#soft as shit for no reason | Explore Tumblr Posts and Blogs

greenglowinspooks · 6 months

Text

(DCxDP) The obligations of a rogue versus those of a parent (pt. 2)

—

Tw: N/A

Will be crossposted to AO3 eventually

(Pt. 1 here) - (Pt. 3 here)

(Masterlist/subscription post)

—

It was a beautiful morning. Somehow, against all odds, the sun was shining through the thick smog perpetually covering Gotham.

And Danny hated it.

He was in pain, he was exhausted, he was grieving, and all he wanted to do was sleep for at least a week.

In an act of celestial mockery, the sun shone regardless.

After around twenty minutes of tossing and turning in bed, trying to get back to sleep, Danny gave up and pried himself out of bed.

He stumbled through the hallway and into the living room, staring openly at every splash of color he saw in the small apartment. He hadn’t forgotten what color looked like in the time he was in the lab, but it was comforting to see.

Someone cleared their throat. Danny whipped his head around, eyes falling on a scrawny, gangly man sitting down in a worn armchair, hunched over a laptop. He was looking at him with a dull, bored expression.

Right. Scarecrow.

His escape.

The chase.

His mom.

“You look a lot less terrifying without the mask,” Danny blurted out, slapping his hand over his mouth. “I didn’t mean that.”

“Well, I certainly wouldn’t call my normal appearance frightening,” Scarecrow hummed, focusing his attention back onto the laptop, “that’s what the costume is for, after all.”

“Oh.”

After a brief moment of excruciating silence, Scarecrow spoke.

“You any good with computers, Danny? Hacking, and all that?”

Danny jolted. Scarecrow needed his help with something! This was great! Now, he’d have more of a reason not to get rid of him!

“Oh, uh, yeah! Not as good as my friend Tucker, but I think I’m pretty good.”

“And you’re familiar with the GiW’s systems specifically,” Scarecrow continued, beckoning him over. Danny complied, shuffling over awkwardly. “Right?”

“Well, I guess? My friends and I got into their stuff a couple of times before they…”

“Wonderful,” Scarecrow said, standing up with a stretch. He shoved the laptop into Danny’s hands and gestured for him to sit down on the couch. “Then you can hack into their system and extract whatever files you can find.”

Danny stared at the man like he’d lost his mind. He looked back at him expectantly.

Danny sat down.

“Yeah, I-I can do that. Tuck and I built a back door into their system ages ago,” he said, checking the screen. It was clear that for all the skills that Scarecrow had, hacking was definitely not one of them. “But, uh, don’t you have someone else that usually does this sort of thing for you? Not that I’m complaining!”

Scarecrow scowled, and Danny felt his heart fall into his ass.

“Usually, I do,” Scarecrow huffed, “but I chose to leave my most recent job with the Penguin early, so now there’s no way that he or Eddie will help me with anything until I make it up to them somehow.”

“Oh,” Danny said.

He had no clue whatsoever who Eddie was.

Danny got to work quickly, hoping that if he ignored the gangly man, he would leave him be. Luckily, he did just that, leaving to go work on something in another room.

Danny checked the laptop’s security before continuing Scarecrow’s progress, making sure that the GiW wouldn’t be able to grab their location.

It was…threateningly good. Whoever Eddie was, he had somehow crammed the functionality of a top-of-the-line PC into a tiny, beat-up old laptop. It almost reminded Danny of Tucker and his terrifying competence with his PDA.

Tucker.

Amity park.

Home.

Danny snapped himself out of his thoughts, tabbing back into the application Scarecrow had up and began to work his magic.

He had near full access to the entire GiW database within half an hour.

Mumbling out a quick thank-you to Tucker, he called Scarecrow over to appraise his work.

“Fixed up some food for you while you worked,” the rogue said, handing him a bowl of oatmeal, taking the laptop into his lap as he did so, “didn’t know how well you could eat, considering you’re recovering from… surgery, so I decided to stay on the safe side.”

Danny had no clue what this guy’s deal was.

He definitely did not tear up at the first genuine thoughtfulness he encountered in weeks, and he did not look away as he ate so that Scarecrow couldn’t see his face.

At least Scarecrow was too focused on the laptop to notice or care.

Or, maybe, he was just mercifully ignoring him.

Either way, Danny ate slowly, not wanting to make himself sick. He allowed himself to absentmindedly look around the room for the first time, taking everything in.

It was strangely homey. The space was filled with warm browns and yellows, a few splashes of color on the wall in the form of (obviously gifted) paintings. There was a beat-up bookshelf against the wall, clearly second-hand, filled to the brim with psychology books. On every available surface there was a different colored candle, all at different stages of use, clearly collected over the course of years.

Danny knew that the man next to him was a crazed, murderous criminal, but his home was oddly reminiscent of Jazz.

He was not about to cry.

“Danny,” Scarecrow hummed, snapping him out of his spiraling, “can you explain this to me?”

He looked over. The rogue was pointing to a new report, seemingly posted only a few hours ago.

Nodding, he took the computer into his lap, pouring over the contents.

He read the report again.

And again.

Danny swore loudly, crumpling like a wet paper bag, head in his hands.

“What?”

“It’s…” he swore again, glancing back at the laptop, “they…since you became liminal from synthetic ectoplasm, when we’re within about 500 meters of one another, our ectoplasm signatures resonate, and they can’t track us with any of their technology.”

“How is that a bad thing?”

“If we’re not that close to each other, they can track us down from anywhere in the world.”

Scarecrow went dead quiet. After what felt like the single longest minute of Danny’s life, he let out a truly exasperated sigh, slumping over in his seat.

“Yeah, me too,” Danny mumbled, utterly miserable.

“…I’ll have to move my plans back a little,” Scarecrow sighed, “I can’t drag an injured child with me when I attack the Gotham GiW base, you’ll just get in the way.”

“Oh come on,” Danny whined, “I can take care of myself just fine. Besides, Batman brings kids with him to do dangerous stuff all the time, and he’s fine!”

“Might I remind you that the second Robin died violently,” Scarecrow snapped, “and that Batman most likely has more traumatic brain injuries than all of the Gotham rogues combined. That really isn’t the winning argument you think it is.”

Danny paused, trying to think up some way to win the argument. Then, he realized what he had ignored before.

“Wait, Scarecrow, you’re gonna attack the GiW?”

“That’s the plan,” he nodded, “and call me Dr. Crane. I’m only Scarecrow when I’m in the mask.”

But,” Danny sputtered, “Sca—uh, Dr. Crane—that’s insane! The weapons they’ve got- they’ll rip you apart!”

“Not my first time,” Crane said, making Danny wince. “Besides, I have plenty of experience avoiding gunfire. I’ll live.”

“You…” Danny was silent for a while, trying to think of something to say, “fine, but you have to take me with you wherever you go. As soon as they see either of us on their radars, they’ll hunt us down.”

Dr. Crane sighed.

“…Fine. I need some time to plan anyways. Now, you’re going to help me download these files, properly format them, and send them out.”

“…Why?”

“Well, some of the other rogues might appreciate the heads up, and I’d quite like them to be indebted to me. Besides, I still need to pay back the Penguin for ditching him, and he loves knowing things that other people don’t.”

Danny paused.

“That’s an awful idea, no offense. If any of the rogues know our weaknesses, they—”

“Danny, we’re censoring everything. The only things they need to know about are the GiW specifically, and any sort of laws surrounding them.”

Danny snorted.

“You care about laws now?”

“Yes, because if we get taken to Arkham, they’ll hand us off to the GiW the moment they ask, and it’ll be completely legal.”

Oh. Danny had honestly forgotten that Arkham was an option.

“…Ok. I’ll help you. Who are we telling?”

“I don’t think you really need to know,” Dr. Crane said, the faintest shadow of an amused look on his face, “but I’ll humor you for now. We’re sending the files out to the Penguin, Riddler, Poison Ivy via Harley Quinn, Two-Face, and Red Hood.”

Danny nodded. He could live with that.

“Alright, then let’s get to work.”

—

#dcxdp #dc x dp #dp x dc #dpxdc #dp x dc crossover #dp x dc fanfic #dp x dc fic #liminal scarecrow #scaredad scaredad scaredad #not pictured: scarecrow frantically googling to see what he can feed Danny without killing him #and also going through everything in his kitchen to find something that isn’t spoiled #he lives like a 20 year old bachelor in terms of food. just takeout and moldy bread in there #maybe a can of soup if he’s feeling adventurous #scarecrow: ah yes I am feeding him soft foods to keep my lead on the GiW alive. No sentimental reason whatsoever #danny who is about to start bawling his eyes out:#the boy had to battle resurrected food for years. he is NOT used to being fed actual edible things #danny: scarecrow could kill me at any moment. that’s why he’s feeding me and worrying about my health and safety #btw HUGE shoutout to the riddler for cramming an entire gaming pc into a 2007 microsoft computer #or some shit like that #and just giving it to scarecrow. for free. just bestie things

1K notes · View notes

w0lp3rtinger · 5 months

Text

Maria, Who Smiles as She Pulls the Lever

You know how this ends. Still, Shadow and Maria. Maria and Shadow. This was meant to be, if only for one glorious, beautiful moment. (Read on A03)

This has been a labor of mine for months.

Listen I’m a bit of a masochist and I may have been obsessed with rereading the ‘unedited’ version of Ann Frank’s diary and subsequently been up late listening to the isolated vocals for ‘Cancer’ by MCR a few too many nights in a row but even then, this has been boiling over in my brain for... ages.

So here we are.

This publication would not have been possible without some tremendous characters to whom I wish to give thanks.

@biolizardboils

@shadowsfascination

@killingthecringe

@bimboamyrose

@lambpaca

@mellow-elbow

----------------------------

Maria is from Earth. Sometimes she has to remind herself of this, so that the sterile steel of the ARK doesn’t become too comfortable.

“Dziadzio Gerald will fix you and keep you safe.” “He worked so hard to get this contract.” “You need to be brave.”

This is what she remembers more than the faces.

This is what all the letters keep saying until they stop coming.

Maria works hard to stay well. When she’s well, Grandpa’s there with her, laughing with her, telling her about the work he’s doing. Grandpa is a gentle man, with big calloused hands and wily eyes magnified behind coke bottle lenses.

But the sickness grows. Illuminated x-rays and CT scans seem to almost grow against the wall like strange mold. Silent. Deadly. Grandpa gone for weeks at a time, only to appear weary and quiet as he checks her vitals before giving her new medicine.

Of course he loves her, else he wouldn’t be doing all of this, but she wishes he’d be her grandfather a little bit more and her doctor a little bit less.

Maria, being told not to leave her room.

Why did the letters stop coming?

Maria, being poked and prodded and talked over, rather than talked to or talked with.

When did she start to feel so lonely?

Maria, growing up from a toddler to a child to a teen. The sterile steel world is home now. She doesn’t even remember what flowers smell like anymore. Once, she thought her favorite was poppies. Now, she clings to the idea, even though she can only recall them in their still, cold photos from the biology book on her nightstand.

Maybe that’s why she cries tears of joy when she first spots Abraham, with his sharp pressed trousers and his two-toned eyes. And of course, this scares him. And of course, Maria chases after him as best she can.

She so badly wants a friend.

But he’s younger than she is, he doesn’t want to play the same games. He throws tantrums that leave her with deep black bruises which take ages to heal. Still, it’s frustrating when Abe asks her why she hasn’t been able to play for months, and she turns to the nurse who gives no answer.

She’s never been sure what exactly is wrong with her. Nobody will explain.

They read a lot, and when they run out of books, they make their own.

And one day, when Dziadzio is doing a checkup, with all of the wires and sensors attached to her head when she’s in that big silver tube, she just starts talking. About nothing. About everything. About how little Abe is so annoying, but fun, like a baby brother, especially when they read his kid mysteries together, or when he tells her scary stories, like that of the three-eyed monster man he swears he saw with the goblin in the jar.

When Grandfather snaps at her to be silent, she’s shocked.

Then, she seethes.

Maria, with Abe’s story running through her head.

Maria, gritting her teeth as Abe now keeps insisting, gloating even, that he knows more than she does.

Maria, sitting up in bed one night with a growl, hands bunching the scratchy hospital quilt up in her fists.

The fabric crunches in her hands, and when she beats her palms against it, it crackles. He can be such a brat! She’ll show him! She’ll find the thing he was talking about!

Over-planning is key. There’s no way she can pull off the cool sneaking tactics she’s read about. Instead, she puts on three pairs of socks, both to keep her feet warm and to dull the sound of her footsteps. A few capsules of fish oil she’s supposed to take are broken open, and she’s on the floor, gritting her teeth against the pain in her knees as she rubs its contents all over the wheels of her IV poll, willing it to keep them from squeaking.

Maria creeps through the dark. The hum of the ARK, that constant white noise of her existence, can do nothing to drown out the pounding in her ears. Her lungs are burning as she measures her breaths, knuckles white against the IV poll she’s gripping as she shuffles along. The blackness stretches forever until, from around a closed door, she sees a faint green glow.

She licks her lips as she eyes the keypad at the door, tasting iron.

No matter.

There’s only one shot at getting this code right, but she’s got a pretty good guess as to what it is. And when the lock opens with a beep after she punches in the last letter of her name, she rolls her eyes.

She pretends not to notice the shaking of her hands.

Maria, who cannot help but gasp when she sees the strange dark thing floating in a tube of radioactive green goo, like something straight out of one of Abe’s stories.

No, it is Abe’s story. There is the jar goblin.

She found it.

And it opens an eye to look at her. One dark eye, wide and wild.

Panic swells within her.

Maria, quickly shutting the door, shuffling back to her room as fast as possible. She crawls into bed, but cannot sleep. In the morning, when she is pale and sweaty, when her feet are swollen and her hands stiff, Grandfather comes in only to tell her she’s bed-bound for two weeks.

She spends the time fixated on that single eye.

When Abe slips into her room with arms full of toys and books and crawls into bed, she can’t help but smirk. She has now seen his creature. Now the two of them must keep the secret.

And she knows Abe will keep it, because despite her complaining, Maria also knows he’s probably the best baby brother anyone could ask for.

But it’s not enough.

Maria, heart pounding and fingers tingling with adventure, even if she’s still recovering from her last escapade. She starts stashing away some of her anti-inflammatory medication, keeping it tucked in the bindings of one of her books that has come loose at the spine.

That dark thing in the tube, she wants to see it again.

Abe says in the false whisper of children that he once saw it move, says that he thinks it responds to people talking.

There’s only one way to find out if he’s right.

When she snatches a nearly empty bag of morphine from the pile on the nurse’s cart, Maria almost feels guilty... almost. Just when she’s about to confess, just when she’s about to give up, the faintest flame lights up within her.

She’s angry at the time taken from her. She’s angry at this bed, at this body, at these people who keep poking and prodding and talking at her.

Maria settles down on her pillow, feeling the bag squish underneath her head. She smiles when the nurse asks if she is comfortable, and she promises that she is.

Maria, creeping through the halls, the painkillers already in place and working. She’s slower this time, she knows she has to be, but when she gets to the room, there’s an impossible excitement that builds up within her and cannot be restrained. The door barely has time to close behind her before she’s at the tube. Leaning in, she places one hand on the glass, and the eye opens once more.

Its eyes are so dark. They don’t look black, but she can’t tell what colour they’re supposed to be.

“Hello,” she whispers, smiling. “You are a strange little thing, aren’t you.”

She spends the night slowly moving around the tube, taking it in. It makes sense now why Abe called it a goblin, but Maria is pretty sure that’s just because it’s just all wrinkly skin right now, like a very ugly baby. Still, it has such a soft face. Maria can’t help but hope that whatever skin, or feathers, or- or whatever, is soft. It should be soft.

She thinks she remembers what soft is.

Maria, alone the next day as she brushes her hair, cursing the knots and the burning in her eyes, remembering how Dziadzio promised her that he’d teach her how to braid it, but that was before, and this is now.

She’s stuck in her room again.

The pain isn’t as bad as last time, but it’s still pain.

She still can’t walk.

The rage inside of Maria blooms once more as she looks at her rat's nest of a brush, and she throws it against the opposite wall with a shriek.

With tears staining her cheeks, she falls asleep and dreams.

She dreams of having thick golden hair, the kind that frames the faces of the angles on the pendants she used to get from her one aunt. But suddenly, there in her mind, she sees the dark eyes of the ugly baby. They sparkle as though they’re full of starlight. When she leans in to have a better look, suddenly, she’s falling headfirst into the open and inky void between the ARK and the planet below. Her hair, her beautiful golden hair, it grows longer and longer until it turns into wings. She tries to fly to Earth, but it just keeps getting further away no matter how hard she reaches for it.

Maria, who screams at the professor when she’s told that she can’t see Abe anymore.

“He’s too rowdy,” he keeps saying, “It’s making you sicker.”

It doesn’t matter. She can see him clutching his father’s pant leg, acting as though the camouflage of the fatigues may hide him too, as she rages against the hands trying to hold her down. Her monitor is going wild. The IV poll is overturned. Maria keeps calling his name, keeps hoping he’ll run into the room, into her arms, but instead, little Abe’s father picks him up and leaves.

She stays awake and waits for him, but Abe never arrives. She does this for three straight days.

He never arrives.

Maria, silent in her own tube, the wires and sensors all over her, staring straight ahead. The lab tech tries to make small talk, but even if Maria wanted to answer, the professor tells them to shush.

“We have work to do,” he says, “We must preserve what we have as quickly as possible.”

As if he is talking about perishable groceries. Maria can feel her nails break in her palm as she balls her hands into fists.

One of the nurses does finally bring a card from Abe. It’s a drawing of the two of them playing in a field full of flowers, a bright sun overhead wreathed in birds. Maria smashes it into a ball and throws it in the trash.

Later that evening though, she stretches as far as she can to dig through the bin and find the card. She cries as she tries to smooth its creases. “I’m sorry,” she whispers, over and over, “I’m sorry. I’m sorry.”

Maria, being fitted for an oxygen tube. She hasn’t had to wear one of these in a while, and can’t help but fight the nurse a little. Over their muttered curses, Maria can hear the professor in the hallway talking to some looming shape she cannot make out.

“I’m hoping the gizoid will keep them distracted, but I’m not sure how much time that will buy us. Especially if this one dies on us like the others.”

And everything in her clenches.

Maria, pouring her IV nutrients into a spare commode in the closet.

Maria, stashing vitamins away in bent bookbindings.

Maria, sweat on her brow as she pictures that tiny creature all alone in that room, darkness closing in.

They will not die. They will not die. They will not die.

Maria, who gags when she combines her ill-gotten goods into a foul slurry. With one hand over her mouth, she takes deep breaths before pulling the commode out of the closet.

She’s slow. She’s careful. She’s thankful this thing has wheels that can lock and unlock, because she’s going to use it as a walker. There is no other option if she wants to carry all of this.

She squares her shoulders and slips out into the hallway.

She will not think about how much this is going to hurt tomorrow. There’s a job to do.

Maria, who punches her own name again into the keypad, who grits her teeth as she wheels herself over to the little baby in the tube.

Their eyes flicker open when she lays her hand atop the glass. What light was in their eyes from before is fading fast.

She will not let it see her fear.

“Hello, you.”

They blink, a slow, lazy movement. She can’t help but laugh a little.

“My name is Maria. Sorry I didn’t introduce myself sooner. Don’t suppose you can tell me your name, can you?”

Silence. They blink again.

“I heard you were sick, so I’ve brought some stuff that might make you better.” she says as she moves around the tube, looking. “It won’t taste good, but… ah!”

There are two large drums that hook into where the little thing floats silently, and they open when Maria presses a button on top. She can see the same green liquid, viscus and thick, as it is slapped about by a rotating filter.

There’s no way she can lift the commode up to pour everything in.

Maria, who stays there for well over an hour. She’s cupping the nutrients in her hands, letting it go through her fingers and into the vortex below.

She hasn’t prayed in a long time. Truthfully she’s not even sure a god would listen.

Instead, she just hopes.

She hopes the filter won’t suck all of her hard work away, hopes she doesn’t get caught, hopes that maybe, please, maybe, the ugly baby will live.

When she has to take a break, she closes the lid of the commode and sits there, watching those large eyes watch her back, and somehow, she finds the will to keep hoping.

Maybe she’ll find out what colour their eyes become, if this all goes right.

By the time Maria gets back to bed, it’s nearly morning. Her limbs ache, and she can’t eat breakfast, but she’s grinning from ear to ear.

Maria, writing letters back and forth with Abe for weeks through the nurse whose name she now knows is Eleni. Eleni, with dark eyes, and dark skin, and the darkest, curliest hair that Maria had ever seen in her life. She can’t help but feel a bit guilty that she’s never taken the time to get to know this woman. Eleni doesn’t care though. She waves a hand, “You have been sick, too sick for anything else, and you’ve only gotten sicker since they took that little boy away. You have nothing to apologize for.”

And Eleni says she comes from Apotos, and Eleni sighs wistfully about the way the breeze smelled coming in from the ocean, and Eleni talks with both hands about the way the sun burned into dusk over the olive groves near her home.

Eleni, Eleni, Eleni.

Maria repeats it, paying attention to the way her mouth and tongue and teeth come together around her name.

She feels so bad when she steals front the medcart now, but somehow, she thinks that Eleni would understand.

Perhaps that’s just to ease her conscience.

Maria, who feels a gloom call from the hallway.

“And how does Project Shadow proceed?”

There is no voice, and yet, the words cut the air like the imagined hiss of a very real gas leak. It conjures strange visions of swirling pitch behind Maria’s eyes.

Every hair she has left is on end.

A threat. It moves, it breathes, as a threat.

But then there is her grandfather’s familiar rumble of a voice, low and tumbled on his tombstone teeth. She’s almost grateful the speaker and the professor go further down the hall, away from her doorway, taking the murk with them.

That night, she holds her pillow tight and curls inward, as if her whole body can protect the name it dropped in the hallway, the name she now keeps tucked in her own mouth. She imagines spikes growing from her, like great big sharp spines, keeping them safe by filling the room to the point where that voice and its owner would never be able to get near them again.

Still, it haunts her.

“Are you Shadow?” she asks, standing at the tank as she dries her hands off on the skirts of her shift.

The baby is now covered in dark fur, rich and deep, with little curls in the quills atop their tiny head. There’s a little scarlet, too, starting to show from under the black almost like the faint fingers of a polar aurora as they stretch toward the equator. What makes her most excited though, are their eyes. They’re a livid red now, flecked with gold, wide and wild. When they tilt their head at her words, it’s hard not to imagine an actual glint of curiosity flashing in them.

She giggles. “I wasn’t sure at first if that was a good name for you. In fact, I had started a list of alternatives.”

Maria tilts her head opposite the way the little baby tilts theirs. After a moment, it adjusts to match her.

“Darkness is just darkness. I know the books and all try to make it out to be something bigger, but it’s not.” She shakes her head. “But the more I thought about it… well, maybe it is fitting. You can always turn to a shadow to find the light, you know. That’s sort of poetic. At least, I think so.”

Maria purses her lips against the tightness in her heart. When she rests her hand against her chin, bowing her head to think, they copy her.

She laughs, and the gloominess is dispelled.

And she keeps laughing every time she thinks about that moment, even if it hurts.

Maria, who keeps visiting the baby in the tube, though now she has to admit it looks less like a baby and more like a- well, she’s not sure. Her grandfather used to show her photographs and sketches of ancient artifacts from excavations on the Earth below, things that inspired him with his research.

Perhaps this is to look like that one thing in that mural he is so fond of.

Maria sneers. She knows the professor only likes that mural because he thinks the other figure depicted there in the ancient tilework is him.

How egotistical.

It doesn’t matter. What matters is that she will not let Shadow die.

There are nights where, with tears staining her cheeks, she falls asleep and dreams of Shadow, dreams of them growing the most beautiful dark curls, dreams of knowing how to braid so that she can teach them how to braid, dreams of being friends.

There are nights when she hears that murky whispering in her head though, and the dreams turn to nightmares.

Eyes, watching. Thoughts, hissing. A hunger unlike anything else, eating.

Maria, who in the morning wakes up and draws her and the tube baby dancing together on the backsides of used sticky notes. She can’t get the stars right. They always end up upside down. It doesn’t matter though. In this moment, all she thinks about is watching Shadow learn to crawl, to walk, to run, to dance. She wants to teach them how to dance. She wants to grab them and run through the halls to dance through the wide space of the observatory like she used to.

She wants them to dance for hours on end until they run out of breath and their feet are sore.

Maria hums a tune she heard Eleni singing.

She keeps humming even as she shreds the drawings to hide her dreams.

Maria, who finds one day she cannot hold the pencil. Her hands feel numb, fingers thick and fumbling. She keeps trying, but it doesn’t get any better no matter what she does, so she hides it. Everything becomes gross motor. Everything becomes careful. Her hands don’t need to be perfect in order to take what she needs, but she still needs to fit the part of perfect patient.

So she is patient.

But Maria can’t steal the used IV bags anymore, can’t cup her hands to move the slurry from the commode to the vats anymore. She has to change tactics.

Maria, who holds onto a shaky smile for her little friend as they watch her struggle to flip her sweater pocket inside out and shake the fat pills into the swirling tank water below.

“You’re getting so big,” she whispers, “I knew you could make it. I’m so proud of you, Shadow.”

Maria places a hand to the glass and watches amazed as they lift their own and try to press it against hers. They’re so close. They’re right there. Only a thin panel of glass separating their two palms.

And all the little hand-drawn, upside-down stars in her head alight.

But the empty days start to become longer, become worse.

These are the hours where she is too tired to think.

These are the moments when she can’t even cry.

The next time she sees the professor, it’s been ages. He’s smiling. She had almost forgotten what that looked like, but there he is, mustache twitching upwards as he throws his hands into the air.

“I have wonderful news,” Grandpa says as his big hands settle on her bony shoulders. “We have potentially found a cure.”

Maria can’t speak, let alone understand much of what is being said. That doesn’t matter. The professor just keeps talking about his latest medical advancements until Eleni comes in for the evening meds and tells him he has to leave.

There’s no letter from Abe this time.

She doesn’t sleep that night.

The rage boiling in her doesn’t let her rest.

Maria, watching the injection dissipate through her skin as it enters her bloodstream. There’s a golden glint to it, glittering like what she imagines fairy dust to glitter like, moving like what she imagines ambrosia to move like. Still, there’s something about it that stops her cold if she squints too hard. Maria takes measured breaths through her nose, expression blank, as the professor lectures the attending aids and scientists on what is happening.

Then, she recognizes it. That glowing pallor. Even if the red hue underneath it is vibrant and rich, and the golden glitter shines so invitingly, she would know that glow from anywhere.

All it takes is one attendant to point at her spiking heart rate and it all goes south fast.

She stares at her hands in the dark of the room when it’s all over. Her skin carries that light within it now, a soft radiance, and she swears to herself that if they hurt her friend, she will cut these hands of hers apart to return what was taken.

But the next day, she can pick up a pencil again.

She can talk again.

She hates it. Hates the professor, hates the nurses, hates the scientists and the attending aids and the way it takes the blood of her little friend to feel this alive again.

She hates herself.

It’s another month before the professor finally outfits Maria in an electric wheelchair. It’s not particularly fast, but it doesn’t need to be. He says he didn’t do it sooner because they didn’t see her as being strong enough. The professor laughs at this while he ruffles what is left of her hair. She’s been so good, he says. She’s gotten so much better.

Maria smiles to hide her gritted teeth.

She imagines the flesh of his hand between them.

She wants to see Shadow. Needs to see them. Every night in her mind she walks herself down the hallway. The pinpad appears on the ceiling of her room like a mirage, and she has found herself reaching out a hand to input her name.

How dare it be her name. How DARE he use her name in that way. Like this is even about her anymore.

But she must be on her best behavior, no matter what happens. She will do whatever they ask of her, smiling.

She’s worried they’ll take her new wheelchair away if she doesn’t, and she’s already figured out how to take the speed limiter off.

“You can say something if we’re pushing you too hard.” All the nurses say that. It’s the first thing out of everyone’s mouth when she slips up, and it loops like a broken record around the room.

But she just shakes her head and keeps on smiling.

In her dreams, she floats in space with her golden hair and golden wings and her little Shadow, where together they watch the ARK sail straight into the sun.

When did she become so angry?

It frightens her some days, but then pain sets in and she remembers.

They will not take everything from her. They might try, but they won’t succeed.

Maria, back in her wires, in her tube. She doesn’t even feel it when they push the needle into her anymore, her wrists and inner elbows pockmarked by the years spent watching a slow dripping life.

But now, she’s watching the life of her little friend, bagged and hooked up to her IV pole. Now, she’s watching that spark in their eye, distilled and packaged and scrubbed for her consummation, make its way down the tube.

She hates it. Get it out. Make it stop.

Stop.

But Maria is so, so tired.

Was this the moment to say they were pushing her too hard? Or had that moment passed? Or had it only been offered as a formality?

It had been so long since she had been here. She forgot how tight and lonely it is inside the tube, and she wonders if this is how Shadow feels all the time.

Where is her little friend? She wants to hold her little friend.

She doesn’t realize she fell asleep until she wakes with a start, back in her own room, in her bed. When she presses a hand to her eyes with a yawn, she hears something shift beside her.

There sits the professor, watching.

He’s not smiling.

“Maria, is there something you have to tell me?” He says, but the way he speaks has that coiling, hissing gloom within it.

She says no, and she says no as sweetly as she can, hiding the way her heart monitor starts to go faster by sitting up in bed and feigning dizziness. Normally, that works.

It doesn’t this time.

“Maria, I need you to tell me. What is the little creature you keep harping on about?”

She freezes at that.

What has she done? Did she say something in her sleep?

But again, she says no.

“You’re lying to me.”

How does he know?

Just an imaginary friend, nothing more.

“Maria, what have you done?”

It’s like he’s reading her thoughts.

It’s been lonely since they said she and Abe can’t play. Please, she’s tired. Please, go away.

Instead, he stands up, reaching for her with wide empty eyes.

Eleni saves the day just in time. “Doesn’t your granddaughter need rest, sir?” The words break across her teeth, as if she is shattering a glass in warning.

The professor doesn’t even react. He just stands there, still watching Maria. It takes Eleni using the call bell to get help from the aids to remove him, and even then, he turns his head to stare as he leaves.

It is the first time Maria has cried in a long time.

Eleni holds her. She puts Maria’s head to her chest and rocks softly, humming the song she loves so much in that voice she loves so much, smelling of something that makes her heart cave in around a black hole of hurt.

It’s Eleni who dries her tears and teaches her how to braid.

She takes sets of spare shoelaces from the nurse's supply room and spends hours with her, going over all sorts of different techniques. Sitting on the edge of the bed, she whispers everything like it’s a secret until all that fills Maria’s head is the soft sounds of her voice that roll over her brain like ocean waves.

Eleni lets Maria keep the shoelaces, and Maria stays up all night practicing to beat back the memory of how the professor looked at her.

Maria, weeks later, who sits up in bed when Abe walks in. It’s been- how long has it been? How much time has passed since she has seen him. He’s gotten taller, and his face has gained a sharp edge around the chin.

They stay there, watching one another. An aid tries to chip through the silence with a few surface-level pleasantries, but neither one of them give. Ultimately, the aid leaves.

Abe steps forward. “We need to get you out of here.”

How much can a voice change? And how severe can a person become? The boy standing before her now is no longer the baby brother she had loved. No, this person is a stranger, both the boy and the weight he seemed to carry about his shoulders.

Maria stays silent.

“Something bad is going to happen.” Abe walks closer, but stops short of the bed. He could reach out, he could sit down. Instead, he stands there, just a little over an arm's distance away.

Something bad has been happening. He just hasn’t been paying attention. Brat. Selfish brat. She wants to hug him and cry as much as she wants to beat him with her IV pole. Where has he been? Why did he stop writing?

Abe isn’t looking at her. His gaze is fixed on nothing over her shoulder as his hands slowly come up and twist their fingers into knots before him. “That thing the professor talks with, it’s been hanging around, and my dad’s been getting nervous. He’s been talking on the phone he’s not suppose to have. That’s bad.”

Maria grits her teeth, hands curling into fists in her sheets. Abe’s gaze finally shifts to hers, hard as stone.

“We have a plan. When we go to leave, I’ll come get you. You can’t tell anyone though, got it?”

She nods, and Abe leaves.

Jokes on him. She’ll already be gone.

Maria, braiding the laces over and over as cold fire certainty seeps into her bones. Abe might not have the patience to get many details in his stories right, but he did have a good sense of danger.

She looks at her hands. Perhaps it is just her imagination, but she swears she can still see her veins glowing faintly.

They’ll both be long gone.

It feels like every day is a day in eternity, waiting to see them again. She has nightmares of the light in her veins growing brighter as the light in their own eyes fade. Her friend shrivels before her, curling into a ball as their skin turns ashen. Eyes struggle to stay open, rolling under closing lids, breathing labored and heavy as they try to look for her and can’t.

Maria, drowning in her golden hair, screams and screams and screams.

Her hands still hurt when she wakes from visions of trying to break the glass.

But finally, she is well enough. Finally, she can be with her friend.

The braiding shoelaces in her hand shake, soaking in sweat, as she checks to make sure they are alright.

“I don’t know how well you can see,” she mutters as she knots the laces around the head support of a nearby office chair at the base of Shadow’s tube. “How’s that? Is that okay?”

When she looks up, she can’t help but smile. They’ve gotten so big. The colour along their arms and legs is a deep and healthy red, their eyes bright and alert.

Those quills, oh, those thick dark curls, just like Maria had dreamed, streaked through with that red.

“You’re so beautiful,” she whispers, shaking her head. “I had hoped you’d be.”

Shadow bends down slowly in their tube, crouching toward the bottom to come closer to where Maria sits. It was then she noticed the faint eruption of white hairs coming in just under their collarbone, over their heart.

She smiles. “Still so full of surprises.”

It takes another two months for Shadow’s chest fur to come in. It’s a beautiful shock of white against the black, like a moon against the infinite sky.

Reflecting the light, pointing the way.

Maria imagines what it will feel like as she runs her fingers through the fresh peach fuzz on top of her head.

Shadow really is a poetic name.

Maria whispers their name over and over, placing it next to hers.

Shadow and Maria. Maria and Shadow. Say it often enough and it sounds like it’s meant to be true.

They are friends. It doesn’t matter that they’ve never held hands, or braided for each other, or danced.

Though she really wants to dance.

They are friends. She etches it into the wall behind her headboard with an errant safety pin just to see it somewhere that cannot be erased.

Maria and Shadow.

One day. One day. It’ll happen. Shadow will be strong enough to get out of the tube and they’ll do whatever they want forever.

But she’s out of time now.

There is screaming, and gunshots, and screaming, and bursting pressure valves, and screaming, and crying, and just so much screaming.

Maria, who leaves Abe in the care of Eleni, telling her of Abe and his father’s plan, telling Abe to take her and run, telling them both to be safe.

There’s so many tears. There’s so many grabbing hands.

The way Abe’s big eyes glow under the red lights, the way Eleni’s voice snaps when she screams her name.

Maria, rocketing down the hall as fast as she can. Even with the limiters removed from her wheelchair, she feels like she is moving in slow motion. The flashing lights throw strange shapes across her vision, things that make her jump away from the edges of hallways and peer around corners.

She hopes Abe and his dad will keep Eleni safe. She doesn’t want to think about what might happen if Abe’s father says no.

Maria’s wheelchair skids to a halt just outside the door. She measures her breathing as she stands to push her name into the pinpad. The thundering of boots is getting closer and closer.

They round the corner just as she slips in through the door. There’s no time to get back in the wheelchair and bring it inside.

“Shadow!” She’s gasping, stumbling towards the tank. “We’ve got to go!”

And Shadow looks at her, eyes blazing.

The inquisitive brow, the near ethereal calm they normally possess, is gone. Now, there is a panic in them, palpable and real as they spin in helpless circles. She watches them shake as she collapses atop the console.

Maria, pushing every button she can, throwing every switch. Lights start to flash. Somewhere, there is a high-pitched beeping, followed by a low-toned alarm. Nothing works. It’s all in lockdown.

They’re spinning faster.

There’s shouting from the other side of the door. More gunshots. Down a hallway, there is the sound like a bomb going off. Something roars.

She freezes at the horrid, strangled sound. What could have caused that? What has the professor really been doing?

Focus.

She strikes the glass with a snarl as she viciously tugs on the lever, but nothing budges.

She smacks the tube again. Something in her wrist cracks. It doesn’t matter. She clenches her hands and beats the glass.

Again.

She’s screaming.

Again.

She’s beating the glass with her firsts and screaming. Every atom of her being seems to burst into flame as the rage she’s worked so hard to keep in check bursts forth from her skin.

Again.

Her forehead is pressed to the cool glass, though it does nothing to dull the burning ache in her brain. Tears stream down her face, and she’s biting her lip hard enough to draw blood, when suddenly, she feels a thump.

Then there’s another thump, a rippling vibration, and Maria snaps to attention.

Shadow is hitting the glass. It’s gentle, but they’re doing it, eyes darting between two sets of fists under that perpetually knotted brow.

Maria, gasping, smiles.

“That’s it.” she says, “just like that!”

And she hits the tube with both hands, making sure Shadow can see her, making sure they can understand just how hard she’s trying.

“You can do it. I know you can. Come on, Shadow!”

There’s a pause. Something comes over Shadow’s face, an expression she doesn’t know the name for. As they rear back, she swears she sees a flash of that green glow in their eyes just before they slam the glass with clenched fists.

The tube does more than shatter, it explodes. Maria ducks just as water and glass go flying. Overhead the alarms reach a new frenzied pitch, then buzz, then break their speakers. Bulbs buzz brightly and burst.

It’s dark, save for a few errant lights on the edges of the room. As the last tinkling pieces settle on the floor, she looks up.

And there they are.

Finally.

Maria, grinning so hard it hurts. She watches them take their first breath, chest expanding as their eyes go wide, as their hands come up in front of them like they’re just now seeing them for the first time.

Finally.

Maria, laughing, sobbing, as she struggles to her feet, only to fall forward as she wraps her little Shadow in the tightest hug she can.

Finally.

He’s so gross. Slippery and soggy and damp. It doesn’t matter.

Maria and Shadow.

Shadow and Maria.

Together at last.

Maria, who wants to say so much, who wants to do so much, but there’s no time. There are soldiers outside, their guns still warm. They may think to check here. They may beat down the door to shoot her where she stands, and what is she doing?

Hanging off of her friend, her knees give out underneath her as her lungs struggle to catch the air. The room is spinning, but she feels Shadow’s arms come up and around her, she feels them hold her, hug her back.

Their quills are cold to the touch and smooth like laquer, but the fluff of their chest, damp as it is- she knew they would be soft, she knew it.

There’s another boom, closer this time. She holds Shadow tighter.

It’s getting so hard to see.

Maria, who tries to be brave, who takes a deep breath she cannot keep as she looks into her friend’s wide, innocent stare.

“There’s an escape pod room. I-I think I can figure out the way. If we get there, then we’re free.”

Her voice is a rough whisper, but swallowing just makes her throat hurt. Instead, she takes Shadow’s hand in hers and smiles as she points to the door.

Their first steps to the door are tottering, unsure ventures, and she cannot help but groan when she sees the broken remains of her wheelchair. But it’s fine. This is fine. Her knees are screaming. If only for just this moment, she wants to take it slow.

She’ll need her energy when they make a run for it.

Maria and Shadow, looking up and down the hallway. Shadow just stares, tightening and relaxing their grip on her hand. Though she would love to marvel at the feeling, her hair is standing on end as she listens with bated breath.

But no one is coming.

Maybe there is no one left.

Maria and Shadow, shuffling down the hall. It’s all small steps and furtive glances. The gunfire sounds further away now, moving toward the ARKs core. She swears she can feel the floor shake beneath her feet, and wonders if something has exploded below.

From the belly of the beast, she hears another roar and shivers.

“Left,” she says. It comes out as a croak.

Shadow just looks at her. Maria has to point, and then lead them down the hallway to the left, to get them to understand.

Maria and Shadow, wandering the halls. Neither say much. Truthfully, there’s nothing Maria can think of to say. Her whole body feels like it’s being shaken apart by her own frail bones

But her little friend’s hand feels so warm in hers.

She sees blood.

“Wait.”

Shadow looks at her again, at her hand tugging on their own. The growing pool of blood creeps closer, closer, closer to the tips of their bare toes against the steel.

They step back to her.

Maria licks her lips.

“Close your eyes.”

She tries to pantomime for Shadow to understand. It’s not working. All she accomplishes is that slow, lazy blink. Maria pulls them to her, turning them around as she rests her forearms on their shoulders and covers their eyes with her hands. She pushes lightly, and they walk forward.

Good. She can do this. She can do this.

Maria and Shadow, rounding the corner. The body is slumped against the wall closest to them. Maria’s mind played tricks, told her she surely knew them, but that grey hair and those wrinkles could have belonged to anyone. She swallows as she leads Shadow forward, wincing against the warmth as the blood soaks into her socks.

Focus

She doesn’t want to look at the body.

In the periphery of her vision, she sees the brackish red smattering their teeth.

Her eyes narrow on the center of Shadow’s quills.

She doesn’t remove her hands until they make it to the other side, down the hall, and around the corner. The bile in her throat burns, but her little friend will not see. They will not know.

Maria and Shadow, their hands slowly coming up to cover hers atop their eyes, and she pulls them away. As they look around, their gaze begins to drift towards their feet, towards the bloody footprints they have left behind them.

“Don’t!” The word snaps in her mouth like a firecracker.

Keep their eyes on her.

Maria catches their face in her hands. She turns them toward her, and maybe she is gripping too hard, and maybe they know something is wrong, but she smiles against her singed tongue anyway.

“It’s nothing. We have to keep going. Okay?”

She nods. After a moment, Shadow nods too, and Maria’s smile softens.

The hallway behind them collapses in a burst of fire.

Maria and Shadow, falling to the floor. Smoke and ash fill her lungs as her ears pop from the sudden change in pressure. She reaches for them, curls one arm about their thrashing head and the other around their body as she pulls them under her as best she can.

Not that she could shield them from much, but that will not stop her from trying.

It’s all too much. The burst of heat that throws her skirt about her knees, the sudden onrush of gunfire and popping flames. Her legs feel useless. They kick and fail and can gain no purchase against the steel, but she has to find something. If she doesn’t—

There’s that roar, louder, closer. Maria lifts her head just enough to see a soldier screaming as it pours bullets into something moving through the din.

She covers Shadow’s ears just before it gets to the soldier. The sound it makes–

She gags, looking away.

They have to run.

She can’t run.

She has to find a way.

Maria and Shadow, sliding slowly down their dangling piece of hallway. Maria reaches out to grab a piece of twisted rebar. She can feel the flesh of her hand prickle against the heat.

Her grip tightens.

They will not die here.

From seemingly nowhere, there are soldiers flooding their hallway. They’re yelling, pointing. One lifts their gun to aim.

She clutches Shadow tighter to her.

And in an instant, they’re gone.

The monster rises from the dark corner, trailing behind its arm that now lies embedded within the chest of the soldier. The man twitches like a puppet, limbs jerking as their head rolls back onto their shoulders, before being cast aside.

Pandemonium.

Gunfire and flames, explosions, sirens. It is too much. An errant bullet tears through her nightgown and on instinct she recoils, almost losing her grip.

Figure it out. She has to figure this out. She has to get them out.

“Shadow!” Maria looks at her little friend, uncovering his ears as she shifts her grip. “I need you to help me.”

They just stare, fear in every inch of their face.

“I need you to pull me up.”

Can they understand her? Do they know what she’s asking for?

She hoists her arm holding him as best as she is able, just a little, then pulls on the arm clinging to the rebar. Joints pop. Tendons strain.

She wants to cry so badly, but she will not. She will be brave. They have made it so far.

And against all odds, she sees the light of understanding come through the fear in Shadow’s eyes.

Shadow twists out of her grasp. They move in ways they shouldn’t, their body contorting as claws reach out and pierce the steel of the dangling hallway floor like it is made of cotton. Shadow doesn’t crawl. They scuttle. It’s the only word she can find to describe what she is witnessing. They scuttle like a bug up the floor and out of the hole back into the hallway.

Don’t think about it too hard.

And then their hands come down, red and black and clawed, but still such gentle palms, and with one movement, it grabs her own hand still clinging to the rebar and gives an almighty tug.

And she flies up-

(her shoulder dislocates)

- and out of the hole.

The impact against the floor forces the air from her, releases the sounds of pain she has kept locked tight for so long. She’s gasping, choking and coughing on tears.

“Damn it.” She curls in on herself, clutching her shoulder. “Damn it, damn it, damn it!”

Shadow and Maria, there on the floor.

Safe, but for how long?

Her little friend is crouched next to her, huddling over her, and through watering eyes, she realizes they are trying to shield her just as she did them. Their face is close, eyes etching a pattern into her skin as they rove across her.

They’re afraid.

For her, of her - doesn’t matter.

Maria takes her good arm, the one that can still move, and lifts it to pat Shadow’s face.

“Thank you,” she says softly. “You did such a good job, and you’re being so brave. I’m so proud of you.”

Their eyes soften.

But this moment cannot last.

Maria and Shadow, one dragging the other to their feet, stumbling down the hall. She swears they’re close to the escape pod room, but she can’t be sure. And then what? She not sure she’ll know how to work the controls. Nobody ever told her. Nobody ever thought Maria Robotnick, after all the attempts at saving her Grandfather has done over the years, would have to save herself, let alone her little friend.

Maria grits her teeth. Nobody ever thought she could do anything by herself, and here she is, not even able to walk alone.

Useless arm. Useless legs. Useless, useless. She was too slow. Deadweight walking. The sounds of gunfire behind them echoes through the hallway. She’s going to get them killed. She should have just told Shadow to leave. Maybe then it would have been her body slumped against the wall, her blood they would have to run through, but at least they could run.

But who saved Shadow in the first place?

She looked to her little friend, who looked back up at her with those wide, bright eyes.

Maria feels her heart beat in her chest. It vibrates in her fingertips, shakes the air in her lungs as she breathes.

She did. She saved them.

Her good hand grips Shadow’s shoulder.

“Right,” she whispers, pointing.

Shadow carefully steers them around the corner, and there stands the door she’s been looking for. The sign panel next to it is a little melted, the floor pockmarked with bullet holes from one level down, but it’s a door, and it looks like the power here is still on.

Shadow doesn’t have to worry about the raw-edged metal around the holes in the floor, but Maria does. She stands on her toes, ankles wobbling, as she opens the panel next to the door. A hand scanner, not a pin pad, stares back at her.

She breathes a sigh of relief as she places her hand atop the screen.

Shadow hisses.

Maria fumbles, turning around to see Shadow’s eyes wide, claws and teeth bared. No longer do they look like her sweet, soft friend. In this moment, they are alien. The sound coming from them – maybe it isn’t a hiss, maybe it’s something else– there’s a strange clicking in there somewhere- it echoes along the hallway, rolling like a rogue marble, only getting louder as it goes on.

Maria grabs him by the head, palm flat against his quills.

“Stop! Someone will-!”

She turns a little further, and there, turning back around down the hall, was a soldier.

Shadow’s hissing grows louder. Maria could feel their quills under her hand bristle and bite flesh. The soldier seemed frozen in place.

Then, the door opens.

Maria, grabbing Shadow and falling backwards through the opening, rolling out of the way as a shot rings out. The door closes behind them again and two deep dents break its sterile smoothness.

Shadow wriggles in her arms, teeth gnashing they try to break free. Maria clings to them tighter.

“Shh!” Maria doesn’t have a good grip. “Shh- it’s okay! We’re okay! Shadow, please!”

She pets them even though it hurts her hands. It’s the only thing she can think to do. For a moment, Shadow goes still. Their gaze flickers back to her, and Maria can see them recognize her once more.

The soldier beats his fist against it. “You need to open this door! If you don’t, I can’t guarantee your safety!”

Shadow’s hackles start to rise once more.

“Ignore him!” It comes out as a wail despite her best efforts, “Leave him alone, we’re almost out of here!”

“Open the door!”

“No!”

Maria and Shadow, one dragging the other. She’s doing her best but they’re being so stubborn, and she’s only got one working arm. Tears are rolling down her face as her knees scream in protest. She can see the last escape pod right there, in the middle of the room. And there, against the wall, that looks like the control panel. If she can figure it out, they’ll be out of here!

But Shadow is not making this easy. They want to fight, but there is no time to fight.

“Go!” Maria points to the open pod. “Go stand there! Now!”

Shadow won’t comply. It’s getting hard to touch them, let alone hold them. Their quills pierce her skin like needles.

With a snarl, Maria changes directions, moving for the escape pod with Shadow in tow. She has to push and shove to get them up and inside, but eventually, they get the message.

Behind her, there is a burst of gunfire, and then the door is forced open.

Maria’s hand hits the red button at the base of the escape pod faster than she can think. In an instant, the glass door comes down between her and Shadow. She can hear Shadow’s muffled screaming as she turns to face the gun.

“Stop!”

Maria blinks. She looks past the shaking barrel to the person holding it, watching as they seem to almost shrink as she makes eye contact with them through their visor.

They’re a boy, not much older than her. It’s obvious as soon as she sees it. They’re just a boy.

The gun jerks.

“Get away from there.” There’s a hard edge to his voice, a falsehood of control. He’s trying to be brave, just like she is.

She hears thumping behind her, the screaming getting louder. Maria is sure if she were to look, she would see Shadow pounding on the glass.

The boy cocks his gun and fires a shot just to the side of her, making her jump.

“I said get away from there!”

The lights in the room flicker

Something shifts deep within, and for a moment, Maria is outside of herself looking in, watching, knowing what is coming. The anger- that burning furious need to cry, to scream, to fight- in an instant, it is choked out by the crystalline peace that floods her soul.

She hasn’t prayed in a long time.

Maria, slowly reaching behind her and grabbing the lever labled ‘emergency’ at the base of the escape pod.

“Don’t do anything stupid!” The boy is yelling again, but that can’t hide the fact his gun is shaking in his hands.

She’s not even sure a god would listen, but it doesn’t matter.

Maria, slowly turning to Shadow to look one last time at the light in those wide, bright eyes. It’s as if the two of them are alone in the silent vacuum of space. Everything is cold. The view is clear.

Shadow and Maria. Maria and Shadow. This was meant to be, if only for one glorious, beautiful moment.

She hopes she’s been a good enough friend, hopes the escape pod does its job, hopes that maybe, please, maybe, Shadow will get to Earth, and live, and be happy.

Maria, who smiles as she pulls the lever.

75 notes · View notes

majorasnightmare · 8 months

Note

from one mineru lover to another ... can i pleek hear the headcanons you have for her

KICKS DOWN DOOR

YES ABSOLUTELY

some loose context for the headcanons i have for her

the zonai hail from the silent realm and formed 3 major settlements originating from the decaying trial gates, one in the sky islands, one in faron, and one below in the depths (using the eldin gate that had since been buried under hyrules changing landscape). by the time of totks ancient era, the zonai had been slowly and steadily migrating back to the silent realm with mineru and rauru being the last to stay

hailing from the silent realm, the zonai culturally place a massive emphasis on self betterment through trials, self inflicted or otherwise, as a way of marking time through growth, in service to the goddesses

im using the oot elements, so the gerudo get spirit (which manifests as lightning) and mineru gets shadow, linking her to the sheikah and the technology theyll create

rauru and ganondorf are exes who had an EXTREMELY messy breakup before rauru founded hyrule

i can elaborate on that more (and will later) but for NOW

MINERU

so i headcanon mineru as this character thats deeply atheistic and autistic. which doesnt make a lick of sense until i explain it further lmao

mineru, to me, is this person thats deeply materialist, whereas her brother rauru is deeply idealist, and sonia is a staunch spiritualist (which is why her and rauru make such a good match for each other). minerus primary concern is The Real. the golden goddesses are Concretely Real but their influence is negligible. mineru grows up in a culture that dedicates themselves to spiritual self growth through trials of self betterment for, ostensibly, the sake of three goddesses no one will ever see or talk to or be touched by. they exist, surely, because the triforce exists, because their power exists, but mineru will never see them, hear them, talk to them, touch them, or see their hands mold reality. in every aspect she would care about, They Are Not Real. and so ascribing to a cultural norm of "betterment through trial" (needless struggle and self doubt) just. doesnt click for her. why chase spiritual enlightenment when theres shit to do RIGHT here?

shes this kind of gruff, non social person who nonetheless cares deeply and intensely but wants to dedicate her effort and energy to things she considers important. her brothers important. her work is important. vague divine approval? unimportant. shes more concerned with how things tick than the Grand Plan of it all.

a lot of this makes itself manifest in her role (in my headcanons and aus) as the sage of shadow, if you understand shadow as Unseen (Concealed) Truth. why do the islands float? how does zoanite work? what can we do with this energy? what can we make? how can we build on it? shadow magic, imo, requires a strong thread of creativity. its what makes OoTs shadow temple so brutal and the history behind it so heinous. but it isnt inherently bad. its creativity, imagination, the Unreal. its the drawing of a curtain and the throwing it aside. this underlying current, the need to understand How and Why, is what makes minerus cutscenes with this understanding so much more enjoyable to me.

mineru is this character defined by her inventions, whos headpiece mirrors the goggles purah and robbie wear, whos role as shadow, the creator the inventer the counterculture, will be revisited when the sheikah create technological wonders that will spread throughout hyrule. she makes a mech to house her soul to survive the thousands of years into the future. whereas other sages choose a successor, mineru says "youll see me there in the temple my damn self." because if you want something done right you do it yourself!

i headcanon mineru and rauru as hailing from the sky island zonai civilization, and theyre the last hyrule dwelling generation. she grew up watching these senseless tests of courage that just risked major injury for no good reason, and then her baby brother goes off to better himself because he wants to make a meaningful impact in the world, and it just cascades into a dominos of bad decisions. she doesnt put any stock into divine intervention because the only people who can save anything are us. i picture her being endlessly fascinated by her home and the constructs and that curiosity being the foundation for a lot of what she does from there on out. becoming a fantasy mechanic, an inventor, getting down into the nitty gritty of a machine and getting covered in grime and oil but not caring because theres a problem that needs fixing and she has a wrench. voraciously tearing into any book she can find, any historical record, being this treasure trove of information and trivia and history because she cant help but come back to those questions, how?, why?, again and again.

itd be easy to hear her described as anti social and gruff, and see her interpreted as a little standoffish and blunt, and end up viewing her as kind of an ass, and you wouldnt be wrong per se but its really just that mineru only really puts effort into a relationship she cares about, and she really REALLY pro cons that shit. her first and foremost concern is rauru, her little brother, and as the zonai migrate back to the silent realm, her last remaining family. when rauru descends to the surface in search of problems to fix and Be Of Help, mineru correctly assesses his budding relationship with the gerudo royal is one fated for disaster, because nothing good comes from entering a relationship just to "fix them" regardless of how well intentioned and kind hearted you may be. because of this she doesnt invest much into getting to know ganondorf as he interacts with her brother, because shes expecting it to blow up and doesnt want any of that blowback. nevertheless when that comes to a head in the WORST possible way (a situation in the au that results in the creation of the gibdo queen, the first blood moon, the deaths of several gerudo guards and the eventual deaths of koume and kotake, a situation that will then contribute to The TotK situation) mineru beats herself up every day for not being more involved. her brother is sweet, and truly believes in the ideals of the zonai he was raised with, that to struggle is to overcome trial and better ones self, and such an effort is a spiritual responsibility of those hailing from the silent realms, created by divine hands, because of the power theyre capable of wielding. she cant fault him for that, because rauru IS capable of great good and he WANTS to help people so bad, but as mineru surmised years earlier, when your inundated with this concept that You Have Power and your Obligated To Use It, you never stop to think that maybe you arent the best person to solve this issue. you cant use a wrench for a screwdrivers issue. and knowing that, knowing rauru is driven to help but too inexperienced to know what he CAN help with, mineru feels responsible for not stopping him from biting off more than he can chew. (rauru, on his end, solely blames himself)

so shes a bit More Present when he meets sonia and when his idealism leads him to found hyrule, she stays close, but she really can NOT be assed to be dragged into politics because jesus christ. no. but she continues to be like. Peak Older Sister. every time rauru has a problem, shes the one he turns to. every time rauru wants advise, he asks mineru. he loves her a lot and relies on her guidance because he considers her one of the smartest people he knows (she is, along with sonia) and even though most of the time its rauru once again trying to fit a square peg into a round hole, theyve basically been abandoned by the rest of their people (who have written hyrule off as this kind of Fun Ordeal but Not Worth It as they go on being fucking. philosopher kings in a realm of Eternal Silent Trial where you can freely perfect whatever magic bullshit you want without worry of a body count or, ya know, consequences because very little is physically tangible there). mineru isnt going to like. continue that trend, and just leave rauru to it. hes a grown adult for sure, but that just means its his responsibility to grow and change as a person, not that he cant ask for help. especially because she doesnt want him to handle everything alone

so shes hands off with the hyrule business, and plus sonias got a good head on her shoulders, shes a nice balance to raurus Impulsive Do Gooding and helps him move from individual action to Systemic Good (tho that in itself is another one of Raurus Bad Impulsive Ideas because founding a Divine Kingdom of Good is a fools errand). and for the most part mineru is fairly assured that it wont blow up too horribly (*loud incorrect buzzer*) but man. when they show up with zelda.

so raurus very much a "im divinely obligated to help people" and sonias v much a "fate ordained our meeting" type and mineru is very very much Not That. but zelda? zelda is so much closer in personality to mineru, so when rauru and sonia show up with this girl from the future that theyve basically adopted, minerus like "alright you are once again Back On Your Bullshit so im NOT getting Into It" AND YETTT. zelda ALSO cant stop asking how? and why? (because light and shadow are closer than most people think), and zeldas so invested in what makes this tech work, how it functions, what makes it go, and while rauru and sonia try to give zelda the best they can, zeldas also similarly thrilled to get her fancy white dress all gunked up with oil cuz theres a plug that needs reconnecting and mineru cant get her hand thru the gap. they get on like a house on fire and despite herself mineru loves zelda. absolutely adores her. which was NOT on todays to do list, for sure. and so despite herself mineru is now including zelda in her (very small) circle of family and similarly mineru is this gruff no nonsense figure zelda can earnestly talk to whos similarly concerned with the Real and the Practical and how it can be applied to solve our problems instead of omens chasing and prophecy fulfilling. which is why mineru goes out of her way to help zelda in a way she generally doesnt for sonia because well. zeldas basically her niece. and sonia can handle herself. and also zelda loves hearing about weird programming quirks in the constructs. so its really just kind of inevitable

but minerus pursuit of knowledge is why she knows about draconification (and rauru doesnt), and why rauru comes to her for help because thats kind of his habit. its a lot like asking big sis to beat bowser for you cuz you cant get it, and like she clowns on you for it but still takes the controller.

and when rauru and sonia are like "the ganondorf situation is Our Problem and we arent involving zelda" mineru is 100% behind that because uhh YEAH rauru it IS ur problem this is YOUR ex and your series of Questionable Decisions, but also why she throws herself into it because she does still carry that responsibility. she still feels that guilt for not protecting rauru from himself as his older sister, and that so many people suffered, and that now more people she cares about ARE suffering and WILL suffer. a feeling thats compounded by raurus sacrifice sealing ganondorf

understanding how the sky islands float was a childhood dream of minerus, to understand the hand of the divine and make it tangible and real, and while she achieves that, with the help of someone who really truly gets her and her work, the context surrounding it is so grief stricken and heart rending it thoroughly spoils the joy of scientific pursuit, which is probably why it isnt something mineru records in a lot of detail. in a lot of ways mineru loses all the people she considers family to that same Hand of Divinity, which imo makes mineru being atheist more richly thematic and adds to her character. its this combination of "am i being punished for my lack of faith?" alongside this determination to assert your individual power in SPITE of divine influence, taking herself to the present by her own craft and the sheer power of ingenuity and creativity and the aid of an equally learned peer. also her spirit bond is on the middle finger. i love that for her

this is long as fuck so im throwing bonus thoughts in the tags

#totk headcanons #mineru #mineru totk #mineru headcanons #totk zonai #zonai #totk spoilers #throwing my random commentary in the tags #literally i see shit like ''mineru comforting rauru after a nightmare'' thats like all soft and cutesy #and im just there like She Would Not Fucking Say That #MY mineru says fuck. and calls ganondorf a dipshit. my mineru hears zelda talk about rhoam and calls him a dense motherfucker #she isnt someone that shows kindness easily. but she IS still kind #she doesnt talk to people easily and doesnt play etiquette or politics.#shes a very I Follow Rules That Make Sense both socially and otherwise #it has to have a function a purpose a reason #including religion! why worship the gold trio if they leave you on read? make it make sense says mineru #yeah god may be real but god wont fire mega demon flamethrower at a molduga. i do that. me.#and until god DOES that then all three of em are CHUMPS #in the au i have with laura sonia becomes the light dragon and carries zeldas soul to the present along with the master sword #and her and mineru have a very emotional reunion #which. is EVERYTHING to me #ALSO I CAN AND WILL ANSWER FOLLOWUPS. I LOVE CONVERSATION #BUT LIKE A VAMPIRE. I MUST BE INVITED

53 notes · View notes