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Netflix wants to chop down your family tree
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Netflix has unveiled the details of its new anti-password-sharing policy, detailing a suite of complex gymnastics that customers will be expected to undergo if their living arrangements trigger Netflix’s automated enforcement mechanisms:
https://thestreamable.com/news/confirmed-netflix-unveils-first-details-of-new-anti-password-sharing-measures
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/02/02/nonbinary-families/#red-envelopes
Netflix says that its new policy allows members of the same “household” to share an account. This policy comes with an assumption: that there is a commonly understood, universal meaning of “household,” and that software can determine who is and is not a member of your household.
This is a very old corporate delusion in the world of technology. In the early 2000s, I spent years trying to bring some balance to an effort at DVB, whose digital television standards are used in most of the world (but not the USA) when they rolled out CPCM, a DRM system that was supposed to limit video-sharing to a single household.
Their term of art for this was the “authorized domain”: a software-defined family unit whose borders were privately negotiated by corporate executives from media companies, broadcasters, tech and consumer electronics companies in closed-door sessions all around the world, with no public minutes or proceedings.
https://onezero.medium.com/the-internet-heist-part-iii-8561f6d5a4dc
These guys (they were nearly all guys) were proud of how much “flexibility” they’d built into their definition of “household.” For example, if you owned a houseboat, or a luxury car with seatback displays, or a summer villa in another country, the Authorized Domain would be able to figure out how to get the video onto all those screens.
But what about other kinds of families? I suggested that one of our test cases should be a family based in Manila: where the dad travels to remote provinces to do agricultural labor; the daughter is a nanny in California; and the son is doing construction work in the UAE. This suggestion was roundly rejected as an “edge case.”
Of course, this isn’t an edge case. There are orders of magnitude more people whose family looks like this than there are people whose family owns a villa in another country. Owning a houseboat or a luxury car makes you an outlier. Having an itinerant agricultural breadwinner in your family does not.
But everyone who is in the room when a cartel draws up a standard definition of what constitutes a household is almost certainly drawn from a pool that is more likely to have a summer villa than a child doing domestic work or construction labor half a world away. These weirdos, so dissimilar from the global majority, get to define the boxes that computers will shove the rest of the world into. If your family doesn’t look like their family, that’s tough: “Computer says no.”
One day at a CPCM meeting, we got to talking about the problem of “content laundering” and how the way to prevent it would be to put limits on how often someone could leave a household and join another one. No one, they argued, would ever have to change households every week.
I put my hand up and said, “What about a child whose divorced parents share custody of her? She’s absolutely going to change households every week.” They thought about it for a moment, then the rep from a giant IT company that had recently been convicted of criminal antitrust violations said, “Oh, we can solve that: we’ll give her a toll-free number to call when she gets locked out of her account.”
That was the solution they went with. If you are a child coping with the dissolution of your parents’ marriage, you will have the obligation to call up a media company every month — or more often — and explain that Mummy and Daddy don’t love each other any more, but can I please have my TV back?
I never forgot that day. I even wrote a science fiction story about it called (what else?) “Authorized Domain”:
https://craphound.com/news/2011/10/31/authorised-domain/
I think everyone understood that this was an absurd “solution,” but they had already decided that they were going to complete the seemingly straightforward business of defining a category like “household” using software, and once that train left the station, nothing was going to stop it.
This is a recurring form of techno-hubris: the idea that baseline concepts like “family” have crisp definitions and that any exceptions are outliers that would never swallow the rule. It’s such a common misstep that there’s a whole enre* called “Falsehoods Programmers Believe About ______”:
https://github.com/kdeldycke/awesome-falsehood
In that list: names, time, currency, birthdays, timezones, email addresses, national borders, nations, biometrics, gender, language, alphabets, phone numbers, addresses, systems of measurement, and, of course, families. These categories are touchstones in our everyday life, and we think we know what they mean — but then we try to define them, and the list of exceptions spirals out into a hairy, fractal infinity.
Historically, these fuzzy categorical edges didn’t matter so much, because they were usually interpreted by humans using common sense. My grandfather was born “Avrom Doctorovitch” (or at least, that’s one way to transliterate his name, which was spelled in a different alphabet, but which was also transliterating his first name from yet another alphabet). When he came to Canada as a refugee, his surname was anglicized to “Doctorow.” Other cousins are “Doctorov,” “Doctoroff,” and “Doktorovitch.”
Naturally, his first name could have been “Abraham” or “Abe,” but his first employer (a fellow Eastern European emigre) decided that was too ethnic and in sincere effort to help him fit in, he called my grandfather “Bill.” When my grandfather attained citizenship, his papers read “Abraham William Doctorow.” He went by “Abe,” “Billy,” “Bill,” “William,” “Abraham” and “Avrom.”
Practically, it didn’t matter that variations on all of these appeared on various forms of ID, contracts, and paperwork. His reparations check from the German government had a different variation from the name on the papers he used to open his bank account, but the bank still let him deposit it.
All of my relatives from his generation have more than one name. Another grandfather of mine was born “Aleksander,” and called “Sasha” by friends, but had his name changed to “Seymour” when he got to Canada. His ID was also a mismatched grab-bag of variations on that theme.
None of this mattered to him, either. Airlines would sell him tickets and border guards would stamp his passport and rental agencies would let him drive away in cars despite the minor variations on all his ID.
But after 9/11, all that changed, for everyone who had blithely trundled along with semi-matching names across their official papers and database entries. Suddenly, it was “computer says no” everywhere you turned, unless everything matched perfectly. There was a global rush for legal name-changes after 9/11 — not because people changed their names, but because people needed to perform the bureaucratic ritual necessary to have the name they’d used all along be recognized in these new, brittle, ambiguity-incinerating machines.
For important categories, ambiguity is a feature, not a bug. The fact that you can write anything on an envelope (including a direction to deliver the letter to the granny flat over the garage, not the front door) means that we don’t have to define “address” — we can leave it usefully hairy around the edges.
Once the database schema is formalized, then “address” gets defined too — the number of lines it can have, the number of characters each line can have, the kinds of characters and even words (woe betide anyone who lives in Scunthorpe).
If you have a “real” address, a “real” name, a “real” date of birth, all of this might seem distant to you. These “edge” cases — seasonal agricultural workers, refugees with randomly assigned “English” names — are very far from your experience.
That’s true — for now (but not forever). The “Shitty Technology Adoption Curve” describes the process by which abusive technologies work their way up the privilege gradient. Every bad technological idea is first rolled out on poor people, refugees, prisoners, kids, mental patients and other people who can’t push back.
Their bodies are used to sand the rough edges and sharp corners off the technology, to normalize it so that it can climb up through the social ranks, imposed on people with more and more power and influence. 20 years ago, if you ate your dinner under an always-on #CCTV, it was because you were in a supermax prison. Today, it’s because you bought a premium home surveillance system from Google, Amazon or Apple.
https://pluralistic.net/2021/07/29/impunity-corrodes/#arise-ye-prisoners
The Netflix anti-sharing tools are designed for rich people. If you travel for business and stay in the kind of hotel where the TV has its own Netflix client that you can plug your username and password into, Netflix will give you a seven-day temporary code to use.
But for the most hardcore road-warriors, Netflix has thin gruel. Unless you connect to your home wifi network every 31 days and stream a show, Netflix will lock out your devices. Once blocked, you have to “contact Netflix” (laughs in Big Tech customer service).
Why is Netflix putting the screws to its customers? It’s part of the enshittification cycle, where platform companies first allocate surpluses to their customers, luring them in and using them as bait for business customers. Once they turn up, the companies reallocate surpluses to businesses, lavishing them with low commissions and lots of revenue opportunities. And once they’re locked in, the company starts to claw back the surpluses for itself.
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
Remember when Netflix was in the business of mailing red envelopes full of DVDs around the country? That was allocating surpluses to users. The movie companies hated this, viewed it as theft — a proposition that was at least as valid as Netflix’s complaints about password sharing, but every pirate wants to be an admiral, and when Netflix did it to the studios, that was “progress,” but when you do it to Netflix, that’s theft.
Then, once Netflix had users locked in and migrated to the web (and later, apps), it shifted surpluses to studios, paying fat licensing fees to stream their movies and connect them to a huge audience.
Finally, once the studios were locked in, Netflix started to harvest the surplus for its shareholders: raising prices, lowering streaming rates, knocking off other studios’ best performing shows with in-house clones, etc. Users’ surpluses are also on the menu: the password “sharing” that let you define a household according to your family’s own idiosyncratic contours is unilaterally abolished in a quest to punish feckless Gen Z kids for buying avocado toast instead of their own Netflix subscriptions.
Netflix was able to ignore the studios’ outraged howls when it built a business by nonconsenually distributing their products in red envelopes. But now that Netflix has come for your family, don’t even think about giving Netfix some of what it gave to the MPAA.
As a technical matter, it’s not really that hard to modify Netflix’s app so that every stream you pull seems to come from your house, no matter where you are. But doing so would require reverse-engineering Netflix’s app, and that would violate Section 1201 of the DMCA, the CFAA, and eleventy-seven other horrible laws. Netflix’s lawyers would nuke you until the rubble bounced.
When Netflix was getting started, it could freely interoperate with the DVDs that the studios had put on the market. It could repurpose those DVDs in ways that the studios strenuously objected to. In other words, Netfix used adversarial interoperability (AKA Competitive Compatibility or ComCom) to launch its business:
https://www.eff.org/deeplinks/2019/10/adversarial-interoperability
Today, Netflix is on the vanguard of the war to abolish adversarial interop. They helped lead the charge to pervert W3C web-standards, creating a DRM video standard called EME that made it a crime to build a full-featured browser without getting permission from media companies and restricting its functionality to their specifications:
https://blog.samuelmaddock.com/posts/the-end-of-indie-web-browsers/
When they used adversarial interoperability to build a multi-billion-dollar global company using the movie studios’ products in ways the studios hated, that was progress. When you define “family” in ways that makes Netflix less money, that’s felony contempt of business model.
[Image ID: A Victorian family tree template populated by tintypes of old-timey people. In the foreground stands a menacing, chainsaw-wielding figure, his face obscured by a hoodie. The blade of the chainsaw is poised to chop down the family tree. A Netflix 'N' logo has been superimposed over the man's face.]
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vender99 · 1 year
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We had a good thing, you stupid son of a bitch! We had cancelled shows, we had a lack of good original content, we had everything we needed, and it all ran like clockwork! You could have shut your mouth, coasted on stranger things, and made as much money as you ever needed! It was perfect! But no! You just had to blow it up! You, and your pride and your ego! You just had to be the password police! If you’d done your job and known your place, we’d all be fine right now.
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squirrelstone · 11 months
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Just a reminder as Netflix rolls out its anti password sharing system that you shouldn’t make the payment and you shouldn’t make a separate account. It may be just Netflix pulling this bullshit now, but if they can prove they made money off this, every other streaming service WILL roll out something similar. They may be encouraging password sharing now because it gets more people watching, but they’ll change their tune the second they see dollar signs.
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ikilledgods · 11 months
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Important Reminder:
When Netflix kicks you off for password sharing, DO NOT resubscribe. We want them to know this is something we hate. They only speak in money.
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azuremist · 1 year
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Bullying companies works
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dontcallmeeds · 1 year
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I don’t want to make some ableism claim against Netflix but think of how many of us autistic people are going to be affected by losing our comfort shows if we can’t password share and can’t afford Netflix like???? I’m honestly really upset
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existentialcrisis-24-7 · 11 months
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I’m going to fucking strangle whoever at Netflix decided that it was a good idea to implement the new password sharing rules. They deserved to be stoned. Or left in the ocean to drown or die of hypothermia. I am violent right now.
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xxfrizzyxx · 1 year
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It’s funny ‘cause if you ask anyone why they pirate stuff they’ll probably say “Because I can’t get access to it otherwise” or “Because I can’t afford another streaming service” or even “Because I don’t wanna support the shitbags who made it” and they’d still come down on password sharing instead of fixing those problems
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l0rm · 1 year
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If Netflix is going to make you connect to a wifi network ever month to stay signed in could I have a Netflix account registered to my school wifi and share the password with the whole school?
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talistheintrovert · 1 year
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youtube
oh netflix, we're really in it now
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cornsword · 1 year
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Hey there Netflix.
Yeah it’s me, User # 1 Billion and Eight probably.
I used to get you in the mail. You had every movie ever and a ton of new and old tv shows. I used you to go full immersion on genres and whole countries that a kid from Alabama never had a chance to explore before.
I remember after your teething troubles and your streaming library really blew up for the first time. You didn’t have everything but if it could be streamed digitally in those early days you probably had it. I got to see a ton of Hammer for the first time with you.
You decided at some point that you wanted to be a tv channel and not the home for movies. That bummed me out and I used you less and less as your movie library dwindled, seeming to fracture with every new competitor platform while you loaded up on millennial sitcoms. Hey it worked out for you right?
You even made some great shows. I loved Glow, I loved Tuca and Bertie, I really enjoyed a lot of Stranger Things, and you even brought back MST3K!
I watched 227 movies last Halloween and I think I used Netflix twice, once because I didn’t want to get up and find my dvd. All those shows are gone now, cut off at the knees, barring Stranger Things …which is ending.
Your own data tells you the bulk of your user base used you over the years as a Friends machine, or an Office machine, or a Stranger Things machine. That repetitive binge isn’t my bag but I see the appeal. But there are plenty of ways to watch those Netflix shows, and these days there’s oodles of Stranger Things content still to be had sans subscription.
All anyone needs in order to not use you is one reason. Almost any reason, any one, would do, and you’ve given people a stream of them these last few years. You’re not even a cheap date any more. And you’ve decided what’s really going to turn it around for you is to make you harder and way more expensive to use for millions of people?
That’s certainly A move. At a time when I need a reason to stay I hardly need another reason to leave. This ain’t a good bye, not now not yet, but a notice. Because when you see your numbers take a huge hit you’re going to blame it on people being too cheap or the ecoooonomy or these KIIIIDS TODAYYYY or whatever (we all know it) and the people who actually make your content are going to have to take the pipe for it. It won’t be any of that though really. It’ll be because YOU’VE been telling us to leave for a while now, and decided the way to turn around from that was to start YELLING IT.
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netflixofficial · 6 months
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soloh · 1 year
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I'm curious because I canceled mine, but a few people I know who said they would cancel haven't done so, even though the password restrictions are now active where I live (Aotearoa)
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mintybreakfast · 11 months
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wack-ashimself · 1 year
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.....oh shit, this is the snowflake that causes the avalanche.
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