i]th Rob[er]t Mann at the clay mov[in]g and ab[ou]t

till ca[me] in at 6 – dress[e]d – direct[e]d and seal[e]d and s[e]nt off by Frank tonight my notes (writ[ten]

last night and dat[e]d yest[erday]) to ‘Mr. Hoyland Gibbet-lane’ order[in]g a hatch[men]t for my a[un]t to be done as soon

as poss[ible] - and my no[te] to ‘Dr. Kenny Ward’s end’ enclos[in]g a guin[ea] (a sov[erei]gn and a shil[ling]) sor[ry] that

this sm[all] debt of w[hi]ch I w[a]s n[o]t aware h[a]d been so long unacknowledg[e]d – din[ner] at 6 35/.. – coff[ee]

upst[ai]rs - A- [Ann] r[ea]d h[e]r Fr[en]ch - I asleep on the sofa 1/2 h[ou]r - A- [Ann] h[a]d let[ter] tonight fr[om] Messrs. Gray –

the complet[io]n of her Radcliffe purchase to be at the White Swan H[alifa]x on Tues[day] - Mr. S. Washingt[o]n

to attend - A- [Ann] annoy[e]d - we all al[on]g th[ou]ght of go[in]g to York - she h[a]d n[o]t wish[e]d the purch[a]se to be

complet[e]d here and for Mr. SW- [Samuel Washington] to ha[ve] an[y]th[in]g to do w[i]th it - at 10 20/.. p.m. h[a]d just writ[ten] all the ab[ov]e of today

at wh[ic]h h[ou]r F[ahrenheit] 33° ver[y] fine cold frosty day -

How m[u]ch I chang[e]d

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byneddiedingo · 2 years

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I Wake Up Screaming (H. Bruce Humberstone, 1941) Cast: Victor Mature, Betty Grable, Carole Landis, Laird Cregar, William Gargan, Alan Mowbray, Allyn Joslyn, Elisha Cook Jr., Morris Ankrum, Charles Lane, Frank Orth, Gregory Gaye, Chick Chandler, Cyril Ring, May Beatty. Screenplay: Dwight Taylor, based on a novel by Steve Fisher. Cinematography: Edward Cronjager. Art direction: Richard Day, Nathan Juran. Film editing: Robert L. Simpson. Music: Cyril J. Mockridge. I Wake Up Screaming, in which no one actually wakes up screaming, was not one of 20th Century Fox's priority projects in 1941, witness the fact that it was assigned to one of the studio's second-string directors, H. Bruce Humberstone, who was usually in charge of B-movies like the Charlie Chan films. Even its stars were not of the first rank: Betty Grable would become famous for her "gams" as the GIs' pin-up girl during the coming war, but she had mostly been a decorative element, not a leading lady, in her previous movies. Victor Mature had been in movies for only a year, having worked with Carole Landis in Hal Roach's caveman saga One Million B.C. in 1940. The studio didn't bother with an original score for the film, instead hiring Cyril J. Mockridge to orchestrate the theme music Alfred Newman had composed for King Vidor's 1931 film Street Scene, along with a love theme adapted from the Oscar-winning song Harold Arlen and E.Y. Harburg had composed for The Wizard of Oz (Victor Fleming, 1939). Today, the reiterations of "Over the Rainbow" against the murder mystery background are among the more unintentionally unsettling things about I Wake Up Screaming, which Fox initially released under another title, Hot Spot. Given all this uncertainty, it's surprising that the movie works as well as it does, generating some real suspense and keeping its plot twists concealed until the right moment. Probably its greatest strength lies not in the performances of its leads, though Mature in particular is perfectly fine, but in that of Laird Cregar, as the sinister cop who wants to pin the murder of Landis's Vicky Lynn on Mature's Frankie Christopher. Cregar is a true heavy in every sense of the word, his bulk playing off well against Mature's own large presence. Cinematographer Edward Cronjager works well with shadows, which has earned I Wake Up Screaming a reputation as one of the first American film noirs. Humberstone unfortunately doesn't have the noir touch, and undermines Cronjager's efforts with some attempts at lightening up the mood, including a silly detour into a swimming pool scene that doesn't do much other than give Grable an opportunity to show off her legs and Mature to bare his chest. But all in all, it's a better film than most of the people connected with it had any right to expect.

#I Wake Up Screaming #H. Bruce Humberstone #Victor Mature #Betty Grable #Laird Cregar

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oldshowbiz · 2 years

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Classic character actor Frank Orth

#Frank Orth #character actors

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badmovieihave · 2 years

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Bad movie I have His Girl Friday 1940

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mrfahrenheit92 · 3 years

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#His Girl Friday #Howard Hawks #Cary Grant #Rosalind Russell #Ralph Bellamy #Gene Lockhart #Porter Hall #Ernest Truex #Cliff Edwards #Clarence Kolb #Frank Orth #John Qualen #Helen Mack #Billy Gilbert

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letterboxd-loggd · 2 years

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Rings on Her Fingers (1942) Rouben Mamoulian

August 3rd 2022

#rings on her fingers #1942 #rouben mamoulian #gene tierney #henry fonda #laird cregar #spring byington #henry stephenson #frank orth #shepperd strudwick #iris adrian #double or nothing

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michigandrifter · 5 years

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Buffalo Bill 1944

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milliondollarbaby87 · 2 years

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Double Dynamite (1951) Review

Johnny Dalton is an innocent bank teller who just happened to win money gambling on horses and is accused of stealing from the bank he works at, helped by Emile J. Keck a waiter. ⭐️⭐️⭐️ (more…)

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cladriteradio · 2 years

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Here are 10 things you should know about Frank Orth, born 142 years ago today. He enjoyed a lengthy career in vaudeville before becoming a prolific character actor in pictures.

#Frank Orth #vaudeville #old movies #classic film #classic movies #classic Hollywood #character actors #classic TV #classic television

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badgaymovies · 2 years

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I Wake Up Screaming (1941)

I Wake Up Screaming by #HBruceHumberstone starring #BettyGrable, #VictorMature and #CaroleLandis, "a lavishly photographed rendering of a B-movie plot with a stellar cast"

H. BRUCE HUMBERSTONE Bil’s rating (out of 5): BBB.5 Alternate Title: Hot Spot USA, 1941. Twentieth Century Fox. Screenplay by Dwight Taylor, based on the novel by Steve Fisher. Cinematography by Edward Cronjager. Produced by Milton Sperling. Music by Cyril J. Mockridge. Production Design by Richard Day, Nathan Juran. Costume Design by Gwen Wakeling. Film Editing by Robert L. Simpson. Carole…

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whatdoesshedotothem · 2 years

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Tues[day] 25 October 1836

7 35/..

12 40/..

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No kiss out at 8 35/.. – H[a]d Mr. Husb[an]d - Bairstow the ten[an]t h[a]s joiners - he to do the Wat[e]r lane

mill work for fr[om] £30 to £35 - I s[ai]d H- [Husband] c[oul]d n[o]t do bet[te]r than this - H- [Husband] to go to Leeds this aft[ernoo]n –

ga[ve] orders for lock for my dress[in]g r[oo]m etc - told h[i]m my intent[io]n of mak[in]g h[i]m h[ou]se-stew[ar]d

and hav[in]g him and his fam[il]y in the h[ou]se dur[in]g my abs[en]ce – s[ai]d he need[e]d n[o]t be uneasy - I w[ou]ld n[o]t

leave him in the lurch - I s[ai]d noth[in]g of incres[in]g his sal[ar]y – b[u]t s[ai]d I w[oul]d pay the rent of his

cott[age] and allow coals and candles and soap for him and the h[ou]se - the 2 wom[e]n serv[an]ts left on board wages –

he to ha[ve] author[it]y ov[e]r all the serv[an]ts – br[eak]f[a]st at 9 40/.. - A- [Ann] d[i]d h[e]r Fr[en]ch – aft[e]r br[eak]f[a]st h[a]d Oddy

and look[e]d ov[e]r my a[un]t’s clothes till call[e]d d[o]wn to Booth the mason ab[ou]t (bef[ore] 12) - He want[e]d

so[me]bod[y] to pull d[o]wn the old cot[tage]s at Hill top - told h[i]m to s[e]nd Ch[arle]s and Ja[me]s How[ar]th and pay them hims[elf]

then w[i]th the gard[ene]r plann[in]g the new gard[e]ns till n[ea]r 1 - then w[i]th A- [Ann] at her lunch[eo]n – h[a]d Mr. Jubb bet[ween]

1 and 2 for n[ea]r 1/2 h[ou]r - out ag[ai]n at 2 - A- [Ann] rode to Mrs. Ann Lees’ – b[a]ck bef[ore] 4 – w[oul]d n[o]t go to Cliff Hill

bec[ause] saw Mrs. Dysons’ carr[ia]ge going there and d[i]d n[o]t wish to meet Miss Harr[ie]t Parkhill – w[i]th the workmen

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Oct[obe]r

one or the oth[e]r till ca[me] in to A- [Ann] at 4 for 1/4 h[ou]r - then w[e]nt to the meer-drift - and went int[o] it

1st ti[me] – w[e]nt to the far end of the arch[in]g – ab[ou]t 50 or 60 y[ar]ds w[hi]ch ga[ve] me a heat[in]g - hot in the mine

and my back alm[o]st broken w[i]th stoop[in]g - the arch[in]g beaut[ifull]y done (no mortar - dry wall stone) –

by Jos[e]ph Mann - he n[o]t there – on[l]y his son John – ga[ve] h[i]m a shil[lin]g for light[in]g me, carry[in]g

the candle bef[ore] me all the way in and out - then al[on]g the walk, and to the Low[e]r brea r[oa]d to the Lodge –

met Mawson n[ea]r his h[ou]se - he gi[ve]s 9d. p[e]r load as m[u]ch as a 2 horse load break[in]g rubble – b[u]t it is hard

cross st[one] - thinks the st[on]e now cart[e]d fr[om] N[or]thow[ra]m and brok[e]n for me at the Lodge worth on[l]y

7d. p[e]r one horse l[oa]d (ab[ou]t the sa[me] quant[it]y as Mawson’s loads - for all d[o]wnhill) – Matt[hew]’s

broth[e]r left Mawson in the sa[me] sort of way as he is now to leave me – n[o]t satisf[ie]d w[i]th the

wages – 1/4 h[ou]r at the Lodge - Matty told me Ja[me]s Greenw[oo]d of Godley cot[tage] w[oul]d like to be und[e]r

the gard[ene]r - I s[ai]d I d[i]d n[o]t mean to hire anyone who must ha[ve] drink[in]gs d[i]d n[o]t kno[w]

wheth[e]r the wages that w[oul]d be giv[e]n w[oul]d be en[ou]gh - Matty s[ai]d she th[ou]ght he w[oul]d be gl[a]d to

‘fall int[o] my will’ for the best of weav[in]g w[oul]d be tak[e]n away by the new sort of machin[er]y –

ho[me] at 5 40/.. - all the workmen just gone or go[in]g – Rob[er]t Mann + 4 low[erin]g and levell[in]g in front of the h[ou]se

Ingh[a]m + 2 men and a boy at the dry cross arch s[ou]th wall - Frank cart[in]g rag thoroughs

for him - the gard[ene]r and Rob[er]t Schof[iel]d and Jos[e]ph Sharpe tak[in]g th[in]gs up in the gard[e]n- Rob[er]t Schof[ie]ld build[in]g wall

for the new court coal-place roof-pillars to st[a]nd on – Ja[me]s Sharpe and Ab[raha]m Murgatroyde

at the wom[e]ns’ necess[ar]y and ash-pl[a]ce and then flagg[in]g 3 or 4 y[ar]ds length of the road in the court to the serv[an]ts hall door –

Amos and Joseph Sharpe all the day and Booth w[i]th them in the morn[in]g at the west tow[e]r – g[o]t all

the cellar rag-covers on and wall[e]d up a lit[tle] r[ou]nd ab[ou]t them - 2 hewers as us[ua]l hew[in]g for the west tow[e]r –

Mark Hepw[or]ths’ 4 carts cart[in]g fr[om] N[orth]g[a]te and he levell[in]g up aft[e]r them und[e]r the r[oa]d wall in

front of the h[ou]se - Booth at Hill top this aft[ernoo]n – pull[in]g d[o]wn the cott[age]s etc. vid[e] line 9 of today –

din[ner] at 6 1/2 - A- [Ann] wr[ote] to Miss Rawson – coff[ee] upst[ai]rs - A- [Ann] r[ea]d her Fr[en]ch – 1/2 asleep on the sofa till ab[ou]t 9

then wr[ote] all the ab[ov]e of today till 9 20/.. p.m. ver[y] fine day - then r[ea]d a few p[ages] of

the alph[abe]t of electric[it]y - then A- [Ann] and I look[in]g ov[e]r my a[un]t’s pap[e]rs till 11 35/.. p.m. at w[hi]ch h[ou]r F[ahrenheit] 47°

and ver[y] moonlight night –

w[e]nt int[o] the meer-drift

Ja[me]s G- [Greenwood] offers

to be und[e]r the gard[ene]r

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