for the ask thing: 26 and/or 31
Hi!
26. a scenario that you’ve replayed multiple times?
i'm actually struggling to understand this question. if it's about memories, then yeah, but it's those that i prefer not to think about (it do be like that huh?) - but the question says scenario, so i guess this is about something fictional/play-pretend/could-be? or is it about things that happened again and again? (pls help me understand what you want to know here i am confused by this one sorryy)
31. what type of music keeps you grounded?
this is an interesting question! and i am someone who knows absolutely nothing about putting music in boxes and sorting genres, but i'll do my best to answer!
there's different ways to tackle this, depending on what i need.
if we're talking using music to combat general unease/light anxiety/trying to stay focused? i either defer to my playlists that have a mixture of songs i like in varying tones and genres, orrrr... i go to my musical playlist. which is 50% random encounters, i'll be honest with you, bUT it also has things like markiplier's I don't wanna be free, Gideon's songs, PARANOiD DJ (Smile like you mean it), Frankie (Desert Sand), and Lizzie's and Scott's Deal with destiny, to list a few. Just fun, familiar things.
but.
but.
if we're talking about grounding. as in. not-doing-well grounding.
there are two ways to go about it. one is gentler, which is songs like Cavetown: Talk to me, or The Script: Flares.
then there is what i'd go for if i really need to drown things out. i tried to ask my friend to categorise it, and i guess it'd be indie/some kind of rock? i am not sure if that is helpful, so here are some examples:
Måneskin - Gasoline
Lø Spirit - Mind of Mine
SAINT PHNX - Death of me
Once Monsters - Trapped; Take my throne; House of pain
Seb Adams - Nightmares & Flare guns
Citizen Soldier - Monster made of memories
Three Days Grace - Riot
to make things easier (and also because i realised i do not have these kinds of songs compiled anywhere) i made a makeshift spotify playlist:
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the questions are from this >>ask game<<
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Today I gave myself feels thinking about Fang Duobing, Di Feisheng, and Hulijing moving on and aging in a world without Li Lianhua. A world where Li Lianhua isn't there — but then again, he is there, in Lianhualou, and in the townspeople who flock to it, bearing gifts for the miracle doctor who once saved a life, fixed a roof, exposed a conman, comforted a child. Young Fang Duobing used to want to know every little detail about his hero, Li Xiangyi. Now Fang Duobing wants to know every detail about his beloved friend, Li Lianhua. The years pass and fewer people come. But if they remember him, Li Lianhua lives on.
(long post, half meta, half fic, bittersweet)
They travel together, with Hulijing, in Lianhualou. Fang Duobing has nothing better to do, so he takes up detective work again. Di Feisheng has nothing better to do, so he comes along. Everywhere they go, they look for Li Lianhua. And in their journeys, it seems like everywhere they go, someone is talking about Li Xiangyi. Li Xiangyi, who had always been something of a legend, but ever since his reappearance and subsequent (re)disappearance, has seemingly been elevated into something approaching godhood.
you should've seen him, people say, floating across the rooftops in red, cold and beautiful, like an avenging hero out of some novel. wasn't he dead? no — of course he wasn't, li xiangyi would never have been so easily killed. but it was bicha poison, i heard nobody could survive bicha poison. yes, he was definitely dead, and came back to life through dark magic. no, he'd been alive the whole time, just held captive by di feisheng. he tried to kill his shixiong ten years ago and failed, and came back to finish the job. no, his shixiong tried to kill the emperor and li xiangyi came to stop him. the emperor? impossible. yes — don't you know, li xiangyi is the emperor's long-lost son?
All of it only amuses Di Feisheng, but it irks Fang Duobing. The same Fang Duobing, who, when he was younger, would've hungered for every little detail about Li Xiangyi and begged to hear more, now finds it maddening to listen to these strangers talk about him as if they knew him. The world might have known Li Xiangyi, but it had never known Li Lianhua.
Li Lianhua, who could wield Shaoshi like it was a natural extension of his arm, but regularly cut his fingers clumsily slicing radishes and onions. Li Lianhua, who would invariably try to shrug off an attack of bicha poison, but yelped and jumped back from hot oil splatters in the kitchen like a child. Li Lianhua, who frowned when a passing carriage splashed mud onto his robes, but knelt carelessly into the dirt and grass to play with Hulijing.
None of them knew any of that.
But as Fang Duobing and Di Feisheng continue their travels, they begin to encounter other people as well. People who come running when they see Lianhualou in the distance tottering their way. People who come bearing gifts — a woman looking for the shenyi who had helped her with her back pain and also exposed the con artist who had tried to trick her daughter into marriage. A young man coming to thank the doctor who had given his father herbs for stress while uncovering the corrupt official who had falsely accused him of theft. An elderly couple looking for the young man who had helped them thatch their roof before a rainstorm and had given them some medicinal cream before he left. (One middle-aged man with a club, looking for the wangba quack doctor who had exposed his infidelity to his wife — he had left after one look at Di Feisheng, standing silently in the doorway with his arms folded across his chest and dao strapped across his back.) People who greet Hulijing like an old friend.
Fang Duobing listens eagerly to every story they tell him, and in return, he tells them about his brilliant, kind, exasperating friend. Di Feisheng rolls his eyes every time, but Fang Duobing notices he never walks away either. They don't talk about it. But it’s as if Li Lianhua returns, however briefly, during those visits; in those moments, Fang Duobing can almost see him standing there, bending down to pet Hulijing alongside these old friends as she grins her little doggy grin and wags her tail. She escorts their guests to the door, and sits in the doorway after they leave, looking out at the world as though waiting. He doesn't ask if Di Feisheng can see him too. They sit and share wine after these visits, and eat the fruit that the visitors bring, until Di Feisheng can stand the heavy silence no longer and pushes Fang Duobing outside to spar. Hulijing follows faithfully, as always.
(fang duobing had brought home a puppy, once. he can't remember where he found it, but he remembers that he had held it in his lap in his wheelchair, eager to show it to his uncle before taking it home to his mother. his uncle had glared, and told him that dogs were only useful to guard the house, and tianji manor already had guards, human ones, and that fang duobing would do better to focus on his swordplay rather than waste time on such useless and frivolous things. he had taken the puppy away and fang duobing had never seen it again. it wasn't until those blurry months as he rode across the countryside looking for li lianhua, hulijing trotting along ever so loyally at his side, that he realized this was just another way that shan gudao and li xiangyi were opposites.)
The years pass, and there are fewer and fewer people who come. One day Fang Duobing wakes up with the unbearable realization that he is now older than Li Lianhua had ever been, would ever be, and is unable to get out of bed for a good half a shichen. Di Feisheng leaves him be.
The years pass, and Di Feisheng grows older too. There are lines on his face, snowy white beginning to thread through his jet-black hair. Fang Duobing wants very much to tease him about it, but the words catch in his throat when he looks too closely at the signs of time on Di Feisheng's face. What a precious and altogether rare thing it is, to age.
The years pass, and Hulijing grows older too. Fang Duobing finds that more and more often, Hulijing can no longer keep up with him when he goes riding. He stops going riding. She gets cold more easily now too, and more and more often Fang Duobing wakes in the morning with Hulijing curled up under the covers next to him, her wet nose shoved into his armpit. He holds her close and thinks about Li Lianhua shivering in his arms.
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It's been nearly a year since their last visitor, but today there is an old man. He comes in the morning, bringing a basket of plums. A long time ago, he says, a young man who lived here saved my life. I had been poisoned, he says, by my son who wanted my money and my lands. The doctors said there was no cure. But then the young man came and performed a miracle. He saved my life. He saved my life.
Fang Duobing knows it was no miracle that saved him. He asks for the old man's hand and it is given readily, albeit bemusedly. He presses his fingers to the inside of the man's wrist, and is greeted with a whisper-faint, gentle thrum of yangzhouman — a soft hello from a much-beloved friend. You fool, he thinks dazedly, caught somewhere between overwhelmed that here is someone, inside whom a piece of Li Lianhua lives on, and so bitterly angry. What had it cost? Some hours, days, weeks? He doesn't let himself think of what another week might have afforded them in those wild final days, in their desperate search for a cure. Fang Duobing gives the old man back his hand and blinks back the sting of tears. He cannot talk about Li Lianhua today. He apologizes and tells him that the man he is looking for is traveling and won't be back for a few days, but that Fang-mou will pass on the message. Before he leaves, the man leans down to rub at Hulijing's ear. My old friend, he says, like me, you, too, are truly old now.
After the man leaves, Fang Duobing folds himself into a sit on the floor of Lianhualou and gathers Hulijing into his arms. Gently — her joints are stiff now, and he can't haul her around, can't roughhouse with her the way he used to. Di Feisheng comes down the stairs from where he had been listening; he stands behind Fang Duobing and places a warm, steady hand on his shoulder. At the edge of his vision, near the door, Fang Duobing can see the hazy hem of green robes. If he looks up, he wonders brokenly, what would he see? The face of a man forever frozen in youth? Or a face lined with age, snowy white beginning to thread through jet-black hair? He suddenly finds that he cannot bear to find out.
Fang Duobing knows. He knows that the myth and the outlandish rumors about proud, arrogant, beautiful Li Xiangyi will never die. But he also knows that one day, there will be no one else who comes to Lianhualou; no one left who remembers gentle, sly, infuriating Li Lianhua. One day, the old man will pass on and the piece of Li Lianhua that he carries with him will fade as well. And one day�� Fang Duobing presses his forehead against the soft fur of Hulijing's neck where it has gone white and thin with age. He closes his eyes and breathes.
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Years and years and years later, Fang Duobing is awakened from where he has fallen into a light doze reading in his chair by a soft knock on the door. There is a woman standing outside, holding a small basket of pears. I think I remember this building, she says. I must've only been six years old, but I had run off and lost my parents. I fell down in the street and skinned my knees. A kind gege helped me and gave me a piece of candy. He said he would walk me home but I said I didn't know whether I should tell him where I lived. He laughed and asked if it would help if I knew where he lived. He pointed to the most fantastical and wild house I had ever seen. I think it was this place. Xiansheng, does he live here? Who was he? Do you know him?
Fang Duobing smiles and invites her inside. On the bed, the small white dog that Di Feisheng has named, ridiculously, Baigujing, raises her head and thumps her tail a few times in hello. Di Feisheng looks up from where he is writing a letter at the table. Fang Duobing leads the woman over and waves at her to sit down. He sits across from her, ignoring Di Feisheng's eyeroll, and offers her a piece of candy. He always keeps candy around. Fang Duobing smiles once more and says, if you'd like to know — there is so much I would like to tell you.
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What is your favourite thing about Billie Lurk?
(Answers are obvious possibly but i love when people talk about her👍)
thanks for the ask!! YEAH ME TOO I love when people talk about Billie! I can't say I have a favourite thing specifically, but I can explain why she's my fav. apologies for not taking this qn literally, but -
short answer: she’s really cool
& you can stop reading there, or, for the maybe 2 mutuals who might have time to read this my thoughts on her as a character, her meta, and her character as raw potential...
long answer:
i considered making this entire thing a gush so you could read a gush about Billie. but, part of what draws me to her is that she’s not always well written, and in fandom she’s underrated for a literal protagonist.
since you ask...
billie is a cool character
when I played Dh2 (hadn't played Dh1), I was excited to see a black woman with disabilities who was captaining a massive ship by herself. wow.
then I discovered Billie’s backstory with Deirdre, the way she responded to that, then having to survive while living on the run, and her bisexuality. as well as her history with daud & delilah. fascinating!
she’s an outsider who has so much to lose, and knows what it's like to lose everything - having lost everything not once but three times - but nevertheless speaks truth to power. she's so brave! she went and helped Emily & Corvo and she must have known they might kill her! plus, she’s smart, she’s funny, she gets shit done, she’s gorgeous.
but... the meta
mild critique of fandom & arkane incoming.
skip this bit if you want - you've been warned twice now - jump to tired Hayao Miyazaki and read from there if you'd like my thoughts on writing her.
i thought Death of the Outsider was going to be amazing and then... well. *sad trombone* i've written about that before so i won't keep banging on. i figured others must be disappointed too, so I joined a few fandom spaces in hopes of finding camaraderie.
most people with complaints about DotO didn’t like how the Outsider and Daud were handled. which is valid & I agree. but it seemed like most paid no attention to Billie; when people talk about her it’s with respect to Daud, as opposed to in her own right. you could argue for fandom misogyny because people don’t talk about adult Emily Kaldwin that much either, but in Billie's case, it’s misogynoir (compare & contrast with the popularity of thomas, particularly the popularity of thomas portrayed as a white man for no particular reason that i've been able to discern - i keep asking around, is it in the books???).
i think this is a LOT better now than it used to be, which is fantastic. or perhaps i have found the correct echo-chamber? ha.
ultimately, The Fandom is a fraction of the entire picture, and not even the important bit since The Fandom is not who these games are made for. you can't make money relying on only your hardcore fans even if all of them spent a fortune on merch, this is true for any AAA game.
while it's true that Billie is underrated from a fandom perspective - but Billie as an underwritten protagonist is squarely Arkane’s fault.
it was reasonable when she was a side character - the lack of info in Dh2 makes perfect sense (if anything there was more lore in Dh2 which is kind of wild)-
- but as a protagonist in Death of the Outsider?
.... there’s lousy writing, and there’s whatever is going on with Billie Lurk, a black woman who mostly exists as a foil or saviour for light-skinned characters. In her own game there’s barely any of her own lore except where it's relevant to saving two dudes.
lore hints at, but barely touches on what race means in the Dh universe (xenophobia is stronger in Dh1; separate essay i guess), but Arkane has patted themselves on the back for portraying non-white characters, which feels like the same thing as the aesthetic of diversity we're seeing in advertising currently because it’s in marketing trend guides. it's self-congratulatory and it's a missed opportunity for deeper storytelling.
you can see an example of diversity at its most shallow in the way that Billie’s written: there’s little engagement with her as an entire person with history & wants & preferences, and the world she walks through in that game feels like it has nothing to do with her. you could make a case for alienation as a theme, but then, how do you handle the titular premise of 'Dishonored' without ever letting Billie make changes in an environment without a chaos system? it's disappointing from that angle too.
in my opinion, whatever it's worth, it was an accident Arkane created such an awesome character - they needed someone to betray daud. congrats billie.
all this said, it makes her an underdog as far as characters to enjoy & create art & stories for. it's nice to find so many like-minded, switched on people! <3
billie's character potential
she’s got a wealth of unexplored lore, being deeply intertwined with both Karnaca & Dunwall’s fates & criminal underbellies, as well as her connections to the witches & whalers, and three Empresses.
she’s lived a few distinct lifetimes and in the games we get to meet her at two peaks (KoD & DotO) & a low (Dh2 as Meagan).
her voice is very distinct, her dry & often dark humour is entertaining & fun to write. her perspective is really interesting - she’s had the widest variety of void-powers of anyone canonically, and she’s also lived through the highest highs and lowest lows.
she's got everything going for her :) i couldn't really pick a fav thing!
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