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#give me the gay 19th century romance i deserve
purplenickel · 4 years
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I need kisses and attention (´• ω •`)
Who wants to volunteer?
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A list of all the films, series and web series that have been recommended as hidden must sees during isolation and beyond. 
Note: I have divided them into films with happy endings or not, series that haven’t finished so the exact ending is unknown I have put an asterisk (*) next to
Note 2: the descriptions are a mixture of my own and of the reviews I was sent by anons
She gets the girl
A Date For Mad Mary, 2016 (needs a date for a wedding, more about her complicated reconnecting with friends after prison but romance is cute)
Almost Adults, 2016 (centers around the broader themes of growing up and friendship but one of them is a giant gay. There is a happy ending for both the gay one and the straight one, gotta give the straights some food because they so rarely get fed)
Anne+, 2018* (Dutch webseries with fresh and new vibes with a great mid-twenties actress about mid-twenties gay lives. Everyone in it is LGBTQ+ yet nothing about it is LGBTQ+, it’s all just treated as natural and normal)
Bound, 1996 (you can't beat the lesbian noir classic which should one day be inducted into the lesbian hall of fame)
But I’m A Cheerleader, 1999 (camp and a lot of fun despite the very serious themes, starring Natasha Lyonne- one of the gayest straights out there)
Carmilla, 2014-16 (webseries based on the groundbreaking 19th century book. Some great chemistry and a lot of breaking of the fourth wall)
Carol, 2015 (Cate Blanchett movie based on the book The Price of Salt which caused issue when it was realised in 1952 because it gave its lovers a open ended happy ending)
Couple-Ish, 2015-16 (cute Canadian web series, bit on the nose but important gay, bi and enby rep)
Desert Hearts, 1985 (the looks, the emotions, the gorgeousness of them both, the chemistry, oh god it was so good. Vivian Bell deserves all the orgasms)
Elisa Y Marcela, 2019 (A Spanish film based on the true story of two women who got married with one of them pretending to be a man in 1901. A tearjerker but ultimately their love is stronger than the adversaries they face)
Entre Nous, 1983 (a French 1983 film which has Jews & Nazi's but doesn't end in complete horror. There are straights who think it’s a friendship but we know better)
Fingersmith, 2005 (BBC drama based on a book by Sarah Waters)
Fried Green Tomatoes, 1991 (based on a more obvious book, they’re sold as best friends but if you know you know)
Fucking Åmål, 1998 (one of the first films aimed at teenagers about two girls falling in love and getting together.)
Getrieben, 2018 (they're ex's and share a dog and then maybe they're not so ex anymore)
I Can't Think Straight, 2008 (cute romantic comedy adapted from a novel about a London-based Jordanian of Palestinian descent preparing for a wedding before events take a gay turn)
If These Walls Could Talk 2, 2000 (some happy and some sad endings in this film which portrays three generations of lesbian storylines from the same house)
Imagine Me and You, 2004 (not my fav but a classic and has Queen Cersei playing a wlw)
Kyss Mig, 2011 (heart eyes, a lovely film, does have maybe a bit too much man in it but he's gone when we get to the nitty gritty)
Our Love Story, 2016 (Korean, subtle nuanced relationship story)
Rosebud, 1996 (a channel 4 short with Julie Graham and questionable fashion choices. Who needs words when you can have such tantalising and vivid visuals? Teeny bit of man but it's fitting in the particular setting and its very fleeting, although admittedly nude)
Saving Face, 2004 (romantic comedy which had less of an impact that Imagine Me and You due to lesser known actors and probably partly to do with race- the main characters are Chinese-American. But it's a gorgeous movie that has a lot more than just rom com elements. The Half Of It is by the same director.
Sjukt Oklar, 2018* (very Swedish, very lesbian, very very funny)
Supervoksen, 2006 (Danish teenage coming of age type thing)
The Carmilla Movie, 2017 (based on the webseries but still accessible to those that haven’t watched it. Quite sweet and the actresses seem very comfortable with each other. Plus there is a great sex scene in it where the muscles on one of the girl’s back are especially sexy)
The World Unseen, 2007 (period film during South Africa's apartheid era with great chemistry)
The Handmaiden, 2016 (extremely nsfw but its got some incredibly powerful meaning to it especially the final sex scene with the bells. It's also incredibly shot and the sex scenes were done very sensitively on set with only women around and the director even in another room.)
Thelma, 2017 (a supernatural thriller about a girl starting college who suddenly starts getting seizures but they don’t know why and she has a female love interest)
Tipping The Velvet, 2002 (BBC series, also has a Victorian era strap on in it and Keeley Hawes, what's not to love?)
When Night is Falling, 1995 (An uptight and conservative woman, working as a literacy professor, finds herself attracted to a free-spirited, liberal woman who works at a local carnival. It’s got quite a lot of a boyfriend in it so its not for everyone.)
Yes or No, 2010 (literally a ‘and they were roommates’ movie as well as an enemies to lovers plot)
Zwischen Sommer Und Herbst, 2018 (coming of age elements, does have a man involved especially at the beginning, who happened to be the brother of one of the girls, but overall it was okay, no lesbians die and it doesn't end in abject misery)
She doesn’t get the girl but neither does the trope
Aimée and Jaguar, 1999 (based on a true story. Beautiful but painful, it’s a Jew falling for a German housewife in Nazi Germany, hence its sad as hell ending)
Bloomington, 2010 (coming of age, teacher student thing which walks that line relatively well without being too icky)
Freeheld, 2015 (an extremely powerful and important story to tell)
Gia, 1998 (Angelina Jolie gets it on with Elizabeth Mitchell in a moving film about model and lesbian Gia Carangi)
Kontrola, 2019* (a masterpiece of a mini web series with a great soundtrack, aesthetic and storyline. Season 2 may present a better future for them)
Mädchen in Uniform, 1931 (German cult classic almost entirely produced by women. Sexual awakening/teenage coming out of her shell stuff, there is also a 1958 redo which is okay. She doesn’t get the girl but it’s still a positive portrayal of sexuality where the object of desire isn't disgusted or weirded out by it)
My Summer of Love, 2004 (At first glance a coming of age movie, but has a lot of phycological elements too. Emily Blunt with a girl, not happy but no lesbians die)
Portrait of a Lady on Fire, 2019 (spell-bounding french film with amazing rawness and visuals. One of my best cinematographic experiences ever)
Reaching for the Moon, 2017 (the love story of the poet Elizabeth Bishop and the architect Soares in the 60s)
Snapshots, 2018 (sad ending but great chemistry with no closed mouthed straight girl kisses)
Summertime, 2015 (French lesbian movie- dare I say more? Sad but no deaths)
The Hunger, 1983 (a gothic cult classic, vampires, its got David Bowie, Susan Sarandon and Catherine Deneuve in it)
The Miseducation of Cameron Post, 2018 (she doesn’t get the girl because there is no girl, but she does begin to find and accept herself. Based on a highly recommendable book by the same name)
Viola di Mare, 2009 (depressing as hell but beautiful to look and the couple have some good chemistry)
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eolewyn1010 · 3 years
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3 seasons of Charité - upsides and downsides
Includes spoilers for all three seasons!
What I like about Charité, season 1:
- Ida is a relatable and stubborn woman, and while I think the protagonists of the newer two seasons are written better and more interestingly, she makes for a good central character
- Behring is great to watch, complex, enthusiastic, arrogant, passionate, desperately forlorn, sweetly encouraging, irascible, honest, and I’m always torn between loving and hating him with all my heart
- he also stands in for how badly society was suited to handle people with psychological issues back in the day
-  actually, none of the characters are simple or one-sided; expectations are often subverted – Behring is not heartless, but he can’t just be “saved” either, neither Koch nor Virchow are as benign as they seem at first, Tischendorf is not the sweet young Prince Charming who’ll give Ida the dream life she deserves, Hedwig is not a brainless little floozie with no deeper thoughts or feelings, neither Therese nor Martha are all the strict boss ladies they want to be, Edith is not just a snotty bitch etc.
- medical history of that time, a blunt look on methods and circumstances
- the rivalry between the doctors; it’s fun to watch them passive-aggressively piss on each other
- the staging of the Tuberculin scandal was really effective, with all the hyping, the downfall and the consequences
- we get sweethearts! Stine is a sweetheart, Else is a sweetheart, Therese is a sweetheart, Dr. Kitasato is a sweetheart, and most of all Dr. Ehrlich. I like kind people, ok? Especially in a setting where so many people are asses
- the music is atmospheric and quite nice
- despite two options of marriage, the female protagonist remains single and gets to focus on her career, even in a time and setting that’s not supportive
- I’m having a blast with Minckwitz – he’s such a bitch, I love it
What I hate:
- the lesbian dies for no good reason
- did our main character really have to be a tragic, left-all-alone orphan in debts? Would you like some cheese with that whine?
- the big, hammy speeches get on my nerves after a while
- my sweet lesbian Therese dies, awfully, of frickin’ tuberculosis
- say what you will, Ida and Behring could have made it work; I think they would have been good for each other. Kinda disappointed
- Else Spinola deserved better
- poor Therese dies, thinking that God punishes her for being in love with Ida
- those weird slo-mo shots between scenes don’t serve any purpose
- what’s with the random fortuneteller scene? What was that good for?
- THERESE DIES! We go with f***king Bury Your Gays??? F*** YOU!
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What I like about Charité, season 2:
- Anni and Dr. Sauerbruch – different than with Ida, we get two focal characters who aren’t presented as doubtlessly morally good. On the contrary, Anni starts out as quite the happy-go-lucky little Nazi follower – and then we get all the character development; hell yeah!
- Anni chooses to keep and raise her disabled baby herself, come hell or high water; damn, she fights for that kid. And Martin is positive disabled representation, too – thanks for giving me a handicapped veteran who’s not a bitter, drunk wreck just whining about what a cripple he is! He’s got a grip on his life, and the leg only ever comes up on three occasions; it doesn’t define him
- Otto, Martin, Doc Jung, Margot, Maria Fritsch and Kolbe are more clearly positive characters, but they aren’t one-sided, either – like, Otto plays that bright sunshine, but there’s so much seething in him. My sweet baby boy
- same for the negative characters, because they aren’t flat either; Artur, de Crinis and Christel are super interesting, all different levels between quiet, only semi-aware compliance and full-on, not-so-blind fanaticism. Gawd, those shitheads, but they’re fascinating to watch
- all them relationships – Margot-Ferdinand, Otto-Martin, Otto-Anni, Artur-Anni, Margot-Doc Jung, Ferdinand-Doc Jung, Anni-de Crinis, Bessau-Artur, Martin-Christel, Otto-Christel, Anni-Martin… there are so many interplays, so many dynamics that influence each other! SO many layers!
- the acting is better, I think; the characters altogether feel less wooden, much more human than the first time around – perhaps because it’s not 19th century manners anymore now, I dunno; I’m getting really emotional over shit, and I love it
- incorporation of the political and social situation into the hospital setting – much more than in the first season, the state ideology influences the way the doctors can do their work, and many of them do their best to still hold onto their duty when everything around them falls apart, which is beautiful
- power struggles between the characters in charge and ideological / political nuances are more subtle; nothing is black and white
- but there’s nothing subtle about the presentation of Nazi crimes and how many people actually just went along willingly – that cold bluntness is just what that subject needs
- interactions with patients are better this time; they’re more now than passive, pitiable creatures who quietly die their way, they’re characters with their own minds and drives (Lohmann, Magda Goebbels, Hans von Dohnanyi, even Emil)
- the music is even better than the first time around, I love it – so gentle most of the time, but it can also really help to build the tension
- we get a very sweet, functioning queer romance between characters who consist of more than “well, they’re gay and it troubles them”, and they both live – THANK YOU for learning your lesson; there was no good reason to have the gay character die, so Otto and Martin get a happy end. Was that so difficult?
What I hate:
- Yrsa von Leistner is so effing random. Who the hell wrote this? If you can’t incorporate a character properly, why bother including them in the first place?
- the passivity and anonymity of the disabled children – why didn’t Artur or Anni ever get to perceive one of them as a person? That girl Traudel for example, Anni could have talked to her
- there’s a slight tendency to “I’ll just tell the character next to me” exposition – Artur when he and Anni wake up together that one morning (why wouldn’t Anni know yet what he’s working on? That long-winded explaining sentence just came off as awkward), Peter Sauerbruch to Margot about the Dohnanyis and Bonhoeffers
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What I like about Charité, season 3:
- I’m all pro ProPro! Honestly, that man is a treat, both how the character is written and how the actor carries the situations and interactions he’s in. He’s arrogant and narcissistic, but he’s also principled, insightful and caring, unpolitical in a smart way and honest in a quiet way, and he gets how people are, and his mentorship of Ella, how he supports and encourages her and also bluntly gives her the dressing-down she needs, is a thing of beauty. And that she has to earn his attention first
- I have a personal soft spot for the scene where ProPro is doing his sports and going jogging while talking with Ella, and then just has her run along. That man’s hilarious, I love him
- Ella’s spirited, and while I don’t love the protagonists of this season as much as those of the second, she’s still great in her own right – the dedication to her research, the strength with which she handles the shit that’s thrown at her
- everyone’s so snarky!
- the wider focus on medical history and research; we see a lot past surgery now
- everyone’s taking shit in stride – staff is running off to the West? Ok; rest gets double shifts. We don’t have a senior doctor on the ward this morning anymore? We do shit ourselves. An illness we’re not prepared to treat anymore because, actually, there should be vaccination enough? We’ll make do. I love that spirit
- positive disabled representation! Rapoport’s daughter actually interacts with people, is presented as a person, has dreams and strengths and can handle her issues – yes, please!
- we get an intersex character, not for long and the story isn’t treated with the care and attention it should have, but props for the effort, I guess
- the setting allows for Ella to focus fully on her work and passion, not really giving much on romance and marriage without that seeming out of place – Ida’s conversations most often revolved around a man, Anni was considered a Nazi role model for being married and a mother, but Ella, while the relationship with Kurt is an option, never prioritizes this and never needs it
- personally, I’m smelling threesome subtext between Ella, Kurt and Alex Nowack – that may just be me, but I like it
- how everyone handles situations, how the changes happening in the country are incorporated into the world the characters live in, how they are able to cope with stuff and make decisions, in the end even without shifting blame
- even more so than in season 2, I really like how human the patients and their relatives are, that interacting with them in the right way is made an important part of the doctors’ work, even when some of the patients are asses
What I hate:
- people are mumbling – it’s not dialects, it’s not accents; they’re mumbling. They never were in the first two seasons
- the cancer stories were really no favorite of mine; what’s with the teary melodrama and the sudden gory shock value? Come on, Charité, you can do better. Presenting the human side of everything has always been the strength of this series, so why going so overboard now?
- I dunno, the crime cases ProPro investigates don’t seem to be incorporated that well? I suppose they’re there to establish his main field of pathology, but they spend a lot of time on that “Biter” case, and I’m not sure why
- would have been nice if Inge Rapoport had gotten to interact a bit with important characters other than her husband, Arianna and Kraatz – she’s a lovable, strong female character; why keep her so one-sided?
- what’s with the black’n’white painting? You showed us how conflicted and nuanced people under the Nazi regime could be; why now the clear line between “those people are good” and “that one sold his soul to the Party”?
- you show us an intersex person, introduce her as a character, make us sympathize, show us her hindrances and possibilities – and then she’s just gone? What about her treatment? Positive development? Making Kraatz’ interactions with her a counterpoint to his interactions with Doc Rapoport? What WAS that?
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carriagelamp · 4 years
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~ Queer Lit 30 Day Book Challenge ~
I decided to do this challenge I came across for June! Originally it was designed as a “day-by-day” thing, but my June was way too hectic to do a write up every single day… so I decided to make a nice compilation for the end of the month instead!
This is perhaps not the “purest” form of the challenge but I wanted it to be personal for me. Growing up when I did and where I did, I had very little exposure to queer books, especially age-appropriate queer books. That being said, there’s some books on this list that are really only “queer” by technically, or through a secondary character rather than the main character. I debated whether to include these but finally decided that, yes, I would. I owe it to myself. Even though some of these books that aren’t “as queer” as other, they were (or are) really important to me as a queer person and my journey is understanding that, so I wanted to acknowledge them!
More info about the books and the challenge under the cut!
Day One: First Queer Book You Remember Reading
Color by Taishi Zaou and Eiki Eiki
Remember how I mentioned a lack of available, age-appropriate queer books? I was one of those kids who was definitely exposed (probably too young) to queer manga/yaoi. It wasn’t necessarily what I wanted, especially as a wee ace teen, but it was the best I had at the time and it meant the world to me at the time, to see same-sex relationships even if looking back on them is very “YIKES”.
I’m sure I read others before this, but Color is one of the first that I really remember and which I a) actually owned and which b) wasn’t completely repellent in hindsight! I haven’t reread it in probably over a decade so I have no idea how it stands up, but at the time it read like a much more “realistic” account of two teenagers developing a crush and starting a relationship and as a questioning teenager it really helped me realize that this was a real, viable option.
Day Two: Queer Book That Reminds You Of Home
The Witch Boy by Molly Knox Ostertag
I hummed and hawed about this one for a long time because honestly I tend to read books that make me feel far from home. I decided to go with The Witch Boy though because it’s a story that challenges gender norms and stars a large family out in the woods, running wild and exploring magic, and honestly it gives me vibes that remind me of vacationing with my extended family. We’re also partially ginger and inclined to run wild in the woods. If we knew magic we’d have used it for sure.
This book is about 13 year old Aster, who lives in a family where the women all become witches and the men all become shifters. Aster, however, has no interest in shapeshifting and instead finds ways to study magic and learn the arts of witchcraft while constantly being pushed out by his female relatives… though everything might change when a new danger, that may or may not be connected to Aster studying magic, begins to appear.
Day Three: Queer Book That Has Been On Your TBR Too Long
Beneath The Citadel by Destiny Soria
That was an easy choice, this has been sitting on my bookshelf for months, staring at me accusingly every time I enter my room. I’m really excited to read it (Magical heist? Rebellion? With an asexual protagonist? Yes please) but for some reason I have not gotten around to it. Some day, baby, some day.
Day Four: Queer Book With A Name Or Number In The Title
George by Alex Gino
George is an absolutely charming middle grade novel about a child named George who the world perceives as male… but who knows she’s definitely a girl. The novel begins when her class decided to put on a play about the novel they had just read: Charlotte’s Web. George is desperate to play Charlotte, her favourite character, but isn’t even allowed to try out because it’s a “girl’s role”. George and her best friend struggle with how to handle this problem and manage George’s secret amid elementary school and home drama.
This book is really adorable – it was a nice, easy, cozy read for an adult, and would also make a great read aloud to elementary-age children if you want to introduce them to transgender characters.
Day Five: Queer Book Where The Protag Has A Fun Job
The Magic Misfits by Neil Patrick Harris
Not actually a queer protagnoist, but a queer side character who plays a major role in the series. Mister Vernon, one of Leila’s fathers, has arguable the coolest job: he’s a retired stage magician turn magic shop owner, which is complete with large rabbit, hidden room, and tons of fascinating gadgets to help a young practical magician learn their trade. He is hands down one of the neatest character in the series and is a major catalyst throughout the series.
The first book follows Carter, a runaway orphan who practices street magic to get by, as he runs away from his horrible uncle and winds up meeting a gang of magic-loving friends in a small town. Hiding from his uncle is only the beginning though, and the mysteries surrounding the town and Mister Vernon become thicker and thicker as the series goes on.
Day Six: Favourite Queer Graphic Novel
Check, Please! by Ngozi Ukazu
There’s lots of fantastic queer graphic novels out there, but I have to name Check, Please! as my favourite (and not just because I’m Canadian and am legally obligated to at least show interest in a hockey story). Check, Please! is the friggin cutest story about Eric “Bitty” Bittle, former figure skater and avid baker, who joins the Samwell University hockey team. The story is told in the form of Bitty’s vlog as he recounts the bizarre quirks of the Samwell hockey team, his struggle to overcome his fear of checking, and his growing crush on the team captain, Jack. Seriously guys, this is cavity-inducing sweetness and you can read it all online for free, here on tumblr @omgcheckplease or at its own website, checkpleasecomic.
Day Seven: Queer Book You Often Reread
Boy Meets Boy by David Levithan
Another book I haven’t reread in years, but this was the first queer novel I ever read (and owned!) so I read it obsessively, first the copy from the high school library and then my own copy (which is, let us say, well-thumbed by this point). It was pure fluff, in an aggressively diverse, relentlessly accepting, rainbow-coloured high school and it was exactly what I wanted in high school, and it still makes me happy whenever I remember it. It’s a straight-up high school romance, pretty traditional to the genre, but it has the most delightful supporting cast you could ever ask for. Maybe I should reread it again this summer…
Day Eight: Queer Book With A Happy Ending
Of Fire and Stars by Audrey Coulthurst
This was a bit more of a “yeah it was fine” book for me, but honestly… queer people deserve some average, run-of-the-mill YA fantasies. As far as my normal reading preferences go, run-of-the-mill YA fantasies are my bread and butter. And this one has a cute sapphic romance to go with it. It’s about Denna, a princess with a dangerous secret: she has a magical Affinity for fire, despite being betrothed to the prince of a kingdom that aggressively prosecutes and fears magic-users. So now Denna is in a strange land, trying to hide her increasingly volatile magic, solve an assassination that rocked the kingdom, and deal with the growing connection between her and the prince’s wild sister, Mare. It has court intrigue, a murder mystery, horses, and lots of confused sapphic pining so it’s totally worth picking up if you want a light summer fantasy adventure.
Day Nine: Queer Book With (Over) 100 Pages
River of Teeth by Sarah Gailey
I decided to try to get as close to 100 pages as possible! River of Teeth is a 114-page novella that I haven’t quite finished (work and covid stress happened) but which I am fucking losing my mind for. I can’t recommend it enough. It’s peak alternative history, about queer hippopotamus-riding cowboys in Louisiana during the early 20th (late 19th?) century. Like… I don’t know how to emphasize how unbelievably cool this book is. Genderqueer demolition expert with a giant crush and a penance for making things blow up and attempting to poison guests when they’re bored?? Check. Gay gunslinging hippo-riding cowboy with an angsty backstory (and also a giant crush)? Check. Sexy, fat, badass lady con artist with an albino hippo that she spoils? Check. Like damn guys. I’m not done the book and I’ve already bought the sequel because I know the second I pick it back up I’m not gonna stop until I’ve ploughed through it all. This book is the epitome of “refuge in audacity” and “rule of cool”. Is it over the fucking top? Absolutely but that’s the point.
Day Ten: Favourite Queer Genre Novel
The Red Scrolls of Magic by Cassandra Clare
I’ll be honest, I’m a little shaky on what counts as a genre novel (isn’t… everything… a genre??) so I decided to interpret it as “slightly trashy YA supernatural fantasy” because that sure is a hella specific genre I’m weak for.
I really thought I was done with the Shadowhunter novels, I thought they were a goofy series I left behind in teenagerhood that I could look back on with amused indulgence. And then I found out that there was a novel specifically about Alec and Magnus and! Oh no! Ding dong I was wrong. I fell back in hard because listen… I love them. They were one of the first canonical same-sex relationships I ever read about in an actual novel, they meant a lot to me then and still mean a lot to me now. I have nothing to say to defend myself here except that this book wrecked me and I can’t wait for the sequel.
Day Eleven: Queer Book You Love In A Genre You Don’t Read
Laura Dean Keeps Breaking Up With Me by Mariko Tamaki and Rosemary Valero-O’Connel
I am very rarely a slice-of-life / romance genre sort of person. I like my stories cut with a heavy dose of fantasy, scifi, action-adventure… something. So a graphic novel that’s not only a romance, but one about an unhealthy relationship and infidelity is like… super outside my usual range of reading material. But it was very much worth the read! The art was stunning, and the complicated emotions it tapped into really touched me. I’m very happy to have read it, and was so damn satisfied by the end.
Day Twelve: Queer Book With A Strong Sense Of Place
Belle Révolte by Linsey Miller
Linsey Miller is one author I very actively follow, I love her works and they always have very distinct, complicated worlds with unique societies and magic systems. Belle Révolte was her latest book and followed a prince-and-the-pauper type of story, in which wealthy Emilie des Marais is determined to learn noonday (magical) arts in order to become a physician, someone who can actually work to make her home a better place… but this is not something a proper lady would ever be allowed to do. So she flees her finishing school and meets poor, but magically gifted, Annette Boucher and offers her the chance to switch places. Annette goes back to school as “Emilie” and gets to hone her skills at the midnight arts while Emilie will use her name to sneak into medical school and fight her way up the ranks to physician. This is a challenging enough task, with rebellion roiling just beneath the surface and the country about to slip into a arrogant war that threatens the lives of hundreds…
Day Thirteen: Queer Book That Really Made You Think
Our Dreams At Dusk by Yuhki Kamatani
This is a four book manga series that is completely breath-taking. It’s touched by magical-realism and completely drowned in visually stunning metaphors and symbolism. Seriously, I’ve reread these books multiples times trying to digest how the wide variety of symbols overlap and contradict and compliment and challenge each other. I still haven’t really gotten a solid handle on it, it’s very fluid, so yeah… definitely makes me think.
The story starts with Tasuku Kaname who believes he may have just been outed as gay by a high school friend, and feels like he’s watching his entire world crumble around him. He is seriously considering taking his own life, when he runs into the mysterious woman “Someone-san” and winds up leading him to a drop-in center that’s run by a local non-profit, and is also a hub for a number of queer people in the community. The books follow Tasuku as he grows, learns, makes mistakes, and confronts his feelings, along with a number of other members at the drop-in center. It is completely beautiful, optimistic, but also quite stark and harsh at its look at homophobia and transphobia in modern Japanese society and how it can effect people in different ways. I just bought book four and can’t wait to read it and see how everything ends.
Day Fourteen: Queer Book That Made You Cry
The Marrow Thieves by Cherie Dimaline
Holy shit guys. Listen. Listen. If you don’t read any other book on this list, please consider reading The Marrow Thieves. It is hands down the best book I’ve read so far this year. Another book that doesn’t have a queer character as the protag, but as one of the main supporting characters and listen, his story fucking destroyed me as a person. That romance just… aaaaaaah. AAAAAAAAH.
Anyway. The Marrow Thieves is a Canadian dystopian novel. It takes place in a post-climate change world in which society has been ravaged – partially due to the wildly different and extreme weather patterns, but also through a strange disease that has spread through the population that has left people completely incapable of dreaming. Now unable to rest, process their lives, and dream of a future, people are being driven insane and only one group appears to be immune: North America’s First Nations people appear to be unaffected. And so they begin to be harvested, rounded up and collected in “school” in order for people to suck the marrow out of them to give to white people afflicted by this disease. The Marrow Thieves follows a First Nations boy named Frenchie as he flees the recruiters and tries his best to survive in this post-apocalyptic like wilderness, banding together with other First Nations people who are heading north, where they hope to find communities of their own people with whom they can shelter and start to rebuild their lives.
It’s a YA level novel, not very long, and such an insanely good read. I cannot emphasize enough PLEASE GO READ THIS BOOK. 
Day Fifteen: Queer Book That Made You LOL
Mostly Void, Partially Stars by Joseph Fink and Jeffrey Cranor
Welcome to Nightvale always makes me laugh and it was a lot of fun to get to read the transcripts of the episodes. I’m a sucker for novelizations/transcripts of shows. It was a nice nostalgia trip and gave me an excuse to go back and relisten to some of my favourite episodes too! If you’ve never gotten into Nightvale… hey, it’s a classic! Podcast is fucking stunning if you’re into podcasts, and if you’re not but would enjoy a weird, queer, eldritch horror comedy then try the book! It’s the first “season” compiled in text form, exactly how it’s heard in the show.
Day Sixteen: Queer Book That Is Really Personal To You
Jughead volume 1 by Chip Zdarsky et al
Including this one because gee golly it sure did make me want to fight a lot of people for quite a while. It was one of the first stories I ever found/read that had an explicitly asexual main character… (and a character I already really loved! Which I now got to feel an even stronger connection to! It was so fun and validating!) so it was super awesome how like half of tumblr decided for a year there that this was apparently a cardinal sin. Imagine… one single version of old, long standing comic series deciding to retcon a character to represent a heavily under-represented community… imagine being so fucking angry about that that you decide to start a hate campaign on the internet. So much fun to live through that as an ace person. Anyway, these comics were nothing amazing but I sure do love them aggressively out of pure spite, even now that the aphobia on tumblr has died back down I will hold this to my chest and adore it.
Day Seventeen: Favourite Queer Book Sequel or Spin Off
The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee
Honestly do I even need to say anything here? Is there any queer person who hasn’t read Mackenzi Lee’s The Gentleman’s Guide to Vice and Virtue series? If you are someone who hasn’t read it yet… go do that?? Absolutely stunning, one of my all-time favourite book series. It’s the perfect combination of hilarious and goofy, intense action, heartfelt character development, and a dash of “wait was that supernatural or??” This sequel was fantastic, this time focusing on Felicity, Monty’s sister, and her quest to become a physician despite being a woman in the 18th century. Awesome look at femininity, feminism, asexuality, and race. (Also… OT3? OT3.)
Day Eighteen: Favourite Queer Book By A Favourite Author
Monstrous Regiment by Terry Pratchett
One of those “ehh is this technically queer? Not really but close enough, it is in my heart” books. It was one of the books I read as a teenager when I was still beginning to seek out and try to explore queer lit in so much as I could.
Terry Pratchett is, hands down, my favourite author, and though he doesn’t tend to write explicitly queer literature, his exploration of gender through allegory is top fucking tier. Everything to do with the dwarves in his series is fascinating, and a really great challenge/critique/exploration of gender, and this is the book that takes it to the next level (and brings in at least implicitly queer characters). It’s about Polly Perks, who lives in a small, war torn nation, choosing to join the army in order to find out what happened to her brother. However, as tradition dictates, she can’t join as a girl… so she disguises herself as Ozzer, a young man. There’s a lot of twists and turns, and as always Pratchett delivers fantastic humour and just absolutely delicious satire.
Day Nineteen: Queer Book That Changed Your Life
And Tango Makes Three by Justin Richardson
This was the book that made me realize that I, as a queer teacher, could have queer kid lit in my future classroom. Maybe a comparatively small revelation, but a really important one to me. It made me realize that this didn’t need to be something I kept a secret in my professional life and which could really positively influence children, especially queer children. It was the first queer children’s book I ever bought.
Day Twenty: Favourite Queer Book Series
Candy Color Paradox by Isaku Natsume
Alright… I’ll admit it, this isn’t actually my favourite series, but I’ve used my favourites in other spots. And this is a good one! Definitely more of an actual “yaoi” than the other manga I’ve included (here there be sex) but it has a very different vibe that what I’m used to from that type of manga. The main pair are actually both capable, mature adults, with careers they actively care about, and who get together in the first volume! 
The rest of the series is less about them angst-ily toeing around their relationship, and much more about them learning to grow as a couple and balance their work and relationship and society. It’s funny and sweet, and I really enjoy these two losers. It’s a very low-stakes enemy-to-friends-to-lovers story, in which Onoe (a reporter) and Kaburagi (a photographer) are paired up on a news story they’re supposed to dig into together. What starts as a bickering rivalry gradually becomes respect, friendship, and love~ Onoe is a gremlin of a protag, so he’s a treat to follow.
Day Twenty-One: Queer Book That You Recommend A Lot
Mask of Shadows by Linsey Miller
To repeat myself: Linsey Miller is awesome! This is my favourite book of hers, the first of a duology. It’s kind of like an intense, edgy Tamora Pierce novel with murder. In this world, the Queen has a team of assassins known as the Left Hand. They’re an elite group that keeps the Queen safe and does the dirty work that needs to be done to protect the kingdom and keep the encroaching nations at bay. When the assassin Opal is killed, a contest is announced to find the new Opal. People from all over come to complete for the honour of being one of the Queen’s royal assassins, including gender-fluid thief Sallot Leon. Sal has some deep motivations to become Opal that go beyond a loyalty to their kingdom, but they’re going to have to survive their competitors if they even wants a chance at it… (Sal generally goes by either she or he in the books, but I’m using they in this instance since it’s in a more general sense.)
Day Twenty-Two: Queer Book That Made You Take Action
The Deep by Rivers Solomon
Uhh, I don’t really have any books that made me take action per se, but this one sure gave me a lot to think about. It’s about deep sea mermaids who originated from the pregnant slave women tossed into the ocean to drown during passage to North America. From those dying women, this race was born and were taken in by whales, raised and protected until they could descend into the deep ocean waters, to form their own safe society. Their collective past is so painful though that as a species they’ve developed a very short term memory. But a people can’t live without any ties to their roots and so one of them, the Historian, holds all the memories for their entire species and shares it with everyone once a year so that the community can be connected to their ancestors before once again returning the memories to the Historian for safe keeping. Yetu, the current Historian, is so overwhelmed by these memories, that she can no longer take it – she flees her people, her responsibilities, and her pain and escapes to the surface instead...
Day Twenty-Three: Queer Book By An Author Who I Killed Is Dead
Cybersix by Carlos Trillo
I cannot emphasize enough, this is not actually a queer comic, it is in fact a very homophobic, transphobic and sexist comic written by a horrible person.
That being said, he’s dead and I own it now the TV series was essentially about a genderqueer superhero and a very confused bi biology professor who has a crush on both personas. I had a passionate crush on both personas as a child, and I will cherrypick this comic until I die in order to enjoy the only kickass genderqueer/genderfluid noir antihero I’ve come across. I am valid and I am not open to debate or discussion. Do not read this comic it’s horrible (but consider watching the show).
Day Twenty-Four: Queer Book You Wish You’d Read When Younger
The Prince and the Dressmaker by Jen Wang
This is such an incredibly soft story with the nicest art. There’s so much understanding and compassion in it and its exploration of gender and self-confidence and being true to yourself would have been very reassuring to me as a child, especially by late elementary/middle school. 
Day Twenty-Five: Queer Book In A Historical Setting
The Song of Achilles by Madeline Miller
A retelling of Achilles’ and Patroclus’ relationship from childhood to the Trojan war. So yeah, you can imagine that this was also a candidate for Day 14 :’) I haven’t read this one in years but god it was lovely and emotionally destroyed me as a person.
Day Twenty-Six: Queer Superhero Book or Comic
Overwatch: Reflections by Michael Chu and Miki Montillo
I don’t really read superhero stories very often (the comics have always driven me a little bonkers, trying to find a way to enter the totally unapproachable Marvel/DC canons, and the MCU burnt me out years ago for every other sort of superhero story) so this is the closest I can get. Tracer’s a superhero yeah? Anyway, I, like every other queer person in the Overwatch fandom, lost my fucking mind when this dropped for Christmas a few years back and officially declared Lena Oxton not only the face of the entire franchise but also a lesbian. It’s an adorable little comic and Tracer’s girlfriend is a sweetheart.
Day Twenty-Seven: Favourite Queer Children’s Picture Book
Prince & Knight by Daniel Haack
There’s a number of sweet queer children’s books that are popping up these days, but this is my favourite just because it’s less about “explaining the gays to children” (though those books also have their place) and more of a cute little fantasy adventure in which the actual protagonist is gay. It’s about a prince who sets out to find himself a bride who can help rule by his side, but it quickly becomes clear that he isn’t interested in any of the girls. Instead, when a fire breathing dragon threatens his kingdom, he meets a brave knight who fights along side him. It’s very supportive and the art is lovely.
Day Twenty-Eight: Queer Book That Made You Feel Uncomfortable
Let’s Talk About Love by Claire Kann
This is a book with an asexual protagonist that I was originally really excited for. I know there are a lot of people out there who really enjoy this book and connected with it, but it didn’t do it for me. Maybe because my expectations were too high, but the protagonist’s experience with asexuality was vastly different than my own and the narrative voice ended up rubbing me wrong (and let’s be honest, slice-of-life romance is NOT my usual genre at all). So it’s not “made me uncomfortable because it’s Bad And Wrong” more just… totally vibed wrong with me. Maybe the perfect book for other people but definitely not for me, I had to return this one unfinished because it’s portrayal of asexuality just made me so deeply uncomfortable.
Day Twenty-Nine: Queer Book That Made You Want To Fall In Love
The Gentleman’s Guide To Vice And Virtue by Mackenzi Lee
This book had to make it on here somewhere, and honestly it could have gone in a lot of different spots, but I chose to put it here because the relationship between Monty and Percy is so incredibly sweet and authentic it really does make you want something like that. TGGTVAV (for anyone who has somehow not heard of it) takes place in the 18th century, and is about Monty, his best friend (and crush) Percy, and his sister Felicity going on a final “hurrah” tour of Europe before Monty's father finally tries to pin him down in England and force every part of Monty that’s deemed “unacceptable” out of him. So Monty intends to live this summer up… until everything goes off the rail and the three of them are suddenly fleeing across the continent with assassins at their heels and a strange, stolen artifact in their possession.
Monty has a lot of growing to do in this novel, and that’s one of my favourite things about it. For his and Percy’s relationship to ever have a chance, Monty needs to learn and change and actually communicate with other people, and it makes the relationship feel strong. Not a fluffy, surface level romance that often happens in YA but something built from the ground up by two friends who really want to make it work. Ahh, it’s lovely. One of my favourite novels.
Day Thirty: Queer Book With Your Favourite Ending
My Brother’s Husband by Gengoroh Tagame
A two-book manga series that was completely stunning. It deals with queer relationships and homophobia in a very stark, real-world manner that you don’t often get in manga, while still being incredibly loving and sympathetic. The book is about Yaichi, a single father whose estranged brother (Ryoji) recently died. One day, a Canadian named Mike arrives, introducing himself as Ryoji’s widower. Mike had come hoping to visit his late husband’s homeland to try to get some closure, and Yaichi ends up inviting Mike to stay. The whole story looks Japan’s societal biases, through Mike’s experiences, Yaichi’s thoughts, feelings and prejudices, and those of his daughter who adores Mike. 
Seriously, this is one of the kindest, most earnest looks I’ve ever seen to internal prejudices that critiques them without demonizing the person who feels them. Instead it lovingly embraces grief, growth, and love. This series made me cry multiple times, was good enough that even my straight brother practically ordered me to go out and buy the second book when he finished the first, and the ending was just *chef’s kiss*
Honourable Mentions
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A few books I really wanted to fit on my list somehow but couldn’t quite manage it, so here: All Out an anthology of historical fiction short stories about queer teens. The Tea Dragon Society series and Princess Princess Ever After, graphic novels by the amazingly talented Katie O’Neill. Heartstopper a webcomic turn graphic novel by Alice Oseman about a pair of rugby players. The Different Dragon a cute picture book in which the boy has two moms and which is about accepting different ways of being. And Lady Knight a part of Tamora Pierce’s Protector of the Small series because because Kel is word-of-god aro(and/or ace) and I’ve adored that series and Kel since I was about thirteen so by god I’ll take it.
Now for those that wanted to do their own challenge, I found it on @gailcarriger’s blog.
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I think by now I've established that the Shadowhunter Chronicles by Cassandra Clare are my favorite book series but I never said why they are and I feel like I might get some of y'all to read them if I tell you my arguments ☺
1. Representation
The Shadowhunter Chronicles are young adult fantasy books and we all know those (like most other books let's not kid ourselves) lack diversity, if they have diversity it's usually pretty forced and poorly executed. Not in these books. The Shadowhunters live all over the world so different cultures aren't forced. There's lesbians, gays, bisexuals and even a transwoman and a genderqueer person (and that in 1903!!!), as well as a polyamorous relationship. There is even an autistic boy and a wheelchair user! (If I forgot someone then please tell me!!!)
2. Covering important issues
Teenagers and young adults are easily influenced and can be shaped through literature. Cassie covers a huge amount of issues in her books. Racism, homophobia, sexism, albeism. Hell, there's basically straight up nazis in her books only they're not called Nazis of course. All of this is done with a fantasy twist so for example racism isn't based on skin color, it's based on fantastical races such as the nephilim, vampires, faeries, werewolves and warlocks (the nephilim taking the place of white people in this case). I can definitely say it taught me a lot.
3. Progressiveness
The Shadowhunter Chronicles span over a few centuries, there's books taking place in the 19th century. We've got a husband taking his wife's last name, a woman being the head of state for the first time, a genderqueer person etc. Many authors are like "well these things didn't exist back then so I won't write about them" but that's bullshit. Cassie writes them. I'm eternally grateful. But not just the books taking place in the 19th century are progressive, Cassie keeps pushing boundaries even in the "modern" settings.
4. Happy Endings
I just wanted to take this one up. We're used from other media that the gays don't get happy endings. Someone dies or they end up breaking up after all or whatnot. So far we have one mlm and one wlw couple and they are happily married, some with kids, the others are planning on adopting soon. And not just the gays. Yes, I suffered one hell of a lot of emotional trauma from these books. People die, some get fates they don't deserve. But most of the time Cassie gives her characters a happy ending and you have no idea how refreshing that is.
5. The author isn't a fucking racist/homophobe/sexist
To be fair, I don't know everything about Cassandra. From what I've gathered she's a decent person (PLEASE correct me if there's anything I should know about her). Cassie constantly fights to get her books onto shelves, even when a romance between to men was merely hinted she had trouble getting her books into stores. But she didn't give up and now her books are international bestsellers.
Maybe I could convince you to give them a read :)
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caitlynlynch · 5 years
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Set in 1882, Nobody’s Duke follows the widowed Duchess of Burghly as she tries to rebuild her life after her husband was murdered by Fenian (Irish) rebels. Forerunners of the IRA, these 19th century terrorists set off bombs and murdered English aristocrats and politicians, and yes, they did go after women and children as well.
Ara and her young son are assigned protection, but the man assigned to protect them is the last man Ara wants anywhere near them, because she’s hiding a secret from Clayton Ludlow, a secret she needs to keep.
In fact, Ara’s been keeping secrets for years, because she was a beard for her gay husband and his long-time lover, Sir Percy, who was a bit of a disappointment in this book. Ara’s dead husband was a Plot Point, but Sir Percy was obviously a big part of Ara and her son’s lives, and he never actually got to appear in the plot. It was a golden opportunity to have him be an actual gay person appearing in a historical romance, and I was disappointed that he was relegated to a Plot Point too. One dead gay man and one who’s only mentioned in passing doesn’t count as representation, I’m afraid.
There was quite a lot of angst and drama going on, though it was never precisely clear just why the Fenians were so set on killing Ara. And while the original grievance between Clay and Ara was caused by outside interference, Clay really didn’t have to be so aggressively nasty to her until he found out the truth - and then fail to actually apologize afterwards.
I liked Ara very much, and felt very sorry for what she suffered through, as well as respecting her emotional fortitude in any number of difficult situations. Blaming herself for not letting Clay know the truth when she had no way to tell him just irritated me, though, because it felt contrived to make her look bad when she was actually blameless. Clay didn’t get the scolding he so richly deserved and he didn’t show proper remorse for his autocratic, even brutal behaviour, and so despite the inevitable happy ending, I just didn’t quite believe in it.
This one had some good historical research backing it up, unlike some of the other historical romances I’ve read lately, but unfortunately the hero’s character failings and the manufactured drama of the plot mean I can’t give it any more than three stars.
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Nobody’s Duke is available now.
Disclaimer: I received a copy of this book for review from NetGalley.
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zodiacfilmclub · 4 years
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The Zodiac Guide to Female Filmmakers
Sarah and Jordan of Zodiac Film Club sent us some film recommendations to keep you going until our triple bill of female friendship movies happening in our Dalston store from Weds 6th - Fri 8th March. Celebrate Women’s Month by seeking out these female-directed films and giving them some much-needed love and attention!
Just Another Girl on the IRT (1993)
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Sarah: This is an amazing gem of a film about a Brooklyn African American teenager and her plans for her life ahead. She talks to camera Clarissa Explains it All style, and that’s just one of the many reasons it deserves a place in 90s teen classic history. But here’s a sobering fact about the film industry, director Leslie Harris has never managed to secure the financing to make a follow-up. 
Daughters of the Dust (1991)
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Jordan: Despite the hard subject matter Daughters of the Dust is a soft, dreamscape set in the south of America, telling an ancestral story of three women. Not only is it written, directed AND produced by Julie Dash, it's also the first feature film made by an African-American woman to be shown in American theatres. Beyonce likes it too. 
Holy Smoke (1999)
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Sarah: Jane Campion is great, and has so much more to offer than The bloody Piano. This strange cult deprogramming movie with Kate Winslet and Harvey Keitel gets forgotten about but is basically just two hours of a power struggle between machismo and femininity that ends in Keitel clutching Winslet’s ankles while wearing her red dress. I just don’t know how to aim higher in life. 
We Need to talk about Kevin (2011)
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Jordan: A haunting look at motherhood, We Need To Talk About Kevin explores the estranged relationship between mother and son. Kevin (hot Ezra Miller) becomes increasingly more psychopathic and eventually murders half his classes mates, father and sister. Which makes us feel much better about our teenage strops.
American Psycho (2000)
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Sarah: Apparently it takes a woman to mine the depths of toxic masculinity. It may surprise you to be reminded that everyone’s favourite psychopathic satire is directed by Mary Harron. If you feel like deep diving into her work also check out I Shot Andy Warhol, her 1996 biopic of Valerie Solanas. 
Bend it like Beckham (2002)
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Jordan: I've always wished that Jess (Keira) ended up with Jules (Parminder), but she ends up getting her heart broken over the football coach. It's cute, inspiring and easy to watch on a hangover. Guilt-free. 
Mustang (2015)
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Sarah: Full disclosure, I WEPT in the cinema after this one for so long that the Picturehouse workers were politely cleaning up around me. The story of sisters who are confined to the house until marriage, it’s got Virgin Suicides vibes but is far more grounded in the sad realities of the world. Some uplifting moments though I promise. 
But I'm a Cheerleader (1999)
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Jordan: A queer classic, But I'm A Cheerleader is a part dark comedy/part romance. Jamie Babbit untangles the topic of 'gay conversion' therapy and gender stereotypes with sickly sweet colours, over the top characters and a cameo from Ru Paul. The critics hated it but we love it (and we're showing it on the 19th of March at The Castle Cinema!)
The Slumber Party Massacre (1982)
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Sarah: There’s a ton of great female directed horror out there recently (Raw, The Babadook, The Lure, The Invitation, Silent House… really it was difficult not to make this list an entirely horror filled one). But you can go further back to find women in the genre. SPM is pretty silly, featuring a murderer with inexplicable motives and a big ol’ drill, but also some girls with names who talk to each other like actual humans, which is often too much to ask even of films in the 21st century.
Orlando (1992)
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Jordan: Based on the well-known novel by Virginia Woolf, Orlando is a visually beautiful and ethereal escape into another time. Sally Potter keeps true to the book and we more than fall in love with Orlando as they move through time and gender. 
Read the original article over at Beyond Retro.
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purplenickel · 5 years
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How do i flirt? Asking for a friend
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