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#probably for the best I didn't though
geek-png · 7 months
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HELLO WERE YOU THE PERSON WHO MADE THE DOC OCK MOUSEPAD??? I feel like it was your art style that I’m remembering from like a year ago??? Two years ago?? What is time?
Anyway do you know what I’m talking about bc I actually have money now (and worse wrists) and I can’t find it ANYWHERE
Nooo that wasn't me :0 but I know the exact thing you're talking about, at least I think- I did find the artist who created it after some digging! But sadly I don't think they're selling it any longer, could contact them yourself and ask though: https://twitter.com/wolfsweetjune/status/1503164307948793857?lang=en
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repaiint · 1 year
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this was waaay to me funnier at 3am
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non-un-topo · 6 days
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Thinking about Yusuf and Nicolò as young men again
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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ratwithhands · 1 month
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Hi, Viewer Discretion:
This AU is about a nonexistent fictional mental health condition. There is imagery of straitjackets and other restraints, as well as mention of discrimination based off of health conditions. If you are uncomfortable with this content then please feel free to click off and enjoy something else. Thank you.
Dressing Sketch
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Uniform Sketches
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League Party sketch
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Sketch dump for Battle Addict! This art has been gathering dust for a few months 😭 only just remembered to post it here.
These sketches are from Ver. 3 of Battle Addict, aka Battle Addict Twins, where both of them get the HCCM diagnosis.
The base idea for Battle Addict is that while most people enjoy Pokémon battling, there comes a certain point where one's love/obsession for battle starts bleeding into the rest of their life and becoming detrimental to their everyday life. This is usually called Combative Mania (CM), which is present in a large part of the population (40%-60%) hence why battling is so popular and so many different forms of it are made to keep people satisfied. The extreme form is Hyper-Competitive Combative Mania (HCCM), wherein a person spends so much time and energy for battles that it starts to affect their physical/mental health as well as their social life, since they neglect them in favour of their obsession.
Often what divides CM patients from HCCM patients is what they're willing to give up for battling and the extent of their knowledge regarding battles. CM patients usually only have a casual interest in battling or just enjoy the thrill of battling, but operate normally and have other interests outside of battle. They have basic to intermediate knowledge of battling, and can often partake in research or battles.
HCCM patients will often forgo food, water, sleep, school, work, and relationships in favour of researching and competing in battles. It is the only thing they find interest in and they devote most of their time towards it. Patients often memorize entire charts of statistics and different strategies and counterstrategies for battle, with different patients often having a certain subject they specialize in. Most patients with HCCM are unaware that they have it, they either assume that they have CM or that they are completely normal and just enjoy Pokémon battles. They often go into fields that work directly with researching Pokémon or battles, such as professors, scientists, gym leaders, elite four members, league workers, battle facility operators, and so on.
Ingo and Emmet do not know they have HCCM. They engage with battle and researching battle in a way that they think is typical for a hobbyist. Ingo tends to read on academic papers, textbooks, and study guides regarding the statistics and capabilities of Pokémon, whereas Emmet takes a more hands-on approach in studying Pokémon anatomy and battle strategy. Ingo often charts and studies natures, EVs, IVs, stat spreads, abilities, moves, and their properties. Emmet sketches anatomical diagrams and studies of Pokémon, including skeletal structure, musculature, organ systems, and physical appearance, highlighting pressure points in the body for executing the most damage and for keeping his own Pokémon protected. He also tends to read into psychological studies as well as conducting his own long term tests to predict a person's strategy in different situations. The two feed into each other's interests, teaching the other of their own discoveries and celebrating breakthroughs together. As a result, their total knowledge of battling is immense, which led to them becoming Subway Bosses straight out of college.
The two lived and worked fairly normally; they were very passionate about their work and it provided a way to sate their need for fighting on a regular basis, as well as giving them the space to experiment with different fighting styles and analyze others' strategies. Of course they still continue their studying outside of work, which often leads to them trying different methods or revisiting recorded battles to see how they could improve. The twins still believe their hours long discussions, piles of notes, and stacks of study materials littered around their house are perfectly fine, only stopping to reconsider after a comment from a coworker highlights how they must be crazy or incredibly disciplined to have as huge of a win : loss ratio as they do.
They end up taking the issue to a psychiatrist after dwelling on the idea for a few days, which is where they get diagnosed after a few tests and a description of their lifestyle and interests. Their case is considered moderate but could easily escalate into severe if left unchecked, though the main concern is whether this would make them a threat to other people due to their work and prominence. Obviously they don't want to lose their jobs, but this kind of thing could get them removed from the League Council if it got out, so they have to consider whether they share this information with their employers or not. Ingo thinks it'd be best to keep it under wraps, but Emmet fears that this could be used as blackmail and argues that they need to release this information themselves before someone else ruins their lives with it. Eventually they do take the diagnosis to the League Council and it gets out to the public.
Emmet takes the fall for Ingo, claiming his case is severe whereas Ingo's is mild so that the League Council will be more distracted with him to bother Ingo. That ends up with Emmet getting a new restraining uniform because the League no longer trusts him to handle himself in public based off his diagnosis. Neither of them are particularly pleased about this, but Emmet tells Ingo to look on the bright side. Emmet actually starts to find the jacket to be more of a little challenge than a hindrance, as it adds an extra level of difficulty to battles that he's been looking for, but Ingo still thinks it would be better if he hadn't had to wear it at all. This unfortunately extends to League parties where he has to be restrained to even be allowed entry, which he is much less happy about.
This post is getting ungodly long as it is but there's also a branch off of this concept where Ingo and Emmet land in Hisui together and Emmet's uniform looks like this. He deconstructed the uniform he was given to modify his jacket since by that point he had a bit of a sentimental connection to it and didn't want to just swap it out.
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(Bonus fun fact: Ingo and Emmet decided to pull the biggest gag on the Pearl Clan when they first land by pretending to be one person under the alias Eki. Ingo is the polite one in the dark coat by day, and Emmet is the energetic one in the white coat by night. "Day Eki" is more popular with other Wardens and older clan members, whereas "Night Eki" is more popular with the village children and insomniacs.
The whole Warden Eki concept is technically its own AU in the background but it did originate from Battle Addict. Also I already drew Emmet in the Pearl Strait I can't take that back)
Anyways uhhh there's more let me see if I can condense it:
The twins went to a University specifically focused on battle (Champion's University), where they ended up studying subjects in their specific interests. Emmet took psychology of battle and Pokémon anatomy to learn about the weak points in trainers and Pokémon, and Ingo took general statistics and study of moves which are exactly what they sound like
The twins use the Vs Recorder all the time, both to track their own progress and to observe how passengers fight. It's often stuck to the glass windows to catch the Pokémon in the middle of the car, though they have considered buying Rotom Drones expressly for this purpose
Emmet actually has a stack of different studies on weak points in the human body but he doesn't share that with anyone, not even Ingo
Emmet's study of trainer psych has led to him often predicting tactics before they happen and dodging/countering them with his Pokémon. He often challenges himself to predict a person's team, moveset, and strategy based on appearance, gait, and body language, sharing his guesses with Ingo in case he makes any useful observations
Ingo and Emmet are possibly the first instance of causing "learned HCCM" in their Pokémon because after the training that they do together, the Pokémon have developed their own independent bloodlust and have started memorizing the move strategies that the twins have them use
Sometimes to celebrate fully completing a study on a particular set of Pokémon, the twins will eat one. This is mostly as a treat and an inside joke, but they will research what's in season/allowed and go hunt for one. Ingo is usually the one to catch it, and Emmet is the one to cook it. There's some really goofy shitposts about them going after pseudo-legendaries overseas, or Palkia's leg in Hisui
The twins can perform full medical care on any Pokémon and can often grind for hours nonstop since they can heal their teams themselves. They also save a lot on healing items this way
After releasing their diagnosis, the perception of the twins have gone in wildly different directions. Some people treat them as subhuman or as monsters, some people don't care, some people call them psycho yandere boys on twitter. Emmet tends to get more of the negative connotations, Ingo tends to get the more "positive" ones. Emmet also tends to get a lot of stares due to his restraint and status as a crazed fighter, which he pretends doesn't get to him
I think that's everything, I'm going to go collapse. Hope you guys enjoy 👍
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paimonial-rage · 9 months
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what are they like in a relationship? For diluc
do you have headcanons about them? for xiao
[Character Analysis Ask Meme]
What is Diluc like in a relationship?
The day you found out his feelings, he didn’t approach the matter like most men in Mondstadt. He didn’t smile, nor did he meet your gaze. If you had to be honest with yourself, it seemed as if he wanted to be anywhere but here with you. Yet even with his stiff expression, he asked if you would meet him on the veranda privately. There, with the sun setting from behind and a slight dusting of red upon his cheeks, he then requested permission to court you. 
It doesn’t take you very long to notice how awkward he is in his courtship of you. Whenever you walk side by side, he always keeps a respectable distance. He does not reach for your hand, nor does he hold you close. Still, you can’t deny he’s earnest. Every meeting greets you with a bouquet of flowers. Every parting leaves you with a kiss upon your hand. 
It takes you a bit longer to see through his cold exterior. How his frowns when you speak are only in frustration due to not knowing how to respond in a way that’ll make you smile. How his eyes tend to follow you when he thinks you are not looking. How he turns away to hide his smiles when you do something that warms his heart. 
You come to the conclusion that even though he left his past behind him, he is a knight through and through. Never having been in a relationship before, he lets propriety dictate the way he acts toward you. It’s so incredibly stiff and awkward, you can’t deny that. And yet, when you look in his eyes, all you can feel is warmth. 
-----
Xiao Headcanons
Self-focused
Though many of the workers at the Wangshu Inn attempt to create a calming atmosphere for Xiao, there’s nothing he hates more than silence. Many people would not expect it with the young adeptus, introverted as he is. How would they know that the worst times of his life were spent struggling to survive on his own? And the best? When he closes his eyes, he can still hear them—the melodious voice of Sister Bonanus, the loud and rambunctious teasing of Brother Bosacius—his family. Sometimes, on the worst nights, he finds himself drawn to the edges of Liyue Harbor to let the sounds of life and living draw him to sleep.
Relationship-focused
Though you may have realized it before entering into a relationship with him, it only becomes even more noticeable after that Xiao isn’t one to express his needs. Oftentimes, it’s only until after he’s fully withdrawn himself that you realize something may have happened that caused him undue stress. It takes you time to realize that it’s not because he’s upset with you or that he doesn’t trust you; it’s simply that he does not wish to inconvenience you with his problems. It’ll take time and patience before he feels truly comfortable relying on you during his weakest moments.
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silverskye13 · 6 days
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heyy i am having Thoughts and you, beloved author, since u have ur asks open, get to hear them! woo 1. rotating ch4 in my head. “Why are you helping him?” Helsknight snapped, “Do you have any idea how rare it is that one of us wins?” 
ok helsknight, but what does happen when one of you win? How does it happen?? who has it happened with?? how does the universe react when something that wasnt really meant to exist manages to take all there is to take, and successfully kill something almost beloved to it, in its weird, eldritch, universe way? (And the universe said i love you because you are love etc.) (if that is what helsknight means?) 2. rotating tanguish and his origins in my brain even faster. it was always so interesting to me how different tanguish is from every other helsmet. he is absolutely a helsmet, twin appearance and parasitic connection and all, but he doesnt hate nearly as much. feel like tanguish, in a world of cruel, selfish, hateful brutes and very few meek fellas like himself (at least thats the impression i got on my first read? in the middle of my second, more thorough one atm) is the way that he is becuz almost everyone else formed not just from fear and insecurity, but hate and hurt. betrayal and desperate, spiteful last ditch efforts and hatred of- well if not others then yourself. even alongside fears, insecurities etc. all of them had hatred as one of their main components. tanguish wasnt made from hate, but from fear. hes meek and small and scared because hes born from tango's fear of being left behind, of being a burden etc. hes not born from self loathing (tho tango deffo has some) but from the fear of being abandoned, being left alone skye you are makign me so ill abt this lil guy /pos
(pls pls PLEASE feel free to correct me wherever im wrong i love hearing ur thoughts on this stuff sm)
Thoughts thoughts thoughts! I love hearing the thoughts!
I'm pretty sure Helsknight's version of "winning" is someone like Evil X, who doesn't worry about his hermit anymore because he's a permanent fixture. [And the universe said you are tolerated, and the universe said, for now, I will let you be.]
You're right! He really doesn't hate nearly so much. He wasn't made to, and its not beneficial for him to be! And if he's a parasite, he only wants what will help him -- and when did driving his hermit away ever help him? Fear however, has gotten him a lot of places.
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front-facing-pokemon · 11 months
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jessicas-pi · 18 days
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She did not shrink back, though the pupils of her eyes dilated. Was it the wildest thing in the world which happened to her—or was it not? Without warning—the sudden rush of a thought, immense and strange, swept over her body and soul and possessed her—so possessed her that it changed her pallor to white flame. It was actually Anstruthers who shrank back a shade because, for the moment, she looked so near unearthly.
“I am not afraid of you,” she said, in a clear, unshaken voice. “I am not afraid. Something is near me which will stand between us—something which DIED to-day.”
---
behold: my artistic contribution to the small but enthusiastic You Should Totally Read The Shuttle (1907) By Frances Hodgson Burnett campaign
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peridots-pixiwolf · 11 months
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[Start ID. Four drawings of Hollow Knight ocs, in a dull green tone on a small canvas. Taking up the right half is a render of Caramel, a bee wielding a mantis claw across her shoulder and donning a cape in the colors of the aromantic flag. On the left are three colored sketches: the first at the top shows Caramel with her trio of friends, green-mantled bug Hawksbeard talking with her and gray millipede Molini curled around them both. The caption to the right says "Friends who love her" in all caps. In the center-left is a drawing of a tan and brown slugcat with a vulture mask on her face and a spear on her back, captioned "caramel slugcat, what will she do". Last is a sketch of Caramel and the bee nosk Pollux, who's dressed in an asexual flag of their own, and who has taken Caramel's mask to hold it up to its face. Caramel looks at her cheerfully, arm around her back. End ID.]
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[Start ID. A rough drawing of Caramel and Hawksbeard in Rain World. They're now a tan slugcat and green scavenger, respectively, seeming less familiar with each other in the image than they are in canon. Caramel now has two spears on her back, holding another spear in one hand and a pearl in the other. Hawksbeard wears a sash of pearls, and offers a lantern to Caramel, the only thing lighting up the drawing in the dim Shaded Citadel. End ID.]
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[Start ID. Another drawing of Caramel and Hawksbeard together, sitting down on a blank, dull green background. A cropped tweet by Caramel's head reads "Why are girls allowed to say girlfriend to refer to a platonic friend, but I can't say 'this is my boytoy twink malewife Hawksbeard'", with a spur indicating she's saying it, and the Hawksbeard part being a write-over. Caramel gestures with one hand in a sort of wave and has her other arm around her friend, while Hawksbeard looks at her in slight concern, simply stating "what". End ID.]
Small doodles of Caramel to commemorate the first-ever aromantic visibility day :]
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mokutone · 2 years
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page 1 | page 2 | page 3 | page 4 | page 5 | page 6 | page 7 | page 8 | page 9 | page 10 | page 11 (you are here) | page 12
image desc under readmore:
ID:
Panel one has a view into Kakashi's bedroom from just outside the open window. We look over the bed where Tenzō's Anbu mask is resting and past the flapping curtain, and see the spot where Kakashi and Tenzō are sitting. Tenzō, still crouched by the side of Kakashi's bed, is mostly hidden aside from the top of his head. Kakashi is sitting with a loose, tired posture, looking wryly out the open window. "And then you came to my apartment, " Kakashi says. "Maybe it felt safe and secluded enough to have your breakdown in. Which is flattering, but to be fair, my wards are usually immaculate."
The second panel, they are sitting, knees touching knees, facing each other. Kakashi's eyes are closed, like he's trying to force a smile, but not succeeding very well. He has one arm wrapped around himself. Tenzō is leaning forward towards Kakashi, eyebrows low over his eyes. "But I didn't plan—I didn't choose to do this, to feel this," Tenzō argues. "Who would?" Kakashi asks. He continues, "The only drawback of having trust, of having a place to be vulnerable, is that sometimes you'll have to be vulnerable in it, I guess. Hurts, huh?"
/end ID.
#my art#naruto#comics#yamato#tenzō#yamato tenzo#kakashi#im sooo pleased with the top panel. but i hate the second panel so much. the duality of a single comic page#in trying to remove himself from the subject hes speaking about (repression) kakashi uses very definite second person speech#even though he throws the word ''maybe'' or ''perhaps'' in there to indicate that he doesn't know tenzō's internal workings#to tenzō it sounds very much like ''you did this because you probably felt this. you did this about that..''#and tenzō is very much like ''I. NOT INTENTIONALLY? I PROMISE I DIDN'T PLAN THIS!''#tenzō feels like he's being assigned a greater agency than he felt. is i guess what im saying#if kakashi instead talked abt a situation where he acted similarly to tenzō its possible this might have given tenzō an opportunity#to understand his behavior through comparing it to kakashis. recognition of self through the other or w/e. BUT.#kakashis not a mental healthcare professional. hes ALSO just a traumatized kid. with bad coping mechanisms. trying his best.#tenzō is 13 here so kakashi is probably around 16#thats part of why i draw him as or mention thruout this comic that hes getting frustrated or uncomfortable#hes a kid! hes not good at this! he's just Unfortunately tenzō's best option for support at the moment. literally its either Kakashi#or going to the Hokage like ''hi Hiruzen I have concerns that I might be a danger and a threat to your village.''#''do you want me executed or banished? Really I insist it's your choice Hokage-sama. I'm really not picky."
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dykeinthedark · 14 days
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venting in tags about gender n shit (long as hell) (u can comment and talk 2 me as always :3)
#okay so i got a really masc haircut about a month ago and i know it's just a haircut but holy shit has it changed EVERYTHING for me#like.... i've always leaned masc except 1) before i came out 2) when i was actively in love with someone who i knew liked femmes#and they always described me as a fem. because that's what i showed her. because i wanted to be with her.#but lowkey whenever i'm in a not-impressing-anyone raw-dogging-life-no-crush era i always resort to a very masc style#like masc being my default and i'd only lean fem to impress people whether it's for love or peer pressure in a specific setting#like ''dressing up'' has always been a form of drag to me. like something i HAD to do to fit in or impress my parents (scott favor core)#but ever since this haircut i've realized... i could just BE masc innately like i really don't have to be womanly if i don't want to#which i usually don't. again i have only ever dressed fem for other people. but it's not even being masc that attracts me on its own#it's like. being masc in a distinctly lesbian way. as in whenever i look in the mirror i don't wanna be like a Guy i wanna be a dyke.#like lesbian as a gender identity too sort of thing honestly. okay i've been waffling but basically i sort of want to call myself butch#but i don't know if i like... can?? if i'm allowed to???#everyone always says it's MORE than just wearing boy clothes and not wearing makeup and having short hair (which i already do all those)#i mean i've always id'd as genderqueer because it literally just means gender weird and i experience gender in a queer way#what's probably the most telling is that my friends (all queer) CALL me a butch lesbian#like every time they do i feel really internally validated. it's not just my clothes but my personality too ig is what people tell me#i have a higher pitched voice relatively speaking but apparently the way i talk is quote ''very clockably into women''#which?? gender euphoria asf. my best friend specifically he (gay trans guy) always uses butch to describe me very intuitively#people have also noticed that i ''transitioned'' in all aspects except hormonally. like ppl have commented and noticed my masculinzation#but at the same time i always feel rly haunted by my ex relationships because one wanted me to be more masc#(she's the one who came out as straight and would treat me like a man) which i didn't like and i didn't like playing up being fem either#bc now it feels like she (butch) won't believe me if i called myself butch too bc she remembers me being femme#idk i feel like there's her voice in my head all the time that sees everything i do through her eyes (i'm lowkey still in love)#i feel like even though this comes so naturally to me i must be putting on a performance#even though i've actually read stone butch blues and done research into the history and i truly love and id with the culture like i rly do#that im still just a sad imitation of a butch lesbian and can never really be a part of it because i used to enjoy dressing up sometimes#like it's so stupid but can i still be butch if i wore a dress to prom and i think i looked good in it??#even though i was envious of my friends who wore suits?? that i used to try goth makeup?? that i liked long dresses??#that i enjoyed stacked necklaces and rings on every finger???#and tbh ALL OF THAT CAME FROM A CONCIOUS EFFORT TO FEMINIZE MYSELF IN JUNIOR YEAR OF HIGHSCHOOL WHEN I WAS 16#because omfg it was 2 months before junior prom and i was worried that i was too masc and wanted to get comfortable with being fem
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automatonknight · 1 year
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lone star shine down on my hometown
id: a digital greyscale drawing of kurier-she’s white and has long, dark, graying hair as well as a beard. she’s visible from her head to her chest. she’s wearing a cowboy hat, a plaid, unbuttoned shirt over a white tank top and a simple, black eyepatch over her left eye. the background is solid black with a lone, white star shining right above kurier’s head, they’re looking up at it with a sad expression. end id
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2aceofspades · 8 months
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So out of curiosity, why is your Au called Wrong Fractured Time Branch?
That's a great question! Uuummm...it's mostly cuz I'm silly silly goon/lh
But...But! I have a ~smart explanation~
So! In the Rise movie, Donnie says that they're in a "bifurcated time branch"
For some reason, I thought he said "fabricated" so, I went with "wrong fabricated time branch". The "wrong" part of the title is kind of like...a spoiler? I guess? Mostly because my AU time branch doesn't follow the events of the movie...it's more "separate" and "wrong". And the "fabricated" part is because they're not in that "bifurcated time branch" in the movie. Oh, this is so hard to explain without spoiling certain ideas and plots I had for this AU...eugh boy...
Consider it a happy lil accident. I got too attached to it and tried to tie it all together to make it make sense, pretty much.
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photon-crest-art · 4 months
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I don't have a witty caption for this tbh. Get Zooble'd or something I guess.
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oveliagirlhaditright · 8 months
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Kingdom Hearts 4 Challenge Day 6: A World to Revisit
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Atlantica
(So, I swear all of my posts really aren't meant to be about Kairi. Like, I was going to make this cool manip where it looked like Sora was saving Melody from drowning, but my Sony Vegas refused to open for some reason? So I just decided to post these similar images of Melody and Kairi instead. That being said... while I don't need Kairi to be the one to go to a The Little Mermaid II: Return to the Sea world if we ever got one--I'd be more than okay with it being Sora--that would be cool. I'd love to see mermaid Kairi, since Kairi is named for the sea. And Kairi's name can even mean "melody." And she has a lot in common with Ariel. I even suspect she was somewhat based on Ariel, but anyway.)
The reason I would want Atlantica is honestly just because I would want a pretty underwater world again with the Unreal Engine graphics. And that can be a world that we've never been to before, like, Atlantis: The Lost Empire. But if we don't get a new one, then I would want an old one like Atlantica here. Plus... even though I don't think this movie is the greatest. At all. I feel like it's okay... and depending on how they handle it, the KH writers could potentially make it better, with what they add to it. Also, I feel like if we go to Atlantica one more time--with better swimming controls, and in an attempt that isn't a musical--we could finally redeem the world. And that would be great to see.
And now, for whatever reason, I'm going to list some other worlds I'd be more than okay with returning (even though I think we were only supposed to list one. Shh.)
Wonderland: But only if the world is expanded and it's a "sequel," via it being based on Tim Burton's Alice in Wonderland.
Deep Jungle: I know this will surely never happen, since I know Disney has lost the rights to Tarzan. But on the off-chance they ever got the rights back somehow, I definitely wouldn't mind seeing this world back again, perhaps adapting some of the stories from the TV show, like the stuff with Princess La.
Agrabah: I definitely want to go here one more time and to have the "Aladdin and the King of Thieves" story depicted. (I probably would even prefer this even over Atlantica, actually, even though I want that pretty underwater level). This was one of the better Disney sequels, after all. And Sora most definitely deserves to be there for Aladdin and Jasmine's wedding.
Neverland: I wouldn't be opposed to the second Peter Pan movie being adapted.
The Land of Dragons: I'd be all for us having Mulan II, actually.
The Beast's Castle: I've always wanted "Beauty and the Beast and the Enchanted Christmas." I want to fight Forte. LOL. While I doubt it will happen, for obvious reasons, I feel like they could find a way to do it: like Belle writes Sora and the gang a part of her and the Beast's story that they don't know about (the Enchanted Christmas story) and sends it to them as a gift (maybe even for Christmas?), and once Sora opens it, he somehow gets pulled into said story.
Pirates of the Caribbean: I wouldn't mind a "Dead Men Tell No Tales" world.
The Lion King II: Simba's Pride would be awesome.
I would also kill for Cinderella III: A Twist in Time.
While part of me is loath to mention this one... I feel like no one was completely satisfied with the La Cité des Cloches world in Dream Drop Distance (because of lack of NPCs and that kind of thing). And there is a "The Hunchback of Notre Dame II" that Disney made. Absolutely no one likes this movie, and for good reason. But I don't know... I would be willing to tolerate it, just to see this world in the quality it deserves. And maybe Square Enix could somehow make it better... actually, surely not. But like I said: I could tolerate this just to run around Notre Dame in pretty Unreal Engine graphics.
I know that originally with DDD, the plan was Sora to go to all of the original Fantasia locations and for Riku to go to the ones in Fantasia 2000. But then they realized there were enough locations in the first movie for them both to go to, and they didn't need to crank out the sequel after all (or something like that). So I certainly wouldn't mind getting Fantasia 2000 now, in KHIV.
Tangled I'd love to go here again, if we get to see some of the cool plots from the TV show, that I've watched on YouTube. LOL
Arendelle We all know we'll be going here. It isn't even a question. I just hope that this time, Disney gives Square Enix much more freedom (let Elsa and Anna be party members, please). Since Frozen II is kind of hit and miss. Square Enix could really make something cool with it--like they could have with Frozen in KHIII--if they're allowed some creativity.
Wreck-It Ralph Because no one, and I mean no one, wanted us to first experience this world in KHUX, tbh.
Radiant Garden I just really want to finish some of the plot threads there that are still hanging.
Destiny Islands I just really want to be able to go back here and play, dangit! And maybe finally get to explore the main island!
Shibuya Just let us meet Neku, Shiki, Beat, Joshua, and Rhyme in their Shibuya (even if it's an in the credits thing), if Quadratum isn't theirs and we're not going to meet them (or the Wicked Twisters) in the game, otherwise.
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