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tracey-frazer · 2 years
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Fog rays for days, have a wonderful weekend
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gayvillains · 1 year
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1 2 and 6. i would ask 21 but obviously its the desk
1. Song of the year?
I assume these don't have to be things that came out this year necessarily because I am really not current enough with music to do that 🥲 but for me it's Andy by The Front Lawn. I just love it. The grief is so real and raw and beautiful and the way it's localised in a specific place... Just really hits
2. Album of the year?
Rented World by The Menzingers... one of my all timers and this year I listened to it more than ever
6. Episode of tv or webisode that defined the year for you?
ANDOR SEASON 1 EPISODE 5 "THE AXE FORGETS"
or possibly HAMISH AND ANDY'S CARAVAN OF COURAGE NZ VS. AUSTRALIA
21. What’s something new about your place of residence (room, home, or general location) now vs the start of the year?
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rhonddaandallaneuro · 3 months
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The final stage of our Norway leg saw us visit Bronnoysund, which claims to be the centre of Norway. Came in on the Sunday so nothing open I took the time to have a sauna. Great experience and the view from deck nine very calming.
From here we sail to Alesund, Haugesund and Kristiansand prior to departing the cruise in Oslo on Saturday. As we sail the winds seem to be greater but the amount of snow on mountains less and less. Still cold but the days of minus are done.
Norway is a country of contrasts. It is rugged in appearance while calming as we cruise past the mountains. The towns are tidy and people friendly. The one off attractions lacking compared to visiting the likes of NZ but the ones they have are truly worth the time and money to see and visit.
Did I mention expensive. This without doubt is the most expensive country we have ever visited. The cruise is worth the money but when you are on land you are viewed as a cash cow. The locals make no apologies. Spent nearly A$400 on two simple meals. Would encourage others to do the cruise but research where you are staying prior to and after the cruise. I am sure the locals do not pay this sort of money.
Stopping at Alesund you find most houses over 100 years old and those that are not built in a similar style making this a lovely place. This is also where we have finally seen grass however the temperature is still minus 1.
Tuesday we dropped into Haugesund which was very bleak. We had been told it made the worlds best cider which we could not find. Locals only sell imported ciders. Returned to ship where we dined on a local dish of raw meat. We both had a sauna which was pleasant but not liking the cold shower afterwards. Hahah
Kristiansand, our last port, was a great stop. Saw the old fort and then visited the local church where we listened to the church organist who was excellent. She was actually playing two organs at same time. The large organ was built in 1647 with small organ added in the twentieth century.
Here we also watched children skating at local rink. Rhondda tried to play local game where you slide a heavy metal disc on ice and found out not that easy as she sent the disc flying/rolling into the unsuspecting crowd. This town was where we experienced great weather with sun out. Local seafood market disappointing further proof that in Australia we do have the best. Interesting though to see crabs and lobsters with claws taped together.
Friday now we are waiting to disembark in Oslo. It is just on 9am so not sure what we will do to fill in our day. Will fill in the details after we arrive in Iceland.
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ladhanimetalblog · 8 months
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malstermonkey · 11 months
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Day #2
I’m sitting in the Air NZ Lounge waiting for my flight to Korea -- I leave with a heavier heart than usual................and this isn’t about leaving Australia: I’m a forward-looking individual, so while I draw lessons form my past mistakes (the full litany of which should be stared at with wide-eyed wonderment) I tend not to dwell on it -- it’s about whom I’m leaving behind.
I’m leaving behind an individual with a heart heavier than the heaviest of metals, whose outlook is only dimly lit by a faint glimmer of light, who is, currently, living in a deep pit of darkness -- and this darkness is made all the inkier for the fact that, from the outside, few will know, nor understand, the despair that has crept into every muscle, fibre and cell in her body. 
And more than that there’s a geographic distance which hardly helps.
It’s too early, I know, but things do change, the rawness, the jagged edges of your grief will, over time, be smoothed & rounded and be replaced by a dull ache and a sense of quiet thankfulness that you have had the privilege to share your life with a character as brilliant and enthusiastic and empathetic as your SBO.
Grieving is crucial, it’s necessary and important, but keep your gaze lifted on the light smudge of light far, far away on the horizon: it’s the place where these experiences make you a better person too.
Shortly off to sit in a metal tube and just remove myself from this world, to log off -- that said, you know that my thoughts, my actions, these every moments carry within them the knowledge of what you are going through.
Drag yourself through this day, his memory is best preserved by the appreciation of how he enriched your life, how he gave it subliminal purpose and added a layer of meaning and a depth of connection that, despite your deep and overwhelming sadness, is the legacy he leaves in your life and with you.
Go easy on yourself lass.
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sueheaven · 2 years
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Manuka Honey Market to Witness Excellent Revenue Growth Owing to Rapid Increase in Demand
Advance Market Analytics released a new market study on Global Manuka Honey Market Research report which presents a complete assessment of the Market and contains a future trend, current growth factors, attentive opinions, facts, and industry validated market data. The research study provides estimates for Global Manuka Honey Forecast till 2027*.Manuka honey is made from the nectar of the mānuka tree and is manufactured just in New Zealand and Australia. Because of the anti-bacterial properties of manuka honey, they're used majorly for medicinal purpose. The strong flavor and sweetness of manuka honey build them a potential sweetener and table sugar replacer. The common practice of usage of unconventional sweeteners is growing the popularity of manuka honey globally. Manuka honey is known to contain low fat and therefore is gaining its significance amongst the health-conscious consumers.
Key Players included in the Research Coverage of Manuka Honey Market are:
Comvita (New Zealand)
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Arataki Honey Ltd (New Zealand)
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Opportunities: Rising Demand for the Natural and Herbal Ingredients
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Market Growth Drivers: Wide Application of Manuka Honey in the Food Industry As Well As For Medicinal Purpose
The Rising Health Conscious People Among the Globe
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The Global Manuka Honey Market segments and Market Data Break Down by Type (UMF 5+ Manuka Honey, UMF 10+ Manuka Honey, UMF 15+ Manuka Honey, UMF 20+ Manuka Honey, Others), Nature (Organic, Conventional), Function (Anti-inflammatory, Antibacterial, Sweetener, Others), Form (Raw Manuka Honey, Processed Manuka Honey), End use (Food & beverage industry, Bakery & Confectionery, Beverages, Dairy Products, Others, Pharmaceuticals, Cosmetics & Personal Care), Distribution channel (Hypermarkets/Supermarkets, Convenience Stores, Specialty Stores, E-Retail, Others) To comprehend Global Manuka Honey market dynamics in the world mainly, the worldwide Manuka Honey market is analyzed across major global regions. AMA also provides customized specific regional and country-level reports for the following areas. • North America: United States, Canada, and Mexico. • South & Central America: Argentina, Chile, Colombia and Brazil. • Middle East & Africa: Saudi Arabia, United Arab Emirates, Israel, Turkey, Egypt and South Africa. • Europe: United Kingdom, France, Italy, Germany, Spain, Belgium, Netherlands and Russia. • Asia-Pacific: India, China, Japan, South Korea, Indonesia, Malaysia, Singapore, and Australia. Presented By
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safetyvestau · 2 years
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alienios487 · 2 years
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pokiegen292 · 2 years
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osakagroup · 2 years
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tracey-frazer · 2 years
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Foggy sunrise
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oumaheroes · 3 years
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NZ and Artie hcs pretty please! Something 🥺 thank youuuu
Sorry this took me so long to answer!
I should start with something 'overall' first. I've enjoyed seeing different fandom interpretations of New Zealand throughout the years- as a shy golden boy, to rambunctious fellow play fighter, to mud weary tomboy, to a poised daughter, or all at once. For me, potentially due to how Zea has been canonically drawn, New Zealand is non-binary. What they've got going on under there ain't my business and they certainly don't care. I’ve therefore given them the name ‘Alex’- for the feminine or masculine version, who’s to say.
They very much live by the feeling 'I am New Zealand', and whatever that entails. Nothing more, nothing less.
Childhood/ Teenagerhood:
England had really settled into the swing of things at this point. He was used to children, used to parenting in general- the ups and downs of it - and used to keeping his children at more of a distance emotionally than he had with Canada and America. So, by the time Zea came about there was a smoother transition into family life than there had been for poor old OZ. Australia, who had a few brief years of England as a more affectionate, happy, and relaxed parent, was abruptly cut from contact for a few years and then reintroduced to someone stricter and far more distant and which has left their relationship a bit strained at times.
Zea knew nothing else. From the get go, England set a standard of behaviour and maintained it. On the one hand this was good: Zea never struggled around England, either in being comfortable in his presence or with the 'new' rules that were in place, and also never suffered from any sort of consequence that came from having a parental figure suddenly do a 180 on you.
On the other hand, they did grow up slightly lacking in the affection department. They knew England loved them, but as soon as they became a little older there were less hugs, less kisses, less of playing silly games and more study, learning, and filling their days with their own company. They were used to this and it didn’t bother them at the time, but compared to their older brothers, or younger ones (seeing him with Sealand does spark some bitterness), they certainly missed out, and have inherited England’s current (in)ability to interact physically with loved ones- they’re not overly touchy-feely and express love through acts of service or gift giving.
Mainly though, Zea's childhood was good and quite stable. They were home schooled, but England also used to like sending them off for playdates with noble families with children to get them more acquainted to people their physical age, or would take Zea with him into town to work with their politicians or their tradesmen. Zea thus spent a lot of their time waiting, either sitting on the floor of England's study, or somewhere around him outside, watching and listening to him work and talk shop with people.
Nations are robust things, sturdy and, surrounded by their people, not really in too much danger. I think England was rather lax in this regard with his children (someone who had a childhood of wandering around villages, foraging for food, and being personally thrust into war from a young age will hardly find a town centre in the 1800s dangerous) and used to leave New Zealand with some local children for entertainment if he needed to go and do things that required a bit more time than a quick chat.
Because of this, a humdrum of business is something New Zealand finds to be a soothing white noise, something they can filter out or tune into easily, and they appreciate this unorthodox education. They’re also very happy with their own company and can entertain, and soothe, themselves independently.
Not to go on too much of a tangent (because I do do that, in these posts), I just want to quickly touch upon Zea and Oz’s relationship because I think that helped cover up for what they were lacking in terms of openness and easy affection from England- Zea because they never really had it, and Oz because he was missing it. Due to how close they are geographically, and potentially because England on some level felt guilty for his inability to fully let himself go and open up to them, New Zealand and Australia spent quite a lot of time with each other in either of their lands from England moving them about with him when he visited one or the other. Both were also sometimes taken back home with him to the UK and a lot of Zea’s exposure to a more ‘traditional’ Kirkland upbringing comes from their time with their bother- playfights, arguments, mischief, and an open easiness with each other’s raw and unfiltered company.
Back on topic and to summarise, New Zealand's childhood relationship with England was a good one. As I mentioned in my Canada headcanon post about a similar topic, England is very, very good with small children and Zea was no different. But as they got older this decreased rapidly, something that they considered perfectly acceptable at the time but now is something they sometimes look back on with a small amount of hurt and confusion.
Teenagerhood they were very used to being on their own and, funnily, when you think about what England was trying to do, very independent. Not independent like America, with his fights for recognition as an independent entity removed from England, but independent personally. A childhood of watching England work and playing often by themselves meant that Zea as a teenager was studious, quiet, and happy to be left alone or taken out for company (similar to Wales in personality, I reckon. Need their alone time and will take themselves away if this is not given).
Arguments with England were rare- Zea’s not one for butting heads but would much rather learn the ins and outs of everything and then put forth and argument for change. England may be a hothead and stubborn, but he’s not closed minded. It’s how you approach him that matters and Zea caught onto this early. Whereas Australia would shout or refuse to do that he was asked if he didn’t want to, or would put up some form of fight, New Zealand would instead do the task, do it well, and then request time with England to formally present him with all of the reasons their proposal was far better.
England being told he is wrong will likely not listen if he believes himself to be right (even if he has doubts, someone telling him that his way is bad will make him stubbornly cling to it just to prove them wrong and himself justified for doing it in the first place- clawing and scraping for even an inch of a victory). But England being told that someone has thought of a different way, and asking for his opinion on it, is far more likely to inspire change. He feels valued and goes into the discussion with an open mind that most often went in New Zealand’s favour.
Because of this, they do have a reputation of having England wound around their little finger from a young age. But really, they were just smart enough to figure England out and use it to their advantage. They were also smart enough not to overplay this hand, and so their teenagerhood was peaceful and calm.
Adulthood:
As adults, the two are on very good terms. England prefers adult children to teenaged ones, especially calm, well-mannered ones, and this relationship improved after Zea got their independence. Rather like a burst of relief from England’s end, I feel- he’d spent so long paranoid about his colonies leaving him that this clouded his enjoyment of them. With them finally independent, that worry is redundant and he can enjoy them for the people they are. And Arthur likes Alex, he really does. He finds them mature, funny, and intelligent. The two have similar hobbies and interests and England often spends time with them travelling about to beaches or passing book recommendations back and forth.
Being nations heavily shaped and surrounded by the sea, this is something that is a huge passion for the both of them and they often go sailing together on the ocean, either on smaller boats by the shore or for larger trips out to sea. Arthur willingly took all of his children out to sea, but Alex was the only one who really took to it and shares a similar hunger for it as he does. They’re probably the least openly affectionate pair of all of the Arthur- child relationships, but that doesn’t mean he loves Alex any less and, most of the time, Alex knows this and is content with the way things are. As mentioned in my Canada post though, England is trying to improve himself in this area in the modern day and he’s trying really hard with Zea, (though this is sometimes awkward for the both of them.)
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sarahjkl82-blog · 3 years
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Artistic Instinct: Chapter 6
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Header thanks to the lovely @yespolkadotkitty
Summary: Marcus Pike and OC Anushka Pierce have been selected to work on a 5 eyes (Australia, Canada, NZ, the UK and US) intelligence team to track down art forgeries as a part of taking down an international white terrorism cell. Marcus is trying to escape his broken heart, Anushka is just trying to escape what the world expects of her.
Word count: 6200 (yup, the words ran away from me!)
Warnings: Language, mention of death.
Pairing: Marcus Pike x reader (OC)
This comes with a MASSIVE THANK YOU to the lovely @yespolkadotkitty , who read, re-read, pointed out the constant flipping between tenses and gave me the confidence to try to write something!This is the first thing I have written since angsty poetry as a teenager. Apologies if it is shit!
To an untrained eye, need and love are as easily mistaken for each other as the real master's painting and a forgery.
Deb Caletti
Chapter 6
A low lit room- more fitting of an old jail than an art lock up- surrounds you with cool air that tickles the tiny hairs on the back of your bare neck, as you bend over double, digging through the equipment in the abyss of your bag. A gap forms between the waist of your jeans and t-shirt, revealing the tiniest bit of the lace edging from your bra band- a tantalising fact that catches Marcus’ breath, alerting you to his presence, “Hey, you ok?” you ask straightening up, “Did you find something?”
“Yeah, uh sorry. Think I just had a bit of dust in my throat,” Marcus stammers, utterly thrown by that glimpse of your underwear, as he tries to clear his throat and remember the reason he was standing in front of you, “So, uh, yeah, um- we found a couple of signatures from Paul Guillaume and Albert C Barnes- weren’t they the guys we had to look out for?”
Looking over the papers with your cotton gloves still on, you pour over the shaping of the letters that made up the signatures of the possible previous owners, “I dunno. I’m not convinced- the positioning of the letters seem odd- like a crude rendition of someone’s signature. Almost like someone’s faking their mum’s signature to get out of PE class. Only the thing is, you know the movement of your mum’s hand as she signs something because you’ve watched her do it a million times before. Those signatures do not seem real to me, personally.”
Marcus’ eyebrows raise as he crosses his arms, desperately trying to hide the smile that was creeping across his face. “You faked your mom’s signature a lot?”
“Poacher turned gamekeeper,” Élodie remarks as she crosses between the two of you, straightening your t-shirt up where it has caught upon the back of your jeans.
Marcus tries not to let his disappointment show. Calm down, Pike, you’re hardly a horny seventeen year old. But that was how you made him feel and certainly the uncomfortable pressure building in his jeans might prove otherwise.
“I don’t think we will necessarily manage to get this solved today,” you begin, “The section that Élodie looked at dates it reasonably within the time period but those signatures are now tingling my spidey senses. It’s probably going to need to be sent for further investigations at a proper lab. I’m about to look at it using the stereomicroscope- do you want to have a look with me?”
Marcus nods eagerly, earning a grin from you, and you start setting up the pieces you need- ensuring that the video camera is linked to your iPad so Marcus can see everything you are looking at in real time along with you.
Marcus drifts closer to the painting. You haven’t seemed to notice his closeness yet, and he half hopes you don't, as from where he’s standing the aromatically pleasing scent of your shampoo wafts dreamily from the dark shimmer of your hair.
“So tell me more about this piece. I love listening to you speaking about art. You make it seem like I’m looking over the artist’s shoulder as they’re painting it.” Marcus remarks, smiling when he notices the flush creeping over your cheeks that his words bring.
Impressed by your decision to play into his words rather than focus on how awkward you feel at the compliment, he loves how you fan yourself and flutter your eyelashes at him, “Monsieur, you flatter me! Well, looking at this piece it’s not difficult to imagine that Soutine may have had a longstanding beef with food. Though he was fascinated by food and frequently painted these edible arrangements, this stands as one of his most memorable and dare I say, raw interpretations.”
At these terrible puns, Marcus pretends to drum, “Ba da boom tish!”
“Do not encourage her!” Jacques shouts from the other side of the room where he is labeling the bags for the slide samples that Élodie had been collecting, “Once you acknowledge one pun, she’ll ensure that everything she says has one. Queen Nush of the dad jokes!”
“So at the meat of Soutine’s obsession,” Marcus half-snorts, half-groans, intending to encourage you as you add, “You find that a combination of not having anything to eat due to extreme poverty and using what food the family did have to practice Kosher traditions is largely to blame for his playing with his food rather than eating it.”
Marcus watches you flick through your phone so as not to interrupt the finally clear feed from the stereomicroscope focussing on how you bite your lip. You quickly google the Rembrandt that you want him to look at. “The remains of this omnivorous…”
“Oh you’re still gonna continue with that theme, yeah?” Marcus’ feels his lips curve at your humour, shaking his head at the ridiculous word play.
“Oh, I can keep this going all day,” you say with the cheekiest of winks, and Marcus hopes you will.
*****
“Omnivorous obsession,” you continue, “was based on his adoration of Rembrandt whose 1655 Flayed Ox was frequently salivated over by Soutine on his regular visits to the Louvre. Rembrandt’s carcass is noted for its vivid colors but when compared to Soutine’s, which was coated almost daily with fresh buckets of blood by his assistant, Rembrandt seems downright dull. The smell of rotting beef and fresh blood became so oppressive that neighbours called the police, who almost threw away the fermenting flesh before, what I can only assume was the Frankenstein-esque assistant, shooed them away like so many flies covering a carcass.”
“Always with the focus on the graphic elements of art,” Jacques calls out with a snort at your zombie-like impression before receiving a sharp nudge to his ribs to focus on the job Élodie has asked him to complete.
“Art is just a reflection of the things that humanity finds interesting and what can be more interesting to a temporal being than their own mortality or that of the creatures and objects that surround it?” At this statement, you tug Marcus’ coat sleeve away from the piece to come and look at the feed you have set up for him, “Come on you, we’d better focus or Élodie will have my guts for garters for not concentrating on what I should be doing!”
Marcus allows you to lead him over to a black metal folding chair to look at the feed, “So what are we looking for, Mademoiselle Pathologist?”
“Hah, did you just call her mademoiselle? She’s too old for that!” Élodie shouts in your direction.
Refusing to respond verbally to Élodie’s rudeness, you flick a finger up at her and turn back to Marcus, “Madame Pathologist will do- I am comfortable with my age. So what we are looking for are any bits of difficult to detect damage, fading, repairs and the ways paints and other coatings are distributed. Also if there are any strange fibres that we can spot using the double lens.”
Hovering the microscope over the bottom left hand corner, you start to scan the piece, “So what we’re looking for are any irregularities that we might not have picked up on a first scan that Élodie did to take the samples. The stereomicroscope helps us to understand the art in more 3D terms- so we can see something that generally looks flat becomes a landscape of hills and valleys.”
“Why’ve you chosen that corner to start?” Marcus probed inquisitively, wondering as to whether there’s method in your madness.
“Just felt like it!” You shrug and snort at his look of mock horror. “Nah, it’s where the signature is and ‘cos I’m not sure about the signatures on those documents you found, I want to take a closer look at Soutine’s over here. Kinda feels like a sensible place to start.” Your eyes squint as you drink in the images in front of you, snapping up when you hear a small grunt of consternation from your boss, “Have you found something, Marcus?”
“That’s weird. It kind of looks like the signature has been scratched into the art,” Marcus squints at the signature on the screen, reaching over to the table where the possible documents with Guillaume and Barnes’ scrawls lie, “Also, I am not an expert in graphology but the letter e looks consistent across the three names- they all arch at the same point.”
“Waouh- that’s a good catch,” Élodie agrees, pulling Jacques with her to look over Marcus’ shoulder at the finds upon the feed.
Jacques escapes Élodie’s clutch and starts to flit back and forth, checking between the painting and the feed with a mild look of confusion on his face, “This is preposterous. Why have they done the signature in a different medium to the one used to paint it? It’s almost like they want to be caught.”
“It looks like it has been lacerated by a needle,” Marcus scratches at his patchy beard in astonishment, “Spot on Jacques, it’s like they can’t even be bothered to hide their tracks.”
“Ok, I think we may have found one of our fakes,” a smile slowly creeps across your face, “Obviously, we can’t be definite -there are still so many tests that need to be done but I don’t think this is an original,” you shake your head with a half smile, “Élodie, I think we need to organise for this to be couriered back to the labs.”
An excited squeal from Élodie and a soft oof from Jacques puncture the cool air as she flies into his arms, squeezing him in sheer delight. As the pair embrace with joy, you and Marcus are left there- Marcus on the fold out chair, gripping the iPad tighter than necessary- I swear that man never quite knows what do with his hands- and you sitting cross legged on the floor with the stereomicroscope lying in your lap- grinning like idiots at each other.
✪✪✪✪✪
More coffee and cakes are devoured in the aftermath whilst you await a courier to come and pick up the likely forgery- you are not entirely sure that the blood in your body hasn’t entirely transformed into sugar and caffeine at this point. After checking alongside Élodie that the painting had been carefully loaded into a van, you sit next to her on the pavement outside the auction house.
“Do you know where Marcus and Jacques are?” you question as you sink onto the dusty ground next to her.
“Yeah, they’re inside taking an informal statement from the auction house owner before the local police quiz her properly,” Élodie rests her temple to your shoulder, “Today has been wonderful. I really like Marcus - from what I have seen of him. I think this will be a good move for you.”
“I do miss having you here though. Today feels like the first time I have had both of my arms. Since you returned to London, it has felt like a part of me has been missing.”
Hauling a deep breath into your lungs to try to quell that gnawing ache in your belly, you turn to press a gentle kiss to the top of her head, “I am sorry, El. To be honest, I don’t even know where to start explaining what happened or even truly understand how everything fell apart so badly.”
The mountain wind decides to blow an icy gust that cuts through your clothes to the bones of you, “It was a normal undercover job- we’d been watching the comings and goings of the gang from a inside a local greasy spoon for ages-just trying to get a clear idea of what their patterns of behaviour were and it just all went South so quickly.
“Being a tiny caff on an industrial estate by the Thames, it was open 24 hours and the day it happened, it was during the middle of a night shift when the gang decided to up the ante. They’d obviously clocked that we weren’t exactly who we said we were,” you snort softly at the memory, “I mean Jas’ accent was a bit sus for being a short order cook but still.
“The gang openly marched the illegal immigrants out of the container and made them kneel in front of the caff as a lure to us, trying to get us to drop our cover. These fucking innocents just trying to find a better life and the evil fuckers just started executing them- one after the other. Jas just ran out there straight away- dropping his cover without any proper back up, a flak jacket or anything. His stupid, kind self trying to save at least one of them without a backward glance.
“I said the code word so we could have armed back up within minutes but I knew it wouldn’t be there quickly enough,” your voice starts to falter as your throat tightens over the words.
“You don’t have to explain anything to me, chouchou,” Élodie squeezes the thigh nearest to her.
“I know but I should tell someone, somewhen. You’re probably one of the few who would understand.”
You pause, squeezing your eyes tight shut as you allow that stagnant, putrid box of memories to reopen, flooding your senses with the foul gangrenous smell of the past.
Having called in backup, you make the decision to slip out of the back door of the caff and run for cover behind the large communal bins. The incessant rain was giving zero sign of stopping and the noise was deafening as it bounced off the metal sides and drummed upon the tarmacked surface. You could barely hear the desperate negotiations that Jasper was trying to make for the lives of these poor, exploited humans.
From here, hiding amongst the shadows, you could catch the eye of one of the kneeling men and signal to him as to when he should try to make a run over to you. He’d reached his little finger out to the person to his right to alert them to the plan. Achingly slowly, tiny gestures had passed down the line of five remaining fellows, from person to person, notifying them of your presence and how you were attempting to save them.
You counted them down and then screamed for them to run. Gunshots rang throughout the air as they made a break for the supposed safety of the bins by you as blue lights and sirens swirled, announcing their arrival between the shipping containers. You counted them as they ran for their lives past you.
One.
Two.
Three.
Four.
Five.
But the gunshots…
Jasper.
As you ran to your former partner’s lifeless form, three more shots rang through the air, taking out the associates who’d been ruthlessly gunning down their illegal chattel. Jasper lay there in the harsh headlight of the armed response unit car, his apron and chef’s jacket were no longer the starchy white that glowed under the strip lighting of the kitchen but his skin had taken on a similar pallid tone as his life force pooled around him, staining the oily surface with a bloody bloom. Knelt there with the grit from the floor biting into the skin of your knees, you held his head in your lap, stroking his cold cheek as a shadow cast across you both.
“He’s gone, Nush.”
Tears course down your face in tiny rivulets and spill into Élodie’s hair, “If I had said yes at Fourvière. If I had accepted the position St Vincent had offered me, he’d still be here. He would still be here.”
After putting a hand on each cheek, Élodie then taps you upon the nose making your red-rimmed, watery eyes look into hers, “You didn’t shoot the gun. You didn’t kill him,” she says so matter of fact that you almost feel an inclination to believe her, “You have to stop blaming yourself at some point.”
“He made the decision to go out there without back up or any protection. If I remember correctly, it was Jas’ decision to head back to London too, effectively ending the freedom you had out here,” she adds gravely, “Everyone has to make decisions, Nush. Ours just tend to have more life or death outcomes and remember, the choice you made- you saved five people.
“As for marrying him, you didn’t want to and I don’t know quite how to clearly say this but you don’t have to marry someone because they ask you. Or because you think it’s the right thing to do. You saying no to him, had zero implications in how his life ended,” Élodie smooths a tendril of hair that has escaped your plait behind your ear, “Your relationship didn’t have a true balance because you spent so long trying to hide it- everything feels so much more amplified if you are constantly watching your coattails.”
Rubbing the exhaustion from the onslaught of emotions from your eyes, you turn to face Élodie, “What if that’s it? What if that was my chance of happiness?”
“Okay so you’re now fully in the ridiculous territory, idiot! So bloody naive,” Élodie rolls her eyes and slaps your knee, “ There’s no one person out there- nobody is perfect for you. There are just people who enter your life at different times and there is a certain compatibility…”
“Like you might want to jump their bones,” you giggle through the snot.
“Yep, that definitely helps! But after a while, other stuff comes up and again, you have to make those decisions whether you want to move to the next one or work at the relationship you have,” Élodie says frankly, “ Your first proper grown up relationship wasn’t ever truly allowed to develop into something normal and healthy but please don’t ever think for a second that is all you deserve or will ever get.”
“More happened than just Jasper’s death,” you confide in your ally.
“I know sweetheart. You tell me when you are ready,” Élodie pats your leg, “You will always have Jacques and I here for you. And I reckon Pierre would take you back in a heartbeat if you ever need to escape Marcus, not that I think you will.” You feel a little confused by Élodie’s last statement but don’t have time to swell upon it as the door to the auction house swings open.
Noticing two figures- one wiry and talking rapidly with his hands, the other broad and showing great interest in what the other has to say- walking towards you, you offer Élodie a hand up from your pavement seat. You feel a gentle hand brushing over your bottom and crane your neck to see who it belongs to, “Well, I’d hate for you to make my car any dirtier,” Élodie winks at you.
✪✪✪✪✪
The trip back to Lyon didn’t allow for any more rest for tired eyes against cool car windows. Excited chatter filled the car as between the four of you, you were all busily beavering away from making shouted calls to the science laboratories in Interpol- calling in favours to get your samples tested first- to fingers tapping on screens, flinging emails back to offices trying to inform everyone who needed to know. Although the journey was far longer, it felt as though five minutes had passed from the moment you’d left the auction house- the exhaustion from your disclosure to Élodie giving way to the adrenaline pumping through your veins with the excitement of having found a piece of the puzzle.
Jacques quickly parks in the Interpol car park, where you all pile out of the car, heading back towards the offices. As you walk together, you hear Marcus answer the phone to Andy back in London, filling him in on the events of the day- thankfully leaving out the parts where he’d talked you through a panic attack or accidentally held hands with him.
You didn’t need anyone else in the London offices thinking you were unprofessional. There were enough of those already.
Marcus. So much of the fear has ebbed away about the new role, and in such little time, thanks to your new boss. This straight-speaking American, who makes you speak up and want to stand up a bit taller. For the first time in what felt like forever, work doesn’t feel like a chore to pay the bills for a small, damp flat in South London. It isn’t so much the work as you know that like the back of your hand- it was that feeling of appreciation.
That feeling that someone sees what you can offer and values your contributions- not just as some rookie in an established office but as an equal. You know you are lucky- you get to use all the knowledge from your art history degree (oh how your family had groaned in consternation- doctor or lawyer- those were the proper options. Y’know, a proper career path not something seen as being so wishy-washy) and use it to protect the beauty of art from the shadier underbelly. Not that you could ever explain that part to your mum or her sisters, who just thought you were in some IT job with ridiculous hours.
In fact, it was the first time. You’d worked your way up from being a rookie with Stephens and although you'd got to work in a field with which you had a borderline obsession, you were still always seen as the new kid, even though others came and went after you’d joined and that got a bit wearing, especially when you’d hit your thirties and as you edged ever closer to your forties, it had bordered on the ridiculous.
But Marcus. He didn’t just listen to what you had to say, he positively encouraged you to speak- never expecting you to hold your tongue or wait for the “grown ups” to stop talking.
“Hey, Earth to Anushka,” those ridiculously warm eyes try to call your attention into focus.
“Sorry, heard you on the phone to Andy and took the opportunity to disappear with my thoughts for a bit. It’s been a bit of a day, hasn’t it?” you mutter as the knuckles of your hands almost rub holes in your eye sockets.
“Yeah, I thought we’d find zip on our first check as a team but that was something else,” Marcus nods, pouting his lips in thought, “I honestly thought it was an authentic piece when I found those signatures- just shows how careful we have to be with these crooks.
“You look about ready to collapse- that sleep on the way over, not help? I was about to ask if you fancied grabbing some dinner together but you’re dead on your feet.”
“Didn’t really get much sleep last night. Was kind of dreading what today would bring but,” your hand extends to squeeze Marcus’ forearm, “But you’ve made today far less painful than it could have been.” You feel a warmth creep through you, blooming from the spot where Marcus has placed his hand on top of yours, his thumb unconsciously tracing small circles upon your skin.
“How about a slow walk back to the hotel, we grab some pizza on the way back and sit and watch Sharknado 4 this evening?” you suggest, still not removing your hand from his arm, ”I need to eat something other than breakfast pastries today.”
“Hmmm, I would say that dinner is the best time for breakfast food but yeah, probably best that we find something a bit more substantial,” Marcus relents reluctantly like a petulant child as Élodie and Jacques turn towards you both.
“Oh, why the sad eyes, Marcus? Has she been mean to you? ” Élodie teases, “We have contacts- we can make her disappear…”
Jacques shoots you a despairing look from under his arched eyebrow. The aching sadness returns in your tummy- you’ve missed them so much and missed out on so many special moments with them, “Oof, hey Nush! This isn’t goodbye- no matter the threats Élodie makes upon your life!”
Élodie leans in to sandwich you between the pair of them, “No, Marcus has given me your phone number and your email address- and he has promised me that even if you don’t respond to my communications, that he will send regular updates.” You look over at Marcus, who sends you a sheepish grin and a slight shrug of his shoulders, flashing that goddamn dimple in his right cheek.
“Élodie, are you going upstairs to get everything ready?” Jacques questions his wife, “ There’s only twenty minutes before I need to pick up Xavier from my parents so I’d probably better head off. Can you grab a taxi home afterwards? Nush, I love you and I will see you soon.
“Marcus, it has been a pleasure. I will ensure that all the details are shared with you in London. Let’s keep the lines of communication open between us, oui?” A firm handshake was not the only thing to pass between the men, as Jacques pats Marcus on the back and they wordlessly share a thought, Marcus’ eyes flickering back to you with a small smile.
“Come on, let’s find food and a film before we collapse,” Marcus beckons you towards him with a wave back to Élodie and Jacques before they head off in their respective directions, Élodie’s hand stroking yours as she walks away.
✪✪✪✪✪
Half an hour later, you find yourself standing barefoot outside Marcus’ hotel room door, oddly nervous about knocking. Your hair hangs in waves around your shoulders, still holding some of the twisted kinks that the plaits you wore it in had formed over the course of the day, face scrubbed but you are second guessing your choice of wearing pjs to your new boss’ room. Not that they were in any way indecent- just a good old pair of cotton jammies from M&S and you’d kept your bra on underneath, because not even the worst war criminal deserves to be tortured by the sight of you with your bra off. Just as you were about to head back for a hoodie to perhaps offer an ounce more decency, the door swung open and a slightly surprised look adorns Marcus’ face.
“Hey, I was just about to check where you were. Pizza’s getting cold and you should probably have something warm in your belly that isn’t coffee today!”
“Oh, I was just going to swing back to my room for a hoodie,” you awkwardly mutter in the direction of the deliciously soft looking man, wearing grey joggers and a white t-shirt in front of you.
A small pout crosses Marcus’ lips, “Come on, if you’re chilly, the pizza’ll warm you up but if you’re still cold after eating, you can grab one of mine- that is if it doesn’t make you uncomfortable,” he checks by lowering his eyes and gently lifting your chin.
Deciding not to keep the pizza waiting, you nod and shuffle past Marcus, the plush carpet deliciously soft underfoot, “I haven’t forgotten that we were halfway through a conversation this morning when El and Jacques arrived to pick us up. You want to tell me why you don’t feel like you are where you feel you should be?” you don’t look at Marcus as you ask him, picking the olives off the top of your pizza.
“I thought you said you like olives?” Marcus questions confusedly as he grabs a slice himself.
“Oh I do, but I’ll eat them afterwards as I like to savour them by themselves,” you giggle at your weird pizza eating habits, “Was that a wish to evade the question? Would you prefer to put on a film?”
“Hah, no! You’re full of quirks, y’know? It’s cute,” he mumbles through a mouthful of food.
“Cute?” you raise an eyebrow at this affectionate comment, “Eh, I dunno. I don’t think you can get to almost forty without embracing your quirks at some point.”
“I just hoped that by this point I’d be married with 2.4 kids, a dog and a nice house. Y’know, settled- never taking it for granted, obviously but comfortable with a family,” there’s a flicker of pain that passes through Marcus’ eyes as he speaks and it cuts through you like a knife.
“How on Earth are you not in a long term relationship with a lucky person? From what you’ve shown me over the past two days, you’re kind, considerate and thoughtful- although you should never tease a woman about her supposed snoring,” you pull an ugly face at him, sticking your tongue out and wrinkling your nose to diffuse the tension in his forehead, forcing him to laugh.
“Oh, I was married once and had long term relationships but neither worked out, sadly,” Marcus shrugs, focussing intently on his next pizza slice, “Can’t the same thing be said about you? You’re a beautiful, funny and intelligent woman and although you are a menace to yourself and those around you with a coffee cup in your hands, I don’t get why you haven’t been snapped up.”
Grabbing the pizza box and Marcus’ hand- pulling them both towards your room, you say, “Come with me.”
Thrusting the pizza box towards his hands, you put the keycard in the door and the light flickers to green. Guiding Marcus by the food container through the room to the balcony, you swing the French doors open to be greeted by a stiff Alpine air and the twinkling lights of Lyon spreading towards you.
“As you know from today, I was here in Lyon before. My partner and I were seconded here to work alongside Interpol on an art smuggling case- that’s how I knew El, Jacques, Pierre and everyone else from this morning’s meeting. We weren’t just work partners, we’d been hiding a romantic relationship for just over a decade in London as we knew that our supervisors wouldn’t allow us to continue to work together,” you clear your throat and see a flash of concern from Marcus seeing how much your hands were trembling.
He reaches for your hand with the lightest of touches grazing your ring and little fingers but not letting go.
Drawing a deep breath, you continue, “You see the beautiful cathedral up there- Fourviere?” you catch Marcus giving a gentle nod as he looks in the direction of your hand, the one he’s not holding, “Jasper asked me to marry him up there. And I, um… I said no.” Your eyes guiltily shift to the left after owning up to your shoddy track record.
“I mean, I did love him but I couldn’t offer him what he wanted or needed from life or from me. We’d hidden too long in the shadows and the thought of trying to explain everything to our families, to our friends, to our workplace was just too overwhelming. I had a lot more to lose than him.
“As you said earlier, our work is very much an old boys network and as a mixed race woman against a white man- who’d got his position due to a bit of nepotism as his uncle was our London boss- I stood to lose so much more. I have always had to work harder and to be a more impressive candidate to be taken as seriously as any white man in the room.”
“Had we returned to London as a married couple, there would have been so many unspoken questions about when we would think about having babies so there’d never be a chance of going any higher for me. And although seeing El and Jacques today- they have it so balanced. El was telling me that they split her maternity leave equally and that even now their baby is one, they have flexi working times so although they have such a little one and such intense jobs, they can still be there for bedtimes and neither of them be sidelined. But I know that’s not how it would have worked with us. Jas would have worked full time and I would have been a simmering pot of resentment.”
You notice that despite your confession that Marcus still hasn’t stopped holding your hand and regardless of the evening chill, warmth spreads through you at the thought that you haven’t entirely repulsed him with your actions.
“Where is he now? DId he ask for a transfer when you headed back?” Marcus gently questions.
“He took the ultimate transfer. We were working together undercover and he was shot multiple times trying to save some people from being murdered,” with a small shrug, you take your hand back from Marcus despite the comfort it is bringing you and cover your face. As you do so, he pulls you towards him, holding you tightly into his chest, resting his chin on top of your head.
With a gentle push back from his broad chest but without leaving his arms completely, you tilt your face up at him, “In fact, other than Jas’ death the bitterest pill was me being transferred out of the department. As you can probably imagine, a lot of shit went down after that night and a lot of the blame from it was laid at my door. Whilst it was all happening, I wasn’t allowed to have any contact with work colleagues and of course, your family can only know so much of what’s going on when you follow our line of work.
“So, I spent eight months in a stupid kind of limbo- being paid full whack whilst sitting at home, mourning a man who I’d been with for a quarter of my life but didn’t want to marry.” Shaking your head slowly, you continue, “That’s why I was a bit of a mess today- I kind of dreaded seeing everyone and how they might blame me for everything that happened with Jas.”
“Shit, I’m sorry sweetheart,” with that affectionate nickname confidently trickling from Marcus’ lips, you look up and smile broadly at him, “I am sorry that you went through all that. I have to be honest, as I am a terrible liar- there is a part of me that is glad that our paths have overlapped- I just wish it could be under happier circumstances.”
“No,” you pat him upon his chest, “You don’t get to our age without some kind of baggage and in our occupation, it’s hard for most people to understand our commitment to our job.”
“Hah, you can say that again- that’s what ended my marriage. That and her new partner,” you scrunch your face in consideration of Marcus’ pain, your thumbs rubbing back and forth, “And the failed engagement is what brought me to London- kept seeing her and the man she left me for around the DC offices.”
“Let’s go toast to those ghosts and our converging paths with what will be now a very warm bottle of white wine and cold pizza,” with eyes widening in amusement you smile at him, your hands still on his chest and his hands on your back, “But indoors as it is fucking freezing out here, no matter how pretty it is.”
“Agreed,” Marcus chuckles deeply, moving his hands to rub some warmth back into your arms.
“Just going to grab a hoodie,” you call over your shoulder as you go back into your bedroom. As you rummage through your bag, you miss the flicker of disappointment on Marcus’s face that he wouldn’t get to smell your perfume on his clothes.
✪✪✪✪✪
“Hey,” that beautifully soft baritone meltingly drifted up from the sofa in Marcus’ room, “Comfy now? I hope you don’t mind but I chose Casablanca instead of Sharknado 4.”
As you cross the floor in socked feet to try and thaw them out from your balcony adventure, you shake your head with a lopsided smile, “Not ok,” but to put Marcus’ raised eyebrow at ease, you add, “It’s my favourite - but you’d better have tissues at the ready as it will make me a snotty mess.”
“Already prepared,” he holds a tissue box aloft, “It does the same to me too.”
Instead of sitting at the other end of the sofa, you grab a glass of wine from the table and slide into Marcus’ side- half sitting up, half leaning against him. He reaches over, pulling your head onto his shoulder, stroking your hair away from your face and there you stay, comfortably curled into his side. Not for the hour and three quarters of the film, but until rays of spring sunshine filter through the blinds the following morning.
Tag list of glory: If you’d like to be added or dropped from the tag list or have any thoughts, thots or suggestions, please do get in touch! I don’t bite hard 🥰
@astroboots @silverwolf319 @lunaserenade @danniburgh @leonieb @mrsparknuts @sirowsky @yespolkadotkitty @agirllovespancakes @tardisfangurl @zukoyonce @absurdthirst @green-socks @pedropascalito @disgruntledspacedad @mouthymandalorian @the-ginger-hedge-witch @lv7867 @songsformonkeys
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ladhanimetalblog · 8 months
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Covid sparks sea change as Black Sails star joins Home and Away
by Kerry Harvey for Stuff New Zealand
Long John Silver has sailed into Summer Bay.
Actor Luke Arnold, who played the legendary pirate for four seasons in Netflix’s Black Sails has joined the cast of Home and Away as Nurse Lewis Hayes, a grieving widower who has history with the Bay’s Jasmine Delaney (Sam Frost), who also recently lost her husband.
The 36-year-old actor says it is thanks to the Covid-19 pandemic he is finally doing what many Australian actors consider a rite of passage at the start of their careers.
“I skipped over it. I went to drama school and then I was doing bits and pieces in Australia but things took off for me when some American filmmakers put me in Broken Hill,” he says, of the lead movie role, which gave him an opening into Hollywood.
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Home and Away’s Luke Arnold with on screen love interest Jasmine Delaney (Sam Frost).
Arnold did return Down Under to star as rocker Michael Hutchence in the 2014 television mini-series INXS: Never Tear Us Apart but, since then, he has spent most of his time in South Africa filming Black Sails.
“When I’m overseas and I say I’m an Australian actor, people ask me, ‘Have you been on Home and Away?’ and I’ve always disappointed them by saying, ‘No’. It feels like I’m putting something right by finally coming and doing it,” he says.
“I think it might be one of the little gifts of 2020, suddenly finding myself back in Australia working on the most iconic Australian show, and I’m having the most amazing time.”
But it is not all plain sailing. Arnold admits while he has played some legendary characters on several big productions, Home and Away is just as challenging – if not more so.
“You do some roles that require bells and whistles, green screens and different time periods and I find that easier in a lot of ways than what I’ve had to do on Home and Away which is really been quite raw with no crazy facial hair and peg legs to hide behind,” he says.
“It becomes a lot more me. I think if a role scares you, it’s a good idea to take it and I’ve been doing a bit more of that recently. If something comes to me and I don’t know how to do it or I don’t know if I can do it, then that’s more interesting to me.”
Arnold’s latest projects include co-starring with Frances O’Connor (The Missing) in The End, an upcoming Australian drama about euthanasia, and pursuing a burgeoning writing career.
He has published two fantasy novels featuring Detective Fetch Phillips – Last Smile In Sunder City and Dead Man In A Ditch – and hopes to write more.
“I think acting came to me because I was making stuff up and acting it out then, at a certain point, acting took over.
“But a couple of years ago I found the time and focus to give the writing a proper crack and it’s going really well,” he says.
“I really love both bringing my acting fans over to the writing world and also finding new people who have jumped into my stories without knowing anything about me beforehand.”
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Love is in the air on Home and Away.
Arnold recorded the audio versions of his novels himself and also believes they could easily be turned into a television series.
“Definitely people I have worked with before have expressed interest in that and I think it would work very well on screen,” he says.
“The fact I work in film and television has probably influenced the way I write, so I can definitely see it happening. At the same time, I’m not feeling particularly rushed because I’m loving being a novelist. If it did get put on the screen, I would like to be a part of it in some way, so some part of me is thinking it might not be a bad idea to bash out a few more books before we start bringing it to a new medium.”
Meanwhile, he is more than happy spending time in Summer Bay.
“My arse has been on screen about as much as my face but in this, the shirt comes off, the gear comes off to a degree, but it’s not to the extent of previous roles I’ve had to play,” Arnold says.
“It’s not a bad thing to make something that all my friends and family will know about, can tune in for and I can have a little bit of a connection with them in this very strange time.”
Home and Away, TVNZ 2, weeknights
Credits to Stuff. NZ
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✰ BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2018 ✰
✰✰✰✰✰ 6th ANNIVERSARY  ✰✰✰✰✰
Neil Morris, speaking to Alan Lomax in 1959:
“Well, when I was just a small boy, Old Uncle Milt Oldfield…Billy Oldfield, the Congressman from Arkansas for so long, it is his father. He and my father are awfully close friends. And they were discussing music. They were music teachers both of them. 
“And uh, and they said, dad did and Uncle Milt sanctioned what he said, that MUSIC HAD NO END. That you could learn all the other guy [or girl] learned, and after you got that done they would then, something else would crop up. That uh, that you, that was the reason why that uh, music advanced. That’s why that you would get a better music in one generation maybe that is, uh, IT WOULD FIT THE TIMES IN WHICH THEY LIVED.” 
[Lomax: “What about music on the grapevine?”] 
“Welllll, they said that MUSIC GREW LIKE THE GRAPEVINE THAT IS NEVER PRUNED. That each year it’d…it’d put on a little bit more. That was what they said, now, about it. Any further questions?”’
It’s time to feast from 2018′s Grapevine That Is Never Pruned with 123 (+ 162 more) of the BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2018!
A prefatory note: The Best Reasons campaigns of our first five years endured critiques from far and wide about too many damn records listed.  Well...we can no longer countenance such reproach.  Every single one of these nuggets is an essential thread in the tapestry of 2018′s combustible sonic arts!  We here at FRR stand for ecumenicism and as such, consider the breadth of our listening parameters: Feeding Tube Records issued 74 items in 2018 (!), Clean Feed released about 80, and Astral Spirits about 30...that’s a lot potential gold in those three labels alone. Sure, it’s too much for any one person to absorb, but still... 
We all know that some combination of easy access to home studio tools, world wide web streaming, social media delirium, legacy record industry collapse, and artistic resistance to creeping authoritarianism has (somewhat paradoxically) unleashed a tidal wave of idiosyncratically great music during the past decade, so it should come as no surprise that such a list as this would contain nearly 300 essential items. Yea, it seems nearly everything gets recorded and released these days (especially the zonked improv/collagist /noise/outer limits realm), but whether or not we listen to such items as frequently as we consumed Exile On Main Street or Cosmic Tones For Mental Therapy back in the day is irrelevant...the time is now, and as far as wild sounds from the outer dimensions goes, now has unprecedented bounty...listen heartily, for tomorrow, who knows?
(...all long playing records unless otherwise noted...also, the list was made complete with links, but grrr they don’t show up, so point your browser as they used to say and happy hunting!)
✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩
✰ ROSALI  Trouble Anyway (Scissor Tail) ✰
✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩✩
✰ BRIDGET HAYDEN  Pure Touch Only From Now On, They Said So (Early Music, Sweden) ✰
✰ YUZO IWATA Daylight Moon (Siltbreeze) ✰
✰ L$D FUNDRAISER  Witness Disco (CocoMuse, New Zealand) ✰
✰ MAXINE FUNKE  Silk (Feeding Tube) + Eternity 7” (I Dischi Del Barone, Sweden) ✰
✰ LONG HOTS  Monday Night Raw cassette (self-released) ✰
✰ BASIC HUMAN  Cassette (Meatspin, Australia) ✰
✰ LOOSE-Y CRUNCHÉ Unruly Top  cassette (Altered States, Australia) ✰
✰ ETHERS  Ethers (Trouble In Mind) ✰ 
✰ UNHOLY TWO  The Pleasure To End All Pleasures (12XU)
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✰ ZAÏMPH  Rhizomatic Gaze 2LP (Drawing Room) ✰
✰ ALLISON COTTON  All Is Quiet At The Ancient Theatre (Feeding Tube) ✰
✰ CONSTANT MONGREL  Living In Excellence (Anti Fade, Australia / LVEUM, U.K.) ✰ 
✰ OTHERWORLD  (aka Kay Logan) Mad Wee Light  cassette (Kit, UK) ✰
✰ DUSK  Dusk (Don Giovanni)  & “The Pain Of Loneliness (Goes On And On)” 7″ (Dirtnap) ✰
✰ WENDY EISENBERG  Its Shape Is Your Touch (VDSQ) ✰
✰ THALIA ZEDEK BAND Fighting Season (Thrill Jockey) ✰
✰ EN ATTENDANT ANA  Lost And Found (Trouble In Mind) ✰
✰ MARK MORGAN  Department of Heraldry (Open Mouth) ✰
✰ MORE KLEMENTINES More Klementines (Twin Lakes/Feeding Tube)✰
✰ PATOIS COUNSELORS Proper Release (ever/never) ✰
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✰ ANNE GUTHRIE Brass Orchids (Students Of Decay)
✰ STEFAN CHRISTENSEN  City Code (Knotwilg, Belgium) & Two Live cassette (The Loki Label)
✰ BB & The BLIPS  Shame Job (Thrilling Living)
✰ SAMARA LUBELSKI / BILL NACE Samara Lubelski/Bill Nice (Relative Pitch)
✰ The SEDIMENT CLUB  Stucco Thieves (Wharf Cat)
✰ BEAT DETECTIVES  Rhythms & Edits Volume 1 cassette (Altered States, Australia)
✰ The COWBOYS Live At Tony’s Garage  7″ ep (Feel It) & The Cowboys [3rd Album] (HoZac - 2017)
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✰ SUSANA SANTOS SILVA  All the Rivers – Live at Panteão Nacional  cd (Clean Feed, Portugal)
 ✰ DIRE WOLVES Paradisiacal Mind  (Feeding Tube/Cardinal Fuzz, U.K.)
✰ SPECIAL INTEREST/S Spiraling  (Raw Sugar)
✰ JANUSZEWSKI & SZLAZAK Split cassette (Czaszka, U.K.)
✰ NYLEX  Nylex cassette (Tenth Court, Australia)
✰ CHARALAMBIDES  Tom And Christina Carter 2 LP (Drawing Room)
✰ CHRISTINA KUBISCH/ANNEA LOCKWOOD The Secret Life Of The Inaudible 2 cd (Gruenrekorder, Germany)
✰  HEAVY METAL Heavy Metal ep 7″ (Total Punk)
✰  LUJIACHI  Invisible Hands cassette (Altered States, Australia)
✰  OBNOX Templo del Sonido (Astral Spirits/Monofonus Press)
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✰  PINEAPPLE RNR  Pineapple Rik N Roll 7″ (Lumpy)
✰  WILLIAM PARKER Voices Fall From The Sky 3 cd (AUM Fidelity)
✰  RON JONS SURF SHOP  Ron Jons Surf Shop Sampler cassette (Ron Jons Surf Shop)
✰ LUCY MILLER Lion's Heart : Demos & Early Recordings cd-r (Soleils Bleus, France)
✰ BLUE CHEMISE  Daughters Of Time (Students Of Decay) 
✰ EKIN FIL Maps (Helen Scarsdale) & “Windblow”  download (Longform Editions, Australia)
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✰ COUNTER INTUITS Vietnamese Lighter 7″ (Total Punk)
✰ CHRONOPHAGE  (Minneapolis) Prolog For Tomorrow (Cleta Petra)
✰ HOBBS-WHITE DUO Hobbs-White Duo at Whitechapel Gallery, 10 June 1973H download (EMC, UK)
✰ CHRONOPHAGE (Austin) Give Chance A Peace download (self-released)
✰ CIA DEBUTANTE  Waves (Czaszka, U.K.)
✰ WEEPING BONG BAND  Weeping Bong Band (Feeding Tube)
✰  COOLIES/The FUTURIANS Coolies/The Futurians split cassette (Uniform, New Zealand)
✰ QUIETUS Volume Four (ever/never)
✰ New Centre Of The Universe (Anti Fade, Australia)
✰ LISA CAMERON/SANDY EWEN  See Creatures cassette (Astral Spirits)
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✰ BRUTAL BIRTHDAY “Commotion” + 2 7” (Total Punk)
✰ DE PONTI/MORETTI Before We Were Foam We Were Unbridled Waves cassette (Dinzu Artefacts)
✰ DAVID NANCE GROUP  Peaced And Slightly Pulverized (Trouble In Mind)
✰ CRAMMM  Crammm cassette (Brainplan) &  Live 2018 (Brainplan)
✰ NERVE BEATS Nerve Beats (Fine Concepts)
✰ WILLIE LANE  Known Quantity reissue (Feeding Tube)
✰ The WAY AHEAD Bells, Ghosts And Other Saints cd (Clean Feed, Portugal)
✰ BADSKIN  Where Was I  (Brierfield Flood Press, Australia)
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✰ The ANCIENTS Frozen Aisle (Tenth Court, Australia)
✰ METTE RASMUSSIN & CHRIS CORSANO A View Of The Moon (From The Sun) cd (Clean Feed, Portugal)
✰ SYLVIE COURVOISIER TRIO  D’Agala cd (Intakt, Switzerland)
✰ MOSQUITOES Drip Water Hollow Out Stone (ever/never)
✰ CHARLOTTE HUG Son-Icon Music: Orchestra And Choral Works cd (Fundacja Słuchaj, Poland)
✰ RUSS WATERHOUSE  Amaro cassette (Gertrude Tapes)
✰ RICHARD PAPIERCUTS  Twisting The Night 12″ (ever/never)
✰ The COOL GREENHOUSE  “London”/“The End Of The World” 7” (Market Square Recordings, Spain)
✰ SANDY EWEN & CHASE GARDNER Transfusion cd (Marginal Frequency)
✰ AMEEL BRECHT  Polygraph Heartbeat (Kraak, Belgium)
✰ SUCCHIAMO Mani In Fuoco (Antinote, France)
✰ PORTRON PORTRON LOPEZ De Colère Et D'Envie (PoiL, France)
✰ TOM SMITH & MARK MORGAN Bones Sound Shipwreck cd (KSV, Germany)
✰ CIVIC New Vietnam 12″ (Anti Fade, Australia) & Those Who Know 7″ (Famous Class)
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✰ CARLO GIUSTINO Non Uscire cassette (No Rent)
✰ DONALD MCPHERSON & TETUZI AKIYAMA The Kitchen Tapes, Volume 1 cassette (God In The Music, New Zealand)
✰ HORNE & HOLT Wires (Self-Sabotage)
✰ WOLKOROTS Don Treppenwitz cassette (Dinzu Artefacts)
 ✰SAVAK  Beg Your Pardon (Ernest Jenning Record Co.) 
✰ The BALKANYS The Balkanys  (Toddi Records/Another Records, France)
✰ ANTELOPER Kudu cassette (International Anthem Recording Company)
✰ CLAIRE POTTER & BRIDGET HAYDEN’S I Am Come From A Place) cassette (Fort Evil Fruit, Ireland)
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✰ LAURA LUNA CASTILLO Laminaires (Genot, Czech Republic)
✰ RST  Spectra  (\\NULL|ZØNE//)
✰ TORI KUDO ガラ刑GALAKEI  2 LP (bruit direct disques, France) 
✰ SIGNE DAHLGREEN  Kunki Snuk cassette (Astral Spirits)
✰ PIOUS FAULTS  Old Thread  (Feel It)
✰ MELFI  Four Concerns  cassette (Czaszka, U.K.)
✰ The EX  27 Passports (Ex Records, Netherlands)
✰ J.H. GURAJ Steadfast On Our Sand (Boring Machines, Italy)
✰ KUZU Hiljaisuus (Astral Spirits)
✰ WUSSY  What Heaven Is Like (Shake It)
✰ BORZOI  A Prayer For War (12XU)
✰ RAYS  You Can Get There From Here (Trouble In Mind)
✰ DELPHINE DORA  Eudaimon (three:four, Switzerland)
✰ LAKE MARY & M. SAGE  Lupine Deluxe cassette (Patient Sounds (Intl))
✰ ART GRAY NOIZZ QUINTET  “A Call To You”/”Won’t you Say It To My Face” 7″ (Robelion Music)
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✰ VANILLA POPPERS I Like Your Band 7″ ep (Feel It)
✰ SOURDURE L’Espròva (Les Disques du Festival Permanent/Pagans, France)
✰ LOGARDECAY (Leslie García and Paloma López) FRGL cassette (Umor Rex, Mexico) 
✰ DE KLUMB  Con Pimiento cassette (U-Bac, Germany)
✰ MIDWIFE  Prayer Hands cassette (Antiquated Future)
✰ SALAD BOYS  This Is Glue (Trouble In Mind)
✰ RAMBLE TAMBLE Outlaw Overtones cassette (Eiderdown)
✰ ABBY LEE TEE  Imaginary Friends I cassette (Czaszka, U.K.)
✰ INGRID LAUBROCK Contemporary Chaos Practices / Two Works For Orchestra With Soloists cd (Intakt, Switzerland)
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✰ PATRICK SHIROISHI  Sparrow's Tongue cassette (Fort Evil Fruit, Ireland)
✰ FIA FIELL  All In The Same Room cassette (Nice Music, Australia)
✰ PREENING  Nice Dice 7″ ep (Fine Concepts) & Greasetrap Frisbee 7″ (ever/never)
✰ SABASABA  SabaSaba (Maple Death, U.K)
✰ HEADROOM/DIRE WOLVES Split (Pome Pome Tones/Centripetal Force)
✰ APOLOGIST  Houston  cassette (No Rent)
✰ The SITUATIONS  The Day After The Night Before cassette (Melted Ice Cream, NZ)
✰ WONDERFULS  Voices Like Rain cassette (Round Bale Recordings)
✰ TASHI DORJI & TYLER DAMON  Leave No Trace: Live In St. Louis (Family Vineyard) & Soft Berm cassette (Magnetic South)
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NAUJAWANAN BAIDAR  Volume 1 cassette (Radio KHIYABAN, Netherlands)
LOUIS MINUS II  Je Voudrais Juste Dormir Pour Toujours cassette (Econore, Germany)
The OPAWA 45s Silver Screen Guitar cassette (Melted Ice Cream, New Zealand)
MT ACCORD Postcards From A Dream cassette (Czaszka, U.K.)
JONÁŠ GRUSKA Žaburina (LOM, Slovakia)
CHICALOYOH  Jaune Colère (213 Records, France)
MAMITRI YULITH EXPRESS YONAGUNISAN  Yulith  2 LP (bruit direct disques, France)
AONGHIS MCENVOY & TRISTAN CLUTTERBUCK  Duos cassette  (Fractal Meat Cuts, UK) 
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IE Pone cassette (Moon Glyph)
MARILYN CRISPELL/TANYA KALMANOVITC/RICHARD TEITELBAUM  Dream Libretto (Leo, U.K.)
E  Negative World (Thrill Jockey) 
Wound 2 lp (Carbon Records)
DOMINIQUE VACCARO Close Distances cassette (Dinzu Artefacts)
RIÑA  Aqui No Eres Nadie 7″ ep (Thrilling Living)
GÜNTER BABY SOMMER & TILL BRÖNNER  Baby’s Party cd (Intakt, Switzerland) 
TRISTAN MAGNETIC  Tristan Magnetique  triple cassette box (Otomatik Muziek, Germany)
FAMOUS LOGS IN HISTORY Famous Logs In History cassette (Fuzzy Warbles) 
LUKE STEWART’s Works For Upright Bass And Amplifier  cassette (Astral Spirits)
RADIANT FUTUR  Overdriven Youth download (Get Busy!, Russia)
LÄRMSCHUTZ TAFELMUSIK SEPTET  Vierte Tafelmusik  cassette (Katuktu Collective)
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TERRESTIALS  Terrestials 12″ (Heel Turn)
ALEX CRISPIN Open Submission cassette (Constellation Tatsu)
MAAVIN Sunday Drive EP download (Get Busy!, Russia)
CHARLOTTE HUG & LUCAS NIGGLI  Fulguratio cd (Fundacja Słuchaj, Poland)
NAMELESS FRAMES Already Inside + 3 10″ (Super Secret Records)
GÜNTER SCHLIENZ  Liederbuch cassette (Muzan Editions, Japan)
SCRAP BRAIN Scrap Brain (Thrilling Living)
WURLD SERIES Stately and Befrothed cassette (Melted Ice Cream, NZ)
ENDURANCE Celestial Governors cassette (Tymbal Tapes)
BRABRABRA  Lagooona 7″ ep (Kitchen Leg, Germany)
DAN MELCHIOR  ‘The Folksinger’ (Swashbuckling Hobo, Australia)
JEN KUTLER  Worth cassette (Never Anything)
Field Recordings from the Sahel cassette (Sahel Sounds)
MONNONE ALONE Cut Knuckle 7” (Lost And Lonesome Recording Co., Australia)
ANDREW BARKER & DANIEL CARTER Polyhedron cassette (Astral Spirits)
YVES MALONE  Aced (2014) cassette (Baked Tapes)
JOHN HOEGBERG  Motion Detecting Songs cassette (Ehse)
CHAOSOPHY  Who Are These People And What Do They Believe In cd (Discordian/Liquen Record, Spain)
ARIAN SHAFIEE A Scarlet Fail  (VDSQ) & Beauty Tuning (Hausu Mountain) 
AKIRA SAKATA & CHIKAMORACHI with MASAHIKO SATOH Proton Pump cd (Family Vineyard) 
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LEA BERTUCCI  Metal Aether (NNA)
BIG SUPERMARKET 1800 (Hobbies Galore, Australia)
GARCIA PEOPLES  Cosmic Cash (Beyond Beyond Is Beyond)
R.M.F.C. Hive cassette (Slime Street, Australia)  
BIKINI COPS Three 7” (Drunken Sailor, U.K.)
MUYASSAR KURDI & NICHOLAS JOZWIAK Intersections & Variations cassette (Astral Spirts)
P WITS Blonde On Blonde  double cassette (chemical imbalance., Australia)
FOLD Aegean Sea 12” (AUS, UK)
TASHI DORJI & DAVID GRUBBA  Fixed Entrance Derivatives cassette (Sky Lantern)
WET PISS Wet Piss cassette (Dumpster Tapes)
TIM & THE BOYS Growing (Meatspin, Australia)
DINO SPILUTTINI  Forever cassette (No Rent)
NEGATIVE NANCIES You Do You download (CocMuse, New Zealand)
MISSING PAGES  “Long Way Down” 7″ (12XU) 
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SUNWATCHERS II & Illegal Moves 12” (both Trouble In Mind)
EYES NINETY Glaucoma Chameleon (Swashbuckling Hobo, Australia) 
PATRICIA KOKETT  Diabel 12” (Knekelhuis, Netherlands)
GEE TEE  Gee Tee cassette (Slime Street, Australia) 
C. WORTH  A Farther Sea cassette (Gertrude Tapes)
OREN AMBARCHI/KONRAD SPRENGER/PHILLIP SOLLMANN  Panama/Suez 12” (Ostgut Ton, Germany)
REX WONDERFUL & THE SILK SHEETS  Ego Death cassette (Tenth Court, Australia)
SARAH DAVACHI Gave In Rest  (Ba Da Bing) & Let Night Come On Bells End The Day (Recital)
PELVI$$  Pelvi$$ cassette (Fuzzy Warbles)
JEFF TOBIAS  Completely Phantom cassette (Baked Tapes)
BILL ORCUTT & CHRIS CORSANO  Brace Up! (Palilalia)
DONKEY BUGS  Ancient Chinese Secrets (Lumpy)
MOUNTAIN MOVERS  Pink Sky (Trouble In Mind) &  New Jam 12″ (C/Site)
MAbH  cinjusti cassette (Tymbal Tapes)
Bad Taste Vol. II - Another Collection Of Sounds From The NZ Underground cassette (chemical imbalance., Australia)  
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TERRY I’m Terry  (Upset! The Rhythm, UK)
NYZ  RLD GLD ET AL cassette (Fractal Meat Cuts, UK)
THEE OPEN SEX White Horses (Sophomore Lounge)
DRUNK MUMS  Denim & Leather, Together Forever cassette (Slime Street, Australia)
JONES JONES [OCHS/DRESSER/TARASOV] A Jones In Time Saves Nine download (self-released)
IVAN THE TOLERABLE & FRIENDS Autodidact 10″ (Ack! Ack! Ack!, U.K.) 
DANIEL CARTER / WILLIAM PARKER / MATTHEW SHIPP Seraphic Light cd (AUM Fidelity)
PURPUR SPYTT Nitpick 7″ ep (POUeT! Schallplatten, France)
BLOWDRYER  Blowdryer cassette (self-released)
CHARNEL GROUND  Charnel Ground (12XU)
KAJA DRAKSER / PETTER ELDH / CHRISTIAN LILLINGER  Punkt​.​Vrt​.​Plastik cd (Intakt, Switzerland)
DRY CLEANING Sweet Princess cassette (self-released, U.K.) 
ELKHORN Lion Fish cassette (Eiderdown)
ROMAIN BAUDOIN  Bestiari (Pagans/In Situ, France)
SUNWATCHERS AND EUGENE CHADBOURNE 3 Characters 2 LP (Amish) 
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FRANCIS PLAGNE Moss Trumpet (Penultimate Press, U.K. )  
SHITTY LIFE  Switch Off Your Head (self-released, Italy)
SICK LLAMA Stage Poison double cassette (unifactor)
ROCKET 808 “Digital Billboards”/“Mystery Train” 7” (12XU)
JON COLLIN What Is Thunder cassette (Fort Evil Fruit, Ireland)
CONCRETE LAWN Demo cassette (Urge, Australia)
BLANK REALM  Last Seen (Hobbies Galore, Australia)
DJ OVERDOSE  DJ Overdose 12” (L.I.E.S.)
LUDWIG BERGER & VERONIKA EHRENSPERGER  The Capacity Of Things To Act cassette (Dinzu Artefacts)
BRANDY Laugh Track (Monofonus Press)
PETER EVANS/ AGUSTÍ FERNÁNDEZ/BARRY GUY  Free Radicals cd (Fundacja Słuchaj, Poland)
LES HALLES  Zonda cassette (Not Not Fun)
SAMARA LUBELSKI  Flickers At The Station (Drawing Room) 
PRANA CRAFTER  Bodhi Cheetah's Choice  (Beyond Beyond Is Beyond)
YLAYALI  Pumpkin Patch cassette (self-released)
DEAF WISH  Lithium Zion (Sub Pop)
ROSE THOMAS BANNISTER  Ambition cd (self-released)
MIDDEX No Home (Polytechnic Youth, UK) 
SEI A  Phase EP (Aus Music, U.K.) 
KALI MALONE Cast Of Mind (Hollow Ground, Switzerland) & Organ Dirges 2016-2017 cassette (Ascetic House) 
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GERRIT HATCHER Parables For The Tenor cassette (Astral Spirits)
The 1902 Syntropic Seasonal 5 cd-r comp (Wist Rec, Ireland)
The LENTILS  My Pillow Lava (Complete Trilogy)  double cassette (unread)
SCY2E*GLOCHIDS*NURSE BETTY  Weird Ear's Fantastic Voyage (Autumn East Coast Tour) comp (Weird Ear)
the SHIFTERS  Have A Cunning Plan (Trouble In Mind)
CÉCILE CAPOZZO TRIO Sub Rosa cd (Ayler Records, France)
PROJET DE VIE  Vol. #1 EP cassette  ([Equilibre Fragile], France)
JAX DELUCA  Organs In The Wind cassette (ACR, U.K.)
LUCY CLICHÉ Cliché’s Principle (Fleisch, Germany)
JANO DOE( aka KATARÍNA GATIALOVÁ)  Duranzie cassette Genot Centre, Czech Republic)
KOMARE Komare cassette (Round Bale Recordings) 
COLLATE Liminal Concerns (self-released)
AREK GULBENKOGLU  A gift like a hollow vessel (Penultinate Press, UK)
BASIC HOUSE & WANDA GROUP  No Sympathy  (Opal Tapes, U.K.)
MANUEL TROLLER Vanishing Point (three: four, Switzerland)
STEPH RICHARDS/VINNY GOLIA/BERT TURETZKY Trio Music  cd (pfmentum) 
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HEART OF SNAKE  Heart Of Snake cassette (Maple Death, U.K.)
SCHWEBEN Sketches Of Plains cassette (Otomatik Muziek, Germany)
GENEVA SKEEN  A Parallel Array Of Horses download (Room40, Australia)
IKUI DOKI  Ikui Doki  (Ayler, France)
CHARLES BARABÉ  De La Fragilité cassette (Astral Spirits)
MIDNIGHT MINES  Invisible Insurrection Of A Million Minds (The Loki Label) & Stations 7″ (I Dischi Del Barone, Sweden) 
DELACAVE  Window Has No Glass (POUeT! Schallplatten, France)
MARY LATTIMORE & MEG BAIRD  Ghost Forests cd (Three Lobed Recordings)
M/M  I Know You Are Thinking I've Said This All Before cassette (Czaska, U.K.)
The ATTACHMENTS  II cassette (self-released)
TYSHAWN SOREY  Pillars 3 cd (Firehouse 12)
JOËLLE LÉANDRE  Strings Garden 3 cd (Fundacja Słuchaj, Poland)
STONE WITCHES  Machine Efficient cassette (Slime Street, Australia)
CARA STACEY & CAMILO ÁNGELES Ceder  (Kit, U.K)
DIRE WOLVES (JUST EXACTLY PERFECT SISTERS BAND) One For The Heads cassette (Baked Tapes) & Earthquake Country cassette (Sky Lantern) & Shootout At The Dildo Factory (Eiderdown) 142
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(this is a pic of DIRE WOLVES with their eyes closed)
GEN POP II  7″ ep (Feel It)
ANGLES 3  Parede (Clean Feed, Portugal)
FRANK HURRICANE Holy Mountain Coffee tour cassette (self-released)
CARROM  Prehistories cassette (self-released, Canada)
PARSNIP Feeling Small 7″ (Anti Fade, Australia)
ÁINE O’DWYER / GRAHAM LAMBKIN Green Ways 2 cd (erstwhile)
Longform Editions digital series, particularly: EKIN FIL “Windblow”, MARJA AHTI “Entering A Cloud” and STEAM VENT “Swells”
CLINTON GREEN Setting For The Iliad CD-R (Frustration Jazz, Australia)  
PETER EVANS & BARRY GUY Syllogistic Moments cd (Maya Recordings, Swizterland)
ETRAN DE L’AÏR  No. 1 (Sahel Sounds)
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ALIEN NOSEJOB Various Fads & Technological Achievements (Anti Fade, Australia)
J.C. SATÀN Centaur Desire  (Born Bad, France)
NAGUAL & STEFAN CHRISTENSEN Third 7″ (I Dischi Del Barone, Sweden)
EXEK  Ahead Of Two Thoughts (W.25th)  &  A Casual Assembly  12″ (W.25th)
ARUÁN ORTIZ TRIO’s Live in Zurich (Intakt, Switzerland)
MIA DYBERG TRIO Ticket! (Clean Feed, Portugal)
LA DANTA Alpeis Καράκας cassette (Fort Evil Fruit, Ireland)
WEAK SIGNAL LP1 cassette (Reality Delay)
DISTANT STARS The Way Things Work cassette (Detonic, Australia)Field Recordings from the Sahel
MUDHONEY Digital Garbage (Sub Pop)
ROB NOTES & RYAN LEE CROSBY  Modal Improvisations on 34 Strings cassette (Cabin Floor Esoterica)
...all those LOKI LABEL boots...
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