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forpiratereasons · 7 months

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all right. i'm ready to talk about izzy.

izzy is a great character. in s1 he sits in this great position as an antagonist that's close to the main characters, and in s2 he sits in this great position as an antagonist who's gotten everything he wanted, and found that actually - fuck! - that's not it at all. the world changes enough in s1 that there's no satisfaction in izzy getting what he wants out of blackbeard. and it's not just ed that's changed, it's not just the crew, izzy himself is fundamentally changed too. even before s2, and that change continues to grow and flourish through the series.

in reality, death is cruel. and death is senseless. and death is unfair, and shitty, and it happens to the wrong people at the wrong time, too early, with too much to live for, who mean too much to too many. it happens.

maybe izzy's death is all of those things, but i don't think that's the point. it's not meant as a lesson in mortality; it's not meant as retribution for past crimes; it's not meant as a commentary on who deserves to live and who deserves to die. it's not about deserving. if anything, it's about the fact that deserving doesn't come into it at all.

the point is that izzy healed.

a lot has been made of the fact that izzy is the only character who bears visible scars from the kraken era - the scar on his head, as well as the leg. but i don't think they're meant as a reminder of the injury, or as a sign that izzy is "damaged" post-kraken era. they're representative of the fact that izzy healed. the scar is there to remind you that izzy survived. you see it heal over multiple episodes because that's the work izzy is doing - he's healing from blackbeard's actions, from his own actions, from his history, from his constraints.

it's not too late to heal. it's not too late to find your place. it's not too late to come out. it's not too late to let people in. it's not too late.

and all those things are worth doing despite the fact that our time here is limited. we are all going to die. but we are here right now, which means it's not too late, and it is worth it to free ourselves to be who we need to be regardless of who we have been and who we are now and what time we might have left.

izzy isn't suicidal in ep 8. he's healed from that. izzy isn't abused or depressed or alone in ep 8. izzy is strong, and competent, and respected, and loved.

and some folks have been disappointed it's not romantic love. i get that. but i think it's super important too that izzy's healing is worth it without romantic love. familial, platonic love is so fundamentally important to the queer community. found family. friends. solidarity. the look when some stranger sees you and you see them and you both know the other is family, that they're safe. the way we fight for each other - for our rights to love who we want, fuck who we want, to marry, to adopt kids, and also for housing, for jobs, for healthcare. for our rights to use the bathroom, for our rights to choose our own names and our own bodies and our own families. we're fighting for our right to exist and that, guys, it's not romantic. the foundations of our community is about - well, i'll let izzy say it:

it's not about glory, it's not about getting what you want. it's about belonging to something when the world has told you you're nothing. it's about finding the family to kill for when yours are long dead. it's about letting go of ego for something larger. the crew.

ed and izzy, following s2e3, interact and communicate on izzy's terms, and that's made clear. that's the last relationship for izzy to heal. when izzy finally approaches ed in ep 6, it's - not great. it's a start. you gotta start somewhere. he lets ed apologize, in their very closed, guilty way of speaking to each other, but then goes back to the crew, back to his safety.

he finally finishes his healing arc with the drag performance and la vie en rose, and then he and ed DO have good moments. he teases ed about stede. he directly reverses his previous actions in s1 and tells ed to listen to his good feelings. that's where djenks is getting this (imo, still a bit weird) father-figure business. the scene in the republic where ed's watching fishermen and izzy comes to say hey, it's all right, hey, listen to your gut. they don't need to directly come out and have some deep serious conversation about their relationship because that's just not like them, man. they're doing their healing their way. i think it would be nonsensical to expect these two to be open and honest with each other regardless of how they are with everyone else because their relationship is not like their relationships with anyone else.

until they run out of time.

and this, i think, is important. izzy controls this last conversation because it's what ed needs to hear, because izzy no longer needs to hear it. izzy doesn't need to hear that ed's sorry, izzy knows ed's fucking sorry. ed's whole arc this season is about the guilt he's carrying. izzy says what he says because he knows ed needs to hear it. ed, you weren't a monster all on your own. ed, i saw you. i saw you outgrowing him, and i didn't want that to happen because i was worried about what it meant for me, but i see now that it could have meant this all along - family. balance. something to die for, sure, but something to live for.

you could argue that ed and the crew don't think of each other as family. i think it's a bit more complicated than a yes or no on that one, but when izzy says, ed, you're surrounded by family, maybe it doesn't matter whether that's fact. maybe it's a statement of possibility. look at this family who can love you if you let them. look at this family who will forgive you even when you don't deserve it. look at all the ways you can still heal. look at how worth it it all is.

just be ed, izzy says, there he is.

he says it to ed because izzy already knows he can be just izzy. izzy already knows he's dying surrounded by family. izzy already knows that love and belonging and family are worth it, and he uses his dying moments to make sure ed knows it too because despite everything, despite everything he did and despite everything ed did and despite not being ed's romantic choice, he loves ed. it's worth it to use his dying moment to make sure ed knows this because izzy loves him.

it's worth it.

izzy is the stand-in for the stereotypical pirate, the villain - the representative of how repression and oppression work together, of how race and class and colonization interact with each other, of the lines between love and obsession and power and rage and fear blurring beyond recognition - and he heals. guys, the point of his story is not that he was all those things and paid that price. the point of his story is that he could grow beyond all those things and that growth and healing was all worth it despite the fact that yeah. our lives will inevitably end.

historically, israel hands is said to be one of the only major pirates who survives the golden age of piracy, and he doesn't survive it well - according to the contemporary account of "captain charles johnson" (almost certainly a pseudonym) in A General History of the Robberies and Murders of the most notorious Pyrates, published 1724, hands dies a beggar in london sometime between 1719 and 1724. it has been suggested by some pirate scholars that hands may have actually been the source for much of the information johnson is able to relay regarding blackbeard - and that johnson's apparent wealth of information contributed significantly to the legacy blackbeard left behind and his lasting fame. i had actually really hoped to see this play out in ofmd - izzy protecting ed and stede through perpetuating stories about blackbeard's 'death' (fake, i'd hoped) and legacy.

but i think - he is. in his way. he's there on the hillside, keeping watch. he's there to hold all the stories and all the memories of pirates and what it meant to belong to something, even as the golden age of piracy sets. he's there to show what it is to love and to be loved in return: eternal.

i don't like that izzy died. i think he's a great character, i think he's great fun to have in the ensemble, i think his dynamics with ed and stede are so fucking chewy and delicious. i think con o'neill has done the work of a lifetime on this character and, i hope, had and continue to has the experience of a lifetime with this fandom. my heart goes out to those of you who are devastated; i've been there in past fandoms, i know how achingly difficult that is. i'm so sorry.

but izzy's story is worth telling. izzy's story is worth celebrating. izzy is about making mistakes - bad mistakes! - and finding your way back to something better. izzy is about healing, and about community, and about hope that even when things are shit and people are shit - they can change. things can change.

and maybe - yeah. it's about the role stories play in our lives. about using fictional little scenarios to deal with our traumas. we're here. we're alive. we're coping. we will heal.

not moving on is worse.

#ofmd #our flag means death #ofmd s2 #ofmd s2 spoilers #izzy hands

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mack-devereaux · 6 months

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Hiii i wanna ask if ya can write something with Vince? Maybe him getting into a fight (so hot i love it) and hin hurting his wrist are something? And reader taking care of him afterwards. Plleeaassee

Vince Dunn

Omg this is my first request!! I’m so sorry it took so long! Also check out my other fic about Vince. I think they have a similar vibe. But This has no relation to that one. I had so much fun writing this. Just a reminder this is a work of fiction and my imagination, this is not based on true events. Thank you to the anon who requested!

Picture is from Pinterest, no triggers except for cursing and mentions of blood. I think that’s it! Enjoy!

When Vince first moved to Seattle he was excited. This was a brand new team and he had more opportunities to make a name for himself as one of the more aggressive defensemen in the NHL. He had always had a temper on the ice, even in his early days in high school and in the OHL, and he was good at running his mouth. He was always respectful to the medical training staff and the coaching staff, he never took his anger or frustration out on the people who helped him get back on the ice.

Did he cause the fights on purpose? Maybe.

Was he mad about being hauled into the cute medical trainers office to get patched up? Absolutely not. He enjoyed talking with y/n and getting to know her a bit better.

Did he cause fights just to see her? No, he truly has a passion for the sport, he just sometimes got a little too involved with the banter sometimes. However a perk to all this was those few minutes alone with y/n. Although she never really spoke to him much outside of work and was always very quiet he knew how passionate she was about her job. No matter what she was always so attentive to the injury and informative about what she was doing to help said injured player.

Y/n loved the energy of the home games, she typically didn’t get to travel very much with the team, only to close games, but something about the atmosphere of home games had her just buzzing with energy. Most of the time she got to watch the game from the tunnels, it was the perfect spot to see most of the game and it was easy to drag injured players back to the locker room to tend to the injuries. Tonight’s game was a home game against the Colorado Avalanche again, a team known to get the Kraken a little riled up. Just the week prior Vince had gotten himself into quite the scrum and ended up with a cut on his nose while playing against the Avalanche.

*flashback to a week prior*

Y/n was sitting in the medical room at Ball Arena, going through the medical kits organizing some of the supplies. She had heard the roar of the crowd and immediately knew there was a fight that happened. Shortly after that, the third period had ended. Hearing the players stomping down the tunnel shouting and cheering she already knew who was headed her direction.

“Vince..” y/n sighed pulling all her medical supplies back out.

“Don’t act like you aren’t happy to see me” Vince chirped at the girl.

“You’re gonna have some serious damage to your nose if you don’t stop” y/n said as she was washing her hands and throwing her gloves on “I’m surprised you don’t have a permanent scar from how many times I’ve seen it busted”.

“That just means you are doing a great job babe. I’ve got you to thank for keeping me looking good” Vince smiles.

Y/n rolled her eyes and turned around trying to hide her blush. Knowing this was the exact reason as to why she fell for him. He was just so charming. He knew exactly what to say and that’s why she could never date him. That and the fact that she technically worked for the same organization as him. Were they coworkers? No, but surely it was still frowned upon. At least that’s what she told herself anyway. As she was cleaning off the blood from his nose she caught herself admiring him. He truly was one of the most beautiful people she’s ever laid eyes on. Once the bleeding stopped she checked for other injuries, and sent him to be with the rest of the team.

“Promise me you’ll keep out of trouble for at least the next week” she called to him as he walked away.

“For you? Never.” He added with a wink.

*present*

Five minutes left in the third period and y/n had gotten to watch maybe 10 minutes total of the game. Partially because she didn’t like seeing Vince fight much, and because the players definitely kept her busy. This was probably the most bloody noses and knuckles she had tended to in her entire career. Normally the crowd goes crazy and encourages fights, and she definitely enjoyed that. But for some reason she couldn’t stomach seeing Vince getting hurt. I guess she had Cupids arrow to thank for that. After a few more minutes gloves went flying, curse words were being yelled and the crowd went wild. Reluctantly she looked over in front of the players bench and Vince had thrown a Colorado player on his back.

“Oh for fucks sake Vince” she muttered under her breath.

“You got him or do you want me to take care of him this time” the head medical trainer asked y/n chuckling and shaking his head.

Y/n looked across the ice as Vince and the Avalanche player got tossed in their respective sin bins, she sees that Vince has his helmet off and is holding his wrist.

“I think he hurt his wrist, do you see him messing with it?” y/n points to Vince.

“I’ll take a look when we get back there but I’m sure he’s fine. I think you can handle it after that” the trainer says as they walk back to the locker room.

After the game y/n was in her office waiting for Vince, it had been nearly 40 minutes since the game ended. What was taking him so long? She knew Coach had told him to stop by after their after game meetings and interviews. While she was waiting she decided to tidy up and clean a bit. As she was cleaning her desk she found the puck that Vince had signed and gave to her earlier that year.

*flashback to late last season*

Y/n was standing behind the players bench. It was the last home game for the season, then they were headed into playoffs. Looking onto the ice she watched the players warm up and interact with fans. Vince was watching y/n as he was skating in circles, getting a boost of confidence he picked up a puck and signed it with a note. Smirking he passed by and shouted “hey y/n! Catch!”

Panicking y/n shot both of her hands in front of her face as the head medical trainer caught the puck before it smacked her in the face.

“Really Dunn?!” Y/n shouted.

Vince grinned and skated off, shaking her head she looked at the puck she noticed it said “hey pretty girl” with his signature. Blushing she shoved it in her pocket before she could get scolded.

“Oh he’s so got it bad for you” the trainer said.

“Leave the chirping to the players would you” y/n muttered “besides it’s not like I can date him anyway.”

“Technically…”

“Don’t tempt me” y/n sighed “my heart can’t handle the heartbreak that comes with that one.” She continued to watch him skate around and talk to his teammates with a huge smile on his face.

*back to present*

Y/n smiled at the memory. Not knowing she wasn’t alone, because of course Vince would walk in at that very moment. Leaning up against the doorframe Vince coughed snapping her back to reality.

“My God Vince, now you choose to be quiet? You scared me” y/n shoved the puck back into the drawer.

“I’ll make sure to knock next time” he softly smiled. He totally saw that she still had the puck and it definitely boosted his ego.

“Let me see your wrist” y/n said.

“It’s fine” he muttered.

“If it’s fine let me double check then” y/n challenged.

Vince walked over and sat down on the bench in her office, while reluctantly holding his wrist out. He watched her face as she examined his wrist.

“I think if we wrap it for tonight and tomorrow you should be fine, but the swelling needs to go down significantly before you play again. I’ll clear you for practice but you have to be easy on your arm for the next few days” y/n said as she was grabbing the necessary supplies.

“Thank you for taking care of me y/n, I’m sorry for fighting” Vince whispered.

She smiled at him as she sat down and started wrapping his wrist. Knowing full well that he was watching her face closely the entire time.

“I’ll walk you to your car” Vince said.

“I’d appreciate that, thank you” y/n said as she turned back to him after putting the supplies away. With yet another boost of confidence Vince grabbed her by the waist and pulled her face to his and kissed her, she immediately kissed him back. The kiss was short and sweet. Electricity shot through her body and she felt as if she was on fire. After pulling away y/n whispered “we should go.” Neither of them saying anything as they left the arena. Vince was feeling defeated for the first time in a long time, why hadn’t she said anything? Did he over step? Did he make her uncomfortable? A million more discouraging thoughts ran through his head. Him not knowing she was in shock and on cloud nine all at once. Y/n unlocked her car and opened the door. Before she got in she turned to Vince and pulled his face to hers and slammed her lips onto his. Vince cockily smiled into he kiss and pulled her into him as he slipped his tongue into her mouth. After a few minutes they both pulled away, breathing heavy and trying to get as close as possible to each other.

“Thank you for walking me to my car Vince.”

“Let me know when you get home so I know you’re safe.”

❤️❤️❤️❤️❤️❤️

#nhl imagine #nhl x reader #hockey imagines #seattle kraken #vince dunn #thoughts with mack #vince dunn imagine

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dhrubajjj · 8 months

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octaninelle pirate au/seven seas au!

so the idea for these guys is that their ship is one of those on water restaurants, like the baratie from one piece if u know what im talking about. Also the lil shell bit in the ship that i sketched up is where azul's office, i might tweak the ship design but it works for now.

azul - he was the easiest to design since it was heavily based off of his masquerade outfit and i gave him ursula's earrings. in his merform he's probably something like the kraken and he talks about the ship like how people talk about their cars, the ones that like talk about it like it's their child.

also i haven't been able to get that drabble abt idia and azul meeting in a pub and playing cards together. they probably meet in the mostro lounge instead of a random pub and play some magical card fusion of hearthstone + that tcg game from genshin.

jade - he's got a lil mushroom pin and also he's wearing pants that look like a skirt. i gave him a jellyfish haircut and pulled it into the ponytail because a lil voice whispered in my ear and it only felt right. every couple of weeks jade will grow mushrooms in some part of the boat and then azul or floyd will find it and get rid of them, then there's mushroom dishes on the menu for like months.

floyd - personally to me he looks a lil outta place since he's dressed less formally than jade or azul but that's fine. he does have a suit like how jade and azul has one but it's a battle to get him to actually wear it (+ when he does wear it, tends to put him in a nasty mood for a bit). i kept his clothes loose cuz of that and gave him a bunch of shiny jewelry also he has those fidget rings that have the spinny middle part.

i can see him working in the bar rather than taking orders or serving food and floyd probably brags about all his scars to his clients whenever he gets the chance (the scar on his face was from riddle, they had a lovers spat </3)

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ccl-c · 5 months

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four things sort of related to the drawing:

first, this was supposed to be inspired by marianne stokes's death and the maiden but somehow ended up looking more like psyche revived by cupid's kiss. (i also really want to do something with izzy's obsession with fire but haven't come up with any good composition ideas yet.)

second, i don't know if anyone seeing this can get it but i just realised that izzy has a lot in common with dokuga from dorohedoro (these two are probably my favourite type of characters): both are brave, smart, skillful and elegant fighters (both pretty tiny as well; dokuga is 177cm/5ft8 which seems fine but still makes him smaller than most people around him); both have knives with them as part of the defaults; both extremely repressed although for different reasons; both have put on a pretty “look” once although for completely different reasons also; both scarred on the upper body (dokuga canonically has no scar on his legs; not sure about izzy but from the toe scene it seems he doesn't have large scars on his legs either); both are their (towering) bosses' right-hand man and probably the most trusted person, and know (terrible) backstories that the crew/gang don't know; both have come back from near-death and lost a limb (dokuga was healed in the end but he still stayed in that state for half a year); both extremely loyal and devoted to their bosses even in the worst circumstances despite their love not returned (even the way kraken!ed makes the crew stressed and scared and confused and burnt out is in some way similar to kai with his gang near the end).

third, is it just me or does ed's earrings in this scene look like they're made with … toe bones? the little parts that line up? i wouldn't be surprised if he made izzy's toes into earrings. someone on the ship probably even had to make them for him, and that's how they knew ed took more of his toes.

and the last thing, i have been thinking about izzy's pain/torture kink and i've come to wonder if it's because pain makes him feel somewhat safe. it's familiar, it doesn't have to be bargained for, and it reminds him of what he is. it allows him to be the centre of another person's attention without having to deal with feelings. it probably also lets him ease into some sort of quiet headspace without voluntarily being “vulnerable”. a sort of “rational pleasure” that he considers matching what he's supposed to be like. and when it's over he can always blame the pain and not himself for whatever sensations he had.

#ofmd #edizzy #edward teach #izzy hands #tw amputation

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inthedayswhenlandswerefew · 7 months

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When The World Is Crashing Down [Chapter 8: I Just Need A Stronger Dose]

Series summary: Your family is House Celtigar, one of Rhaenyra’s wealthiest allies. In the aftermath of Rook’s Rest, Aemond unknowingly conscripts you to save his brother’s life. Now you are in the liar of the enemy, but your loyalties are quickly shifting…

Chapter warnings: Language, warfare, violence, serious injury, alcoholism/addiction, sexual content (18+), angsttttttttttt!

Both the series and chapter titles are lyrics from: “7 Minutes In Heaven” by Fall Out Boy.

Word count: 5.9k.

Link to chapter list: HERE.

Taglist (more in comments): @tinykryptonitewerewolf @lauraneedstochill @not-a-glad-gladiator @daenysx @babyblue711 @arcielee @at-a-rax-ia @bhanclegane @jvpit3rs @padfooteyes @marvelescvpe @travelingmypassion @darkenchantress @yeahright0h @poohxlove @trifoliumviridi @bloodyflowerrr @fan-goddess @devynsficrecs @flowerpotmage @thelittleswanao3 @seabasscevans @hiraethrhapsody @libroparaiso @echos-muses @st-eve-barnes @chattylurker @lm-txles @vagharnaur @moonlightfoxx @storiumemporium @insabecs @heliosscribbles @beautifulsweetschaos @namelesslosers @partnerincrime0 @burningcoffeetimetravel-fics @yawneneytiri @marbles-posts @imsolence @maidmerrymint @backyardfolklore @nimaharchive @anxiousdaemon @under-the-aspen-tree @amiraisgoingthruit @dd122004dd @randomdragonfires @jetblack4real @joliettes

Let me know if you’d like to be tagged! 🥰💜

“What’s it about?” Aegon purrs in your ear, his ivory-and-red scarred arms circling around your waist, his fingers lacing over the lowest part of your belly, kindling heat and hunger that he draws out of your bones like water from a well, his ring of gold wings and jade eyes glinting in the sunlight that pours in through the library windows.

Smiling, you turn a page in the archaic, dusty book that’s cradled in your arms. It’s not on a subject you’ve ever seen before; of course it would only be here, where the Targaryens once worshiped their own gods and practiced rituals of fire and blood, that the occult would not be torn up and discarded like weeds. “Witchcraft.”

“Witchcraft?!” Aegon feigns being scandalized as he kisses your neck, soft lips and seeking hands. He’s been out in the courtyard sparring with a guard; he smells like salt and wine and rose oil and the ocean. “I do hope you don’t turn out to be an unrepentant sinner. I’d hate to have to burn you.”

“We’d match then.” You turn another page, sketches of different types of sage, dark forbidden recipes that promise to hurt or heal or protect. “I can’t say I am persuaded by the more mystical elements. But there are some interesting insights into herbology, I think.”

“You don’t believe in magic?” Aegon muses, pulling up the skirts of your pale, ashy blue gown, his palms on your bare thighs. His lips curl mischieviously against your throat. “You reside on an island of dragons, in an oppressively gloomy castle built by spellcasters, and you don’t believe in magic?”

“You have it, perhaps,” you say. “Your family. Your house. I don’t believe in it as something that is real to the rest of us.”

“Don’t the Celtigars claim to possess a trumpet that summons a sea monster or something?”

“A horn,” you say, amused. “To wake krakens. And yet as much as my father enjoys boasting about it, he’s in no hurry to prove its efficacy, is he?”

Aegon turns your face to his and kisses you with a fierce, greedy hunger. “You’re magic,” he says as his hands move to loosen the laces of your gown. “You heal people. You bring them back from the dead.”

You’ve forgotten the book entirely. It tumbles out of your grasp. As Aegon tugs off your gown and it falls with a rustle to the stone floor, you reach back to touch him: white-blond hair, scarred cheek, his voice and his heat and his flesh that you need more of. Sunlight and late-summer air, a weakening red-tinged gold, hit your bare skin. Aegon is undressing himself too, and now his shirt and trousers are gone, and now he is leaving euphoric indigo shadows on your neck and shoulders, ghosts of pleasure that will haunt you long after this moment has passed, and now as he stands behind you his fingers find the warm, yearning wetness between your legs and stroke you there, parting folds, plunging between them, retreating just as you feel yourself climbing towards a peak, beginning the divine cycle over again.

“Yes,” you beg, hushed and hidden between the shelves of this ancient library, taboo texts and stories no one else remembers. You push your hips back against Aegon and he inhales sharply, reaching out with one hand to steady himself against the bookshelf as the other teases you, readies you, drives you mad with red ravenous lust. You can feel that he is hard. You can feel your fingers buried in his hair, the rough scar tissue of his chest against your spine, your bodies moving with an easy, harmless rhythm. “Please, Aegon, please, I need you…”

“Do you believe in magic now, wife?” he murmurs, a grin in his voice; and the shock of it drags you into a climax, a whirlpool, a storm, a fever that singes and scalds. He has never called you this before. His wife, his queen.

You cry out as the pleasure pulses through you, as your muscles unravel and your skull is cleared of the knowledge of all the ways in which the world is so irretrievably wrong, as you drink up every drop of Aegon with your eyes, lungs, spiraled fingerprints, the pores of your skin.

“Well, do you?” he asks again. He kisses you forcefully, possessively, biting at your lower lip. “Have I convinced you? Do you believe in magic now?”

And you smile dazedly as you answer: “I believe in you.”

“That will suffice, I suppose.”

He follows you down to the floor. You roll onto your back, pull him between your open thighs, cradle his face with your hands and kiss him deeply as he enters you, fills you, moves blissfully inside you. Long-dormant dust swirls into the air; specks of it float in aisles of sunlight like ships bobbing in the open ocean. The stone floor is cold and unforgiving, Aegon warm and kind. You arch into him, your hips rolling in time with his, your tongue tasting wine on his lips and salt on his flushed cheeks.

“You feel fucking incredible,” Aegon gasps. His braid is tucked behind his ear; you moved it there, or he did, it doesn’t matter, it belongs to both of you. Each time he thrusts, there is an indistinct sort of pleasure—low, muted somehow, like rocks covered by the sea at high tide—that builds, yes, but agonizingly slowly. You know he wants to make you come again. He’s trying to last, he’s battling against himself; but his face is already blood-red and his hands are trembling. He never discusses the pain with you, but it’s still there. He goes to the maesters when he has sunburn to be soothed or wounds to be cleaned and bandaged, he goes to Lord Larys Strong with his fears. He does not want you to think he is weak. He does not want to disappoint you.

You whisper through his mess of silver hair: “It’s alright, Aegon.”

He shakes his head and closes his eyes, tiny oceans erased. “No, no, oh fuck, I’m so sorry—”

“I want it,” you insist. Your hips rock more quickly, taking the blame away from him, easing his burdens. “I want you to come, I want you to finish inside me, please, please, I want to feel you dripping out of me tomorrow, I want to remember this, I want you, I want you, I want you—”

Aegon moans, shudders, pours himself into you, a rush of energy and heat, a closeness you never believed was possible for two people to share. His unsteady hands constrict into fists against the stone floor. His teeth close around your collarbone, more violet blooms like the colors of a garden, more tokens of him that you carry around like gemstones. The waves wash over him, and then they recede; the tension evaporates from every scrap of him and Aegon collapses onto the floor beside you.

Skating his thumb along the line of your jaw, marveling at you in the dreamlike haze of the afterglow, he says softly: “We have to talk, Angel.”

Fear settles in the cage of your ribs, a cold heavy thing like the iron dragons that preside over the dark corridors of the castle, ominous leers and bared fangs. “What is it?”

“I don’t know what to do with you.” His words are serene, his murky-blue eyes drowsy; his scarred chest rises and falls with slowing breaths. “When I leave to rejoin the war effort, I don’t know where you should go. I don’t know if you should stay here. I don’t know if I should have Larys try to take you to Storm’s End, or maybe Tarth or Estermont. I don’t know if you should return Claw Isle and wait out the bloodshed with your mother and sisters. I don’t know anything. And I can’t choose wrong. I can’t lose you. I can’t be responsible for your ruin.”

“I think I should stay on Dragonstone,” you say. “As long as you and Aemond are in the Riverlands, you would be able to fly back to see me.” And I might be able to help if Aegon is injured again.

He smirks, sadly, regretfully. “That would be my preference as well. But I fear it’s unwise. What if Daemon or Rhaenyra decide to come back to the island? They’re both far too preoccupied at the moment—Daemon fucking Nettles at Harrenhal, Rhaenyra stomping out rebellions in King’s Landing—but circumstances could change. Even if the Blacks believe you to be my unwilling captive, I don’t trust Daemon to treat you with decency. I don’t trust Rhaenyra’s paranoia to spare you.”

“I want to stay here. It’s our home now. It’s where I belong.” And you nestle into him, tangle up in him, will him to help win the war and then return to you.

Aegon chuckles, kissing your forehead. “Can you believe I was worried about whether this would work?” This: love as something physical, not just words or allegiances, not just something that changes how you see the world like peering through mist or smoke. “You had such a fear of it. Such adamant dread.”

“I feel safe with you.”

“Because I am a sad, weak, floppy little man?”

“No,” you say, smiling. “Because you’re a good man. Even if no one else has ever seen it. I see it all. I see you.”

There is the echoing noise of a door opening, then slow, laborious footsteps. “Your Grace?” Larys says reticently from the other side of the bookshelf.

“Stop,” Aegon orders. “Wait.” He grabs your gown off the floor and helps you into it, then yanks on his own shirt and trousers. “Approach,” he tells his Master of Whisperers.

Larys appears, resting his interwoven hands on the handle of his cane. He bows, tactfully averting his gaze from your wrinkled dress, untidy hair, glistening sheen of shared sweat.

Aegon says: “Your timing is impeccable as always, Lord Larys.”

“My sincerest apologies, Your Grace. You have a guest and I did not want him to…catch you unawares.”

“Ah. And of course I have no idea who that could be.”

The library door opens again; you hear its archaic iron hinges creak. Swift light footsteps cross the room. Aemond breezes into the aisle between bookshelves and stands there, tall and willowy and watchful and with his long hair plaited into a thick silver braid. His clear blue eye shifts between Aegon and you, stoic, betraying nothing. Of course Aegon does not know about Aemond’s proposition. You would never tell him as long as the war wages on. It would be a distraction, a danger, an unnecessary wedge to drive between two people who desperately need each other.

“Back already?” Aegon says. “I’m sure the people of the Riverlands miss you dearly. They’re probably waiting outside with their livestock all in a row just waiting for you to soar by and cook their supper for them.”

Aemond ignores this. He stares at you, then looks back to his brother. “I’m starving from the journey.”

“How fortuitous, we’re famished as well.”

Larys notes helpfully: “The cooks have prepared soft-shelled crabs, seasoned, battered, and fried in oil. They’re ready now.”

“They’ve prepared what?” Aemond asks, nauseated.

“You’ll like the crabs,” Aegon says, and as he walks past Aemond he thumps him roughly on the shoulder. “You’ll see how much I enjoy them and you’ll suddenly want every last one.”

~~~~~~~~~~

In the courtyard, under the next day’s late-afternoon sun, Aegon is sparring with a strapping knight supplied by House Chyttering, one of the noble families you inspired Larys to bring surreptitiously into the Greens’ service. When the king practices like this, his opponents go easy on him. They assail him with halfhearted swings of their blades and feeble shield arms. The goal is not to turn Aegon into a robust warrior; he would need years for that, and he will not go into battle on his feet anyway. He just needs to be strong enough to ride a dragon.

Near where you stand, Lord Larys and Aemond are deep in conversation. Aemond is saying: “It is my understanding that she and Daemon are operating almost entirely independently at this point. Is that consistent with what you’ve heard?”

Larys nods. “When Hugh Hammer and Ulf the White betrayed her side, Rhaenyra lost faith in all the Dragonseeds. She ordered the arrest of Addam Velaryon, but Corlys warned the boy before he could be imprisoned and he escaped on Seasmoke. For protecting his bastard son’s life, Rhaenyra had Corlys thrown in the dungeons. A curious lack of empathy from someone who has so recently lost three sons of her own. The Velaryon fleet has abandoned her. Rhaenyra has offered a substantial reward to anyone who brings Nettles to her, dead or alive, as the girl has been sentenced to death for treason.”

“Treason?” Aemond echoes doubtfully.

“Seducing the so-called queen’s husband.”

“Right,” Aemond says, thoughtful. In the center of the courtyard, Aegon is beating back the Chyttering lad with clumsy (yet determined) strikes of his sword. “What will Daemon do now, I wonder. Has he tired of the girl yet? She is a nobody, unlearned and of ignoble birth. Surely she cannot hold his interest for long, even if she is a dragonrider.”

“Time will reveal all, my prince,” Larys replies. “Perhaps Daemon will abandon Nettles. Perhaps he will defend her against Rhaenyra’s wrath. Perhaps he will send her away to safety.”

This heartens Aemond; it brightens his face like cool ethereal moonlight. “If she leaves, Sheepstealer will no longer be a threat to us. I can meet Daemon in battle. And in a fair fight, Vhagar will annihilate Caraxes.”

“I urge you to proceed cautiously,” Larys says. “You are the Greens’ greatest military asset, you are the prince regent, we need your leadership. If anything was to happen to you…” The Master of Whisperers trails off.

Aemond acts as if he hasn’t heard him. Instead, he unsheathes his sword and announces: “I think my brother needs more of a challenge. Allow me to assess the status of his recovery.” Then he takes a step towards the king.

Your hand juts out and closes around Aemond’s wrist. He blinks down at it, stunned that you have voluntarily touched him, perhaps. It is not an affectionate gesture, but it is a familiar one. You command Aemond, your voice low: “Don’t hurt him.”

“I never do,” Aemond replies, bewildered. Then he goes to meet Aegon in the center of the courtyard. The Chyttering knight retreats as Aemond approaches, twirling his sword effortlessly.

Aegon takes a defensive stance, both hands clutching the hilt of his own weapon. He’s grinning, but you don’t think he’s taking this seriously. He already knows he’s lost. “No great contest. I just have to aim for your left side.”

“Good thing I’ve never trained with my maiming in mind.” Aemond lunges and you yelp, started and fearful; he moves staggeringly quickly, his blade cutting through the air to clang against Aegon’s once, twice, and then the king is knocked to the ground with the point of Aemond’s sword at his throat.

“I yield,” Aegon says from where he’s sprawled on the gravel. “You win. You are superior. You could still easily murder me if you chose to.”

“As long as you are aware of it.” Then Aemond takes his brother’s hand and pulls him to his feet, helping to brush pebbles from Aegon’s light armor.

“I should order you executed,” Aegon jests. “You’ve humiliated me in front of my wife.”

“I’m sure she was already well acquainted with your myriad of failings.”

“They are rather evident,” Aegon admits.

“Hm,” Aemond says to himself. Then he stalks back inside the castle with his silver hair flowing out behind him: to consult books, to plan battles, to console himself with wine, to put on Aegon’s crown and admire himself in a mirror, to brood as he glares at the walls, you aren’t sure.

Aegon slides his sword back into its scabbard and joins you by Lord Larys. When he speaks, his words are smug and anxious and eager and heartbroken. “I think I’m ready to go, Angel.”

“Tomorrow? When Aemond leaves?”

“Tomorrow,” Aegon agrees. He smiles, off-balanced and sad-eyed, as he takes your hands in his. Half of his hair is pulled back from his face, but as always, he is still wearing his tiny braid; right now it is stained with dark gravel dust like soot, like ash. You can feel the chill of his gold dragon ring under your fingertips. “I have to help them win this war, Aemond, Criston, Daeron, Mother. I have to try to stop the end of the world.”

You mean to say something—I understand, I’m proud of you, I love you now and I’ll love you forever—but your voice breaks and you have nothing to offer him.

“I know,” Aegon says gently, cleaning a tear from your cheek with his thumbprint. “Come and walk with me. There’s one last thing I have to make sure I can do.”

On the long stone staircase that leads from the main castle entrance down to the beach, Sunfyre the Golden is waiting for his rider. He makes those alien sounds that unnerve you—clicks, growls, squeals, whistles—but Aegon seems to comprehend them. He rests a palm on his dragon’s gleaming face, just between his reptilian, liquid-metal eyes. Rain is rolling in off the ocean; the sky is thick with dark, low clouds. Cold wind claws at your hair and unfurls in your lungs, proof of the rapidly approaching end of summer. Winter Is Coming, you think, words that you have grown to hate.

“Would you like to go too?” Aegon asks as he prepares to climb up into the dragon’s saddle; and to your surprise, he is only half-joking. “I know Sunfyre won’t hurt you now. He understands what you mean to me.”

“I personally abhor dragons.” And all the destruction that only they can curse the earth with.

Sunfyre snorts; steam rises from his nostrils and he stretches out his wings, pale pink membranes that match your gown. Aegon laughs. “You will have to learn to appreciate them. Your house is the same as mine now. And we owe everything to these beasts.”

“Perhaps I’ll accompany you next time.” But no, you will never ride a dragon; you know that absolutely, unquestioningly.

“I’ll be back in time for supper,” Aegon says. “And then I intend to keep you awake all night with—”

He cuts off like a severed limb. There is a scream in the sky, not of a man but of a dragon: too shrill to be Vhagar, too unfamiliar to be Tessarion, tinny but fierce, hostile, growing louder. The creature zooms by with blinding speed, a blur of pale pearlescent green, the fastest dragon you’ve ever witnessed, small but lethal.

Moondancer. That has to be Baela and Moondancer.

A column of fire bursts from Moondancer’s gaping jaws as she hurtles past Sunfyre, but just a sliver of an instant too late, narrowly missing him; still, the inferno is close enough that you can feel the apocalyptic heat, can see the air wrinkle and warp like the fabric of existence wearing thin. High above the ocean—her shadow like a bruise on slate-colored waves—Moondancer banks and begins to turn back towards where you stand.

“Get inside the castle!” Aegon is roaring at you. You are too terrified to move. “Go, go!”

“Aegon, you can’t fight them alone—!”

“Go!” He gives you a hard, frantic shove. “You get inside the castle and you stay there!” Then as you sprint up the staircase towards the entranceway, he clambers into Sunfyre’s saddle and takes off into the churning, thunderous sky.

You can hear them overhead: shrieking dragons, human shouts, flames crackling and billowing, wings flapping like the sails of a ship. You stagger into Dragonstone screaming for Aemond. Larys rushes to you, the guards materialize like vultures around a corpse, but none of them can help Aegon. Only Aemond can. Only he and Vhagar.

You tear through the castle. You are banging on doors with your open palms, racing up steps, calling for Aemond until your throat is raw and you can taste the coppery sting of blood. Aemond comes running and grips your shoulders to steady you. He is panicked, he is petrified. “What, what is it—?!”

“Baela, Moondancer!”

Aemond understands immediately. He bolts for the castle entranceway, you following close behind him. He does not tell you to remain within the towering, mist-sopped walls of Dragonstone. Perhaps it does not occur to him; perhaps he knows you would not listen.

“Your Grace!” Larys is imploring you. Not my lady, not Lady Celtigar. Your Grace, because Aegon believes I am his queen. “Your Grace, please, I beg you, stay here where it is safe!”

When you and Aemond cross through the doorway and out into the windswept, iron-grey air, you look up to see it just as it happens. Sunfyre and Moondancer are gnarled together like a sailor’s knot, hissing and snapping, drawing blood from each other, clawing and clinging with suicidal rage. Now their wings are little more than shredded ribbons of thin membranous flesh. Now the dragons are plummeting towards the beach. And Aegon is falling, falling, falling from an impossible height, his hands reaching to grab for a rope that doesn’t exist, his legs kicking as if through water. He is crashing to the earth like a bird shot through with an arrow, like an angel whose wings have been sheared off, ripped out by the root, burned away.

You are shrieking his name, but you know this is useless, that you are useless, that nothing you’ve ever learned or practiced can stop this. You and Aemond are racing down to the beach, clutching each other’s arms on the staircase so neither of you trip and stumble off of it. You are dimly aware that there are guards and maesters behind you, and Lord Larys too, and that they are speaking in frenzied phrases that you cannot understand. You and Aemond are united in that. You are both beyond words.

Aegon is on the sand. He isn’t dead; he isn’t even unconscious. He is screaming like he was on the day you met him, when half his skin had been scorched by Meleys’ flames, when he was near death and you were the only reason he lived. Now he is not burned; but his legs are destroyed. They are not just broken. They are shattered, grotesque bulges everywhere, moon-white bone splitting through the skin in two places on his left leg and three on his right. His trousers hang in bloody tatters. Someone is wailing, someone sounds like they have lost their mind. Someone is raking their fingernails against your face until your cheeks are bleeding. Oh, it’s you, it’s you, but you don’t feel real, and neither does this moment, and neither does the knowledge that Aegon will not leave tomorrow to help win the war, may never walk again, may not be alive by midnight. You have dragged men back from the brink of death, countless men, and you have done so with almost supernatural composure; but this is no anonymous doomed soldier. This is Aegon, and he is ruined.

Down at the other end of the beach, Sunfyre is tearing out Moondancer’s throat with his teeth, loosing a vicious subterranean snarl. From the surf, a seemingly uninjured Baela emerges, coughing seawater from her lungs and reeling on her hands and knees. Larys is instructing someone to take her to the castle dungeons. The maesters and guards are swarming around their fallen king and trying to decide how to move him without damaging his legs further. Aegon, meanwhile, is reaching for his brother.

“Aemond—”

“I’m here. I’m right here.” Aemond drops to his knees and tenderly sweeps Aegon’s shaggy silver hair out of his eyes. “We’re going to get you inside and the maesters will set your legs. You’re going to be alright. We’re going to help you.”

Aegon howls, tears flooding down his face. He snaps at Aemond as he grabs his hand and squeezes it: “When the fuck is it going to be your turn to get hurt?!”

“It will happen eventually, I’m sure,” Aemond replies grimly. Then he glances up at you. You have to free yourself from this shock, this horror. You have to help Aegon.

You kneel down in wet, bloodied sand and begin to examine him. In a trembling voice, you tell Larys and the maesters and the guards how he must be carried—feet-first when going up the staircase, lessening the strain of gravity on his legs—and that the wounds must be painstakingly cleaned before the fractures are set to prevent infection. You try to say more, but you can’t. Your gaze lands on Aegon’s agonized face and is trapped there, a mutual recognition of the death of one future and the bleak, torturous nightfall of another.

Why couldn’t I stop this? I love him, I love him, why can’t I stop him from suffering?

Aegon looks to Aemond and says something in High Valyrian, something halting and with immense effort. Whatever Aegon asks for, Aemond is momentarily taken aback by it. Then he nods, understanding. And when the guards lift Aegon—Larys and the maesters supervising, the king shrieking until the pain knocks him unconscious—Aemond links his arms around you and stops you from following them up the jagged stone staircase.

“No! Let me go, let me go!” You fight him, and you don’t just fight, you screech and claw and strike at him, you scratch at his face until you rip his eyepatch away and Aemond’s glittering sapphire shines in the fading light. Raindrops are beginning to fall. You’re crying; tears fill your eyes until your sight is hopelessly obscured, until the world is nothing but a grey like smoke, ashes, storms.

Aemond is murmuring to you patiently: “Shh. Stop, stop. Please don’t fight me. He doesn’t want you to see him like this.”

“Aemond, let me go!”

“He doesn’t want you to think of him as someone helpless, someone weak—”

“You did this!” you scream into Aemond as he entombs you in his arms, unbreakable like steel. Your fists drum futilely against his chest. “You started this war, you murdered Luke, you started it and it’s going to kill Aegon, you did this, you did this, it’s going to kill him and it’s all your fucking fault!”

“I know,” Aemond whispers, lips to your ear, his heartbeat thudding against yours. “I know. I know. I’m sorry.”

“It’s going to kill him,” you moan, sobs ripping through you; and at some point you stop fighting Aemond and begin holding onto him, not because what you’ve said isn’t true but because he understands, and because he’s the only person you have left who can.

I want Autumn, you think powerlessly, miserably. And I want her child to have another chance at life. I want Everett. I want Alicent and Jaehaera. I want Helaena and Maelor and Jaehaerys and Otto. I want wisdom, guidance, innocence, hope. I want the future and I want the past.

“I can end this war,” Aemond swears to you as the full moon rises and the waves crash against the shore. “I can make things right again. I can end it. I can win.”

~~~~~~~~~~

It is hours later when Aemond allows you into the room, illuminated by flickering candles and ghostly moonlight. Aegon lies unconscious in the same bed where he made love to you for the first time, where he might never again, where he showed you that there is something besides fear and pain and surrender to be found in marriage.

His legs have been set as well as they can be, bandaged, elevated. You would have done nothing differently if it had been you to tend him in place of the maesters: Jasper from House Hardy, Lothair of House Stokeworth, men you have taught everything you know to just as they shared their expertise with you. Aegon has been given as much milk of the poppy as his body can endure without his heartbeat slowing until it stops. You sit on the edge of the bed and untie his braid, weave a new one, undo it again, knit and unknit glistening silver strands like the strings of a spider’s web. You can’t imagine what will happen next. You don’t want to.

When Aegon stirs, you clasp his hand, letting him know that you’re here. His dragon ring is missing, you notice; no gold wings, no jade eyes. It must have slipped off when he tumbled from the sky. And you remember what Aegon told you about his dreams of Helaena, about the warning she imparted to him, her ghost or her memory or something else wearing her face: Don’t fall, don’t fall.

“I’m sorry, Angel.” His voice is hoarse and whisper-thin. He’s trying to smile but can’t quite manage it. “I wanted to be strong enough. I wanted to start over with you.”

Start over how, Aegon? In peacetime? As a dynasty? With retribution or forgiveness? With children? “You will. You still can.”

“I knew I’d disappoint you.”

“Aegon, I’m not disappointed,” you say, tears streaming down your cheeks. “I just want to help you. I want to take care of you. I love you.”

But he blacks out again before he can give you his familiar refrain, something in High Valyrian that he doesn’t know Aemond has provided you with the translation of. To your misfortune. And is Aegon wrong when he says this? Is he really?

You drift into a fitful sleep beside Aegon, wake up only a few hours later with sore, damp eyes, make sure he’s still breathing. It’s raining heavily now; sheets of it patter against the windows and thunder quakes the castle. You rise from the bed and walk without knowing where you’re going. When you find yourself sitting on a stone bench in the gardens, drenched with rain and freckled with fiery torchlight from the mouth of an iron dragon, you don’t remember how you got there. You are cold and shivering; you are so profoundly, numbly despondent that you cannot move, cannot think, can only sit with your arms curled around your bent knees and your eyes vacant.

By the time Aemond finds you, your dusky pink gown—stained with splotches of Aegon’s blood—is soaked through. Aemond lurks just inside the doorway of the castle that opens into the gardens, sheltered from the storm. “Why are you sitting in the rain?”

You do not answer. You cannot answer. You stare blankly out into the night as droplets pelt you, stinging your skin like needles.

“You should come inside,” Aemond tells you. “You’ll get pneumonia.”

Nothing he says matters. Will going inside cure Aegon? Will catching pneumonia rob you of any life worth living?

Aemond sighs and strides out into the rain to meet you. “I have to go back to the Riverlands now. Will you be alright here?”

Your words are a question, but your tone isn’t. You speak bitterly and without looking at him. “Why would you care.”

“I care intensely,” Aemond says, kindly now. “If you don’t know why, you haven’t been listening.”

“You don’t want me. You just want to feel like you’re better than him. That you’re worthy of being chosen, worthy of fathering the heir.”

He shrugs. “Nothing in life is without ambition. Love is never entirely selfless.”

“Mine is.”

“No,” Aemond says severely. “No, you want things for yourself. You want a choice in who you marry. You want to escape the burden of bedding someone dull or repugnant or cruel. What makes you think you’re so high above the fate that the rest of us have suffered? Do you have any idea how desperately few people get to marry for love? But you can’t endure that resignation. You have to covet something more. Even if it gets you killed.”

Have suffered, Aemond said. Not will suffer. Have suffered. At last, you turn to him. “You’ve never had a wife. When were you ever forced to lie with someone?”

He stares at you and does not answer, cold rain dripping from his face, a vulnerable childlike apprehension in his lone blue eye.

Then you remember: the madam at the brothel, Aemond’s aversion to her unmistakable familiarity. What had he said when he apologized for leaving you there? It is a place that I associate with great unpleasantness. “At the brothel,” you realize. “The Pink Pearl.”

“Yes,” Aemond says, very quietly.

“How old were you?”

“Barely thirteen.”

He was a boy, you think, horrified. Not a man. Just a boy. “Who took you there?”

“Who do you think?”

There is only one true possibility. Aegon, just a few years older and already corrupted in every sense of the word, drunk and miserable and lustful and lost.

“He thought he was doing me a kindness,” Aemond says. “He didn’t intend for there to be any harm, I’m sure of it. But that doesn’t mean no harm occurred.”

“That should never have happened to you. I’m sorry.”

“A lot of things should never have happened.” Aemond’s hair hangs in long, disheveled waves. Now his clothes are sodden with rain too, not a pale pink like exposed organs or half-healed burns but a verdant, jealous green. “I can’t leave until you come inside out of the rain.”

It doesn’t matter where I am. I can’t save anyone, I can’t stop the world from crashing down. “If he’s dead I want to be too.”

“He’s not dying,” Aemond insists. “He won’t be able to fight, but he will live.”

He won’t, you think, lifeless words that are cold and grey like tombstones. The suffering is too great. The trauma is too dire. It stacks up like blood-red coins in his liver, his heart, his lungs, his kidneys. And eventually the scales will tip, and it will kill him, and I’ll have to watch it happen.

Aemond offers you his hand. “Let me walk you back inside.”

“Please leave me.”

“I can’t,” Aemond replies, distressed.

You are weeping now; your own words choke you. “I want to stay here.”

“No you don’t. The pain just feels so heavy you can’t find your way out from under it.”

He is still holding out a hand to you. At last, you take it. And you make a confession, dark, venomous, unfamiliar like the voice of a stranger. “I used to believe war was hell for everyone. I used to want the suffering to end. But I don’t think I do anymore. I think I want the Blacks to suffer greatly. I want them to suffer more than they ever knew was possible.”

And in the maelstrom of the driving rain, Aemond grins until his teeth look like fangs in the shifting, rageful, rust-and-blood glow of the firelight.

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