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#raymond babbitt
retropopcult · 10 months
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Rain Man (1988)
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old-movies-stuff · 11 months
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Rain man - 1988
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rabbit-ina-trenchcoat · 2 months
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rain man
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maverickcalf · 3 months
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Charlie Babbitt still raising his voice but softening his tone at the end of the movie when trying to get Raymond to come back to him, means so much to me.
I like Charlie doesn't have to change every bit of his behavior for Ray to like him and him being loud isn't a deal breaker.
Ray doesn't have to change every bit of himself, Charlie doesn't have to change every bit of himself. They meet in the middle, they both learn and grow.
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kairukitsuneo · 1 year
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My movie night (Week 4) [Just Dance] Charlie Babbitt & Raymond Babbitt Ren & Willard
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sugarsxph · 21 days
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“K-mart sucks!”
Tom Cruise and Dustin Hoffman as Charlie and Raymond Babbitt ♥︎ 𝘙𝘢𝘪𝘯 𝘮𝘢𝘯 (1988)
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princesssarisa · 3 months
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Autism headcanon: Runt (Animaniacs)
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Maybe this is cheating. Maybe this is less of a headcanon than it is canon in all but name, because Runt's voice and verbal tics are based on an explicitly autistic movie character: Dustin Hoffman's character Raymond Babbitt from Rain Man. This is probably why he and Rita were left out of the 2020 Animaniacs reboot, since it's not very PC to have a goofy cartoon dog caricature an autistic movie character's speech patterns.
Still, I've always liked Runt and I still do. Until I saw someone else point it out, it never occurred to me that his autistic-seeming mannerisms could be offensive. As a person on the spectrum myself, I've always found him relatable.
Here are the reasons why:
*He compulsively repeats sentences and words – especially his favorite word, "definitely."
*He often talks out loud to himself.
*His physical actions can be compulsive too. For example, when someone throws a ball, he has to chase it. Or when he sees a dangling tablecloth, he has to charge at it and tug it with his teeth. And almost every time he hears the word "cat," he goes into a wild, snarling rage, threatening to tear it to pieces... yet never once realizing that his best friend Rita is a cat.
*While he doesn't usually show the savant skills of his Rain Man counterpart, he does show a hint of them now and then. For example, when he points out that a rock pile contains 147 rocks, or when he instantly identifies a dish of fish as Mahi-Mahi.
*He's very literal-minded and doesn't understand sarcasm. This causes headaches for Rita, since he constantly misunderstands her sarcastic remarks.
*He tends to be oblivious to the world around him, and he often doesn't recognize danger or notice when a seemingly friendly person is behaving suspiciously. This is why Rita needs to look out for him. That said, he's not completely clueless, and rises to the occasion whenever Rita or someone else he cares about is threatened.
*His debut episode implies that he's never responded to normal training methods. Despite being an adult dog, he's still not housebroken and still chews things, which is why his owner abandoned him at the pound.
*Despite his sweet nature and devotion to Rita, he sometimes shows an innocent lack of empathy and obliviousness to Rita's discomfort. For example, when he shakes rain water onto her, or eats food that she was about to eat, or doesn't notice when a human is mistreating her as long as he's being treated well. This is all naïve and unintentional, however, and in the rare moments when he realizes he's upset Rita, he's always contrite.
*Sometimes in scary situations, when the obvious thing to do would be to spring into action, he freezes up instead. For example, the first time Rita fights the Nazi dog in "Puttin' on the Blitz," or when Ross Perot almost falls over the waterfall in "Icebreakers." That said, he always comes through and takes action when it matters most – namely whenever Rita is in danger.
*He seems to particularly like music and find it comforting, especially Rita's songs. He can even hear the word "cat" without going into a berserker rage as long as Rita sings it. But then, who wouldn't be soothed by her beautiful voice?
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bijouxcarys · 3 months
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My Top 5 Dustin Hoffman Movies
(In no particular order)
Midnight Cowboy (1969)
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Set in New York, a country boy moves to the city in pursuit of success. Upon learning it’s much harder than it looks, he realises he must sell his body to support himself and his new “handicapped,” TB-ridden friend.
Midnight Cowboy is a touching one. It received an X rating upon its release due to the “connotations of homosexual behaviour” between the two main characters. The beautiful thing about this movie is the ambiguity of that very thing. It is a love story. Platonic and romantic. It’s the audience’s perception.
Dustin was nominated for best actor at the 1970 Oscars, but lost it to John Wayne for True Grit. Snubbed.
Rain Man (1988)
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Upon learning his recently deceased father had left $3 million to a mysterious beneficiary, Charlie Babbitt pays the beneficiary a visit, only to find that it’s his long lost older brother, the autistic Raymond.
I know this is considered a bad representation of autism, but as an autistic person, I have no problem with this movie. It’s a representation of autism in one individual, whether you like it or not. Considering its release year, it’s a large step. And Dustin nailed it.
Unlike many, I don’t see this movie as using the autistic character to make the neurotypical look better, or “improve” as a person. To me, this is a heartwarming story of a man bonding with his brother, who he hasn’t seen since the age of 4. Does he grow as a person? Possibly. But does it also shed a light on the existence of neurodivergence in someone other than a child? Absolutely.
Dustin won best actor at the 1989 Oscars for this performance, and rightly so.
Kramer vs Kramer (1979)
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When his wife leaves him out of the blue to raise their 5-year-old son alone, Ted Kramer learns to balance his career with being a single parent. Until his ex comes back and files for custody.
This is a truly beautiful movie, despite the female lead being one of my least favourite actresses of all time. I adore the nuanced portrayal of single parenthood and the hardships single fathers of the 70s faced when raising their children. The development of the relationship between Ted and his son is very intricately documented through immersive performances from both parties.
Dustin had practice runs with over 70 kids to find the right fit; he worked on realism and wanted the bond to be as strong as possible.
My favourite quote from this movie is when Ted is on the stand: “Where in the law does it state that a woman is a better parent by virtue of her sex?”
Dustin won best actor in 1980 for this role.
Straight Time (1978)
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When Max is released from prison after 5 years, he has to learn to adapt to the real world under the supervision of a corrupt parole officer and the knowledge that crime is what he does best.
This is a more obscure Hoffman movie that deserves a lot more credit. It’s a great deep dive into the life of ex-cons and the struggle of reintegration into society. It’s a very real depiction of the human condition, and the repercussions of being pushed over the edge.
It’s a tense movie, immersive, and offers a lot of opportunities for introspection in an otherwise distant context.
The Graduate (1967)
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Benjamin, a naive college graduate, enters a scandalous affair with his parents’ married friend, Mrs. Robinson. Along the way, he finds feelings for her daughter, Elaine.
A subject of a ton of references and spoofs. I adore this movie for more than its iconic moments. It’s a masterpiece of an era laden with disillusionment, uncertainty about governing bodies and the rebellion sparking in the youth movement.
Ben and Elaine represent the generation that seek for a revolution, a new way of life. To break free from the cookie-cutter mentality of American domestic life. A complete rejection of the nuclear family ideals. The confusion that leads to ill decision-making and heartbreak.
The ending scene is ominous, open, and has no real finalisation. The perfect depiction of the unsure direction in which life as they know it will take.
This was Dustin’s breakthrough role, at the age of 30, after being in the New York theatre scene for a decade.
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fakerobotrealblog · 4 months
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Autism Spectrum Disorder (ASD) is a neurodevelopmental condition characterized by variations in social communication and behavior. The increased awareness and representation of autism in recent years reflect a broader understanding of its diversity and the importance of inclusive portrayals.
In media, characters like Raymond Babbitt in "Rain Man," portrayed by Dustin Hoffman, brought attention to autism in the late 1980s. However, contemporary representations have evolved, embracing a more nuanced and realistic approach. For instance, the character Shaun Murphy in the TV series "The Good Doctor," played by Freddie Highmore, provides a portrayal that focuses on his skills as a surgeon rather than solely on his autism.
Famous individuals openly identifying as autistic have also contributed to awareness. Temple Grandin, a renowned animal behavior expert, author, and speaker, has been a powerful advocate. Similarly, Greta Thunberg, the climate activist, has openly discussed her experience with Asperger's syndrome, a form of autism.
Despite these positive shifts, diagnosing autism remains challenging for doctors due to the spectrum's variability. Famous personalities like Elon Musk and Dan Aykroyd, who are believed to be on the spectrum, highlight the diversity of individuals with autism. However, such variations can make it difficult to develop a one-size-fits-all diagnostic approach.
The diagnostic process involves comprehensive assessments, considering various factors. Notable individuals advocating for autism awareness, like actor Anthony Hopkins, have shared their experiences, contributing to the broader dialogue.
In conclusion, the increased awareness and representation of autism in media, along with the openness of famous individuals, contribute to destigmatizing the condition. While progress has been made, ongoing efforts are crucial to refine diagnostic practices and foster a more inclusive society that recognizes and appreciates the diversity within the autism spectrum.
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“You know, I had the idealistic notion, when I was 20, that I was going into the theater,” Stephen Sondheim once said. “I wasn’t; I was going into show business, and I was a fool to think otherwise.”
It was a remark characteristic of Sondheim, the titan of musical theater whose decades’ worth of credits as a composer and lyricist included “West Side Story,” “Company” and “Into the Woods.” Here he was as many had seen him in interviews over the years: unsentimental and a bit flip, self-effacing to the point of selling himself short.
Because among musical theater artists of his generation, Sondheim, who died in 2021 at 91, was arguably the most artistic — challenging, unusual, incapable of superficiality in a medium often dismissed as superficial. He was, perhaps to his disappointment, not the best businessman, with shows that rarely lasted long on Broadway. And his work was better for it.
Together, they form a portrait that helps in considering Sondheim’s place among American composers. I say American because Broadway, alongside jazz, is the most homegrown of this country’s music, and his work constantly pushed the art form further. Where so many of his colleagues have operated within standard structures, he, even in writing a 32-bar song, seemed to always ask, “What else is possible?”
It’s also important to consider Sondheim as a distinctly American composer because his writing reflects a creative mind repeatedly fixated on the idea of his homeland, with an ambivalence by turns affectionate and acerbic. It’s there in his lyric contribution to “Gypsy,” arguably the Great American Musical, which the musicologist Raymond Knapp has described as “a version of the American dream that leads, as if inevitably, to striptease.” And it continues, with an unconventional patriotism in “Assassins” and a revealing journey across state lines and years in “Road Show.”
In that sense, Sondheim is not only one of the finest American composers, but also one of the most essential.
“He and Lenny are at the top of that list,” Paul Gemignani, Sondheim’s longtime music director, said, referring also to Leonard Bernstein. “Most Broadway composers are writing pop tunes. Steve never wrote a pop tune. ‘Send in the Clowns’ got lucky.”
Sondheim seemed fated to create musical theater at a higher level than his colleagues. Like Bernstein, he was pedigreed: His mentor, for lyric writing, was Oscar Hammerstein II, of Rodgers and Hammerstein; for composition, the modernist Milton Babbitt. Yet he emulated neither.
In an interview with the Sondheim Review, Sondheim said that he was trained by Hammerstein “to think of songs as one-act plays, to move a song from point A to point B dramatically.” But he thought of them in more classical terms: “sonata form — statement, development and recapitulation.”
I only included the beginning of the article, but I recommend reading the whole thing. Sondheim’s influence and innovation can’t be overstated. We won’t have another like him in our lifetimes.
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brookstonalmanac · 5 months
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Birthdays 11.26
Beer Birthdays
Georg Schneider (1817)
Simon E. Bernheimer (1849)
Five Favorite Birthdays
Johannes Bach; German organist and composer (1604)
Eugene Ionesco; Romanian-French writer (1912)
Rich Little; comedian (1938)
Charles M. Schulz; cartoonist (1922)
Ilona "Cicciolona" Staller; Hungarian-Italian porn actor, politician (1951)
Famous Birthdays
Bob Babbitt; bass player (1937)
Garcelle Beauvais; model, actor (1966)
Natasha Bedingfield; English singer-songwriter (1981)
Elizabeth Blackburn; Australian-American biologist (1948)
Margaret Boden; English computer scientist (1936)
Willis Carrier; air-conditioning inventor (1876)
Roz Chast,; cartoonist (1954)
William Cowper; English poet (1731)
Cyril Cusack; South African-born Irish actor (1910)
Frances Dee; actress and singer (1909)
DJ Khaled; rapper (1975)
Adolfo Pérez Esquivel; Argentinian painter (1931)
Lefty Gomez; New York Yankees P (1908)
Robert Goulet; American-Canadian singer (1933)
Davey Graham; English guitarist and songwriter (1945)
Sarah Moore Grimké; author (1792)
Blake Harnage; singer-songwriter and guitarist (1988)
John Harvard; college founder (1607)
Line Horntveth; Norwegian tuba player, composer (1974)
Dave Hughes; Australian comedian (1970)
Raymond Louis Kennedy; singer-songwriter, saxophonist (1946)
Yumi Kobayashi; Japanese model, actress (1988)
Martin Lee; English singer-songwriter and guitarist (1949)
Bat Masterson; police officer and journalist (1853)
Anna Maurizio; Swiss biologist (1900)
Maurice McDonald; businessman, co-founder of McDonald's (1902)
John McVie; English-American bass player (1945)
Marian Mercer; actress and singer (1935)
Jim Mullen; Scottish guitarist (1945)
Marianne Muellerleile; actress (1948)
Michael Omartian; singer-songwriter, keyboard player (1945)
Ruth Patrick; botanist (1907)
Vicki Pettersson; author (1971)
Velupillai Prabhakaran; Sri Lankan rebel leader (1954)
Marilynne Robinson; writer (1943)
George Segal; artist, sculptor (1924)
Eric Sevareid; television journalist (1912)
Jan Stenerud; Kansas City Chiefs K (1942)
Betta St. John; actress, singer and dancer (1929)
Julien Temple; English film director (1952)
Art Themen; English saxophonist and surgeon (1939)
Tina Turner; American-Swiss rock singer (1938)
Tony Verna; director and inventor of instant replay (1933)
Mary Edwards Walker; surgeon and activist (1832)
Ellen G. White; co-founder of 7th-day Adventist Church (1827)
Norbert Wiener; mathematician (1894)
Earl Wild; pianist and composer (1915)
Bill Wilson; AA founder (1895)
Karl Ziegler; German chemist (1898)
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old-movies-stuff · 1 year
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rabbit-ina-trenchcoat · 5 months
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my favorite parts of rain man other than the dancing scene and "raymond am i using you?" "yea" "sHUT UP!!" has got to be whenever something conveniently follows raymonds schedule without influence and charlie goes "ray look!!!!" and he gets excited about it. autism brothers
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maverickcalf · 1 year
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Sort of sucks that 'Rain Man' was used as a term to undermine autisic folks, when it was really a term used by a younger brother who couldn't say his brother's name yet but whom loved him very much.
It's not a general term, it's very personal.
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andersonvision · 5 months
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The 1988 drama Rain Man garnered four Oscars including Best Picture for its heartwarming tale of two estranged brothers connecting on a road trip. Dustin Hoffman earned acclaim for his portrayal of Raymond Babbitt, an autistic savant, while Tom Cruise played his selfish brother Charlie. But revisiting Rain Man today reveals an earnest yet limited view of autism from a neurotypical perspective. I wonder how Zoomers handle Rain ManThis was the movie where I learned what Autism wasRain Man on 4K UHDRain Man is now available in 4K from MVD I wonder how Zoomers handle Rain Man Directed by Barry Levinson, the film follows hot shot dealer Charlie as he kidnaps Raymond from an institution after their father's death. He soon realizes Raymond's ability to count cards makes him a walking jackpot who Charlie can exploit. But their ensuing road trip forges an emotional bond as Charlie gains understanding of his brother's special gifts. Hoffman immerses himself in the precise routines and mannerisms of Raymond's autism. But the performance centers Raymond's differences as mysterious riddles for Charlie to solve rather than portraying authentic interiority. Raymond expresses himself through parroting phrases from favorite TV shows rather than his own voice. While sympathetic, the character remains filtered through Charlie's neurotypical prism. This was the movie where I learned what Autism was The film does deserve credit for bringing autism, and Hoffman's dedicated performance, to mainstream attention in a humanizing way. But its perspective is that of an outsider peering in rather than capturing the actual lived experience. Raymond scaffolds Charlie's emotional growth but remains a supporting character in Charlie's redemption arc. Today, advocacy groups like the Autistic Self Advocacy Network continue the push for more multidimensional autistic characters across media. But unfortunately, Rain Man's model of autism as an enigma that needs solving by a neurotypical protagonist still persists frequently. The film's legacy is bittersweet, raising visibility but also entrenching limiting archetypes. Beyond its portrayal of disability, Rain Man forms an interesting time capsule of America circa 1988. Cruise's selfish yuppie contrasted with Hoffman's childlike Raymond reflect opposing values of the era. Their bonding journey channels the nostalgic charm of old-fashioned road trip movies. But an unambiguous happy ending ignores the challenges ahead for their relationship. As an Oscar-magnet, Rain Man took an admirable first step toward autism inclusion in Hollywood. But the perspective of Raymond as an riddle for his neurotypical brother to decode feels outdated and one-dimensional today. The film opened doors but future works by autistic creators are needed to truly convey authentic experiences. Rain Man on 4K UHD Rain Man is freshly arrived on 4K UHD as part of the MVD Marquee Collection. The 2023 4K restoration is the reason why you will pick up the release. As a kid who grew up seeing this film on VHS and HBO for ages, anything above that standard still feels like a fresh new opportunity to watch Rain Man. The commentaries and Dolby Vision/HDR included on the UHD is amazing. But, it's not like this movie really is going to show that off. Hell, I wouldn't think you'd see that sort of visual kapow help out Bull Durham for that matter. So, what does that matter to you? After all, I've been hearing from more people with hang-ups on recent A/V Quality presentations. Let's put it this way. Classic cinema from the dawn of film to 25 years ago has seen itself getting axed by studios constantly trying to match the algorithm and youthful interests. It's not enough to blame the MCU and other things. But, the issue is to take these moments we have with Oscar winners and classic cinema to give them the best presentation possible. MVD Marquee Collection did that and it's well worth checking out. Rain Man is now available in 4K from MVD
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saatrenungan · 6 months
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Renungan 23Okt23
Bacaan Injil Luk 12,13-21
Seorang dari orang banyak itu berkata kepada Yesus: "Guru, katakanlah kepada saudaraku supaya ia berbagi warisan dengan aku."Tetapi Yesus berkata kepadanya: "Saudara, siapakah yang telah mengangkat Aku menjadi hakim atau pengantara atas kamu?" Kata-Nya lagi kepada mereka: "Berjaga-jagalah dan waspadalah terhadap segala ketamakan, sebab walaupun seorang berlimpah-limpah hartanya, hidupnya tidaklah tergantung dari pada kekayaannya itu." Kemudian Ia mengatakan kepada mereka suatu perumpamaan, kata-Nya: "Ada seorang kaya, tanahnya berlimpah-limpah hasilnya. Ia bertanya dalam hatinya: Apakah yang harus aku perbuat, sebab aku tidak mempunyai tempat di mana aku dapat menyimpan hasil tanahku. Lalu katanya: Inilah yang akan aku perbuat; aku akan merombak lumbung-lumbungku dan aku akan mendirikan yang lebih besar dan aku akan menyimpan di dalamnya segala gandum dan barang-barangku. Sesudah itu aku akan berkata kepada jiwaku: Jiwaku, ada padamu banyak barang, tertimbun untuk bertahun-tahun lamanya; beristirahatlah, makanlah, minumlah dan bersenang-senanglah! Tetapi firman Allah kepadanya: Hai engkau orang bodoh, pada malam ini juga jiwamu akan diambil dari padamu, dan apa yang telah kausediakan, untuk siapakah itu nanti? Demikianlah jadinya dengan orang yang mengumpulkan harta bagi dirinya sendiri, jikalau ia tidak kaya di hadapan Allah."
Demikianlah Sabda Tuhan. Terpujilah Kristus.
Ketika saya membaca bacaan Injil malam ini tentang ‘harta warisan’ saya kembali teringat akan film ‘Rain Man’ yang diangkat dari kisah nyata kehidupan Charlie Babbitt, pebisnis yang hampir bangkrut dan memiliki banyak hutang, ia egois dan keras kepala, mempunyai hubungan buruk dengan ayahnya hingga kabur dan tidak pernah memberi kabar sampai ayahnya meninggal. Ketika Charlie mendapat kabar bahwa ayahnya meninggal, ia berpikir bahwa seluruh harta ayahnya akan jatuh ke tangannya karena ia adalah anak tunggal dan Ibunda Charlie telah lama meninggal. Charlie begitu marah saat mengetahui bahwa sebagian besar harta ayahnya malah diberikan kepada orang lain dan hanya mendapat warisan sebuah mobil tua seperti halnya dalam bacaan Injil dikatakan ‘Guru, katakanlah kepada saudaraku supaya ia berbagi warisan dengan daku’. Dalam kisah ini orang tersebut ingin memanfaatkan Yesus untuk kepentingan dirinya, untuk memenuhi keinginan hatinya. Mungkin saja dia berselisih dengan saudaranya itu dan dia lebih mementingkan harta warisan ketimbang persaudaraannya
Bacaan Injil mengajak kita untuk memeriksa diri dan dunia sekitar. Dulu, masa pahit getirnya kehidupan, yang bersaudara atau abang-adik bisa sangat kompak, saling peduli dan hidup dalam harmoni. Sekarang, sesudah orangtua bisa mewariskan harta kepada anak-anaknya, justru sesama saudara bertengkar, bahkan berpengadilan hanya untuk memperebutkan harta warisan. Begitulah kalau harta bertakhta dalam hati, persaudaraan pun terpinggirkan. Dalam Luk 12;15 dikatakan “waspada dan hindarilah segala jenis keserakahan, karena bahkan jika seseorang memiliki banyak harta itu tidak memberinya hidup”. Yesus menggunakan perumpamaan tentang seorang kaya yang bodoh yang mengumpulkan harta bagi dirinya sendiri namun miskin di hadapan Tuhan. Orang ‘bodoh’ di sini adalah yang mengumpulkan harta bagi diri sendiri dan serakah mencintai uang dan melakukan segala cara agar bisa mendapatkannya, ia akan melakukan banyak kejahatan dan kelicikan karena menginginkan uang yang dia incar seperti halnya Charlie yang kesal tidak mendapat hak waris ayahnya dan melarikan Raymond. 
Selama perjalanan Charlie yang awalnya egois memperalat Raymond dengan memanfaatkan keahlian ‘ingatan’ Raymond untuk berjudi dan memperkaya dirinya akhirnya menemukan banyak hal tentang masa kecilnya bersama Raymond. Charlie akhirnya mengetahui bahwa Raymond hampir saja mencelakakan Charlie ketika masih bayi, hingga akhirnya ayah Charlie memutuskan untuk memasukkan Raymond ke rumah penampungan autis. Charlie yang awalnya kesal dengan Raymond berubah mulai menyayangi Raymond. Dalam 1 Kor 4;7-8 “…sebab kasih itu berasal dari Allah, dan setiap orang yang mengasihi, lahir dari Allah dan mengenal Allah. Barangsiapa tidak mengasihi, ia tidak mengenal Allah, sebab Allah adalah kasih”. Charlie memberikan teladan mau membuka hati untuk berubah dan menerima kehadiran Allah dalam dirinya sehingga mau membuang sifat “manusia lama” yang egois, mementingkan diri sendiri dan tidak peduli terhadap orang lain dan menjadi ‘kaya’ dihadapan Allah dengan sabar mau melayani, merawat dan menemani Raymond. 
Berkah Dalem
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