here is my ao3
some things that are here
Molesworth explains coding
Horatio explains hope to Hamlet
Some awful puns
Some Doctor Who slash
Elrond/Agent Smith slash
An unfinished novel about the Matter of Britain
7 notes
·
View notes
While I'm searleposting I gotta say this is one of my all time favourite molesworth gags. This image+caption is presented in the book with absolutely zero additional context and it only hits harder as a result.
10 notes
·
View notes
Thomas Molesworth style settee or love seat, most likely by early maker, Uptown Furniture. Chimayo cushions, burl sides, leather fringed arms are all reminiscent of Molesworth's own personal pieces. Bold bright red with green leather and brass studs. The massive burls on the front are about 14" wide at the base. The Chimayo cushions have a spread wing thunderbird design in black and cream.
Old West Events
31 notes
·
View notes
how come the nigel molesworth books have not been memed yet? they are ripe for the plucking
gaze in mirror at yore strange unatural beauty?
as ane fule kno?
tuogh you up uterly?
nearer and nearer crept the ghastly THING?
the prunes are revolting?
my bro molesworth 2?
helo clouds helo sky?
chiz chiz?
let me add my strength to yores?
dreming of BEER and LUV?
the mrs joyful prize for rafia work?
GURLS?
how about my personal favourite, in fakt the whole business is unspekably sordid?
come on.
22 notes
·
View notes
Thomas Molesworth (1890–1977) Door from Old Lodge, Glenwood Springs, Colorado c. 1935
polychrome painted wood, leaded clear glass, patinated iron
Molesworth was a pioneer of Western design.
14 notes
·
View notes
Star Wars Rebels Magazine #1: Ring Race
by Martin Fisherand Bob Molesworth
Titan
"Time for a little fancy flying!"
11 notes
·
View notes
Charlotte Molesworth | © Max Miechowski | Financial Times
9 notes
·
View notes
I fucking love molesworth. He is a Tumblrina to me
15 notes
·
View notes
The John Nathan-Turner Production Diary 1979-1990 | Telos Publihing
Written by Richard Molesworth
Introduction by Andrew Cartmel
In this fascinating account of one of Doctor Who‘s most turbulent periods, noted researcher Richard Molesworth presents an unprecedentedly detailed record of producer John Nathan-Turner’s day-to-day activities on the show.
Drawing on unique archive documents, the book tells the full story of how one of the most divisive figures in Doctor Who‘s history steered it through the entire decade of the 1980s, revealing the key decisions that shaped its development and affording an invaluable insight into how the production office responded to the many controversies that dogged it during that period.
An unmissable treat for all fans of classic Doctor Who!
432pp. 6×9 paperback.
ISBN 978-1-84583-199-8
Published 13 May 2022
John Nathan-Turner is arguably the most controversial person to have been involved with Doctor Who, certainly the most controversial person associated with the ‘classic’ series of the show, which ran on the BBC between 1963 and 1989.
When John left the BBC at the end of August 1990, one of his last jobs was to clear out the now-defunct Doctor Who Production Office in Union House. With a whole raft of paperwork that related to John’s decade as producer of the series, the office was piled high with cabinets of pure history. This paperwork eventually passed into the hands of others for safekeeping, among them, Richard Molesworth, at the time working on the BBC’s Doctor Who DVD range.
John kept quite a few files of correspondence, and Richard had – over the years – researched further at the BBC’s Written Archive and had amassed much information from the various Doctor Who production files. All these sources had, documented between them, a good record as to what John was doing, and when, during his time in charge of the series.
What this book sets out to do is to put a timeline together of what John was doing, and when, in the ten or so years he was working as Doctor Who’s producer. It seeks to explore when he made certain decisions, some of which had huge long-term consequences for the series. But it also documents some of the minutia that his role as producer entailed. At times, it helps explain how he reacted to certain events that he had no control over, and at others it details where things he could influence went badly wrong.
Join us for a look at what being a BBC producer in the eighties was really like: the decisions, the travel, the meetings, the challenges, the arguments and the praise.
This is a fascinating and in-depth look at the day to day ‘diary’ of Doctor Who’s longest running and most controversial producer.
Copies of this book are/will be available to USA-based customers through the following retailers:
WHO North America: https://www.whona.com
432pp. 6×9 paperback. Initial copies have a foil-stamped cover while stocks last.
ISBN 978-1-84583-199-8
Published 13 May 2022
4 notes
·
View notes
Lavinia Spencer—amateur artist and Princess Diana’s great, great, great grandmother
Lavinia Spencer—amateur artist and Princess Diana’s great, great, great grandmother
I am delighted to welcome back R.M Healey, hot on the heels of his previous piece, A Georgian ‘Trip Advisor‘. Today’s topic is however very different, so I’ll hand over to him to tell you more:
I purchased this signed drawing below of Frances Molesworth by the talented amateur Lavinia Bingham a few years ago in a provincial auction house. It is interesting for a number of reasons, not least…
View On WordPress
0 notes