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hajimedics · 8 months

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Each to their own! I see why you say that, he probably looks more like a child to me because of his height and more 'child-like' features? Eh that's the best way i can describe it, although i am aware that he is of age. As long as boundaries are respected, I'm okay! but i will still give side eye towards people who ship frank and Julie... that ship mainly because- 1 frank is married, 2 they are friends- like no (not going to go out of my way to attack people who ship them i just find it icky and avoid that ship)

Im just happy that welcome home has the attention it needs.. Lets lighten up the mood! Why is eddie and howdy your favorite characters? For me, I loved how unique frank's design was, same for howdy and i love eddie and juile for their personalities! (I also like franny's design a lot! Anyone else? Just me?)

What do you think frank's favorite butterfly would be? Or would he not be able to choose? Hmm maybe a blue monarch? Or maybe something less comonly known? (Personally I think frank would like swallowtail ones more (if that's what they are called- i might be thinking of moths or birds there))

An essay to read as allways! (Sorry-)

I have never encountered a frank/julie ship art so far, thankfully! sure people can draw whatever they want but I feel like it's an erasure of their identities? mostly because I see it through my "two puppets who are undeniably queer pushed into a cisheteronormavity situation by their caretaker figures" lenses. if anything I personally see frank and julie as platonic soulmates, two people who are closer than friends but not lovers. they love each other dearly! they're paired together! the two stooges! romantic love isn't the only type of love and frank and julie's interactions definitely show it

as for why those two are my faves! I love eddie because well, I like big hunky guys who can get silly. it's my track record. I also see the potential for his character to be a complex one like wally. even though nobody made fun of him directly, it's kind of sad to see his forgetfulness and struggles get brushed off by most of the cast. though he doesn't seem to mind it either. eddie seems to be written as the comic relief in the show, but in the "answer" pages his voice has more integrity into it. NOW I MIGHT BE STRETCHING JUUUUST A BIT but I hope there's gonna be a conflict between these two parts of him. one that acts as the comic relief who acts like he's not bothered and one that wants to be taken seriously for once. I love drama. I love character realizations. I also have a slight fear that he's gonna be a cannon fodder uhuhuhuuuuu

I love howdy because something about him hits differently compared to the rest of the cast. his freedom symbolism (adult caterpillar, the only one in his family who didn't turn into a butterfly). the way he has an "idgaf I have a job" attitude. his voice is also great and I love it. I hope he gets meaner (the same goes for sally) because I think it's gonna be a great plot stirrer. despite his slyness and emotional intelligence he looks like he'll be master contrarian in a group. he knows his way with words, he knows how to get the reaction he wanted out of people, I love him.

I think frank wouldn't be able to choose exactly which one is his favorite!!! he loves butterflies!!! there's just so many of them to choose from!! monarch butterflies are the most popular and iconic type, I reckon he has it in his collection.... he'd love swallowtail butterflies, those are pretty little creatures, and I think he'd love janetta forester and pieridae too!

#asks #anonymous #welcome home #eddie dear #howdy pillar #frank frankly

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dillydedalus · 3 years

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april reading

oh yeah this is a thing. anyway in april i read about uhhh.... first contact (twice), murderers on skis & victorian church politics

the yield, tara june winch a novel about indigenous australian identity and history (now and throughout the 20th century) in three narrative strands. imo the narrative strand that consists of a grandfather writing a dictionary of his language (wiradjuri) in order to prove a claim to some land is by far the strongest, but overall i liked this quite a lot. 3/5

land of big numbers, te-ping chen a solid short story collection focused on modern china and young(ish) chinese people, both in china and the diaspora. i particularly liked the stories that had some slighty surreal or speculative elements, such as one about fruit that strongly evoke emotions when eaten and a group of people stuck in a train station for months as the train is delayed, which imo use their speculative aspects in effective (if not super subtle) ways to talk about society. 3/5

the pear field, nana ekvtimishvili (tr. from georgian by elizabeth heighway) international booker prize longlist! a short, fairly depressing read about a 18-year-old girl at a post-soviet school for developmentally disabled childred (but also orphans, abandoned children & other random kids) who is trying to get a younger boy adopted by an american couple. there seem to be a lot of novels set at post-soviet orphanages etc & imo this is a well-executed example of the microgenre, with the pear field full of pears that are never picked bc they don’t taste right as a strong central image. 3/5

the warden, anthony trollope (chronicles of barsetshire #1) ah yes, a 6-part victorian series about church politics in an english town, exactly the kind of thing i’m interested in. not sure why i committed to at least the first two entries of the series but here we are. despite this lack of interest (and disagreement with most of the politics on display here) i found this quite charming; trollope has a gift for an amusing turn of phrase & making fun of his characters in benevolent ways. 3/5

the lesson, cadwell turnbull first contact scifi novel set on the virgin islands, where an alien ship arrives one day. the aliens seem benevolent & share helpful technology, but also react with extreme violence to any aggression. they claim to be on earth to study.... something, but it’s never entirely clear what. the book makes some interesting choices (like immediately skipping over the actual first contact to a few years in the future, when the aliens are already established on the islands) but i thought much of it was kinda disjointed and confusing. 2/5

the heart is a lonely hunter, carson mccullers look, i get it, it’s all about the isolation & alienation (& dare i say loneliness) of 4 miserable characters projecting their issues on the central character singer, who is kind and patient and also deaf and mute, thus making him the perfect receptacle for their issues without really having to connect with him as a person and how that isolation hinders them socially, artistically, emotionally, politically, but like... i didn’t really like it. i didn’t hate it but i just felt very meh about it all. 2.5/5

acht tage im mai: die letzte woche des dritten reiches, volker ulrich fascinating history book about the last week(ish) of the third reich, starting with the day of hitler’s suicide and ending with the total surrender (but with plenty of flashbacks and forwards), and looking at military&political leadership (german and allied) as well as prisoners of war, forced laborers, concentration camp prisoners, and everyone else. very interesting look at what kästner described as the “gap between the not-anymore and the not-yet.” 3.5/5

firekeeper’s daughter, angeline boulley) i’ve been mostly off the YA train for the last few years, but this was a really good example of contemporary YA with a focus on ~social issues. ANYWAY. this is YA crime novel about daunis, a mixed-race unenrolled ojibwe girl close to finishing high school who is struggling with family problems, university plans, and feeling caught between her white and her native familiy when her best friend is shot in front of her and she decides to become a CI for an fbi investigation into meth production in the community. i really appreciated how hard this went both with the broader social issues (racism, addiction) and daunis’ personal struggles. there are a few bits that felt a bit didactic & on the nose (and the romance... oh well), but overall the themes of community, family, and the value of living indigenous culture are really well done & i teared up several times. 4/5

the magic toyshop, angela carter i love carter’s short stories but struggle with (while still liking) her novels so far. this one, a tale of melanie, suddenly orphaned after trying on her mother’s wedding dress in the garden, coming of age and awakening to womanhood or whatever. carter’s really into that. it’s well-written, sensual as carter always is, and the family melanie and her siblings are sent to, her tyrannical puppet-maker uncle, his mute wife and the wife’s two brothers, both fascinating and offputting (& dirty) make for an interesting cast of characters, but overall i just wish i was reading the bloody chamber again. 3/5

barchester towers, anthony trollope (chronicles of barsetshire #2) (audio) lol tbh i still don’t know why i am committing to this series about, again, church politics in 19th century rural england, but it’s just so chill & warm & funny (we love gently or not so gently - but always politely - mocking our characters) that i’m enjoying it as a nice little trip where people do some #crazyschemes to gain church positions or fight over whether there should be songs in church or whatever it is people in the 19th century fought about. it’s very relaxing. there also is a lot of love quadrangleyness going on and that’s also fun. trollope has weird ideas about women but like whatever, i for one wish mrs proudie much joy of her position as defacto bishop of barchester, she really girlbossed her way to the top. 3.5/5

semiosis, sue burke (semiosis #1) i love spinning the wheel on the “first contact with X weird alien species” & i guess this time we landed on plants! plant intelligence is interesting and the idea of plant warfare is really cool. i do like the structure, with different generations of human settlers on the planet pax providing a long-term view but this allows the author to skip over a lot of the development of the relationship between the settlers and the plant and locating the plot elsewhere, which i think is ultimately a mistake. i might continue w/ the series tho, depending on library availability. 2.5/5

one by one, ruth ware a bunch of start-up people go on a corporate retreat to a ski chalet in the alps, avalanche warning goes up, one of them disappears, presumably on a black piste, the rest get snowed in & completely cut off when the avalanche hits and then they get picked off *title drop* (altho really not that many of them). nice fluff when i had a miserable cold (not covid) but fails when it tries to go for deeper themes... like an attempt to address classism and entitlement sure... was made. also like what kind of luxury skiing chalet does not have emergency communication devices in case internet/phone lines are down... i’d have sued just for that. 2/5

fake accounts, lauren oyler the microgenre of ‘alienated intellectual(ish) probably anglophone person has some sort of crisis, goes to berlin about it’ is my ultimate literary weakness - i almost never really like them, they mostly irritate me & yet i can never resist their siren call. this one is p strong on the irritation, altho at least the narrator does not ascribe much meaning to her decision to go to berlin after she a) discovers her boyf is an online conspiracy theorist (probably not sincerely) and b) gets a call that said boyf has died, it’s really just something to do to avoid doing anything else. but other than that it’s so BerlinExpat by the numbers, like she lives in kreuzkölln! put her somewhere else at least! there is one scene that elevates the BerlinExpat-ness of it all (narrator asks expatfriend for advice on visa applications, expatfriend assures her that it’s really easy for americans to get visa, adds “especially now” while literally, as the narrator remarks, gesturing at the falafel she’s eating) other than that, the novel is.... fine. it’s smart, but not really as smart as it thinks it is, which is a problem bc it thinks it’s just sooo incisive. whatever. 2/5

the tenant of wildfell hall, anne bronte this is reductive but: jane eyre: i could fix him // wuthering heights: i could make him worse // wildfell hall: lmao i’m gonna leave his ass anyway i enjoyed the part that is actually narrated by the titular tenant of wildfell hall, helen (which thankfully, i think, is most of it) because the perspective of a woman who runs away from her abusive alcoholic of a husband is genuinely interesting and engaging, while gilbert, the frame story narrator who falls in love with helen, is.... the worst. i mean he’s not the worst bc the abusive husband arthur is there and hard to beat in terms of worseness, but he’s pretty fucking bad. imagine if helen had found out that gilbert attacked her secret brother over a misunderstanding, severely injured him & LEFT HIM TO DIE & then (when dude survived & the misunderstanding got cleared up) apologised like well i guess i didn’t treat you quite right! she’d have to run away from her second husband as well! poor girl. 3/5

#the books i read #long post #lol i keep forgetting to finish & post these #anyway gilbert fucking sucks! like his name is gilbert you can do better helen

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