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#sometimes it gets Annoying
psychopacifist-rm · 4 months
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Classic
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(Guys, I can give you a lifehack: I never attack you first, if we speak with respect to each other, good? Good.)
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etchif · 2 months
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christ sometimes I just wanna. steal a time machine & go back & sit down next to my 9-year-old self and just like. let them pull out their pokemon card binder & gush about their holographic gyarados or whatever. I'd just smile & ask questions about motherfukcing bulbasaur & tell my kid self that I thought they were a neat person, & someday they'd find other people who thought so too.
like i'm a grown adult who honestly finds most kids stuff boring, but. damn if i could go back & hang out with my baby self & listen to them ramble...just so they knew someone was listening. i would in a heartbeat. thinking about u kid
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msbarrows · 4 months
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Argh... so I've been reading in Scum Villain's Self-Saving System (SVSSS) fandom recently. And it's given me a new pet peeve about formatting and TTS. A bunch of the authors in that fandom are using black lens brackets to indicate the 'system' voice, 【like this】, because the original novels do, and, yeah... unfortunately that's not always compatible with TTS (definitely not with google's TTS engine, and testing with various other online TTS engines gives mixed results).
Guess how I know they're called black lens brackets.
Go on, guess.
YUP! They get read aloud! Every. Single. Time. They. Appear. Open black lens bracket like this close black lens bracket.
Please resist using the novel's formatting and just use regular square brackets instead! Which do not get read aloud unless there's a space in a bad position, [ like this ]. If you want to be fancy, maybe use <tt>...</tt> formatting or a monospaced font such as courier to make it stand out more as something mechanical.
[Like this]
Which reminds me, another bad formatting choice I've bumped into multiple times (and I can't remember if I've mentioned this one before) is where authors use something <like this> to indicate things like speaking mind-to-mind, or that someone is speaking a foreign language (despite the actual text still being in English). Cool. Neat. Also not TTS compatible, unless you like repeatedly hearing less than and greater than mixed into the text. But guess what - there are already perfectly serviceable ‹single› and «double» angled quotation marks that could be used instead - and since they're recognized as actual quotation marks, they don't get read aloud! Shocking, I know.
Those angled quotation marks could also be another decent option for indication of things like the system voice, obviously.
«Like this»
Thanks to everyone who is already using more TTS-compatible formatting, and to anyone who decides to make some changes to theirs after reading this :)
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whimsyprinx · 1 year
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“people who don’t block and report bots are why they’re still here” actually staff not properly dealing with them theirselves is why the bots are still here, not people who got tired of having to block and report several bots a day
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sharky66 · 2 months
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SELF DESTRUCTION!
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originalaccountname · 7 months
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My turn to be skk-posting
in my ideal vision, when they finally get in something resembling a relationship (as adults, they were Not There as teenagers), it's because they both want it, which means they unlock previously forbidden features with each other like sharing a bed instead of a couch (you all know about my weird obsession with skk and couches), but also freely touching.
Dazai is a rather tactile person; my guy is freed after 2 weeks in prison and the first thing he does is dance, poke at, lean/hug and play with the hair of the first non-evil person (a stranger) he meets. Being with Chuuya, he constantly finds himself in Chuuya's bubble, and indulges in ways he usually can't with others. That often means direct skin contact, not even with ulterior motives, but really just because he is allowed and he wants to.
Chuuya on the other hand has never done something gently ever: he is fierce, he cares and loves intensely, and he never lets go, but he barely knows the concept of a reassuring gesture (working on it). Dazai being in his bubble wouldn't bother him at all by that point, but the handsy part? it's awkward. needs some getting used to. It's a learning opportunity.
And when Chuuya gets used to it and finally makes a move to return the favour? it's Dazai who short-circuits.
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alchemicalwerewolf · 1 month
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*as I report a s*xual bot* the only lust I feel is bloodlust.
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daiwild · 5 months
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COULD COULD YOU DRAW DANIEL AND RICHIE BEING BROTHERS… PLEAASE…
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Younger brother Daniel so real, Anon
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aalghul · 1 month
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Thinking about Jason's outward expression of emotions. He tends to only get angry as a response to perceived injustice (the same way Bruce, Dick and most of the others do). But unlike some other characters, Jason rarely every gets wound up in it, nor does he get angry even when he sees injustice if the situation doesn't call for it. Some characters get angry first and then manage their response to whatever's more appropriate, but my interpretation has always been than Jason doesn't need to because he doesn't often begin with the rage. It's not a default, instinctual response for him in most situations. It seems to be that he becomes angry when there is a perpetrator (and specifically, of a crime that hurt people with less power than the perpetrator has, in some way) towards whom he can direct that righteous anger (righteous as in the cause is his drive for justice. I'm not discussing the rightfulness right now). Can he hurt the man who was about to hurt a woman enough that he doesn't dare to try imposing his power over another woman again? Can he do something, anything to stop a serial rapist who has already caused the suicide of at least one woman? But he doesn't possess the sort of blinding anger that could become a driving motivator for his actions outside of someone in front of him to punish. He doesn't need the anger (mostly because he will instead fixate on the crime without rage to fuel him).
The notable exception to this being his behaviour preceding his death (which is explicitly referred to as atypical for Jason by both Bruce and Alfred. The whole reason he's forced to take a break from Robin is because that anger is so unusual for Jason that Bruce and Alfred are worried about Jason's mental wellbeing).
We see in Lost Days that Jason’s default state has become (to the concern of Talia and Ra’s) seemingly unfeeling, and he shows signs of a persistent flat affect throughout Lost Days, with exceptions for when he sees injustice (which is responsive, as compared to the aloofness he uses as a constant state of defence -> see: his and Talia’s conversation after he killed for the first time, Talia being glad that his sense of empathy and justice were able to overcome his general coldness). Jason's aloofness was entirely a conscious defence, but at times he was consciously exercising it (his reaction to Tim in front of Talia vs alone).
We see him cry for himself a few times, which tends to be how Jason first reacts to what hurts him deeply. Then there's his cold hatred for Bruce, which can be taken as anger in the face of heartbreak and perceived betrayal. But that anger never goes very far: Jason couldn't even make himself blow up the batmobile. In the end, it's Jason's belief that he hates Bruce and must make demands of Bruce to force him to redeem himself in Jason's esteem that fuels him. Because Jason wants Bruce to redeem himself, even if it's unlikely that he will.
All throughout Lost Days and UTRH, Jason uses teasing/biting humour in a very Robin manner to direct attention to whatever he pleases, whether that be pulling attention away from vulnerabilities or drawing attention to distortions of the truth. This habit returns to Jason strongly around times when he breaks out of his apathetic state (when he’s killing people who hurt others, pretty much), but the undertones of coldness and derision even with that humour don’t leave. We can see in this habit especially how Jason's become a distortion of who he was as Robin. He's still witty and he still teases people and you can hear the humour in his voice. But now he's using that wit to say cruel things to Batman, deceiving him constantly, and his voice no longer has a youthful kindness to it.
One of the most Helena-esque character traits that Jason’s picked up (in fanon and reboot canon) is anger as an initial defence and reaction, actually. It’s nearly the opposite of Jason’s pre-flashpoint defensive state but is essential to Helena’s. It’s actually not surprising that this happened (even ignoring reboot kicking Jason’s character into a closet and superimposing much of Helena onto him) because of how DC pushed “angry” as Jason’s defining trait, and how fans have believed it for so long. It seems almost natural for a misconception this severe to happen, even in the face of evidence to the contrary, because every action of Jason’s is misconstrued as proof for an angry temperament.
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crybaby-bkg · 7 months
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new dad Bakugou who’s going back to work full time almost a full year after his daughter his born and he now has to grapple with the fact that….goddamn, he’s spoiled the shit outta her.
well, he doesn’t think it was spoiling her. in actuality, he just created a routine with her, gave her every bit of his attention, held her when she cried, scolded her (yes just at eight months) whenever she’d babble for more puffs even though she’s had enough already. it wasn’t spoiling, it wasn’t. he vowed to never be that dad, to raise a snot nosed brat, one similar to himself.
but here he is, on a Tuesday morning three weeks after her first birthday. he’s standing halfway between the front door and the living room in full uniform, with his still sleepy baby and her even sleepier mama. she’s gripping his neck like he promised to abandon her, wailing and crying so loud and dramatically, that you can’t help but chuckle at her antics and how he wavers ever so slightly.
“You promised you’d go back to work,” you scold him gently, rubbing at your daughters quivering back when she whines again the moment he acts like he’s gonna pull her off. Bakugou frowns at you, and you shrug, smoothing her unruly blond curls away from her sticky forehead.
“But you guys need me.” He pouts, eyebrows downturned as he pulls her away enough to wipe at her wet face. she blubbers again, whimpering out a small dadaaaa noooo, that absolutely breaks his heart.
“And so does the world.” You smile at him, gently pulling your daughter away from the matching glassy red eyes who watch her go. “We’ll be fine, my love. Promise.”
Bakugou looks unconvinced, especially since your daughter reaches for him with another cry of his name. you don’t say anything when he sniffles discreetly, quickly reaching down to the coffee table to snatch up his utility belt that he dropped when she waddled out of her room in tears. he snaps it on wordlessly, and you go to turn to the kitchen when he wraps you both up in his arms.
“Love you,” he whispers against your forehead before pecking it, leaning down to kiss your lips next, and then your daughter’s fat little cheeks. He whispers another love you to her, and wipes away at her rosy cheeks when she pouts at him.
“Rub you.” your daughter pouts, the both of you freezing in shock.
“Oh my god,” you whisper, grinning. “She said I love you back!” Bakugou matches your grin, laughing under his breath as he presses another torrent of kisses all of her face. for the first time since she’s opened her eyes today, she laughs, loud and joyous and familiar. he thinks that maybe going back in today won’t be so bad after all. not if this is what he’ll be coming home to.
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hephaestuscrew · 6 months
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Renée Minkowski loves Organised Fun, whereas Doug Eiffel thinks Organisation and Fun are inherently incompatible. Eiffel can get hours of enjoyment out of discussing 'What are your Top Five ____?' questions with Hera, but if you asked him the same questions and told him it was a team icebreaker activity, he'd jump out of a window. In contrast, the best way to get Minkowski to engage with pointless questions like those would be to include the discussion on a precisely timetabled schedule of activities. I don't think Eiffel would have voluntarily got involved with Funzo because he would have taken one look at the size of the instruction booklet and decided that maybe he did think they should follow Pryce and Carter Tip 792 after all. I think Minkowski sees a robust instruction booklet on a game as a sign that she's in for a good time. Minkowski believes any day of leisure is improved by an itinerary. Eiffel can't even contemplate following a schedule in his work hours, let alone his downtime.
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sixth-light · 8 days
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I do wanna say without derailing the other post that there are, absolutely, books and TV series and movies out there, including adaptations of things I love, that I hate. No nuance, no complex relationship, no I-hate-this-but-I-love-that, I just think they're terrible, sometimes for reasons of genuine objective badness and sometimes for reasons of my personal taste and often for a mix of both. And I certainly have complained, and will in future complain, about these things both to my friends and in public.
What I don't do is make hating those things a long-term lynchpin of my fannish experience, because...I hate them, so I do not wish to spend time thinking about them. Yeah, it's satisfying to know other people feel the same way I do, but once we've established that then what else is there to talk about? There's joy in a good Fisking, to be sure, but that requires extended and thoughtful engagement with the thing (that I hate) and even, I would argue, a measure of affection for what it could be in other circumstances.
Cultivate profound indifference to the stuff you hate. Cultivate happiness within yourself for the people who don't hate it, having fun over there. Cultivate the ability to exorcise your demons in the group chat and then let it go. I promise, with all my heart, it makes fannish life a hell of a lot nicer.
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pa-pa-plasma · 10 months
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hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor
Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.
#Danny Phantom#i think this ties into my other post i made a long time ago about Danny siccing the GIW on Vlad#like we KNOW in CANON that if Danny was even a tiny bit more like Vlad he would literally become a supervillain#villain is such a stupid word i hate how it's spelled. why is it like that#anyways i need to like. rewatch DP cuz i remember shit & then i'm like#did that actually happen. because that sounds too insane#but like. he Did That. didnt he#i think that's what i love about this character. but a lot of people ignore it#Danny is like. gritting his teeth going ''do good do good'' it isnt effortless it isnt easy he doesnt even want to do it half the time#& sometimes yeah he WILL do crimes or get back at people who've been assholes to him or whatever#he WILL use his powers for bad sometimes#he'll be like ''dont do that it's bad'' but like. he WILL do it himself#the whole ''i'm a hero'' thing he's got going on is like. more of a. how do i put this#it's like when you're drawing or writing & saying ''it doesnt have to be perfect it just has to BE''#like Danny isn't a hero sometimes. he's got morals & has a general understanding of good & bad#but also he's 14 & being attacked every day#i would start saying bad words & threatening people that annoy me too man#okay i glanced over the scene again for the first time in years & Danny was literally in the middle of outing Vlad to the whole town???#hello?? are we really ignoring this?????#VLAD TORNADO VLAD TORNADO VLAD TORNADO#this show is so stupid i love it#love how Sam & Tucker immediately backed him up yeah fuck Vlad all my homies hate Vlad#okay you know what. maybe i will do a DP liveblog. i think it would be fun#on daddyplasmius. only posting this on pa-pa-plasma cuz it's kind of just a. weird rant post? kind of? idk
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smultronviol · 2 months
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Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.
God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"
2. bro just WAIT until you hear about season 1 jon lol
#the magnus protocol#tmagp#season 1 jon was obnoxious and sometimes a straight up ASSHOLE and you were supposed to find him kinda grating!!!#yes alice IS a bit annoying and too much sometimes (esp in the first episodes) and i love that <3#like. its p obvious that she uses the over the top-thing as a shield (to push ppl away/as a defense mechanism/to avoid being vulnerable)#we see her drop the act sometimes w ppl like teddy and sam who she actually feels comfortable around (and who know and understand her)#but like. she's stuck in a job she hates and is kind of afraid of (she KNOWS smth abt the horrors and is keeping her head down to survive)#(shes obviously afraid of sam going to far bc she KNOWS its dangerous)#so yes her act gets too much sometimes and yes sometimes she crosses the line into straight up mean (esp against gwen)#(but their dynamic is a whole other can of worms)#but like. i'm pretty sure its supposed to be seen that way. the audience isnt supposed to just find her kooky funny#the facade is supposed to be dismantled by the viewer etc etc#kind of like SEASON 1 JON the obnoxious bastard!!!!!!!#like. if you ever think alice is too mean towards gwen pls listen to s1 jon again and how he speaks abt martin??#from a position as his boss no less? ngl i wanted to throttle him sometimes#you kinda forget abt it in the later seasons and if you only engage w fandom content. but like. go back and listen to the shit#he actually says. jesus christ man. i remember kinda hating him in the beginning#and to be clear i love jon! i think hes a great character!#and like. its almost as if his early season personality and facade was an important setup for his character development#and relationships with the other characters???#but anyway 'alice is kind of annoying' is not an unpopular opinion its literally the FUCKING POINT#and both her and jon are my sweet baby angels <3#alice dyer#jon sims#(and obviouslyyy you're still allowed to dislike a character ppl can have their own opinions etc etc etc. i just personally find it funny)
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comradekatara · 1 month
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so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?
toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.
zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.
azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.
we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows
mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.
ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.
iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??
jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.
haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do
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