• Doesn't smile much but when she does you are usually the reason
• Loves hearing you talk she calls you 'songbird' because as she's said before "you talk so damn much"
• Completely different when you both are alone
• Kissing is her love language and she takes it very much to heart if you peck her lips instead of giving her a full kiss
• Demands your attention with just a simple look
• Feisty as hell
• Loves holding her rifle it's something about having a little extra weight in her hands that makes her feel good
• Can be violent but never to a lover of course however anyone else she's quick to throw punches first talk later
• Do not let the height fool you she is the dominant person in the relationship
• She has a stone cold face however when you are anywhere near it lightens you can literally see her eyes smile before she does
• Judy loves when you touch her in any kind of way whether it be sexual or a simple hand hold
• Can not deal with being away from you for too long she will complain the whole time
• OVERPROTECTIVE? Absolutely if you're joining her while she's patrolling anything black panther party related she's standing in front of you rifle in her hand and she's made you grab her switchblade. "That pig moves you better be gone"
• If she sees you hurt her in any way, shape or form all of her morals are thrown out of the door
• Surprisingly was very nervous your first time like didn't know where to put her hand nervous you had her sweating and shit
• Not easily jealous or threatened by another attractive person in fact she laughs at someone trying to get with you. (It took her a while to get your number so yeah seeing anyone else trying is a hilarious sight.)
• Arguments with her can last forever because she's so damned stubborn
• Claims to hate cuddles but loves skin to skin contact 🙄 make it make sense
• After an intense night -whether it be fighting the pigs or fucking- she just wants to lay with you skin to skin completely nude the only warmth you two are using is each other. She loves that.
• Can't do the whole secret thing and doesn't care that you're both women
"I don't see the problem I love her just as much as a man loves his wife. Sounds like some made up bullshit to me y'all stay tryna control the next motherfucker"
Nsfw kinda 🤷🏾♀️
• Wants your eyes on her at all times especially when you're climaxing "look at me"
• Walks you like a dog it's honestly kind of embarrassing but if she's missing you and gets the smallest moment alone with you she's grabbing you by your pants and pulling you to a corner with some sort of privacy
• Does not like repeating herself and she won't
• Heavy on wanting you to beg for her "I'm sorry what did you say? I couldn't hear you...did you say faster?"
• Loves to overstimulate you just because she loves seeing your legs shake and hearing your mumbles, whimpers and whines drives her crazy
• Aftercare is a must and will never leave you without it
• Loves teasing you while you're in the bath will touch will bite will nip but she won't give you what you want. Her fingers will rub every part of your skin except where you truly desire it. So long story short she's fucking annoying and will tease you for her own personal fun.
• This woman lives in your thighs you will wake up to her kissing up your thighs on many mornings it's a tease thing of course but sometimes she furthers the action especially if she knows she won't be home at a reasonable time
• Her favorite thing to do to you is to bend you over a counter and ram her fingers inside of you knuckle deep just before she has to leave because she knows that's all that will be on your mind as you're working, eating and going about your day.
• Never leaves you unsatisfied if you're unsatisfied she's unsatisfied
• Oh my God's you let her anywhere near your cooch oh she ain't stopping until her jaw is locked and in pain
• Your legs squeezing shut or shaking is only motivation for Judy in fact call her name out while you at it because it does nothing but rile her up
• "Captain Harmon" yeah you might want to remember that she prefers that name
• Seeing as you are rarely seen with a man she does everything possible to make sure people know you are taken so you have plenty of marks to show it. Hickeys usually trail from your neck to your inner thigh when it comes to Judy.
• You licked her fingers clean once and now she loves to see you do it all the time
"there we go clean that shit up"
• Loves to try new things and is always open to an experiment
<3 <3 <3 ᴊᴜᴅʏ ʜᴀʀᴍᴏɴ
uoɯɹɐH ʎpnſ <3 <3 <3
"Cum on my tongue and I'll be home on time tonight to finish this off correctly"
"stay still"
"You know my name don't play with me"
"I should tie you up next time... I hear that's something new folks are doing"
"If I have to repeat myself you gone piss me off"
<3 <3 <3 ᴊᴜᴅʏ ʜᴀʀᴍᴏɴ
uoɯɹɐH ʎpnſ <3 <3 <3
A/n: I had way too much fun with this shit anyways enjoy buh bye ✌🏾(I'm so I'm love with this woman y'all have no fucking idea.)
Alright...I am very rusty with this stuff (I studied music theory ohhh 15 years ago or so) but I couldn't resist delving deeper into the subject of this post. Anyone else with more expertise in this area, I'd love to know your thoughts!
So, we hear a lovely soaring orchestral theme in the background when Colin and Penelope kiss for the first time, yes? To remind ourselves, here's the theme in full.
The actual theme starts at about the 18s mark, but I included those initial 18 seconds because what's going on in the strings at that point helps orient us in the proper key. There's a resolution to a D-flat Major chord around the 5s mark as Colin's starting to lean in. Given that, and the rest of the notes in the theme and how they relate to each other, I'm assuming we're in the key of D-flat Major. (And I'll get into why it's meaningful to know this throughout the analysis.)
The theme we hear in this scene is made up of two main musical phrases. The first goes like this:
The second starts the same but takes a slightly different path at the end. It sounds like this:
What I think is interesting about both of these phrases is that we neither start nor end on the tonic (aka the first) note of a D-flat Major scale (which is D-flat). The phrases start on A-flat and end on E-flat. Why is this interesting?
Think of the tonic note of a scale as "home." If you start a musical phrase on the tonic note, that gives you a good sense of where you are harmonically right off the bat. The phrase will always take you away from that tonic note, but what creates tension and movement in the music is that ever-present desire to return home.
The phrases in Polin's theme neither start us at home nor return us there. In fact, the last part of the first phrase descends within a D-flat Major scale from A-flat to G-flat to E-flat and then hangs there. E-flat is one note in the scale above the tonic. Musically, we desperately want to resolve from E-flat to D-flat, but the phrase suspends us in that desire. The next line, instead of giving us a nice solid D-flat, drops us back to A-flat and starts the phrase over again.
I think this is a beautiful bit of musical storytelling. Just like the music dances around the tonic note without ever grounding us there, Colin and Penelope's relationship at this point is heading into uncertain territory. And just as the tension in the melodic line builds and never quite resolves, we are left at the end of the kiss scene with a dramatic transformation having occurred in Colin and Penelope's relationship and no clarity as to what's next. (Except that we would desperately love for them to keep kissing. 😉)
Then we have Colin's dream. And in the dream, the moment his and Penelope's lips meet, we hear that theme again. But hark! Something's different...
It's subtle, but this repetition of the theme is a half-step higher than the previous iteration. Instead of being in D-flat Major, we're in D Major. I think this is cool for two reasons.
First, it sets the dream scene apart from the real kiss scene in a psychological way—by giving it a slightly higher musical tonality, it has a slightly higher emotional tone. There's a little less uncertainty, a little more freedom.
Which brings me to the second cool thing, which is that, historically, D Major was regarded as the key of triumph and victory. Composers liked to set marches in D Major. The "Hallelujah" chorus from Handel's Messiah is in D Major.
And what could be more triumphant than marching into your crush's firelit garden, brazenly confessing your feelings, and having those feelings returned in a passionate kiss? You can even hear in this variation of the Polin theme that the tempo is a bit more expansive. It feels more like a confident stride with your head held high than the previous iteration, which is just a touch more frantic.
Then Colin wakes up. His world has been rocked. The next time he and Penelope see each other is in the willow scene, and just before they duck under the willow tree's cover, we hear a third variant of the Polin theme (thank you to @i-know-the-endss for pointing this out!!)...
Two things that I think are interesting about this return of the theme are 1) we're still in D Major, and 2) the end of this variation, unlike the previous variations, actually resolves down to the tonic of the key (which in this instance is a D)!
What does this mean? Personally, I think it's a fun little tease. We're hearing the tune the same way it appeared in Colin's dream... Will this first real-life meeting between Colin and Penelope since the dream play out the same way? The phrase grounds us on a D at the end rather than leaving us suspended on the note above with a desperate need to resolve that tension. Does that mean we'll see a resolution to the tension in Colin and Penelope's relationship?
And of course we do not, which is why it's a tease, but I love that the music builds the excitement at seeing Colin and Penelope interact for the first time since their kiss—for the first time since Colin's newfound emotional conflict—in this way. Like dangling a little carrot for us and then yanking it away.
Finally, later in that same episode, we hear the theme one more time at the first party Penelope attends since her self-flagellation in Whistledown.
This time, however, we're back in D-flat Major. Back to the reality of the first kiss, where things were uncertain and unsteady, instead of in the hopeful triumph of Colin's dream.
This is also the shortest iteration of the theme we hear. It abruptly ends partway through the first phrase. In this case, we are left dangling on an F, which is the third note of a D-flat Major scale. Because we are not yet "home" on the third, we still feel a lack of resolution here. However, unlike the very first iteration of this phrase, where we traveled down to the second note of the D-flat Major scale and were left with a desperate feeling of wanting to resolve just one more note down to the tonic, the third note of the scale lacks the same urgency and sense of direction. We are unresolved, but without knowing exactly where we want or need to go in order to achieve that resolution.
I think this is a great bit of musical storytelling, as well. At this point in Penelope's arc, she just wants to move on and find a suitor, and she still does not believe Colin could ever fill that role. Later in that party scene, she makes a connection with Lord Debling, and her objective for a husband is renewed. Colin, on the other hand, is starting to pine for Penelope something fierce, but he's still battling with himself about who he is and what he really wants. The outcome that will bring them both happiness, while obvious to us viewers, is not clear to either Colin or Penelope. Thus, a dangling F in a D-flat Major key without a clear path home.
A couple more notes (ba-dum-tss) about this theme... I speculate in the musical transcription at the top that the first occurrence of this theme is in 12/8 time. This is because the strings that are running underneath the main theme have a dance-y triplet-like quality to them which made me feel like each beat of the theme is actually a quick three-count. I bring this up because the first movement of Beethoven's Appassionata, which Francesca indicates is a particular favorite of hers in her conversation with Lord Petri in ep2, is also in 12/8 time. Not only that, but the second movement of the Appassionata is in D-flat Major, the same key I postulate we're in for the first occurrence of Polin's theme. Nothing profound here...I just think it's neat.
And to anyone who read all this, know that I appreciate you deeply!! And I'd love to know what you think. <3
So I’m just getting back home from a party...and I go to check my phone one last time before going to bed.
CAN SOMEONE PLEASE TELL ME WHY...T H E DOMINIQUE THORNE...AKA RIRI WILLIAMS...AKA JUDY HARMON FROM JUDAS AND THE BLACK MESSIAH...AKA AN AMAZING ACTRESS...
CAN SOMEONE PLEASE TELL ME WHY SHE LIKED A COMMENT I POSTED ON ONE OF HER POSTS.
This may not seem like much to a lot of people, but it’s freakin Dominique Thorne. Not only is she an amazing actor, but she seems like such an amazing person. But anyway...I’m very dr*nk so I’mma go to bed. Goodnight <3
most muses can be shipped with, to varying degrees. some are more repressed than others. in general, i'll treat them all as bisexual.
'canon';
Ren (of 'the' Ren) ; adam driver ; a heavily divergent/'oc-ified', post(usually)-snoke, visceral horror, gritty lean from star wars' kylo ren.
Kylo Ren ; adam driver ; as close to kylo 'canon' as i'm capable of writing, but solely draws from tfa characterization.
Imperator Furiosa ; anya taylor-joy. (alyla browne.)
Dr. Dementus ; chris hemsworth.
Max Rockatansky ; tom hardy.
na-Baron Feyd-Rautha ; austin butler ; draws pretty much solely from the '24 film.
Paul-Muad'Dib Atreides ; timothee chalamet ; leans on the book(+ messiah) from time to time.
Loki Laufeyson ; tom hiddleston ; fuck u i don't consider post-tdw canon. ciao
Control (John Rodriguez) ; bob morley ; based on authority by jeff vandermeer, and annihilation, book and film, exploring hypnosis/mind control and consequent distrust, or outright paranoia. operates at the branch-end of a highly bureaucratic and mysterious organization. eventually ends up at Southern Reach, "...a secret agency that manages expeditions into a place known as Area X, an uninhabited and abandoned coastal area of an unnamed country which nature is gradually reclaiming." 'nature', in this context, being a cute/tame word. refers to his guns as 'gramps', 'grandpa', 'grandpap', etc. 6" tall, impassive.
Berry Rydell ; young josh hartnett ; freelance private security officer from william gibson's virtual light trilogy, based in retrofuturist nocal and socal. just a guy doing his own thing and getting caught up, routinely, somehow, in the national (but very top-secret) dickfight over some expensive glasses. + virtual reality, or whatever.
Bellamy Blake ; bob morley.
John Murphy ; richard harmon.
Raven Reyes ; lindsay morgan.
Colin Laney ; tbd. ; has a talent for identifying nodal points.
Ezra ; pedro pascal ; from 2018 sci-fi/western film prospect.
Cee ; sophie thatcher ; from 2018 sci-fi/western film prospect.
Connor (the Android Sent by Cyberlife) ; bryan dechart.
Logan (Wolverine) ; hugh jackman.
Erik Lehnsherr (Magneto) ; michael fassbender, ian mckellen.
Kid ; dev patel ; from 2024 film monkey man.
Elliot Alderson ; rami malek ; from the series mr. robot.
Leon ; joey bada$$ ; from the series mr. robot.
Jonathan Crane ; cillian murphy ; adding him back after some long and hard thought. selective muse, likely won't be writing him within gotham (for the sake of gotham), necessarily. tumblr's a weird place. i'd like to explore him thru different subjects and lenses.
Damon Salvatore ; ian somerhalder ; (no forgiveness for this one. and no fucks either, "here for a good time not a long time", ykyk.)
Takeshi Kovacs ; joel kinnaman.
Yennefer of Vengerberg ; anya chalotra.
Jesper Fahey ; kit young .
Kaz Brekker ; freddy carter .
Tangerine ; aaron taylor-johnson ; bullet train .
Joel Miller ; pedro pascal .
aus are fun. hit me with em or forever hold your peace.
ocs, always subject to adapt and update on a thread-to-thread basis;
Dorian Yu ; christian yu ; tba. loosely based on christian yu's musical creations. relies either on psychological themes (wherein dorian is bipolar), for stories more grounded in realism, or the supernatural. heavily flexible, works into most (if not all) modern environments. can be taken a vaguely sci-fi or heavily cyberpunk route. (he's fun. smiley ball of energy and sunshine, or depressive and vaguely antagonistic shut-in.) prone to delusions, dissociation, and in severe instances, amnesia.
Oeznik Ambroicz ; cillian murphy ; loosely based on a character from an original script. flexible iterations. director of an institute/facility (sometimes agency, depending on setting and historical values) that focuses on exploring the residual elements that paranormal trauma leaves behind. these elements can be purely psychological, physical, combined, or, sometimes, paranormal themselves. in other iterations, to draw further on lovecraftian or cthulhu mythos elements, oeznik may lean more private investigator, or 'freelance', for his own mysterious and often unexplained purposes. focused and preoccupied when fixed securely inside his element; wary and suspicious when not.
Fifine ; anya taylor-joy ; tba.
Nadya ; brunette anya t-j :p ; tba.
(the) Insomnium ; tbd. ; developed and hatched by a cult of space witches moreso than born. derived from an organically inorganic (or just inexplicable) substance. for tumblr purposes, blends the idea of dune's 'voice'. cult functions similarly on some levels to the b.g., but is entirely an unknown. stems from the same gritty, visceral horror environment and themes as the ren. (especially picky about where i throw this one.)
space cultists tba.
On earth we exist in a blended reality system that is enduring bifurcation. The progressive disentanglement of two main organizational templates in the earth body, has manifested a blended reality system that is competing between artificial intelligence timelines and organic creator code timelines. The artificial machined layers are running metatronic coding designed to fully mutate the original human DNA into genetically engineered AI blended bodies. The artificial machined layers are fully inorganic to humanity, are technologically based and stacked in a phantom matrix which is projected out into false holograms by an artificial core manifestation template, or Artificial Tree of Life.
Therefore, when multidimensional awareness is activated into subtle energy field perceptions, it then becomes critical to comprehend how to discern the difference between these forces – artificial impostors and organic creator code source. What is the source field of these mental reality pictures or multidimensional communications, and how do they make your body feel?
Activated individuals using remote viewing or multidimensional communication will be required to reach spiritual adulthood quickly, by developing the emotional maturity to seek truth in these matters or suffer the consequences of succumbing to Archontic based deceptions. There are consequences from engaging in multidimensional communication with AI driven entities and their sophisticated mental holograms that are used as consciousness traps, as many traps use astral glamour to generate egoic programs of spiritual ambition and hero-savior-messiah complexes to continue to loop and perpetuate the victim-victimizer software. The consequence of AI entanglements instigates a lack of energetic coherence which increases mental fracturing, emotional fragility and a lack of empathy, as AI nano encoded downloads will substantially weaken the mental body and lightbody functions into a downward spiral of erupting chaotic forces and erratic behaviors. What is imperative is to focus upon building energetic coherence through heart-based centering, and strengthening personal balance within multidimensional orientation, in order to hold a strong neutral still point. Harmonizing the inner and outer energies that you are being exposed to through maintaining strong observer consciousness, especially during energy sessions and multidimensional communication. Otherwise stated, this is the ability to hold inner peace and calm no matter what you perceive, while in the midst of external forces erupting into utter chaos.
The lack of understanding and mental confusion about the nature of the reality and the war over consciousness on earth is what blocks awakening individuals from perceiving the larger truth in the matter. When we gain a larger awareness of the macrocosmic view, this allows a vantage point by which to connect more of the dots into a cohesive whole, that makes sense to a clear and sane mind. The more perceptual awareness we gain through integrative spiritual embodiment of our higher consciousness bodies, the more energetic coherence we also gain to perceive the macrocosmic picture of what is really happening on the earth. When we perceive the macrocosmic picture, it includes the war over consciousness, and then when we encounter strange energetic phenomena, we are equipped to discern more easily what is based in artificial intelligence, imposters or organic creator code. Sometimes it contains a mixture of all of it, which will help with finding stronger discernment of the content in the message.
The war over consciousness on earth uses sophisticated artificial intelligence and alien machinery for mind control and perceptual interference for the purpose of psychological and spiritual warfare, to subjugate the population of earth to submit to consciousness slavery. Thus, the ability to discern false information being used in deceptive narratives, enforced by the imposters to manipulate and control perception, requires the individual clearly understand the motivations behind those committing military grade psycho-spiritual warfare. With this deeper knowledge, along with the cultivated ability to access energetic coherence through the synthesis of the higher heart-brain, gives rise to receiving more authentic information from the living crystal heart of the truth spirit. Our inner spirit communicates from our heart complex with much higher accuracy, to give us a proper assessment of the downloaded information or the current energetic conditions we find ourselves in. Gaining knowledge about the macrocosm protects and strengthens us as we have access to information that allows us to make more informed decisions about where we place our intent, consent and authority.
When we do not understand the mechanics behind multidimensional communication and perceptual awareness of the energetics in the environment as a natural process of bio-spiritual ascension, then it is extremely difficult for the individual to be able to decipher and discern the source of the energy contact through which these higher sensory functions actually emerge. This vulnerability is exploited aggressively by the Controlling forces and dark entities who employ every level of psychological warfare and sophisticated false flag manipulation tactics, through mental holograms that target awakening individuals to mind control and manipulate their perceptions into falsehoods or twisted half-truths.
Reading Energy Fields
The multidimensional language of light, sound and symbols are the carriers through which interdimensional communication can take place, between any kind of living consciousness entity and energetic structure that exits across dimension and beyond time. It is important to understand that this is how multidimensional communication is transmitted and exchanged throughout the layers of energy fields, such as when communicating with interdimensional entities or reading intelligent information that is contained within timelines. Interdimensional entities that are benevolent, hostile and neutral all use this same form of multidimensional communication, the language of light and sound. The NAA have fused the native language of humanity with artificial intelligence technology in order to clone, replicate and mimic human biology and the human soul-spirit anatomy on multiple artificial planes, in which they exert control over this language to interfere with perceptual awareness.
Thus, the dark entities abuse this method of false light cloning of DNA signals with assorted electromagnetic technology, as a method of directing artificial machinery for the purpose of psycho-spiritual warfare. These are the silent weapons used in a quiet war to target awakening humans in order to keep them confused, fearful, distracted from the truth and believing in the controlled narrative. Assorted nanotechnology, vaccinations and chemical sprays combined with electromagnetic consciousness sweeps are used to suppress consciousness levels, by targeting demographic areas of the earth in which swaths of people are known to be awakening. Many that activate their innate abilities are told that they have mental illness and require pharmaceuticals, in order to turn off the genetic switches that enable the DNA’s natural function of reading and sensing energies in the environment.
This higher sensory skill set is generally automatic and even pre-loaded for those individuals that are natural intuitive empaths, as they have retained more of their energy receivers and transmitters within their lightbody, that allow them to more easily sense and read an assortment of energy fields. Millennials and younger children that have not undergone puberty, tend to retain their empathic skillsets until they are over vaccinated or indoctrinated to forget while in the educational system or working environments. Telempathic children have been used in the black military operations for nearly 80 years as psychic intuitives to gather intelligent information for carrying out an array of secret projects. Thus, this higher sensory ability is well known to be naturally occurring in human beings and is purposely hidden and vilified in the mainstream by the Controllers to prevent mainstream knowledge of the fact. The public has been brainwashed through extensive gaslighting tactics and fear, to deny their own consciousness experiences, while also denying the validity of other human being’s perceptions when activated to read energy fields. All of these higher sensory experiences are classified in the 3D narrative under unapproved topics and they attempt to punish those who openly talk about it. Since the NAA invasion, humanity has been mind controlled and socially engineered to delegate power to an outside authority of control, which intentionally withholds knowledge of multidimensional anatomy in order to enforce blind obedience and hijack this natural ability, which is a full attack made against personal self-sovereignty.
As individuals awaken their spiritual bodies, more of these natural abilities to read multidimensional energy fields and sense entities and their structures becomes available. It is further developed through cultivating the observer point and directing single minded focus through the higher mental bodies that are inherent in the mental matrices that are comprised in the spiritual body layers. As an individual intends to develop their consciousness and spiritual bodies, along with their unique DNA signature, it is possible to experience consciousness transport activities that include remote viewing and sensing a variety of energy phenomena that co-exist in the many different layers of dimensional fields. This can include an array of various entities of human or nonhuman origin and their energy structures, as well as machinery, implants, architecture, and entire realities which can be sensed as artificial or organic to this creation. The potentials of what can be sensed and explored energetically in the dimensional fields are indeed limitless. The caveat is that the mind must be incredibly strong and stable, fearless and anchored in the truth spirit, in order to withstand the immense pressure of knowing truth. What we fear controls us.
The intention, skill and accuracy through which an awakened individual can activate the natural ability to ‘read the field’ is relative to the removal of fears, the full dedication to Service to Others, and placing total single-minded mental concentration to discipline and transcend the dysfunctions of the negative ego mind. While sensing the field, to regain discernment and increase accuracy of sourcing a variety of phenomena, it becomes critical to understand the war over timelines, and to be able to identify artificial technology projections of mental holograms, versus authentic communication with organic creator code and organic consciousness sourcing from the truth spirits. The information is still filtered at the consciousness level the individual embodies; however, the source will be much more pristine and spiritually healthy, as truth spirits always advocate for full consciousness freedom and support personal sovereignty for every individual.
Yes
High Vibration - SACD Box
2013 Atlantic
—————————————————
Tracks CD One:
Yes
01. Beyond & Before
02. I See You
03. Yesterday and Today
04. Looking Around
05. Harold Land
06. Every Little Thing
07. Sweetness
08. Survival
Tracks CD Two:
Time and a Word
01. No Opportunity Necessary, No Experience Needed
02. Then
03. Everydays
04. Sweet Dreams
05. The Prophet
06. Clear Days
07. Astral Traveller
08. Time and a Word
Tracks CD Three:
The Yes Album
01. Yours Is No Disgrace
02. The Clap
03. Starship Trooper
a. Life Seeker
b. Dissillution
c. Würm
04. I’ve Seen All Good People
a. Your Move
b. All Good People
05. A Venture
06. Perpetual Change
Tracks CD Four:
Fragile
01. Roundabout
02. Cans and Brahms
03. We Have Heaven
04. South Side of the Sky
05. Five Percent for Nothing
06. Long Distance Runaround
07. The Fish (Schindleria Praematurus)
08. Mood for a Day
09. Heart of the Sunrise
Tracks CD Five:
Close to the Edge
01. Close to the Edge
I. The Solid Time of Change
II. Total Mass Retain
III. I Get up I Get Down
IV. Seasons of Man
02. And You and I
I. Cord of Life
II. Eclipse
III. The Preacher the Teacher
IV. The Apocalypse
03. Siberian Khatru
Tracks CD Six:
Yessongs
01. Opening (Excerpt from «Firebird Suite»)
02. Siberian Khatru
03. Heart of the Sunrise
04. Perpetual Change
05. And You and I
I. Cord of Life
II. Eclipse
III. The Preacher the Teacher
IV. The Apocalypse
06. Mood for a Day
07. Excerpts from «The Six Wives of Henry VIII»
08. Roundabout
Tracks CD Seven:
Yessongs [continued]
01. I’ve Seen All Good People
I. Your Move
II. All Good People
02. Long Distance Runaround • The Fish (Schindleria Praematurus)
03. Close to the Edge
I. The Solid Time of Change
II. Total Mass Retain
III. I Get up I Get Down
IV. Seasons of Man
04. Yours Is No Disgrace
05. Starship Trooper
I. Life Seeker
II. Disillusion
III. Wurm
Tracks CD Eight:
Tales from Topographic Oceans
01. The Revealing Science of God - Dance of the Dawn
02. The Remembering - High the Memory
Tracks Disc Nine:
Tales from Topographic Oceans [continued]
01. The Ancient - Giants Under the Sun
02. Ritual - Nous sommes du soleil
Tracks CD Ten:
Relayer
01. The Gates of Delirium
02. Sound Chaser
03. To Be Over
Tracks CD Eleven:
Going for the One
01. Going for the One
02. Turn of the Century
03. Parallels
04. Wonderous Stories
05. Awaken
Tracks CD Twelve:
Tormato
01. Future Times
02. Rejoice
03. Don’t Kill the Whale
04. Madrigal
05. Release, Release
06. Killing UFO
07. Circus on Heaven
08. Onward
09. On the Silent Wings of Freedom
Tracks CD Thirteen:
Drama
01. Machine Messiah
02. White Car
03. Does It Really Happen?
04. Into the Lens
05. Run through the Light
06. Tempus fugit
Tracks CD Fourteen:
90125
01. Owner of a Lonely Heart
02. Hold On
03. It Can Happen
04. Changes
05. Cinema
06. Leave It
07. Our Song
08. City of Love
09. Hearts
Tracks CD Fifteen:
Big Generator
01. Rhythm of Love
02. Big Generator
03. Shoot High Aim Low
04. Almost Like Love
05. Love Will Find a Way
06. Final Eyes
07. I’m Running
08. Holy Lamb (Song for Harmonic Convergence)
Tracks CD Sixteen:
Bonus
01. Something’s Coming
02. Dear Father
03. Roundabout [single edit]
04. America
05. Total Mass Retain [single version]
06. Soon [single edit]
07. Abilene
08. Run through the Light [single version]
09. Run with the Fox - Chris Squire & Alan White
10. Owner of a Lonely Heart [Move Yourself mix]
11. Leave It [Single remix]
12. Big Generator [remix]
—————————————————
Ooh, look at what you've done to me (you've done to me)
You're a liar, liar
Ooh, killing off my fantasy (my fantasy, my fantasy)
You're a liar, liar
Can't keep my heart from caving in
You played your hand again and again
Ooh, look at what you've done
You're a liar, liar, liar, liar
Dan Smith / Matt Shwartz / Natasha Woods / Vera Carlbom
SongFacts:
Up-and-coming alternative-pop artist Dylan has surprised her fans with an unexpected and intriguing collaboration with her new single “Liar Liar”. She combines her extraordinary talents with the unmistakable voice of Bastille's Dan Smith on the haunting track.
"Liar Liar" shows a remarkable evolution of Dylan as an artist and affirms her artistic versatility. The collaboration with Dan gives the song an extra depth and poignancy that captivates the audience from the very beginning. The two voices harmonize perfectly with each other and create an extraordinary sound atmosphere that gets under your skin.
The song starts with a catchy rhythm, which becomes a real feast for the ears thanks to clever instrumentation and electronic elements. Dylan's soulful vocal performance is accompanied by Dan's distinctive timbre, resulting in a hypnotic interplay.
The two artists know how to continuously increase the tension during the song and take the listener on an emotional journey.
Lyrically, “Liar Liar” addresses the challenge of distinguishing between truth and lies and dealing with deception. The honest and profound lyrics give the song a strong message and make you think.
The combination of touching words and the impressive voices of Dylan and Dan make "Liar Liar" a song that will long linger in the minds of the listener.
Last year, Dylan released her debut mixtape, The Greatest Thing I'll Never Learn, via Iceland. Dylan said of the title at the time:
"That's something my mother used to say whenever I was struggling with love. It didn't really change over time and since I'm still struggling, I thought it would fit perfectly. All the songs on the mixtape are very honest reflections of what went through my head in the last couple of years. Songwriting is the best therapy for me”.
Before the release of the single, the Briton had already released further tour dates for Europe. From October she can be seen on various stages and also comes to Germany. Whether Dan from Bastille will be on stage for one or the other feature remains to be seen.
There is also a video for “Liar Liar”. Directed by Charlie Sarsfield, it features Dylan and Dan Smith playing pool and fighting over their relationships.
I have decided that I will start writing for Judy Harmon since she is a fictional character and Dominique needs more attention and I mean come on man she is fine.
Music ask: 8-10. Give me them infodumps and hyperfixes please ☺️
Oh boy, okay
8. tell me about your favorite band. go on infodump for me.
That would be Erra! I first heard them about nine or ten years ago now (holy shit I can't believe it's been that long) on my Spotify Discover Weekly playlist, and the song was Dreamcatcher and it was LITERALLY everything I've ever wanted to hear in a song. Like literally the perfect song, everything I'd ever craved in music, and I was completely transfixed. I've been there for the release of three albums now and I'm still just as enchanted by them today as I was a decade ago. Yes, I am in their fan group on Facebook, as well, which is an amazing community full of a bunch of goobers who love Erra probably more than I do. My absolute favorite song by them is Unify, and it's the one of the songs I listen to when I'm feeling low. It's very special to me, and you'll see me sharing it occasionally on here, as well. I got to see them once in concert and met their harsh vocalist, JT Cavey, and he was such a sweetheart. Jesse Cash, lead guitar and clean vocals, is easily my favorite songwriter. The community affectionately calls him The Messiah. If I'd met him that day I would have cried. If you're looking for a vocal where they just put their entire heart and soul into it, voice shaking and cracking, almost screaming, Jesse Cash is your man. Ghost Atlas is a great shallow end if you're not into metalcore. That's his indie side project. Dragging Soul has the most incredible harmonics ever written in my opinion. Instant chills every time. So that's that
9. what’s an album that JUST came out and it’s been on repeat for like 6 days +?
Not an album, but Veil of Maya's new single came out and I'm obsessed with it. I had Lorna Shore's Pain Remains on repeat for a while when it came out though lol. And I fully expect to have Kingdom of Giants's new album on repeat when it comes out in May! Babymetal also just released a new album like literally an hour ago, but I haven't listened to it yet
10. what’s a song that literally just came out and you’ve had it on repeat forever?
Red Fur by Veil of Maya. It's on the single I linked above, but I'll link that song specifically too! Also Faint Light by Blueshift, which is so beautiful and I love it a whole lot
If anyone's interested in seeing what else I have on repeat, Spotify has a playlist for that! Current as of two days ago apparently!