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#poetic. actually. god
sollucets · 5 months
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so the summonable ghouls from the necromancy of thay i gave astarion paralyzed cazador and let starry rogue triple crit him to death
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hinamie · 16 days
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some quick jjk eye paintings
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c-hrona · 1 year
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Pietà
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beanghostprincess · 6 months
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i'm sooo normal about worried/protective boyfriend/first mate zoro
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skitskatdacat63 · 7 months
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2023 Brazilian Grand Prix - Podium - Fernando Alonso
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taikanyohou · 1 year
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“You deserve a lot of credit.” Huang You Ming As Ye Bai Yi + Li Dai Kun As Xie Wang. WORD OF HONOR (2021) - Episode 32.
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rhaenin-time · 2 months
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No, House Targaryen is not inherently "doomed" by the very same flaws (and themes) that doomed the civilization that they left.
No, they're not fated to succumb to the Doom that they survived specifically because of the foresight that set them apart from everyone else who perished. Not only would it be terrible, simplistic writing, it would also endorse a terrible, simplistic worldview.
People choosing to make House Targaryen a representation of and thematic successor to not just the civilization that they differentiated themselves from, but the power structure that they chose to leave, literally divested from, and actively worked to prevent from rising again in another form... really rubs me the wrong way.
Why isn't this projection and generalization done for any of the families that come from the cultures that are not coded as other? Why is it only the family that's been separated from their cultural context? Why do the other families each get to be unique, complex manifestations not just of different aspects of their cultures, but of their own specific histories?
Why is the foreign degenerate family both a representation of everything wrong with the culture they come from, and a scapegoat for everything wrong with the system they assimilated into? How is it they represent everything bad about what they left behind, and also everything bad about the land they came to? Even though all those flaws are not only shared by the system as a whole, but are flaws that predate their arrival, that they were punished for resisting, and that they are demonstrated to be incompatible with. Why is it always both?
It just rings so familiar to the way so many people view the other in real life. Because the Targaryens are overtly, and intentionally written as the other. It's the reason so many people identify with them, and it's the very same reason that other people vilify them. They're not just the in-universe other to the 'default' culture established in the text, but they're also given characteristics that we, the reader and audience, can recognize as other and even sometimes anathema to Western Christian culture.
Perhaps the old tales were true, and Dragonstone was built with the stones of hell
A Storm of Swords, Chapter 25, Davos III
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I want you to ask yourself: Why is the idea of "fire and brimstone" evil?
To paraphrase the annoying people that love to cite Ramsay when they feel like it: If you look at a morally complex family surrounded by other morally complex families in a morally complex world in a story that's famed for seeking to challenge your underlying assumptions, and think that their association with fire and brimstone is meant to signify their singular satanic evilness, rather than say... challenge that very Eurocentric assumption, you haven't been paying attention.
This vilification mindset where the Targaryens are the singular evil of Westeros is so common to people who seem to want to consume ASoIaF without engaging with the criticisms of the Eurocentric worldview of history at the heart of it. And they end up using the convenient “others” to project all the wrongs of that world onto so they don't need to examine it any deeper.
This is the part where I so often get crucified!
This is the take that so often gets me crucified for "trivializing real world bigotry" in an attempt to "moralize interpretations of fiction" by an onslaught of people with troubling ideologies who then ironically steer the onslaught to moralizing their interpretations of fiction in a way that seeks to either mask or justify their troubling ideologies.
The worldbuilding of ASoIaF is an almost unparalleled projection of the Eurocentric worldview. That's what makes the world feel so rich. That's why GRRM and even the readers and audience are able to craft so many details that feel intuitive. But that also means that how you choose to interpret that world is often driven by underlying biases and ideologies that relate to that worldview — especially if you're not willing to challenge them the way George RR Martin does and encourages you to do.
It means that certain potential biases and ideologies people might balk at outwardly expressing in the real world are recontextualized in a way that feels more comfortable to indulge in.
There are countless examples from countless parts of the narrative. Honestly, you could fill books on the matter. But the one I'll point to right now is how the vilification I pointed out earlier is so emblematic of how the Eurocentric worldview often seeks to project their own flaws onto the other or choose scapegoats for systemic issues.
It comes from the same place with how someone pointed out that the baffling bastardphobia that would have medieval peasants giving the side eye is so often people jumping at the chance to “cosplay” as bigots who base their arguments in misogyny and bio-essentialism. Because it's an acceptable channel to indulge in that mindset in a way that they'd often otherwise question, or at least hold back from expressing out of caution.
And there I go again. "Moralizing fandom" for pointing out that fandom is so often used as a 'safe space' to build communities that share and spread troubling ideologies that you're not allowed to criticize because those ideologies have been 'appropriately' decontextualized from their real-world parallels, even though those parallels are still very much there.
But the problem is that it's impossible to simply 'channel' bigotry and leave it in an 'acceptable' space, because bigotry doesn't work like that. It's not a static object you can carry around in your pocket to play with when you think it's safe to do so. It's a blight. A living poison that feeds and grows and spreads. And if you give it a 'safe space' and continue to feed it with 'acceptable' fuel, it will always find its way out.
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pearlsinmyhair · 5 months
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ok ok ok one thing most don’t know about me is that i’m bi-curious. not exactly bisexual, because i lean towards men and more masculine traits, but im not opposed or disgusted at the thought of intimately knowing and loving a woman. it’s rare for me, so when it happens it floors me a bit.
a once in a blue moon occurrence, if you will.
- minor spoilers for blue eye samurai beyond this point -
so i was very confused when this woman appeared on screen, stuck in the tried and true conflict of do i want to be her or be with her.
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and, after a day of contemplation, i have concluded that i would marry mizu in a fucking instant.
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an. instant.
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Dragon Age Inquisition, Solas
POV you find out Solas hates tea.
Acrylic ink and Posca markers on bamboo paper.
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Imagining a mirror world where Sinclair manifests Phillip's EGO after Kromer kills his family instead of joining her. If that Sinclair were to meet the other SInclairs of the mirror... he would despise the One Who Shall Grip. That man didn't have it in him to run away or even to properly distort. He just gave in.
Likewise, NClair hates this person who actually overcame his sorrow and now looks at him with scorn and pity. Someone who rose with his sorrow, embracing a new path instead of meandering on road decided for him, a road that Nclair knows is wrong but will not diverge from.
Each reminds the other of their greatest failures, their worst impulses, their potential realized and unrealized.
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allfortzu · 11 months
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what if i EXPLODE
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ichikalvr · 5 months
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VERY VERY RANDOM BUT i don't think i've seen a lot of ppl talk abt lizzie and pearl yet. and that's crazy bc there's actually some similarities FOR SURE
one defining feature i noticed is that both sl lizzie and dl pearl were, well— alone.
nobody came (except joel) to lizzie's slumber party, and she died first while attempting to seek revenge. and even then, she was still forgotten. both in life and death. on the other hand, pearl was abandoned by her soulmate (along with everyone else) and was left to her own devices. yet she eventually came out victorious, feared by many people on the server.
both were lone wolves. both were angry at the crumbling world that they lived in. both wanted to instil fear to those who wronged them. one succeed, one didn't.
both, funnily enough, also had dogs as their allies. iykyk
and even w/o talking abt dl, sl lizzie and sl pearl still have amazing interactions that should be talked abt more!! with pearl winning lizzie's heart and vowing to protect her, to lizzie asking her to burn etho alive because of pearl's traitor task... and if lizzie didn't die that early on, we could've maybe even seen them create some sort of alliance too :O
AUGGHHHHHH I AM SO NORMAL ABT THEM. THEY BETTER INTERACT NEXT SEASON TOO.... i love shadowmoon sm........
(SHOUT OUT TO THIS FIC FOR BEING THE REASON WHY I MADE THIS POST. THANK YOU OP)
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menlove · 6 months
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academic writing is starting out w one thesis and landing somewhere totally different
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mermaidsirennikita · 5 months
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choose your fighter: Immortals After Dark epigraphs edition
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mazojo · 2 years
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I could talk for hours about the importance of education and it’s deep rooted message and themes in m!ik
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nylwnder · 5 months
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88 signing for 8 years making the angel number 888 and literally manifesting that bag like DOES HE DO THIS ON PURPOSE OR DOES HE NOT EVEN FUCKING KNOW
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