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#he just doesnt know what the reason is
elisemeitner · 3 months
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watching house is a trip but hearing the writers early opinions is so funny "he's not autistic he's just an eccentric jerk" "house isn't in love with wilson they're both straight" not only did you write an autistic bisexual you also gave him adhd and complex ptsd.
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reineydraws · 1 year
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bruce: dick i love that you want to stay connected to your past as an acrobat but can u PLEASE sit NORMALLY while we have this meeting
(poses from aaron tveit's version of "mein herr")
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s0fter-sin · 17 days
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i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing
and in all his wisdom and experience, he concludes soap was tortured and never told him
he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)
meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh
just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap
soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”
imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”
#he a little confused but he got the spirit#its so good bc it can be super angsty of ghost really dreading whats been done to his sergeant and trying to make it right#or just go full crack treated seriously and have fun with it#i love just completely oblivious ghost#in any military context hes the smartest guy in the room#he always knows the play and has more experience than anyone#but stick him in the normal world? man is Lost#ghost just thinks hes had some kind of reconstruction surgery after being tortured and accepts thats what johnny looks like#bc hes never seen a pussy before#it takes years for soap to actually come out to him bc he just never thought to#hes seen him naked theyve literally slept together what else is there for him to say#then he shows him like a family album or something and ghosts just like ‘why arent you in any of these i only see girls’#and he just goes ‘hang on a second’#soap gets one of his sporadic periods one night and panics a little thinking it would weird ghost out or remind him that hes not cis#but ghost just thinks its a normal part of such a thorough reconstruction that hed bleed sometimes#and doesnt question it when soap grabs a pad out of his drawer bc ‘thats such a good way of handling the discharge my johnnys so smart’#just really supportive ghost for the wrong reasons#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#soapghost#ghostsoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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willowser · 6 months
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another thing about the assistant angle is like. being there when bakugou reaches the hero top 40 and branches off with kirishima and sero and denki for their own agency. it's a bit of a mess bc they're barely twenty years old but—you're his only employee. he can barely afford to pay you and he doesn't even really know what you're supposed to do besides answer the phone and he's so emotionally unavailable but you're there, every single day. friendly with his friends. sometimes you bring lunch in for all of them and it's out of your own paycheck and it's not the best but you do it, for them. he lets you make the schedule for two weeks and you fuck it up so bad, but eventually you get it right and you try to be so fair—and that's hard to do, in the pro-hero world. there's nothing fair about a twenty year old man with trauma up to his ears risking his life every night because he doesn't know how to live with just himself, as just a man and not a hero, but goddamn it if you don't try to keep it fair, for every single one of them. you're one of his emergency contacts. you pick them up in the middle of the night when they're all the way across town, in another district police department bc that's where they caught the guy and where they have to turn him in. sometimes you bring their clothes or costumes home and wash them bc they don't get the chance. like it's everything.
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luxaofhesperides · 2 months
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Post-Apocalypse + Soulmate AU ; requested by @burr-burr!
When Danny was a kid, he used to imagine how the world would end. It was never a zombie apocalypse or the fallout of a nuclear war, but the death of the sun, the expansion of their star in death that would swallow their planet whole, leaving no survivors.
It would have been nicer than the post-apocalyptic world he stands in now, knowing that it’s his fault the world has ended. 
He’s still struggling to wrap his head around it. To understand that all of this is his fault because he cheated on one test, desperate to pass after being unable to study for it with how exhausting and time consuming fighting ghosts is. Everywhere he looks, there’s more destruction. His own home is rubble, with only the partially untouched Ops Center remaining to let him know that this is where he once lived.
The rest of Amity Park is in worse shape. Buildings are hollowed out, the skeletons of their foundations visible, if they still remain standing. Most homes have been burned to the ground, leaving blackened corners of walls and nothing else. The roads are cracked and difficult to walk through, as if an earthquake tore through the city. Cars are scattered along the road, overturned or left abandoned, doors still open.
Danny has yet to find any bodies. He doesn’t know if that’s a good sign or not. 
He’s only caught a few glimpses of his future self, the cause of all this, and can’t bring himself to chase after that monster. He feels sick to his stomach knowing what he’ll become. 
That monster has to be stopped. The world has already ended, but that doesn’t mean his future self can be allowed to go on like this. If there are any survivors, they need protection. They need to know they’ll be safe to try to start rebuilding, and that can only happen if his future self is dead.
Danny knows what he has to do; he has a responsibility to protect what little remains of Amity Park, and to do that, he needs to kill himself. 
But his head it spinning from the horror of the situation and his throat is tightening up the way it only does when he’s about to have a panic attack.
He needs to stop his future self, but he also can’t stay another second in the ruins of Amity Park without destroying himself.
The guilt sits heavy in his chest as he goes ghost and takes to the sky, flying blindly towards the setting sun. Danny doesn’t know where he’s going, and he doesn’t really care. He just needs to get away for a bit, until he can calm down and put together a plan of attack so he can take out his future self in one go.
He just…
He never thought he’d be a monster. But here they are.
Flying away from Amity Park reveals the truly harrowing extent to which this world has suffered under his future self’s hands. There are no intact cities or towns. Roads are broken beyond repair, highways littered with empty cars, most bridges crumbling into the rivers below them, and everything is covered in overgrowth. All signs of humanity’s careful cultivation of the world has been erased. The earth takes back what humans took from it, covering everything in green. 
There is no movement. No people. Barely any birds flying beneath him. 
What remains of the world is silence.
Danny is terrified that there’s no one left. That his future self has so thoroughly destroyed the earth that no human survivors remain. 
That gives his guidance, some idea of where to go: a big city. Any big city, really. 
He flies lower, searching for some sort of landmark, or a sign that will tell him where he’s going. A rusted over green sign farther down the road tells him that he’s 50 miles from Gotham.
Oh, Danny thinks, Maybe Batman can help me.
If anyone could survive the end of the world, it would be the superheroes, right? If anyone stands a chance at defeating his future self, it would be a superhero. Superman might have been a better choice, but Metropolis is the opposite direction and multiple states away; Danny’s not sure he can make it before his future self catches wind of him and hunts him down. 
Danny has no doubt about what would happen to him if he’s caught; there’s a reason he hasn’t seen any ghosts around, after all.
Gotham is a city of secrets and rumors. What little he’s heard of it is baffling and, frankly, insane. There’s no city in the country like it and Gothamites prefer it that way, stubbornly loving the home that will kill them. For all the manmade horrors they survive on the daily, they would be more prepared for the end of the world than anyone else. 
Gotham may be another casualty of his future self’s destruction, but it also offers him hope.
Danny follows the broken road towards Gotham, pushing himself to fly faster than he ever has before. What should have been a half hour flight is completed in fifteen minutes. 
As soon as the towering buildings of Gotham, dark and semi destroyed, come into view, Danny drops from the sky and returns to human form. The strain from pushing himself has exhausted him and he feels it like an ache in his chest, his heart twisting and trying to burst from how hard it’s beating. 
He collapses to his hands and knees and gasps for breath on the outskirts of Gotham. 
It takes a good few minutes to calm down and breathe normally, then another to gather his strength to stand up and begin walking. 
The world is eerily quiet as he enters the city, feeling the chill fall upon him as he is consumed by the shadows of tall buildings. It’s much more intact that Amity Park, but there’s no denying the destruction that still surrounds him. Buildings are empty and worn down, decaying and slowly being consumed by new growth. Burnt out husks of overturned cars fill the street, leaving Danny to carefully pick his way around them, unable to walk in a straight line. 
He feels like the only person in the world. He feels like he’s being watched by a hungry eyes. 
Danny shivers and walks faster. 
The deeper he goes into the city, the more he starts to hope that he’s not alone in this world. There’s small signs of life: the smell of smoke, recently burned, certain streets cleaned up, makeshift walls constructed from rubble to block access to certain areas of each block.
He swears he can see people move above his head, but anytime he looks up, the windows of every building are empty. 
“Batman,” he whispers to himself, “I just need to find Batman.”
He turns a corner and continues walking. Apartment buildings give way to stores and businesses, all with their windows broken and nothing on the shelves. Then the buildings end abruptly and he’s left staring at an overgrown park that resembles a jungle more than it does a part of the city.
The scent of something sweet lingers in the air. Fruit, perhaps, or flowers. 
If he was left in the aftermath of an apocalypse, he would go to where he could find growing food. If there’s anyone left in Gotham, he’s willing to bet they’re in here, surviving off of what food can be grown in the confines of the park. 
Danny crosses the road and takes three steps onto the grass before someone appears beside him and points an electrified baton at him.
“Who are you?” they demand, eyes hidden behind a cracked helmet, but the bottom half of their face is visible, revealing scars crossing on dark skin. 
Danny takes a step back, eyeing the electric baton warily, and lifts his hands to show he means no harm. “Danny. I came from out of town. I was hoping to find people here.”
“You don’t look like you’ve been traveling.”
His clothes are clean and intact and he has none of the world-weariness that weighs down this Gothamite. Danny winces, and says, “My situation is kinda complicated. But I did just get here. I’m looking for help, actually. Do you know where I could find Batman?”
There’s a long moment of tense silence, then he hears a quiet sigh and the helmet comes off. An exhausted looking man looks at him with one blind eye, turned a milky white, and his voice is low and stricken as he says, “Batman’s dead. But maybe I can help you.”
“Batman’s dead?!” Danny repeats, shocked.
“Yeah. Sacrificed himself in one of the last times Phantom attacked Gotham. Got me and Nightwing out of that encounter alive. We’re really the only heroes left in Gotham, not that there’s much need anymore with everyone trying to survive.”
Phantom killed Batman. His future self killed Batman. 
Danny feels sick to his stomach.
“Oh,” he manages to say. 
The man’s expression softens. “Don’t worry, we’ll help you as much as we can. Why don’t you come on in? Ivy can get you some food if you’re hungry.”
Danny nods numbly as he follows the man deeper into the park. He walks with ease, taking paths that only become visible when he walks them, leaving Danny to follow close behind. It takes some time before he realizes that the plants are moving out of their way just enough that they don’t trip, and when he looks back, the path is covered again, hidden from sight.
He’s taken to the heart of the forest, where the trees shift to the side to reveal a large encampment of survivors all living together. Beds are strung up as hammocks between trees and rope ladders dangle from branches to help people move up and down. The ground is full of small fire pits, a few in use to make make food, and sections in the back full of vegetable and herb patches, separated by berry bushes. 
The people here all look tired and worn down, but they still smile and speak in light voices, adjusted to a new life after surviving so much horror and destruction. He even spots a few people using powers, or just looking different, including one large man who looks like a crocodile. 
“Pick up another stray?” a raspy voice asks, humor lighting the tone. They both turn to see a woman with long red hair and a green tint to her skin be lowered to the ground by a vine. She’s also heavily scarred and her right arm is completely gone, replaced by a wooden limb covered in moss that moves as if it’s always been a part of her body.
“Hey Ivy,” the man greets, “I don’t think this one is staying. He came to Gotham looking for Batman.”
The words make Ivy’s gaze sharpen, and Danny feels a trickle of dread go down his spine. She’s dangerous and standing before her feels as if he’s in the mouth of a hungry beast.
“Is that so,” she says, voice flat. “How interesting. I’ll let you two talk somewhere more private.” Her gaze flicks to the side, and when Danny turns to look, he can see some of the people in the encampment observing them warily, bodies tense and poised to either flee or attack.
Ivy turns and the plants part for her. Danny waits for the man to begin walking before he follows, trying not to feel trapped as the plants close the path behind him. She takes them to a small pond full of water lilies, gives the man a careful look, then leaves, swallowed up by the plants.
“Is everything okay?” Danny asks hesitantly. “I didn’t mean to cause any trouble.”
“Nah, you’re good,” the man replies, “It’s just that people don’t trust me much.”
“Why? You’ve been really nice.”
The man shrugs. “My soulmate is Phantom. He’s the one responsible for doing all this and killing almost everyone we love. I didn’t know until the first time I fought him, but they hate anything to do with Phantom, including me.”
Danny’s heart stutters in his chest. This is his soulmate.
Most people don’t subscribe to the belief that they’re meant to be with their soulmate. Meeting your soulmate is rare enough that most people don’t try, and plenty of people have spoken of how important it is to have a variety of relationships, to not close yourself off for the slightest chance of meeting your soulmate. 
Danny never looked for his; he didn’t want to subject them to his parents, and then he became a halfa and gave up on all dreams of having a normal life or any relationship with someone who didn’t know he was Phantom.
And now he’s here, in a ruined future, standing before his soulmate who understandably hates him for destroying the world. 
“You’re Phantom’s soulmate,” Danny breathes. His hands are shaking. He wants to cry.
The man sighs. “Yeah. I am. Not that it’s stopped him from trying to kill me. Don’t worry, kid, I’m not working with him. I swear.”
“He’s your soulmate and he hurt you.”
“He hurt everyone,” he says, then gestures at his blind eye. “This is barely a thing compared to what he did to other heroes.”
Danny can’t find the words to expression his horror at seeing the damage he did to his own soulmate. His future self is heartless and cruel and bloodthirsty. He has to be stopped.
He doesn’t want to kill his soulmate. 
“I came here for Batman,” Danny says, “Because I thought he could help me stop Phantom.”
“That’s rough, kid. Batman couldn’t beat Phantom. I don’t think anyone can. We’ve tried, but most heroes are dead and we can’t just go out there and risk the lives of everyone here. We gotta focus on survival, not revenge.”
“I have to stop Phantom.”
“Sorry kid, but that’s a terrible idea. Don’t go out there trying to be a hero. You can stay here, alright? Ivy will get you set up and the others will help you settle in.”
Danny takes a step back and shakes his head. “No. I have to stop him. It has to be me.”
“And why is that?”
“Because I’m Phantom,” Danny whispers. 
The man immediately reaches for his electric batons again, taking a step back. “Not funny, kid,” he says with a tense voice. 
“I’m not joking. I am Phantom, just from the past. I’m not supposed to be here.”
“You’re Phantom?” the man repeats. “You. You’re just a kid, and you’re going to destroy the world one day?”
“I don’t want this to happen! That’s why I need to go back, so I can stop the event that will set me down this path. And to go back, I need to defeat the Phantom that exists here.”
“He’ll kill you, kid.”
“That still solves the problem, doesn’t it? If I die here, then he’ll never live long enough to destroy the world. He’ll die too.”
The man stares at him with cold eyes, then turns away, dropping his hands away from the batons. “Don’t turn this into a suicide mission, kid,” he says. “The Phantom who’s here isn’t you. You don’t have to pay for his crimes. Just… stay here and I’ll go fight Phantom.”
“He already hurt you,” Danny says. 
“What’s a little more hurt? I can handle it.”
“No,” Danny says firmly. He shoves away the fear and hurt in his heart and finds his strength in determination. No more running away. No more hiding. 
The timeline should not exist. He can’t hesitate at the thought of erasing this version of his soulmate from existence; he’s tired and injured and an outcast in the only community that still exists in Gotham. He deserves better. Everyone here does.
And to give them a better life, Danny needs to stop this one from ever happening.
“This is my future. It’s my responsibility. I’ll stop it and make sure this never happens. And… I’m sorry for everything I did.”
“It’s not your fault, Danny. You’re not this version of Phantom.”
That’s not at all true, since Danny’s actions lead to the end of the world, but he’s not going to argue when he’s preparing to fight a stronger, more ruthless version of himself. He takes a deep breath, then goes ghost and floats into the air. 
“Before I go,” he begins, hesitantly, “What’s your name? Since you’re apparently my soulmate.”
The man smiles sadly and answers, “Duke. If we ever meet in your time, tell that version of me to look for my mom’s favorite book.”
It’s an odd request, but if it’s important enough to be asked for, then Danny will do it. “Your mom’s favorite book,” he repeats, “Got it.”
“Take care, Danny. Good luck out there.”
Danny nods and takes one last look at his soulmate, older and worn down, stubbornly getting through each long day, and swears to make things better.
Then he flies off, ready to fight his future self and make things right again. 
. . .
He thinks of his soulmate for years after he’s back in the present. The timeline where his future self exists is gone and the world is safe, but he still remembers the pain he caused Duke. 
When the time comes to apply to universities, Danny sets his sights on Gotham. His parents take him on a trip during spring break to tour the campus, and it’s after the tour, as he wanders around on his own, that he bumps into a student walking out of a building.
“Sorry,” they both say at the same time, reaching for each other to help each other keep their balance. 
As soon as their hands meet, it’s as if lightning runs through him. From the look on the other guy’s face, he felt it to. 
This is his soulmate.
“Duke,” Danny says, amazed and disbelieving all at once. And the request crosses his mind, something he wondered about almost every night since he returned to his time. “Look for your mom’s favorite book.”
“How—?”
“I met you in the future. You asked me to take back a message for the you that’s here. So: look for your mom’s favorite book. What does that mean, by the way? I never asked.”
Duke blinks, then slowly retracts his hands from Danny’s. “My mom’s favorite book was a hand bound journal from my dad. They were soulmates and he wrote about their first year in a relationship together. It’s full of pictures, and she loved it more than anything. That message is to remind me to have faith in soulmates, to believe that something good can happen to me.”
“Oh! That’s… wow, sorry, I didn’t mean to pry into something so personal.”
Duke shrugs. “It’s fine. I needed the reminder. I would have already run away by now if you didn’t say that. You already know my name, but I think now’s a good time to introduce ourselves.”
“Right!” Danny says, flustered. He sticks his hand out, which Duke shakes with an amused smile. “I’m Danny. Fenton. I’m coming here next semester.”
“Duke Thomas. I’m a freshman here and I’d really love to get your number.”
He’s not hitting on Danny, not really, but it still makes him blush. The way Duke looks at him is full of light and laughter, so different from the exhausted and wary way he looked in the future now rewritten. 
This is what the future version of himself tried to kill. He doesn’t understand how anyone could ever hurt Duke when he’s so full of life. 
But he’s safe now. Everyone is; Danny changed the future and what lies ahead is wholly unknown to him.
The world is safe and full of promise. 
No matter what comes, Danny is sure he and Duke are going to be just fine.
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comradekatara · 1 year
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katara will see an elder, any elder, and be like “is anyone gonna respect them” and not wait for an answer. sokka could be like “katara they are literally stealing candy from babies right now,” but if they are above a certain age she does not care, in fact she is like “sokka how could you even say that!! the audacity!! that is a respected member of the community!!!!” like the closest she comes to realizing someone old sucks actually is with pakku, and even then she is inexplicably happy to find out that he’s gonna be her step-grandpa. meanwhile zuko sees literally any old person and is immediately like “ew i didn’t know raisins could talk”
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oceanwithouthermoon · 3 months
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kaido and nendo casually watching saiki freak out over his crush and barely reacting or caring about why is so funny to me
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jorrated · 5 months
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always wondered what STC would've been like if instead of just making Eggman evil on a single event, it kinda jumbled his brain a lot and make him have brief moments of lucidity as Kintobor. give him the ice king treatment ya know
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hammity-hammer · 9 months
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steve harrington realizing that he’s got no purpose if he’s not protecting the people he loves from outer-dimensional beings, and has a minor (read: major) spiral about it post-vecna & the party fixing everything. he’s just a regular ole 20 something with no purpose— his friends are all in school, except eddie, who managed to pick up an apprenticeship as an electrician; putting all of that wire knowledge to use (just not in cars, he hasn’t hotwired one since 1986 and he’d like to keep it that way si vous plais) and making the rich houses have even cooler guts than they deserve.
the kids end up graduating (their first tries) and heading as one little pack to the same school (don’t ask me which, i’m a college drop out) and steve, eddie, and rob end up staying just outside of indy. rob finished school early, because of course she did, and she found that she may have a knack for hanging around high schoolers, so why not teach them how to become polyglots like she is?
steve still doesn’t know what the fuck he’s doing— he bartends at a little club in the gayborhood, because they went there so often that the bartenders just kind of pushed him into it, and don’t get him wrong— mixing drinks and flirting all night is super fun, but it also… is kind of depressing? even if he gets to be around people like him and see them happy— he knows that a lot of alcohol and drugs causes that happiness and he wants so badly for his people to be out and proud and not murdered for it. but he can’t do that,, so he does the next best thing.
he talks with one of the regulars, andy, who owns a little tattoo shop on the corner, and andy invites him to come check it out. so he does the next day he’s free, and holy fucking christ. tattoos aren’t his thing— at least not on himself, but on other people they’re gorgeous. and they’re painful, but you’re turning the pain into art and you get to live with it in your skin and look at it and think about the fact that you’re here and you made it and you fucking survived. and people purposefully put scars into their bodies? and not in the i-battled-literal-other-dimensional-beings-and-won kind of way, or the i-battled-my-personal-demons-and-won kind of way, which both are things he’s dealt with so fucking intimately— but in the i-will-decorate-this-flesh-prison-and-make-it-a-castle kind of way, and that’s fucking beautiful. queer people taking their bodies and making them into art with ink and hot metal and needles and the love that they have for each other and the passion and the fucking spite at the world that keeps them going and making their presences KNOWN.
and maybe he gets some piercings while he’s there— it’s fascinating and feels so weird and freeing when the needle punctures his flesh and the jewelry goes in— and now he’s got a shiny little ring hanging through his earlobe; his nostril; his lip.
he learns that piercings take time and effort and care and that he has to treat himself with love to be able to heal— and that he is deserving of that love and care and dedication, especially from himself.
he keeps going back, maybe not always to get stabbed, but to watch others have it done. to see how different people’s anatomy takes different piercings, how he can’t have a piercing through his cheeks because he bites them too much when he’s anxious, but the girl that just left got both of hers done and they looked good. they fit her face, like little shiny dimples.
eventually, the piercer, killie, asks steve when he’s going to help them with their needles and their piercings— and he doesn’t know how to react because he hadn’t even thought about it and yet… maybe he could help other people fall in love with themselves and their bodies and help turn them into art one day
maybe he could be a pretty boy with his scars and his metal and his missing chunks and his polos and his jeans and his sneakers.
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samarecharm · 3 months
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I miss goro. Bring his bitchass back
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captainkirkk · 26 days
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I think the Goblin Emperor hurts in a different way from HOTE because it's from the pov of the Maia, the trapped emperor
In HOTE, we're inside Cliopher's pov, who only understands but only glimpses moments of his Radiancy's pain and isolation. And Cliopher is so full of hope and stubborn determination and competency - the system may be full of imperial prejudice but he knows that he WILL dismantle it for the sake of the people and his emperor. Plus his career is established and he has spent centuries acclimatising to and shaping the world within the Palace
Maia, on the other hand, is barely an adult and has lived most of his life in isolation with his abuser. He's overwhelmed and out of his depth and can barely trust his Household, who he has known for maybe a few days or weeks. He's kind and determined, yes, but it's overwhelmed by loneliness and confusion. Don't get me wrong, I'm really enjoying TGE, but not as much as I loved HOTE
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witchspeka · 10 months
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I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive
Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support
Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted
So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too
He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.
And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him
Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart
Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best
Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level
Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)
Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions
Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?
Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist
But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again
Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are
This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down
And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up
I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean
He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety
Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true
#ppl do a similar thing with seri but for different reasons but i do think in his case its worse cause thats a whole ass adult#anyway. i dont think im saying anything new i just wanted to ramble <3#i missed mobposting what can i say#ik i saw somebody talk about this in a more eloquent way but i doubt i could find the post cause i dont think i rbed it so rip#mp100#mob psycho 100#kageyama shigeo#that ova needs to come out already im going insane#cine te a intrebat#also hope i didnt come off as too negative towards reigen or smth#but like. my favourite part of confession is him saying (i didnt know!) LIKE YEAH. U DIDNT. LMAO.#ppl treat him as a bit too reliable sometimes and dont give him a lot of room to grow like Reigen isnt even 30 yet!! he aint that old!!#he still needs to get HIS own shit tgt before giving out advice just saying. also he totally doesnt understand mob fully. how can he??#he never mentions the incident with ritsu and considering mobs inclination of never telling anyone anything unless prompted#i doubt he knows... like reigen genuinely doesnt know the extent of mobs trauma!! when he said I Didnt Know he meant that shit!!!!!!#which is like. fine. cause to me whats important is how he always wants to protect mob and support him and help him#even if he doesnt always know how. even if advice backfires. hes always there and hes always trying and hes just as human and flawed as mob#himself#ig what im getting at is just that im bothered by the Flavour of reliable adult fandom is giving him. hes a lil pathetic and#fucks up sometimes and thats fiiiiiine. i feel like i talked shit about reigen but i do think hes a good guy and IS reliable just not in the#gives great advice way. but in the Knows How To Talk And Bullshit His Way Through Everything and Has Genuinely Good Intentions (usually)#and will throw away all of his self preservation if the situation requires him to. his advice is good but can be vague idk ONE rlly managed#to balance his pathetic side with his helpful reliable side and i dont think i articulated it the best way but like.... hes simultaneously#pathetic and sad but also the most sane and reliable adult in this show. rant over see u next time byeeee
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s0fter-sin · 4 months
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soap and ghost, after months of flirting, of having each other’s backs and saving each other’s lives, of knowing the other better than they know themselves, finally getting together
ghost letting himself free fall onto the bed, soap following, always following his lead. they barely pull apart enough to get their shirts over their heads, hands running over muscles and scars and holding close
soap kisses every new scar that’s revealed to him, from the thick keloid divot over his ribs from some kind of puncture to the innumerable slashes and stitch wounds holding his torso together until he’s mouthing over his collarbones; the tips of his fingers lightly caressing the edges of his mask
ghost who’s been so quiet, so overwhelmed by soap’s touch that all he can do is sink into him, panting gasping breaths, finally pushes out, “don’t ask me. please…”
soap freezes, mouth hovering over his skin. “ghost…?”
ghost’s face is tilted away, eyes held so tightly shut they tremor while the rest of his body stays lax beneath his. desperate. resigned. “please don’t ask me, johnny.”
soap lets his hand fall from the mask, coming to run soothing circles over his clothed hip. “why?”
“because i’ll say yes,” he confesses and it’s great and terrible; a warning and a relinquishment laid at soap’s feet. “i’ll always say yes to you.”
for a long moment, there’s nothing but their shared breaths, nothing but their hearts beating for the other. until soap finally leans down to press a kiss to the corner of his hidden mouth; his lips meeting faint raised scar tissue he might never see
“i’ll never ask.”
ghost’s eyes drift open and they catch on soap’s; on a sea of promise and fierce protection
“i swear… i’ll never ask, ghost.”
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daily-hanamura · 8 months
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#persona 4#p4#persona 4 golden#p4g#hanamura yosuke#yosuke hanamura#narukami yu#souyo#OK I LOVE THIS PARTICULAR SCENE FOR MANY MANY REASONS#the first is that the question is a false choice because all answers lead to him calling yosuke anyway#because whether YOU the player like it or not yosuke is yu's first choice and first point of contact his confidant his best friend#the person he relies on when he needs something done his right hand man etcetc#and yosuke doesnt just show up#he anticipates what you had in mind and goes above and beyond#SECOND him calling all of your friends so that he can bring them to a party for a kid he doesnt know#this is once again Yosuke's empathy on display here he understands loneliness and he understands both what shu needs from a single call#as well as what Yu wants because he also gets Yu's empathy and kindness towards Shu#thinking about how Yukiko said Yosuke was more well connected than she was and it kind of destroys me because in practice#any one of them could have called and everyone would have showed up BUT on some level it is understood that it's yosuke's role to rally the#also that's that extra level of like... yukiko actually being from inaba and having lived there all her life...#while yosuke was the “outsider” that had only been in inaba for a little over a year yet he's still regarded as the one with friends#and you know that Yu knows that too thats why he called Yosuke#calling yosuke when he decides to get a cake or presents makes sense because junes is probably the only store still open at night#but calling yosuke as well when yu decides that he needed to call on his friends#that itself means something#god my fucking heart guys#he's good with his queue
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razberrypuck · 8 months
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looking at qcharlie. if the codes and the federation truly aren't on the same side, charlie's somehow got the attention of three separate, opposing forces by doing nothing but trying to heal. the islanders (and the eggs) want him to live closer to spawn; for safety, yes, but because they want to see him more. they're worried about him. whatever the federation as a whole may want with charlie is up in the air, but with elquackity's interest in him, and nearly all of his birthday presents being bombs and escape tools, I think we can take a guess. and the codes, one masquerading as his dead daughter -- they want to learn from him. he managed to convince people that HE was an egg, didn't he? he's one of the only people on the island that hasn't hurt the codes, isn't he?
it seems like everyone's going to start pulling him in different directions very soon. two of these three groups are willing to do anything to get him on their side. but only one has gone far enough to ensure he'd stay there.
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joyflameball · 2 months
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What yougotta understand is that when you're interacting with blogs from a fictional universe, such as the English Willy saga, ya DON'T GIVE THE GAME AWAY. Don't just TELL THEM all the plot. Don't tell them exactly what's happening!! Don't tell them the important names!! Send asks and such but actually think through, how would a normal person respond to all this? How would a normal Tumblrina respond? The answer is YOU PROBABLY WOULD NOT FIND FUCKING EVERYTHING OUT IMMEDIATELY. The answer would probably be memes and clowning on things! If you wanna allude to things that will happen in the plot, ALLUDE to them. If you know that someone's gonna burn to death, say you hope the stress doesn't cause them to burn out. Please, my Tumblrinas, learn the art of subtlety in writing. You are not the main character in fictional universe blogs. It's okay.
#cassie rambles#english willy#this post was prompted by me getting annoyed ppl in the comments of the english willy posts were just straight-up giving everything away#PEOPLE. LEARN THE ART OF ''WAITING'' AND ''SUBTLETY'' AND ''YOU'RE NOT THE MAIN CHARACTER HERE''#like just straight up saying ''yeah that probably means elizabeth! that's probably a murderer's corpse in there!''#girl these reveals take TIME#the reason the "lisbef'' thing and the ice cream thing work is because we know the plot to fnaf! we know what he's talking about!#we don't need it to be said explicitly! that's what show dont tell is!#and it sucks the wind out of the sails if you just say ''oh yeah that's a reference to elizabeth afton''#it's like if the op brought up fires and someone immediately said ''oh fazbear frights is gonna burn down btw''#like NO. THAT'S NOT WHAT GOOD WRITING IS. THAT'S NOT HOW YOU DO REFERENCES TO THE SOURCE MATERIAL.#the reason saying like ''aw i hope mike doesnt get cold in there i hope he brought smth to stay warm :('' works is because it isn't blatant#i mean if you know hte plot to fnaf 3 it is but if you don't it doesn't break immersion by just telling us the plot#all of this is said lightheartedly#anyway.#LIKE NO YOU IDIOTS!!!! DON'T JUST BRING OUT CIRCUS BABY BLATANTLY!!!!!!!!!!!!#YOU'RE TRYING TO RUSH THE STORY!!!!!!!!!!!!! LET IT BUILD UP AND THE PAYOFF WILL BE BETTER!!!!!!!!!!!!!!!#STOP TRYING TO BE THE MAIN CHARACTER!!!!!!!!!!! YOU ARE A SIDE HARACTER HERE ADN THAT IS OKAY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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