WAIT hang on, so. Connecting this post (suggesting that ep7 was an attempt at a Mass Ritual and that the military group stopped it) with this one (suggesting that 'Catalyst' from ep9 might refer to someone capable of performing a ritual) with my own post and other theories that the tapes from tma/U1 might in some form be in U2, here's a theory:
the tapes entered this world when the Fears did. maybe not complete, but with enough information to let everyone who was looking for it know, for sure, without needing millenia of trial and error, the exact steps needed for a succesful ritual:
- you need subjects (the victims);
- agents (the 'avatars', more or less);
- and, a catalyst.... an Archivist. Someone who can experience all the horrors without being used up, able to let them flow in them, through them, and out into the world.
The faction shutting down ep7, the OIAR response team, maybe the existence of the OIAR at all, is because the threat of a Ritual succeeding has had to be actively foiled for this universe to still exist without an active apocalypse. which would also mean that this world, at any given moment, is teetering on the edge of a successful ritual, and a new apocalypse
461 notes
·
View notes
quick reference post for tmagp artists because i'm a violinist and Suffer Every Day
the bow:
the bow hold:
there are two main schools of violin bow holding--this article goes into more detail if you're interested--but the general shape is pretty consistent. the thumb and middle finger oppose each other and are where the main weight of the bow is held; other fingers are for balance and direction. the wrist is generally above the bow itself when playing closer to the frog, level in the middle, and lowered near the tip. note the lines below:
(pictured: nicola benedetti, midori, gil shaham, and nicola benedetti)
the angle of the arm changes depending on how the violin is positioned and what string is being played.
the violin:
adult performers all use full-sized violins, which have 36 cm (14 inch) bodies.
the violin hold:
the violin is ALWAYS held on the LEFT SIDE. it doesn't matter what your dominant hand is, it still goes ON THE LEFT. this is because the violinist's natural habitat is the orchestra, where they must sit close to other violinists while playing. it prevents stabbing accidents. trust me.
the instrument is held underneath the chin--sometimes with the additional support of a shoulder pad, as you can see in the fourth picture--and away from the centre of the body. note that the instrument looks bigger in the first two pictures (with midori) than it does in the third and fourth (with augustin hadelich and gil shaham). the instrument is the same size; the performers are not. note also that the position of the left hand varies radically in all the pictures i've shown.
you'll sometimes see performers who have a cloth under their chin, like the second midori picture. this has been more common in the past six or so years--i don't use one myself, but it can help prevent irritating the skin on your neck (because when you spend 4+ hours a day rubbing your delicate neck skin on wood, it adds up). whether or not a performer uses a shoulder pad depends both on the length of their neck and personal preference. i have a long neck and consequently have a custom chinrest AND a tall shoulder rest; my professor, who is built similarly to me, uses an extra tall custom chinrest and no shoulder pad.
most importantly: violinists traditionally make really weird faces when we play.
(ray chen and gil shaham)
if you need more reference photos, look up A SPECIFIC VIOLINIST and use those. you can also find SO many live performances on youtube if video is helpful!
554 notes
·
View notes
[ID: A digital sketchpage of Colin Becher from The Magnus Protocol on a gray background. He is a thin white man with a receding hairline and a blonde mullet that is very long in the back, tied into a low ponytail. He also has a mustache, patchy facial hair, body hair, and blue eyes. In four out of five sketches, Colin is wearing silver stud earrings, rectangular glasses with yellow lenses, a yellow t-shirt under a light blue button down, a light brown zip-up hoodie, blue jeans with brown knee patches, blue and white striped socks, brown sneakers, and bracelets including a braided one with pink and burgundy threads. On the right, there's a shoulder-up sketch of Colin with his body facing to the side while he turns his head to the viewer, looking angry. Below that is a far less detailed doodle of him on all fours like some kind of creature. On the far left is a shoulders-up sketch of him leaning against his hand looking tired with one eyebrow raised. Below that is a drawing of him facing away from the viewer on all fours looking under something with a little dark smudge above him denoting annoyance. In the middle is a full-body drawing of him posed as though sitting with one leg bent as he holds a game controller. He is wearing his glasses and earrings, as well as a white crop top that says "slut.exe" in blue text, yellow underwear, and blue and white thigh-high socks. He looks focused but also relatively relaxed. end ID]
~~~~
normal about that IT manager
and yes whenever i draw him with striped socks i need you all to know that they're the programmer socks. alice gave them to him mostly as a joke but he actually loves them and that's one reason they're buds in my mind
328 notes
·
View notes
The works I'm assuming are cited in the magnus protocol episode 8, without having read them yet, but as a reference to myself, and others who are curious.
Augé, M (1995): Non-places: an introduction to supermodernity.
Bachelard, G (1994): The poetics of Space.
Trigg, D (2012): The memory of Place: a phenomenology of the uncanny.
Zumthor, P (2006): Atmospheres.
120 notes
·
View notes