how many times do we gotta go over it man. thought crime isn't real. it's okay to feel whatever you're feeling. don't let anyone make you feel guilty for having some reflex reaction to stimuli in a way that is out of your control. the question isn't what you think or how you feel, but what you do. do you act upon those thoughts? do you harm others bc of your feelings? that's where you draw the line. keep it in your brain. vent it out in some personal way like a journal or a password locked blog. it's okay i promise
alright gonna be so ill about this scene rq and why its so incredibly amazing for Kanna’s character
Kanna understands the power of emotions and how it can drive people to do things they normally wouldn't, while other characters cannot quite grasp the concept. She's the only one confirmed going through it with hallucinations, (Sara, Keiji, and arguably Shin,) but isn't letting them deter her in any way, and in fact accepts the people who died trying to protect her and is living for her; which is obviously not the case with the other three.
Sara lets the memory of Joe completely consume her in chapter 2, and in the emotions route, while she no longer struggles with hallucinations of Joe, it's still evident that his death changed her motivations. This is different from Kanna, who already learned this lesson with her sister’s death in chapter 1-2; she learned from Reko and Sara to not let her sister’s death completely consume her and then learned from Shin's death how to recognize what compelled them to sacrifice themselves for her
The difference doesn't seem like a lot but it’s 'living for yourself, learning your strength from the people who loved you and could see it when you couldn't' vs 'living to not have someone's sacrifice in vain' y’know? It says a lot about Sara and Kanna's self worth in relation to the deaths of their loved ones.
Looking at Shin, while his hallucinations are more implied, I think it's fair to believe that at the Very Least he would struggle with delusions revolving Kanna's death.
^This scene specifically showcasing how if its not struggling with the reality of Kanna’s death, he’s ignoring it to cope. It’s easier to pretend the people he has to be allies with didn’t have as big of a role in her death as they did. - (this dialogue from Shin and Keiji is some of my favorite but that’s for another day)
Back to the topic at hand, after Kanna's death, Shin's motivations completely shift. One of my favorite scenes in 3A is when the gang uses the elevator for the first time and whichever one Sara decides to use, Shin uses the opposite. Of course, this can read as him just being petty, but before this, Shin typically followed people with high percentages- he usually wouldn't go somewhere for the first time by himself unless he goes with someone with a high percentage, or at least scoped out by someone with a higher percentage. This is such a character defining moment because this illustrates he is no longer desperate for his own survival.
Chapter 3 and on, Shin is only motivated by revenge. Revenge for Kanna, revenge for everything he's lost. His motivations went from 'cheat the death game, beat the odds. just survive, fuck everyone else' to 'revenge for Kanna, I don’t care if I die anymore, just as long as these people go down with me, how dare these people kill someone innocent' (how logical of him to throw his own survival....)
And finally Keiji- Keiji, like Kanna, went into the introduction scene already struggling with the death of a loved one, but he went into it knowing how to suppress his emotions way better. He, of course, lost Mr Policeman a while before the death game and is not a 14 yr kid who just lost her sister. Arguably, Keiji is one of the most, if not is the, most logical character in the game. He does a lot of cruel things for the sake of his, or someone he care's abouts’ survival - which is why he is able to vote for Kanna, or go behind Saras back for all the card trading in mg 2. Both cruel, but both helped him and Sara's chances of survival.
Keiji lost a kind part of himself after Mr. Policeman’s death. I'm not saying he’s evil, or cant feel emotions, but he is kind of .. empty. He’s been going through this death game motivated by his primal urge to survive. The only times his emotional side comes out is when his grief is pulled out and is used against him, like with Everything with Midori in 3A or all the gun discussions. Which due to the suppression of this grief and him not healing from Mr. Policeman’s death, it completely overwhelms and consumes him.
Joe, Kanna, and Mr.Policeman's deaths all communicated to the people that wanted to save them that they were Too Weak to save them. Something they did, or failed to do, caused their death. It is Sara/Shin/Keiji’s fault.
And now why Kanna's 'Kind Hallucinations' are amazing - she's the only character to willing to accept her weakness, and realize that she is surviving because the people before her saw her strength. Kanna knows she’s stuck in a death game and has little-to-no control over almost everything around her. But despite that, she stands up to characters like Midori in chapter three, not because of Shin or Kugie, but because she is strong; she is doing it for herself, and of course she has the world's best cheerleaders behind her, if only in spirit.
i really like butcher but i feel like that's a basic answer and also the wrong answer. in another world id like frenchie but i can't get over how much i hate the actor. I love maeve theres never a moment she's on screen where im thinking get this woman outta here she's always entertaining to me. i like starlight but (and this is probably a bit nasty to say) there's smth a little uncanny valley about her sometimes where when she's talking im not listening but staring at her face trying to see what features throwing me off. I hate ashley but the actress played an insufferable character in jessica jones too and I really appreciate her ability to play The Most annoying woman you know.
centrist answer i like them all (except stormfront. hated her before i even knew she was a nazi. she was on insta live and i was waiting for her to explode and die) but my fave would have to be butcher bc i find im rooting for him the most and constantly justifying his actions. but sometimes karl urbans accent pisses me off. also black noir but he doesn't Do anything so it's hard to have him as a fave bc he's barely there.
so wait… furina is the name of the archon role that “furina” had to play
wouldn’t make more sense narrative wise to give her a name of her own?? like scara gets his own epic chapter about him ridding himself of his past and adopting a new name then proceed to ignore said name in favor of “hat guy” but the actress playing “furina” doesn’t get to be known for her own name?
like people of fontain (partly maybe) know the truth so why not let her free? let her enjoy the simple human life she so so longed for? even the other furina wouldn’t want this
Hi Lumen, I love your AnY posts so much! I hope I can hear your opinions about the relationship between Hak and Kye-sook. I think it is not simply an enemy...
Thank you so much for the question OMG! And I'm glad you like my posts too :')
Keishuk and Hak's dynamic is something I LOVE to get lost in thoughts about because everytime they interact you can feel the electricity in the air, you know? There is something extremely engaging about them imo. And outside of the fact I crack ship them because I think their interactions are very hot, I have a lot to say about them!
The thing about them is they're the same pole of a magnet. Like it's because they're actually extremely similar that they have this constant animosity towards each other. There is real hatred on Hak's end, understandably, and Keishuk clearly looked at Hak with contempt until recently. But there is this thing about them where they also understand each other in a way? Because they went throught the same thing. The Lord they pledged loyalty to was murdered by the opposite faction and they started to live following their child, the only thing Il and Yuhon left behind, dedicating their whole life to protect them and what they fight for, and dreaming of getting back what was stolen from them. They're both haunted by their powerlessness and the fear to fail to protect what matters to them and especially Yona and Suwon. And it's these shared feelings, directed in opposite directions that makes their relationship what it is. I think they both ended up being aware of these similarities in the other even if not consciously. Also they both easily get extremely anxious and tend to act emotionaly because of it (and that's what differentiates them the most from Yona and Suwon, too.)
Thinking about them together requires to think about Keishuk on his own, because it's only after understanding that Keishuk is driven by the constant need of to have things go according to his plans, because as a disabled man this is his only way of fighting and protecting, that I think you can start seeing the connections with Hak. Keishuk was shaped by the feeling he needs to be useful, that can also be seen in Hak especially early on in the manga.
And that's where it's also fun to imagine what represented Hak to Keishuk before the coup. A pawn with so much potential that is unusable because of his attachment to Il. A man with the strength Keishuk doesn't have, a strength he lacked when Yuhon was being murdered before his eyes, and that Hak uses to serve his murderer. To be honest I don't think Keishuk cared that much about Hak and it seems he barely knew about him before the coup, but I like to imagine he saw him as a waste. However, Suwon had given up the hope of ever having Hak on his side, but Keishuk never forgot, and Keishuk is not burdened by any complex feelings towards Hak like Suwon or Judo are, so the idea of someday managing to control and use him for Suwon's and by extension Kouka's sake is something he maybe always kept in the back of his mind ( we still don't know what was Coup Crew's plan irt Yona and Hak if they hadnt caught Suwon red-handed after all).
Throughout the series, Hak comes to want to protect Kouka and fight for his country of his own volition, whether Yona asks him to or not. Which makes him share something more with Keishuk. Hak, in his willingness to become a pawn to protect Kouka, becomes in Keishuk's eyes a proxy in a way, even though Hak fights for his own reasons. Keishuk can't fight on a battlefield anymore, but Hak, who shares a common goal and a similar way of seeing himself as disposable, becomes a weapon. Hak becomes the sword or the shield Keishuk can wield to protect Suwon.
And it makes their relationship very ironic. They are opposed and enemies by the fact they serve two person that are supposed to be at odds with each other, but when these two persons enter an alliance and walk in the same direction, then it makes Keishuk and Hak simply share the same feelings and protect what the other cares for. Aka Keishuk becoming "protective" of Yona and the dragons (even if it's not out of sympathy) and Hak protecting Suwon.
In no way does it mean they become friends or that they do this for each other, though. Hak and Keishuk are in a constant battle of compromise and Hak is very much aware that Keishuk won't hesitate to take from him and use him and his friends if he sees it fit. And Keishuk is aware that he has to tread carefully if he wants to use them longer. But I find all this super interesting! They're fated enemies in a way, so to see them kinda forced to work together despite all the spite they have for each other is fun.
Lastly, something that I'm obsessed with when it comes to Keishuk and Hak is how they're connected by their respective relationship with Suwon. I already wrote a long post about Keishuk and Yona as foils in relation to Suwon, but I think the same can be said of Keishuk and Hak, even if obviously the way they do so differ.
Keishuk's presence in this scene is anime exclusive, so everyone is free to consider it canon or not. Personally I'm in love with it and I think it adds a lot of depth to Keishuk and his feelings towards Hak and Suwon so it's canon to me lmao. This scene shows a Keishuk that feels pride in knowing the "real Suwon" that Hak is ignorant about, and he taunts him about it. Like "Look, /I/ am his right-hand man, and he didn't chose you. /I/ know his suffering and you don't know anything."
And the thing is...yeah. Keishuk is not wrong here, and it brings into light an aspect of Suwon and Hak's relationship that is often only implied, aka the fact Suwon didn't trust and rely on Hak, when Hak /wanted/ to be the person Suwon would depend on. But the Suwon Keishuk knows is not "the real Suwon" either. The truth is both Keishuk and Hak know a part of Suwon that the other don't, and I find this deeply fascinating.
This is reenforced by the fact that Hak didn't even know of Keishuk's existence just like how he was ignorant of the dark parts of Suwon's life, or how Keishuk and Hak were physically assigned to two distinct symbolic places (Yonhi's mansion and Hiryuu Castle). They were totally separated, literally and in Suwon's heart.
Hak knows nothing of the Suwon at Yonhi's mansion that planned the coup for 10 years alongside Keishuk and many others. He knew nothing of Suwon's resentments, of the truth behind his grand and distant goal or the way he is resolved to discard anything to achieve his goals, even what Hak cares for. Keishuk was and is still undeniably Suwon's closest ally (despite the distance between them but Suwon and Keishuk deserve their own post lmao), and despite their differences they share the same goal and ideologies like they do with no one else. They share the same pain of losing Yuhon and the anger and feeling of injustice that came with it, and the same afront of Il's rule. But likewise, Keishuk doesn't know the depth of the bond Suwon shared with Hak, and the truth in the time they spent together. Keishuk only pragmatically saw Hak as someone that will try to kill Suwon someday, as he understands very well where he comes from, underestimating(among other things) the importance Suwon and Hak hold for each other and the depth of their trust.
That's where the Sen Province arc is interesting as well. This arc is notable for many things, but one of them is the complete absence of Suwon and the fact the troops are basically led by both Keishuk and Hak. I just said that Keishuk and Hak were completely separated by what they know of Suwon, yet what this arc highlights is that they both know him extremely well. In the end, they grew up and studied with the same Suwon, and this common knowledge of him connects them. Like to remember something as a specific counter-strategy Suwon likes is proof of the amount of time they both spent separately with Suwon and their fondness for him. It's because this moment makes Keishuk acknowledge that Hak does know Suwon well that he starts being interested in using him furthermore.
All that being said, I also just really love whenever they taunt each other. I think it's delicious like, look at that. There is just something whenever they share a page and I'm obsessed with it. Suwon and Yona kinda stay polite with each other (more or less) but Keishuk and Hak don't give a shit like that and it's refreshing. Despite everything I've said above, the part that makes them not stand each other's ass and rile each other is an essential of their dynamic and I eat it up. There is almost a sort of competitiveness? and it's very fun. I never want them to like each other it's so much better this way.
Alas now Keishuk has to be polite with Hak for political schemes reasons and I'm sad because I miss those times very much </3.
TDLR : They're not friends they're not enemies but a secret third thing.
(Bonus: fun hakyona / keiwon parallel and i ship neither but it's endearing)
Thinking abt kazuma,,, thinkng abt how he has silver eyes compared to kazumi’s gold,,, as if even kazuma’s character design is telling the world he’s in second place, & that he’ll never live up to his brother’s example </3