#this plot bit makes our story hard to do so we’re retconning it by saying ‘it was never that deep’

[itsclydebitches]

RWBY Recaps: Volume 8 “Divide”

Hello, everyone, and welcome back! It feels good to be doing some normal RWBY-ing in this strange world of ours. First, some supplementary materials.

Number One: In response to any (valid) questions along the lines of, “Hey Clyde, it’s now been a full year since Volume 7 was airing and you still haven’t answered my ask about it. Or the ones about Volume 6… what’s up with that?” I’ve created what I hope is an informative video detailing the problem:

(I assure you, the Earth, Wind & Fire was a happy accident during the screen recording.)

Needless to say, there’s a lot and I’ve known for some time now that I will LITERALLY never get through all my asks. Which doesn’t mean I don’t want you to send future thoughts in! Just know that as we head into Volume 8 territory I’ll most likely prioritize those, as well as any Volume 7 asks that aren’t woefully out of date. But I do want everyone to know that I read all the asks I receive, appreciate them immensely, and think too much about hypothetical answers, even if I don’t have time to actually write them out 💜

Number Two: There’s a bingo board this year!

Jury’s out on whether I’ll remember to update it, but at the very least this serves as a decent glimpse into my — and others’ — expectations going into this volume.

Number Three: I’ve collected a list of things I’ve heard about Volume 8 from what seem to be reputable sources. I did this because RT is developing a tendency to talk up certain points and then fail to deliver, either because something was taken out of a volume/moved to another, or because RT apparently has radically different ideas about what including something means. So this might be handy to keep on file and ask ourselves two months from now, “Did RT actually deliver on what they promised?”

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

I was also going to include a list of all the threads that need to be continued/wrapped up, but honestly that would have taken too large a chunk off my life. Let’s just throw out the highlights:

Are we really going to have Qrow gunning for Ironwood?

Clover is dead regardless. Press ‘F’ to pay respects

Oscar bb you got shot please acknowledge this

Ozpin bb you got done dirty please acknowledge this

Penny is a Maiden now. I feel like the fandom has been sleeping on this (myself included)

Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake.  

Ren spill your deep dark secret already and it had better be something more than just ‘Oh no Nora might someday die :( ’

Salem is here so how the actual fuck is the cast surviving this?

Will Ironwood likewise survive his descent into antagonism? Yes or please yes no?

I think that’s all the biggies. I strive to keep lists like this in mind while analyzing, but honestly RWBY has a hundred moving parts that are abandoned or changed or simply retconned at the drop of a hat. So an attempt will be made.

Number Four (last one I promise!): Normal disclaimers and reminders for Recaps apply:

Please don’t fill up the already full inbox with flames. It’s still 2020. No one has time for that nonsense.

There will absolutely be typos and wonky parts because I try to get these out the same day an episode premieres. I have now been working on this for ten hours, nearly straight, and have no more energy for edits. Apologies in advance and RIP to my Saturdays.

I reserve the right to use stupid GIFs and memes at my discretion.

I strive to keep my focus on recapping/analyzing but salt tends to worm its way in… If you’re a die-hard RWBY fan with little patience for criticism, let alone (at times) snarky criticism, please proceed with caution.

No wait I lied, this is the last thing:

Okay, got that out of my system LET’S DO THIS!

We start not with the episode itself but rather Rooster Teeth’s (RT’s) strange non-promotion of it. If you follow my blog you may have caught the post where I pointed out that there was nothing on RT’s website to suggest that one of their most popular shows—if not the most popular show—was premiering today. Nothing on the main page. Nothing on the RWBY page either, not unless you count the Volume 8 poster background (easily mistaken for the Volume 7 poster) and the trailer buried all the way down past Episodes, past Merch, in the Bonus Features section along with videos like Live From Remnant and the volume intros. RT… the promotion of your feature show is not a bonus. This should be front and center! Honest to god, five minutes before the episode dropped I was checking the website for a Volume 8 section, a countdown, anything that would tell me the episode was imminent without relying on fans on tumblr to keep me in the loop. We got nada, zilch. I’m not sure whether that speaks more to RT’s iffy management of the series or simply the website’s horrible design—RIP losing RWBY on Youtube—but I was surprised when I saw the episode a few minutes after 11:00am. At that point I honestly expected to hear about a dely.

So that’s the mood I entered the premiere in, but truly? We start off strong. Things take a pretty severe nosedive later on, we’ll get to that, but I was impressed with our beginning and that probably has a lot to do with the fact that we start with our villains.

We open on a Cinderella character, Cinder, and thus I’m immediately pleased that we’re getting something about her backstory after all this time. Seven years! She appeared in episode one, folks! To say we’re overdue is an understatement. There isn’t a whole lot to go on, just a younger Cinder sadly scrubbing the floor, poised under a spotlight. What we learn, or potentially learn, is based far more in cultural knowledge than this scene. We know Cinderella’s story, which includes the abusive family, the longing for more, the eventual escape, and thus we’re able to read all of that in this image, despite the image itself not telling us any of this overtly. That means we could be wrong in our interpretation, but if we’re not it’s an easy shorthand in an already packed story.

What I’m really impressed with is the sound bridge between the scrubbing and her nails on the back of Neo’s chair. Fantastic way to confirm that this is Cinder as well as showcasing just how far she’s come. The sound of her labor has been replaced with the sound of her power and given that Cinder’s power is stolen, tied to a grimm arm, the property of a genocidal maniac… that’s messed up. It’s a Cinderella story gone wrong.

So yeah, Cinder tells Neo to head straight into the creepy, grimm infested blood cloud to see Salem and Neo is like, ‘Uh… no thank you?’ lol.

RT does a good job this episode with her expressions, ensuring we know exactly what she’s thinking despite an unwillingness/inability to speak.

Poor Neo might be in too deep, but I quite like the overall atmosphere of this opening. Say what we will about Salem’s awful characterization, at least she has style. This woman knows how to make an entrance and, piggybacking off of the Apathy, RT knows how to infuse horror elements into their fantasy. The red and purple coloring of the clouds, spiked whale teeth peeking through, bright orange in the background looking like explosions… that’s all 👌 Including the intro card.

The only thing I want to gripe about is this:

I’m sorry, why does the whale grimm have landing pads? Or something like it?? The whale otherwise works because it’s poised between the natural and the fantasy synthetic. It looks like a real grimm whale on the outside, but is sporting a throne room, a control panel, and other unnatural elements on the inside. It’s a visual indicator of Salem’s ability to control and change grimm. Now though, the additions are wrong, infringing on the line between organic and tech, the line between what helps the grimm individually (giving monkeys wings) and what just helps Salem. Every other aspect of the whale straddles that line wonderfully, adding to the creep factor, like a grimm version of the Uncanny Valley: it’s not quite a whale anymore… but landing pads? That looks ridiculous. Why does Salem even have that? How many ships are her people feasibly using? Why are there five?

Take it away, please.

Cinder waltzes in like this is a normal home visit, but Neo has an appropriate ‘What the actual fuck?’ face going on.

They approach Salem on her throne where Cinder immediately kneels, greeting her with, “My queen.” I mentioned during my trailer breakdown that I think Cinder is lying her ass off here, and I still think that based on a line we’ll get in a minute, but now at least we have a sense of how she can pull this off. A woman who started out as a (presumed) servant is going to know how to mimic subservience, even if her heart isn’t in it. Salem is very good at playing the girl who will still kneel and scrub the floor for you. She will scrub the floor, she’ll do everything you want, she’ll just be plotting her own rise to power while she does it.

There’s quite a bit of interesting cinematography in this episode, not all of it good, and I think one of the mistakes is here when we get a closeup on Salem’s mouth as she greets Cinder. A closeup like that should be reserved for more significant dialogue—“Rosebud”—and yet we get this shot again when Cinder tells Emerald to be quiet. It’s awkward and coupled with the numerous eye closeups we got in the trailer, I think RT is playing a little fast and loose with the camera. Each shot should add something to the scene, not distract from it. If you don’t have a reason for including a technique like that then leave it be.

Back to the actual dialogue though. We knew that Salem knew Cinder was alive and now it seems that she just expected her to come back? I’m slightly lost. It feels like we’re missing something here. Cinder goes off to secure the lamp, fails, nearly dies, wanders on her own for months, and then randomly shows back up on Salem’s whale doorstep, yet Salem isn’t angry at all? Did she have faith that Cinder would return when she has something to offer? Did she just not care about Cinder, considering her return an unnecessary but otherwise welcome surprise? That would make the least sense given that she holds the key to accessing Beacon’s relic… but that circles right back around to why Salem is seemingly indifferent to Cinder’s comings and goings. Surely she can’t actually believe that Cinder is loyal?

“So I trust you wouldn’t return to me empty handed,” she says. Yeah, trust means nothing in this show, Salem, didn’t you watch Volumes 6 and 7? Again, I simply don’t know. I suppose I’ll just chalk it up to confidence, that if Cinder did bail Salem knew she could track her down again. Deciphering her motivations and beliefs is a lost cause when the show continually gives us so little.

The important thing now is that Cinder does indeed have an offering and you can see that Salem is somewhat surprised at being handed the relic.

Cinder, of course, takes credit for the victory and we’re given another wonderful shot of Neo. ‘YOU took it?’

Oh, Neo. Best get out while you still can.

Tyrian appears having obviously made his way to Salem’s ship sometime between her arrival and now. The exchange is pretty standard for this group. He insults Cinder for failing and needing this victory to make amends, talks about how any win against Ironwood says more about his lack of intelligence than her skill, and Cinder… doesn’t have a whole lot of comebacks, actually. I’d say Tyrian won that verbal spar, enhanced by a better use of the camera when we get his tail looming menacingly towards Cinder and Neo.

He goes on to say that Watts was a “necessary sacrifice” so, uh… I’m just going to toss out the ask I answered yesterday. Based on our intro I’d say Watts is still significant to the volume—hacking Penny is my guess—but by the end? He could be in trouble.

(As a side note: I plan to analyze the intro next week. It’s just easier when it comes first.)

Tyrian also calls Neo “little one” which I just found absolutely hilarious. In an on brand creepy manner, that is. Not that Neo couldn’t kick his ass, but there’s something wonderfully chilling about having the serial killer use an endearment towards a potential victim, one that comments on her size while he’s looming.

In contrast, Cinder refers to Neo as a “valuable asset” and we get our third mood of the episode.

Who’s going to start a Neo reaction image collection?

It’s true enough on the surface—who wouldn’t want an ally who can turn into anyone else?—but we’re still bumping up against question of why Salem needs this. She’s immortal! She has an endless army! Magic! This scene works well with a villain who needs a skillset like Neo’s to succeed, but Salem doesn’t. RT is doing a great job writing a story thus far, just not the story we’ve previously been given. This isn’t the story they set up.

This will come back up when we reach the RWBYJNOR group. Just wait.

Before that though, the gang’s all here as Emerald, Mercury, and Hazel show up, all in new outfits.

I think I like everything except for the weird Xs on Emerald’s jacket—it’s way too distracting and frankly makes an otherwise good look ugly—and the fact that she’s showing her midriff in Atlas. Hazel doesn’t have any sleeves! Oh my god, why doesn’t anyone dress for the weather in this show?

Frankly, I found their reunion to be kind of lackluster. I mean, there was nothing wrong with it. Emerald does sound briefly excited, she does run, and it’s in character for Cinder to cut her off… it just didn’t resonate with me emotionally. I thought after two volumes of thinking she’s dead, then working through the knowledge that she’s alive, that I would feel Emerald’s shock and relief more, but I didn’t. And I’m not entirely sure why. I don’t want to level any accusations at the voice acting because frankly I know next to nothing about that skill (and from what I’ve seen it’s usually praised in the fandom), but I will say that throughout the premiere I was noticing it more than I ever have before. The lack of emotion here and some awkward deliveries later, like when Yang goes, “Ruby, there is no way Ironwood will cooperate with us” and I immediately thought, “Wow, that came out stilted.” These observations stick with me because, as said, voice acting usually isn’t on my radar. It’s not something I’ve studied or had practice analyzing. If you’d never told me that Ren or Qrow’s VA changed then after a year hiatus I literally wouldn’t notice… but there’s something about this episode that didn’t sit right. Anyone else get that sense, or was it just me?

Regardless, the arrival of our other three villains really doesn’t amount to much, though I’m happy for all the Emerald and Mercury fans who get to see them in new outfits. The focus is still on Cinder as she delivers a line indicative of her true motivations: “That power will be mine.” Yeah, she’s not loyal to Salem, she’s just power hungry. Of course, Salem immediately takes note of this and raises her hand, in another nice use of the foreground, reminding her that she hasn’t given that order.

Cinder is shocked, angry even, but quickly covers it up with her “Without you I am nothing” line. If I caught it right I think she also calls Salem “Ma’am”? Hilarious. Again, skilled at playing the servant.

Also, before I forget, it’s worth noting that almost everything from our trailer appeared in this episode. Yeah, there are a few details like Nora attacking some tech and the group on their bikes, but on the whole we’ve already seen the majority of our promo material and will likely get most of the rest next week. It makes me both interested and nervous for what another twelve episodes are going to hold.

Salem opens her whale, or opens a portal type view in it, something that gives us a long-distance look at Atlas. I don’t know what exactly is going on here, but it’s pretty so I’ll take it.

She also delivers the frankly badass line, “Just because you’re more valuable to me than a pawn does not make you a player.”

She waves them all away with perfect ‘You mean nothing to me’ attitude and we sadly leave our villains.

Sad not because I don’t love my farm boy, but because things are about to get a whole lot messier.

Oscar has made his way to a camp of civilian survivors… all of whom are just hanging out in the supposedly deadly cold. Yeah, there’s a single fire, but at least four of them aren’t anywhere near it. Three of them also aren’t wearing gloves. What was that survival rate again?

A nice if gruff dude gives Oscar soup—water?—while showing off his… badger claws? I don’t know what kind of faunus he’s supposed to be, but he feels like the sort of two second, minor character who could easily become a meme lol.

Oscar thanks him (my polite son!) and hands the bowl back after a single sip. Which is impressive because I would have assumed the guy was giving me the whole bowl and just taken it. Hell, I’ve done that even when I didn’t assume it’s all for me. A Starbucks barista once approached me with a tray and a plate of samples, I knew I was supposed to take just one, yet for some reason my hand went to take the whole goddamn plate. He had to tell me off, then I was trying to explain that I didn’t actually want or think I should have eight shots of cappuccino all to myself, I don’t even like coffee, he clearly didn’t believe me… it was awkward. So good job, Oscar. You’re less awkward than me (though that’s not saying much).

Now a question, Oscar. Darling. Brilliant boy who has been through too much: why the fuck aren’t you talking to Ozpin? This will be A Thing later when he presents a lack of time to talk as justification for keeping more secrets (we’ll get to that too…) yet here is time! You’re just sitting there for who knows how long, with plenty of privacy to hide a supposedly one-sided conversation so the Mantle citizens don’t get weirded out or suspicious. Talk to Ozpin. Our headmaster gets two lines in this episode, utterly inconsequential lines like his airship scene, lines that feel like they exist to say, “See? He’s still included in the story!” even though he absolutely is not. Two volumes of mostly silence, a perfect setup to start the reconciliation process, but we’re going to put it off again?

Instead Ruby randomly and conveniently appears. I want to know how she found him. Oscar isn’t wearing a tracker. He clearly didn’t call them because he’s surprised when Ruby shows up. He fell alllllllll the way back down to Mantle and then wandered to a random part of the slums. You’re telling me they flew over the entire city—after beginning this search thinking he was in Atlas—and somehow managed to spot him from up in the air? C’mon. I would have rather had a beginning where Oscar makes his way back to the group himself, giving him and Ozpin time to hash things out.

“Need a lift?” Ruby says, eliminating that potential. Sigh.

Oscar immediately starts beating himself up when he gets onboard, saying that he “was stupid to think the General would listen.” Nah, you were stupid to buy into Ruby’s nonsensical confidence and for telling Ironwood he’s as bad as Salem. Sorry, Oscar, but everyone is written badly these days. I will, however, say that I am THRILLED at the group’s reaction to his return. Ruby says that she’s “just glad you’re alright.” Nora has a wonderfully tender moment where she hugs him gently rather than her usual glomp.

That? That added a year to my life. Everyone else seems relieved that he’s okay too, so kudos there. After four years of Oscar being an outsider in the group, this is one of the few moments that feel like he’s 100% accepted. Really glad to see it.

Now let’s see if it sticks after they learn Ozpin is back...

They fly to the Happy Huntresses’ base and I again feel like I’ve missed something crucial. When did they team up? I mean, RWBYJNOR was working directly under Ironwood up until the last hour and Robyn ran off to fight Tyrian/Clover in the last couple episodes. When did she have time to explain her (briefly) changed allegiance and why would the Happy Huntresses trust the group without that? Did Robyn share that Blake and Yang went behind Ironwood’s back for her? Do the Huntresses instinctively trust them because they’re now wanted by the military? How did they even run into each other?

Again, I think we would have been better served to have an episode before all this. Let Oscar make his way back and let the group struggle with the magnitude of their situation on the airship, before they find new allies. Transferring directly to, “They have help and a secret base and a plan in the works!” makes me feel like I missed the real premiere last week. You know, the one where Salem unexpectedly arrived and we left the group like this.

This is where we’ve ended up though. The group is cozy in this hideout, getting info from Joanna, and my only other thought is, “Why is she giving all this exposition?”  

Shouldn’t it be May? I mean, we were told that she was going to play more of a role this volume, a promise that’s pretty important imo given her status as a (so far off screen) trans character, so why not put her in the role of mediator between the Happy Huntresses and RWBYJNR? Giving her that setup as a leader among her people as well as lots of lines would be meaningful. A trans character just existing and being a part of this fight! May could obviously still fill that role—I’m well aware that we’re only one episode in—but it just seems like a missed opportunity to me. Out of all the undeveloped Happy Huntresses, our premiere focuses on the one who has the least importance to the fandom.

As said, Joanna talks a fair bit but what it basically boils down to is trying to get everyone to the crater below Atlas. It’s apparently not safe, but it’s warm, which is what matters right now.

So… let me get this straight. You want to gather everyone into a not safe crater, by leading them through an army of grimm, so that they can wait there in case someone moves the Staff, thus dropping an entire city on top of their heads? That’s the plan? Which admittedly isn’t Joanna’s fault. This is another instance of RWBYJNOR having information that a leader does not and they should really consider speaking up about it. But of course they don’t.

Also, how long does everyone have in regards to the cold? Shouldn’t there be dead civilians by now? The time it would take to find the Happy Huntresses, team up with them, get settled in the base, and find Oscar says that things should be pretty grim right now (pardon the pun), yet every non-aura user in this city seems content to just hang out in the snow. Either the cold is deadly enough to justify moving everyone to the crater, or it’s mild enough to let everyone survive this long, not both.

After hugs are given everyone obviously wants to know what happened to Oscar. His response?

“It’s a… long story. I get the feeling there’s been a few of those tonight.”

That’s a check for the bingo card! We’re halfway through the first episode and we’ve already got another secret. Yes, this is a secret. Oscar actively chooses not to tell anyone that Ozpin is back—something Ozpin himself comments on—and then skillfully draws attention away from himself with “I get the feeling there’s been a few of those tonight.” Indeed, all eyes go to Penny. Oscar’s plight is forgotten, which is what he wanted. His justification?

Ozpin: “You’re not going to tell them?”

Oscar: “You and I aren’t done talking yet.”

Along with this look.

Oscar no. There’s so much wrong with this I don’t even know where to begin. Let’s create a list.

As said, you had plenty of time to talk to Ozpin and chose not to. Miss me with this excuse.

You are now doing to your friends exactly what you and your friends did to Ironwood, which in turn is what Ozpin did to you! I can’t believe we’ve got Oscar critically side-eyeing him when they are still—still—repeating the behavior they drove Ozpin away for.

What is there to even talk about now? Oscar didn’t punch himself/Ozpin (lol) but he did steal Jinn’s name from Ozpin in the first place. You got what you wanted, drove him away, and have been lying and keeping secrets ever since. The only thing they should be talking about involves apologizing. Any further criticism—which is what Oscar’s expression and curt reply suggests—is beyond hypocritical.

Seriously, what needs to be discussed? There’s no reason not to tell the group unless Oscar wants to talk about whether they should tell them. There’s no good ending here...

Don’t you think it would be nice to know that Ozpin is back and you’ve got super magic powers while making plans to save the entire world?

This is all especially stupid given Oscar’s “Salem wants to divide us” reminder to Ruby in a moment. Oscar, you are doing the most to divide the group right now. By not forgiving Ozpin. By refusing to work with him. By keeping him secret from everyone else.

This is bad, friends, I worry for what the rest of the volume will bring…

The story is done with Ozpin for now so I guess I will be too. The group continues filling Oscar in and we get some shots of the base, including a rather prominent poster of what I assume are two Happy Huntresses. Did they die in battle perhaps?

It’s a little strange.

Oscar: “Where’s Qrow?”

Me: “Likely still making bad decisions.”

No one knows so they just drop it. Which I kind of get, only so much you can do to find him if he’s not out on the streets like Oscar, but it still reads as kind of iffy that two nieces look down at the ground for a hot second and then move on with their plans, content to leave Qrow to whatever fate befell him. In a minute we’ll see Yang firmly take Ren’s side regarding helping the people they can in Mantle, which frankly comes out of nowhere for her. I think an easy motivation would have been Qrow. Ruby wants to save the world, Yang wants to find and save their uncle, and that just happens to align with Ren’s desire to save the civilians who need immediate grimm and cold help. Don’t get me wrong, I like that there’s finally some division between the sisters, I just wish it hadn’t come about so abruptly. Ren had setup for standing up to Ruby. Yang did not.

But I’m getting a little ahead of myself. Joanna lists the grimm horde and no heat as the major threats to everyone. The group agrees.

Me: What about Salem?

Joanna says that this is all doubly dangerous because there’s “no more military protection.”

Me: Oh, so now you want the military?

This is all so disjointed. Even more-so when Joanna mentions that Ironwood has stopped all evacuations to Atlas, likely due to the “hard light shields” that are the only thing standing between Salem and the city. Thing is, the show never makes this connection, I just did it myself based on this scene and the one that comes later. The show presents Joanna’s line as a pure condemnation. Ironwood won’t let more evacuees in because… he’s just evil, I guess. Yet there is a justification here, namely that continuing the evacuations even while he’s stuck without Penny leaves him wide open to a Salem attack, the death of everyone currently safe, but that argument is never presented to the viewer. I don’t need people to agree with Ironwood’s perspective, I just wish that perspective was offered as an option. The show is very good about acting like RWBYJNOR’s opinion is the only justified opinion, or simply the only opinion at all.

After everything is laid out Weiss goes, “We’re never going to sleep again, I just know it.”

I could make a crack about the lack of continuity and how the group should be collapsing right now… but that was a funny line. It can stay.

What is far more of a problem is the fact that no one is talking about Salem. Okay, that’s a lie. They do talk about her, but in a roundabout way like her presence isn’t impacting every decision they make. That’s the real issue. They’re acting as if Salem isn’t here right now, like she’s off far away, maybe approaching slowly, and they’re arguing over how best to prep the world for her eventual attack. There’s no emotion here—let alone action—to reflect that the series’ Big Bad has arrived and is poised to murder them all. Literally what is this? Ruby is yelling about warning the world and, ignoring the continued question of why that’s a good thing when the world can do nothing to stop Salem and knowledge of her continually drives people to horrible acts, she has yet to acknowledge that… she’s the world? Ruby is the world in this conflict. She, Mantle, and Atlas. Salem is here for you all. Right now. You are, this instant, in the situation you want to warn others about, so why don’t you try to do something about it? Or at least acknowledge it. Ruby wants to warn the neighborhood about a potential fire while her house is actively ablaze, and the fire could have totally killed her by now but decided not to for… reasons.

“Ruby’s right,” Nora says. They have to tell the world so “they can prepare.” How? How are they supposed to prepare for this? The story cannot continue ignoring Salem’s immortality.

“Ruby’s right,” is all Blake says and I’m starting to thinks that’s why her character exists now, to agree with Ruby. It’s great that she’s getting a little distance from Yang, but man.

As Ruby asks whether Pietro can get Amity up and running despite it not being finished (called it) we start an incredibly odd sequence of flashforwards to their individual missions. I’ve seen a lot of praise for this already and though I agree that, in theory, it’s a good way to save time, I found the actual execution to be jarring. Upon thinking back through our timeline, it became clear they were flashforwards, but while watching I thought they might be flashbacks (especially since that’s more common).

Some of the shots, like Nora’s, just look awkward when you’ve got the exact expression and pose transplanted from one scene to another, like she’s a cardboard cutout behind a green screen. To say nothing of how the flashforwards ruin any suspense (I use that word loosely) in the conversation itself. If the question is, “Will they decide to go to the military compound?” then that question is answered when we see Ruby scoping out the compound, not when the group actually decides on the course of action.

It just made an already muddled scene worse for me, so I hope this trend doesn’t continue.

And of course, Amity can be used despite all the info last volume claiming that it wasn’t finished. Pietro suddenly acts like it is finished and the only thing standing in their way is Ironwood providing access. If that were the case, he would have used Amity weeks or days ago like he wanted to! When was it finished? Not after Watts commented on how incomplete it was. When did they get back the resources they needed from Robyn? It’s as ridiculous and retcon-y as I thought it would be.

Yang points out that Ironwood will never listen to them and Ruby counters that “he doesn’t have to.” They’ll just take the access from him. Because why wouldn’t they in a series where they’ve already stolen two airships? Stealing from the super evil military that Joanna wishes were helping them right now is just the group’s go-to plan nowadays.

Pietro isn’t sold on this plan though. He lists at least three obstacles they’d need to get through “and then… oh boy, I might need to think about this some more.” “And just to clarify,” Oscar says, “This is the easy option?” Um...no it’s not? We also know there’s an access point in Ironwood’s office so… why not go there instead? They really think the Academy is less guarded than the military base? There’s a potential justification here along the lines of, “After Neo and Cinder broke into his office Ironwood will have the place on high alert,” but unless I missed it the group doesn’t assume anything like that. They just listen to Pietro point out all the ways they can’t get into the military base and jump straight to that being the best option. It feels like a transparent way to create conflict for the group. We’ll just have them taking the most dangerous route despite an easy route being offered alongside it. Why bother mentioning his office at all? Just have the access in the military base. Boom, done.

It’s that conflict and the fact that Ruby tends to hear “You can’t” and digs in her heels. You can’t go to Atlas. I’ll just steal a ship then. You can’t defeat Salem. Watch me. You can’t break into this base. Guess what I’m doing! She’s dangerous in her fairy tale, meta-driven insistence that everything will turn out her way because she wants it to.

Speaking of, we finally—FINALLY—get someone challenging Ruby. Sort of. Not actually but it’s the closest we’ve ever gotten:

Yang: “Ruby, when we came here we said we’d follow your lead… but things haven’t exactly worked out.”

Now, there are two things to take away from this moment. The first is how utterly shocked Ruby and the others are. I mean, take a look at these expressions.

Ruby straight up can’t believe what she’s hearing. Weiss put her hand to her mouth like this is the most dramatic thing to ever happen to her. Oscar looks down in a ‘Yeah, I agree but please don’t look at me and make me admit that’ way. And Nora looks indifferent in the screenshot but animated she goes sort of stern, likely pissed that Yang would dare say that given her own agreement with Ruby. This not only reiterates that Yang’s challenge came out of nowhere—seriously, how did we move from following Ruby no matter what to this? Last volume she asked a single question along the lines of, ‘You sure?’ and when Ruby said ‘Yes’ Yang was entirely on board—but also demonstrates that no one has EVER said no to her before. Ruby is amazed that someone would challenge her. The act of challenging Ruby is, in and of itself, shocking. This group has gotten so used to following Ruby blindly that the teensiest little pushback is greeted with this.

Because it is teensy. This is the second takeaway: Yang barely challenges her and that challenge leads nowhere. She doesn’t accuse Ruby of anything, she doesn’t question her continued authority, she just broadly implies that things could be better. We followed you, now things are bad, take from that what you will. It’s incredibly mild as far as criticism goes, making the shock all the more, well, shocking, but it also amounts to—wait for it—nothing! Because Yang didn’t truly challenge Ruby’s leadership. She’s still in charge, she’s still calling the shots, and they’re still listening to her. We might have gotten some change if this division had been allowed to play out, but instead Jaune comes in with a, “Let’s go for both!” solution. It let’s both groups get what they want which, in turn, releases them from the need to grapple with whether they’ll listen to Ruby when she’s advocating for something they don’t agree with. We have now lost the chance to see whether, when push comes to shove, Ren and Yang will cave to Ruby’s will or stick by their own beliefs.

Don’t get me wrong, it’s more conflict than we’ve gotten in years, but that doesn’t mean it’s particularly compelling conflict. It’s good by RWBY’s standards, which doesn’t necessarily make it good. The actual issues at hand—Ruby’s dangerous arrogance, the group’s loyalty, her choices up until now—are just swept under the rug. For all the visuals we get insisting that there’s this great divide in the group… there’s really not. Not in any way that matters.

Also, Ruby is an idiot. Okay, that was mean, but she really is in this scene. She’s actually not an idiot overall because she was written as wonderfully intelligent in the early volumes, but now? Lately? She makes me want to bang my head against a wall.

“But that’s how Salem got this far,” she cries. “By dividing us!”

Ruby… oh my god, Ruby. No one should have to explain to you that dividing people means turning them against each other, not literally dividing your team to complete separate tasks. This girl honestly thought that because there was this teensy disagreement and that half the team would complete Plan A while she and the other half completed Plan B, both of which notably work towards the goal of, “Protect people from Salem,” that this was somehow what Salem wanted. That is was dangerous. Honestly, it’s a scary look at her view of leadership too: If everyone doesn’t 100% agree with me and do what I say, that’s an objectively bad thing that the grimm queen wants, right? Does Ruby think that unification means following a single person (her) without question or variation? That would explain a lot...

The fact that Oscar needs to explain the difference to her is not good. It really doesn’t say great things about this version of Ruby. Though he was comparing Ironwood to Salem last volume, so really they should all be wearing dunce hats.

Penny offers to take the relic directly to Salem in exchange for her leaving the kingdom alone. I honestly didn’t expect that. If anyone took that risk I would have put my money on Ozpin (but of course, during all this talk of the women he knows best, he’s kept quiet). Oscar is again the voice of wisdom, pointing out that they have no reassurance that Salem will keep her word. At least Penny is thinking about Salem as a threat though, so kudos for that. When this plan is shot down she volunteers to get Ruby past the military security instead and, uh, she’s a little intense about it.

I’m not entirely sure what is going on with Penny. She disagreed with Winter but then seemed to come around to her point of view, enough to help anyway. They had another (stupid) disagreement about the value of individual lives, so that helps to explain why she’s teaming up with RWBYJNOR (if you ignore that Ironwood is also trying to save individual lives...). Did watching Fria die shake her up? Is it being the Winter Maiden that’s not sitting right? Does Penny have lingering feelings about the framing that haven’t shown up until now? Her status as a ‘real girl’? We’ve got a lot of reasons that could definitely explain this sudden need to fight, but we’re not told which—if any of these—is the driving force.  

We’re then given a lot of little details. Someone points out that if Salem gets the staff and “create[s] anything else” then Atlas will fall (so yeah, let’s move the people underneath it). We still don’t know what exactly the Staff does because “creation” is kind of broad and “powering a city to float” doesn’t seem to sit within that category at all. Pietro gives Yang the keys to his lab so they can get the bikes. We see the group dividing in the flashforwards, something I do like, especially since the show has gone out of its way to break up most of the usual duos. Nora in particular is pissed at Ren for his choice.

“Oh, I’m saving Mantle because I actually believe we can do this.”

#yikes. Well, I did say I wanted a conflict other than ‘Oh no, one of us might die’ and it looks like I got it. But Nora, the only reason you can do this is because the plot is in your corner: none of you are collapsing from two major fights, you didn’t lose your aura so the cold isn’t a danger, the military is barely a threat all of a sudden, Salem is helpfully hanging out in her whale instead of killing you, and the story decided that Amity can function so long as you all are the ones who get to use it. That’s why you can do this. Ren, who follows in-world logic and doesn’t want to risk a whole kingdom’s worth of lives on a pipe dream, thinks differently, oddly enough.

As they leave though Penny gets a call from Ironwood. I know precisely what the fandom is going to say here: “This evil man is just trying to use Penny to open the vault!” Of course he is. He needs it open to save everyone he can, Penny included. Plus the concept of “using” her is a double-edged sword. What do we think the group is doing right now? Using her to get past the security. Penny’s power is a tool any way you slice it. Granted, Penny volunteers to help the group, but notably here Ruby speaks for her. Penny seems torn and Ruby takes the scroll away with, “She’s not going anywhere until you change your mind about Mantle.”

Sorry, Ruby, but coming from you that sounds less like a reassurance for Penny and more like just an order for Ironwood. Remember Harriet? We’ll stop attacking you provided you do what we want. Ruby has yet to learn about compromises, let alone acknowledge that she might be wrong. How about you let Penny decide where she goes, especially since by all logic she should have a lot of loyalty to Ironwood. She knew him before she ever met you. She’s worked with him since she was rebuild post-Volume 3. Despite what Penny has said, if the story would just let her think about his actions for a hot second—making her the protector of Mantle, sticking up for her after the framing, sending her to the party, teaming her up with Ruby, etc.—she might realize that the ‘He doesn’t want me to have friends’ and ‘He just treats me like a tool’ assumptions are just that, unfounded assumptions. But no, Ruby speaks for them both because Ironwood is evil now.

“If she makes it through our defenses,” Ironwood says, “everything that follows will be on your hands.”

That’s true! Kind of like how it’s own Qrow’s hands that Clover died. When you insist on making a bad situation worse you hold responsibility when the shit hits the fan. You know though that Salem won’t get through their defenses now, somehow, so that there’s no chance RWBYJNOR will be blamed for it. Or, by that point Ironwood will be so crazed that anything coming out of his mouth is dismissed, no matter how accurate it might be.

We then transfer to the Ace Ops who are, despite what the fandom theorized for many months, clearly upset about Clover. Also pissed. Which they have every right to be. Their friend and leader was killed. Imagine for a moment that Ruby had been murdered by Tyrian with an allies’ help. Exactly what do you think the group would do? Swallow it quietly and get over it? Ha.

I’ve already seen some speculation that Clover survived due to details like showing us the bandage and his room being listed as for a “Patient,” but he looks pretty dead to me.

He got gutted through the chest and left out in the snow for who knows how long. We saw him slip away. Qrow screamed over his dead body. He’s not breathing now. If RWBY suddenly claims he survived this, I’m calling BS.

Most of the other visuals we get here were already dropped in the trailer. Winter is pretty injured from her encounter with Cinder, likely permanently based on her new outfit. Ironwood had to replace his arm—and I am calling BS on that “Losing his arm is reflective of him losing his humanity” commentary from RT. Please go read up on a couple decades worth of ableism in media and then get back to me.

We get Ironwood’s line about the light shields and, notably, a whole lot of empathy. Regardless of what he might want Penny for, he still called her with compassion. He’s watching the Ace Ops mourn their friend. He’s talking about protecting his kingdom. The first thing he says to Winter is, “Thank you, Winter. I don’t know what I would do without you.” Ironwood has a heart! It’s always on display, which makes this scene utterly ridiculous.

I literally don’t know how to respond to this. The gunshot made me jump, both because it’s a gunshot and because, again, what the fuck? I know I said that next volume RT might just have Ironwood descend into full villainy, shooting whoever he pleases now that he’s shot Oscar, but I didn’t actually expect them to do it. Because he never should have shot Oscar in the first place! I wanted the story to let Oscar grapple with it a bit and then quietly backtrack, acknowledging it as the mistake it was. The concept that Ironwood, empathetic Ironwood, rational Ironwood, always thinks before he acts Ironwood, let’s kids yell at him Ironwood, tried to team up with Robyn Ironwood, did everything Ruby wanted Ironwood, won’t kill Watts after he destroyed his arm Ironwood would shoot this guy just to shut him up is absurd. It was absurd then, it’s absurd now.

That being said, there’s a possibility he didn’t actually shoot the council member, but rather just (“just”) gave a warning shot down the hallway. I say this because the reactions to this are pretty tame. Everyone looks startled, yeah, but after the initial shot there’s nothing that I would expect if there was now a guy bleeding out on the floor. The council woman doesn’t scream. Winter doesn’t seem overly shocked. No one is running to try and help him. Basically, if Ironwood had just killed a political figure in front of six witnesses, entirely unprovoked, I would expect a bit more of a reaction than this. This feels far more like a, “Damn he’s not joking around, letting off warning shots to get people to leave him alone” not “WOW, our general just killed someone in cold blood!”

What I really hate though—beyond just assassinating his character—is how many fans think my friends and I are delusional for calling it character assassination at all. I hopped onto the RWBY tag for five minutes this morning and was bombarded with posts about how Ironwood needs to be murdered horrifically, anyone who likes him is sick, the Ironwood stans are as bad as Adam stans, you’re an idiot if you want him redeemed… because apparently the concept of a story writing a character badly doesn’t compute. I’m not here to argue that Ironwood didn’t do these awful things (regardless of whether he actually killed the guy or not). I’m not here to argue that they’re not awful. I’m just here to say that we never should have gotten these scenes in the first place, or if we were going to get them, we deserved an actual descent into murder at the drop of a hat territory. I’ve already explained extensively on this blog how early Ironwood was not accurate foreshadowing for this, and Volume 7 certainly wasn’t setup, but it looks like the majority of fans aren’t interested in examining whether any of this adds up. Which makes my job, as someone trying to examine this series somewhat objectively—in as much as that’s possible for any single viewer—as well as simply enjoy it as a show, really hard. It’s bad enough when a story keeps taking the characters you love and villainizing them, and doing that badly, but then when you turn to the community and see them rallying around the idea that you’re awful for being dissatisfied—you’re the bootlicker, you’re the blind stan, you can’t see what’s ‘really’ going on here… that sucks. For those of you happy and satisfied with Ironwood’s arc, that’s great! I’ve also seen a lot of posts hyping up the complexity of his character now. There’s nothing wrong with enjoying what we’ve been given and I’d never want to imply that just because it’s not what I wanted it’s somehow wrong. I’m honestly thrilled that after a year of worry so many people have adored our premiere, including this scene. I just wish that I could say RWBY had given me something I didn’t want in a persuasive manner and that the fandom as a whole was a bit more welcoming of differing criticisms.

Not that I didn’t already know the RWBY fandom had its flaws, but still lol.

That’s basically it for our premiere. Nice note to end on, huh? Our final scene is of Salem using the lamp to set her bloodhound grimm on the city. Why doesn’t she just go herself? What was she planning to do here in Atlas in the first place, considering that getting the relic was a surprise? Who knows. Little about this holds together. But we do end with another awesome shot, so small favors.

It’s always strange concluding a recap, but even more-so when it’s a premiere, during a historical moment in the U.S., amidst all the nonsense that is 2020. So for now I’ll just conclude with three quick things:

The updated bingo board will be listed at the end of each recap, provided I don’t forget about it lol. Today I’m checking off tone (not nearly enough freaking out about Salem), the team keeping secrets (Oscar), and major plot point dropped (Amity is suddenly finished). I could also probably check off the cold not killing civilians and getting Amity up and running, but we’ll see if any changes with those.

I’m including my Ko-Fi link at the end of recaps now. Not with any expectations. Not with anything resembling pressure. I thought long and hard over whether to include it at all—let alone mention it here—because I love doing these and never want anyone to feel like it comes with strings attached. But life is a little harder and weirder than it was last year, so I figure it can’t hurt. Feel free to pass on by and I won’t be bringing it up past this note.

Far more importantly: thank you for reading! :D

(Bonus 4. Editing this was an absolute nightmare — damn you, tumblr!  — so I apologize if anything is super wonky when I finally post.)

See you next week! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps

[betweengenesisfrogs]

The Triumph of the Marginalia

Marginalia, n.:

1 : notes or embellishments in the margins (as in a book)

2 : nonessential items

-Troll OED

Is it just me, or is Nepeta and Equius’s arc the most slept-upon piece of brilliance in all of Homestuck?

A brilliance, might I add, that culminates in possibly the most triumphant, fulfilling emotional moment in the entire work:

https://www.homestuck.com/story/7928

*stands back and beholds its majesty while from the background comes the sound of James Roach brutally murdering ska*

No, but actually, I mean this 100% unironically, and by the end of this post, I think you’ll agree with me.

By now, I think we all understand the Act 6 double metaphor: the series of temporal loops and universes that Lord English commands is paralleled with, and in fact totally identical to, the narrative of Homestuck. Our characters’ lives exist within this context. They struggle to escape it, and are defined both by it and by the rejection of it.

Enter Nepeta.

The metaphorical meaning of Nepeta in Homestuck is irrelevance, and that’s why she’s the most relevant character in any discussion.

Nepeta was one of the characters killed off during the Murderstuck arc. Hussie argued that she was perfect for this role. In fact, I believe he said something like “Nepeta is sweet, but if you look up the dictionary definition of ‘expendable character,’ you’ll see a picture of Nepeta playing with a ball of yarn and looking very cute.” She’s an endearing combination of shipper girl and apex predator, but not one of your Vriskas or Terezis in being a driver of the plot. Hussie, it seems, created her just to round out the troll cast. He described one of his purposes in Murderstuck as being to axe some of the less necessary trolls to reduce the scope of his character list.

Except that didn’t really happen, did it?

Like a cat with nine lives, Nepeta just keeps coming back.

Equius is another addition to the troll cast who gets pushed away from the main action. He was a character-writing challenge: how do you make someone who’s gross, uncomfortable, and racist kind of likable anyway? I’d argue Hussie succeeded, in large part because of Equius’s relationship with Nepeta. By the time you finish with Hivebent, you’ll probably have a little fondness for their moraillegiance. And if that doesn’t do it, the conversation that serves as their swansong in Equius: Seek the Highblood will tear your heartstrings to shreds.

Because Equius dies, tragically clownmurdered. There was, at the time, some stink over this from Equius fans. Would he have really let himself be killed so easily? Hussie countered: yes, and it was the most in-character thing he could have done. He died doing what he loved: being asphyxiated erotically and horrifically by a superior. Truly, there could be no more fitting end to his character than that.

And yet.

No sooner did Hussie complete his self-appointed story cleanup challenge than he immediately began to undo his own work. It’s almost as if, in declaring his intention to own those who preferred more characters to narrative economy, he immediately had to own himself??

By the time we get even a little way into Act 6, we’re deep in the dreambubble landscape, meeting dead characters left and right. And who should show up there but Equius and Nepeta? Equius attempting to get it on with a bunch of Aradias, who dump him. And Nepeta, living out her romantic dreams as a representative of a timeline where she got together with Karkat. They both appear as symbols of this deadness, this irrelevance. Except that that brings them back into the story, into the spotlight – the opposite of where they’re supposed to be!

Like many bits of commentary, Hussie continues to incorporate the metaphor Nepeta=Irrelevance into Homestuck. Karkat’s remark on their journey that he would love to meet “FIFTY FUCKING NEPETAS” and embark on “NEPETAQUEST” alludes to formspring remarks to the effect that, no, Homestuck was not going to have much time for the minor characters. Except it clearly did.

Why couldn’t the narrative let the meowrails go? Was it that despite the economy of Murderstuck, something was still incomplete? After all, one of Equius’s charms was that he appeared to be growing into a less repressed, kinder person. In Seek the Highblood, we see him letting his guard down enough to roleplay with Nepeta for a change. Their love for each other: wasn’t that ultimately what could redeem Equius in our eyes? So his dying and thus failing to protect her–isn’t that something that should be addressed?

You could imagine many a Nepeta and Equius fan saying this to Hussie back in 2011.

But Hussie was already saying it to himself.

The duo come roaring back into the story in the Trickster mode arc, mid Act 6, thanks to Gamzee’s ridiculous resurrections. True, Nepeta is still reduced as part of Fefeta, the character formed from killed-off girls who never speaks onscreen. But doesn’t using that fact as a running gag kind of draw our attention to it? Doesn’t the fact that Fefeta talks to Roxy constantly offscreen inform us that once we get outside the frame of the narrative, Nepeta has a rich inner life and countless stories to tell?

And it’s here that Equius gets something he never got in his original “arc:” the chance to apologize to Nepeta. You’d be forgiven for missing it since there’s so much else going on at the time, but he does, while fused with AR. Here’s what you’d miss, though: he’s grown as a person in the afterlife. He’s come to regret that moment of weakness, where his fetish kept him from protecting his moirail. Impossible as it seems, he’s continuing his character arc.

The scene ends with Fefeta exploding (she’s also, after all, dealing with Eridan), but it leaves us with a tantalizing question:

Will Nepeta forgive Equius? Is there even a plausible time and space in that story when she could respond to his words?

Do you see what’s happening here? Instead of being erased, Nepeta and Equius are starting to slip the bounds of the story that killed them. They leap in and out of the frame, half-mythical figures. Marginalized, they write their own stories in the margins. They exist in complete defiance of the original logic of Homestuck.

Lord English is an alt-Author figure, a dark, brutal reflection of narrative control and narrative necessity. His world, in which horrible choices are necessary, in which the alpha timeline is a ticking clock leading inexorably to his manifestation, is one that beats down people not deemed important enough by his narrative. Which makes it identical to the one we’re reading. Throw all the unnecessary characters in the trash. Kill them off, if it suits my purposes. The world doesn’t need Nepeta.

Which is precisely why it does. Because isn’t defying Lord English the entire point? Isn’t it what Homestuck reveals as truly heroic?

What might Nepeta be capable of?

Let’s talk about two other victims of English’s forces of marginalization. Davesprite might be the most quintessential example. He teaches us what the alpha timeline is and how it works, by going back to fix a doomed timeline and submitting to being doomed himself. Except he merges with a bird and avoids that fate. Okay, but he clearly gets killed off fighting Jack in Jade: Enter. Except he comes back and hangs out with Jadesprite. Okay, but he dies in the planetsplode in the Retcon. Nope, he comes back from that, too. Huh. He keeps slipping the fate decreed for him by – who else? Lord English.

But it’s a struggle, clearly. He’s caught up in various cycles of guilt and shame. Over being “not the real Dave.” Over his feeling that he has to be a hero in the sense Bro demanded he be. Hussie describes Davesprite as fitting the “way of the unbroken sword:” his experiences have led him to believe in being strong and capable at the expense of all else, in contrast with the other Dave, whose belief in Bros’ toxic ideas is beginning to slip – the “way of the broken sword.” And where did Bro get his toxic ideas from? At least in part, the whispering voice of the soul of Lord English.

Now we turn to Dirk. Like Dave, Dirk has a marginalized, “less important” splinter self but it’s more of a pressing concern. AR shows Dirk’s darker side: exhibiting manipulative tendencies that human Dirk is trying to move away from. He’s also a copy removed from humanity, who feels an understandable amount of disillusionment about being removed from physical existence and his own identity. But as much as Dirk may splinter, like his dumb anime sword, he never breaks. What this means in the symbolic language of Homestuck is that Dirk lives fully, instinctually, in the way of the sword. He believe in a world of hard choices, masculine heroism, and necessity. Ultimately, this, too, is part of what makes Bro so harmful to Dave. In AR and Davesprite, we have a strange parallel: two splinter selves, both of whom are enmeshed in the logic of LE.

Except AR, unlike Davesprite…kind of is LE.

What is Lord English composed of? Well, there’s Caliborn, the most unrepentant shithead of all time. There’s Gamzee, embodiment of horrifying clownery. And then there’s AR, a version of Dirk even more removed from the person he wants to be.

And…Equius?

Allow me a moment to get really indulgent and take a big puff on my Homestuck scholar’s pipe.

The metaphorical meaning of Equius in Homestuck is: sort of growing out of being a creepy racist.

Or maybe let’s say: the opportunity to do that. We said that Equius was on the verge of being redeemed (even had been, in the eyes of many readers). What does it mean to stick him in with Lord English’s souls? It means two things:

1) Equius is a product of his society, which was shaped by Doc Scratch, aka by Lord English, both of whom are kind of him, but Scratch picks up on his traits especially. This is a recognition of that fact: the part of him that sucks is, itself, Lord English in a dizzying loop.

2) Equius’s story is a tragedy. It is the story of a kid who started to escape his society’s tendencies, but was sucked back in by the evil force behind them.

Although…maybe that’s not the whole story.

Because both Equius and AR aren’t really that bad. AR’s pretty understandable, and by no means beyond the possibility of goodness. And the combination of the two? Honestly, pretty harmless. They counter each other’s worst tendencies by devolving into a weird goofball. In fact, AR even says he wants to do something heroic: to sacrifice himself for something really important. He does, kind of, mustering a last-ditch robohorse assault on Caliborn. But at the same time, this is the substance of his tragedy. A hero whose defeat of a great evil forces him to become the substance of that evil. Which could not be a more fitting summary of how these characters function in their story.

But maybe that’s still not the whole story.

Enter Davepeta.

At first glance, the creation of Davepeta seems like Hussie’s most batshit troll move yet. I feel pretty confident in saying that even those who predicted either of these characters returning didn’t see that one coming. However, a few pages of Davepeta’s presence reveals a fundamental truth:

Davepeta is fucking amazing.

In them, Davesprite’s depressive moods are buoyed up by Nepeta’s upbeat optimism. Nepeta’s reclusive shyness is balanced by Dave’s tendency toward brash banter. Both of them gain confidence from being the new person they are. They quickly let go of ideas inherited from the world that kept them from self-knowledge and happiness. Dave, his toxic masculinity; Nepeta, her fear.

A great point I’ve seen made is how much Jasprose and Davepeta resemble fantasy selves for Rose and Dave: indulgent, technicolor manifestations of people they could be if they let go of inhibitions and limitations. But I think Davepeta is the most unambiguously positive of the two.

The metaphorical meaning of Davepeta in Homestuck?

Growth.

Not giving a fuck about what the world thinks. The world, aka Lord English. Because Lord English could never have predicted that his machinations would also spawn a confident, powerful fusion of two beings he had discarded as totally irrelevant.

They’re also a multicolored non-binary furry, so that’s even more points in the pissing off shitheads column.

They are someone Lord English never conceived of, never could have conceived of, but which lay as potential within his domain all along.

And if Lord English is a reflection of the author, of what Hussie feels one has to destroy or sacrifice, than Davepeta is an indulgence existing in defiance of all that.

And this makes Davepeta the most powerful person of all.

They are the light at the end of the tunnel. They are the person you could be, if you could get past your mental shackles and just grow. It may not be possible to ever get there as a mortal human, may only be for a godlike sprite, but striving to be like them matters, is purpose and fulfilment enough.

And they love ARquius.

Nepeta believed in Equius, believed he could grow, and was growing. So as much as ARquius traps himself in a Lord English loop of his own making – grown, perhaps, out of Dirk’s belief that there should be a loop, that importance is admirable—Davepeta pulls from him, in his last scene, his finest qualities. His love.

Equius asks forgiveness again, and this time, Nepeta’s able to give it. Davepeta easily accepts ARquius’s apology, an apology which never could have existed within the confines of a normal narrative. A reconciliation that both of them fought for by defying their narrative, by existing outside it. By being not the trolls who lived and died, but their broader, conceptual selves, who exist beyond lifetimes. Beyond the comic page. And they consummate that reconciliation with that most cherished and loving of gestures:

A hug.

And even as this is Equius and Nepeta’s reconciliation, it’s also Dirk and Dave’s. Which, I should mention, is also taking place, simultaneously and circumstantially simultaneously, just below. It’s a more difficult one, certainly, especially as filtered through the splinters of Davesprite and AR. Here forgiveness is not quite the right word. But – knowledge, and recognition, and a kind of peace. It’s Davesprite’s chance to reunite with the part of his brother he loved, while also being a person who’s grown beyond him. And it’s AR’s chance to be loved.

Oh, sure, the art is ridiculous, the pose absurd. But that’s what makes it sublime.

I mean, what did you think that Sbahj comic was really about?

A boy distancing himself from his feelings through irony, never acknowledging that the story he’s telling is about two bros who desperately want to hug each other, but don’t know how.

Here’s the hug.

I want to dip into Epilogues territory for a moment, but it’s territory which is fairly well implied by Davepeta’s statements and role in Collide. The Meat Epilogue, I think, only illuminates what was already there.

Lord English is uniquely vulnerable to Davepeta.

And why shouldn’t he be? They, like so much else in Homestuck, are a consequence of his actions spiraling far beyond his control. But it’s more than that. Davepeta is finally able to lay the unbroken sword to rest by following the “prophecy” about Dave defeating Lord English. On the one hand, that’s kind of what happened. But it’s also completely different from what English intended, antithetical to his desires and goals. Which makes the victory all the sweeter. But at the end of the day, Davepeta doesn’t fight for the reasons Davesprite did. They’re free of that, now. Instead, they fight from a place of genuine compassion. Because Davesprite, like Dave, knows the true meaning of being a hero: caring about one’s friends.

But the most important thing about Davepeta is that they know Lord English, on a level that perhaps neither he nor they recognize. Both AR and Equius are in there, and both are capable of redemption. It’s only Gamzee and Caliborn who are truly beyond it.

How does Davepeta defeat Lord English?

With a hug.

They wrap their claws around him, and carry him into the sun like a piece of garbage. It’s an aggressive hold, but it’s also effectively an embrace.

And I have to wonder: in those final moments, did they sense a connection there? Did Equius and Dirk stir somewhere within Lord English? Did they give him a moment’s pause? Resist him? Make it just the tiniest bit easier for Davepeta to do their work?

If so, then that, too, is heroism.

At the very least, it’s circumstantially simultaneous with the hug we see in Act 6, and so it carries the same message:

Redemption.

Not for the shitheads, but for those who wanted to be better.

And if this isn’t enough, there’s a third reconciliation here, too: between author and reader, or to put it in other terms, author and character.

If Lord English is a shadow of the author, what part of the author can be redeemed? Maybe not the destructive, antagonistic urges. But the part that plans and designs and philosophizes as Dirk does. That part of Hussie wanted Davepeta to be there, to strike that final blow, and made it happen.

Because, when you get right down to it, as much as Hussie pretends to be antagonistic toward his readers and the characters they enjoy, it’s the fans, the shippers, the furries, those whose hearts go out to a cute, shy cat girl that he most celebrates.

Hussie fucking loves Nepeta.

Nepeta and Equius are, sneakily, the best characters in Homestuck, because they understand its fundamental message: that to succeed in Homestuck is to defy Homestuck. They defy everything it throws at them, and somehow, improbably, come out on top.

All of this is there on that page, a whole edifice of storytelling culminating in that singular, grand, supremely indulgent expression, a feast of looping leitmotif and color and imagery and meme and sound. It’s all there, if you know where to look.

Nepeta and Equius love each other, and that’s pretty fucking great.

See? I told you.

<> Ari

#nepeta #equius #davepeta #homestuck analysis #arquius #meowrails #davesprite #hal #trying to get out ahead of hussie's commentary for a change #happy 4/13 :33 #<3 #stay tuned #feast of homestuck 2020

[aion-rsa]

In Defense of Spectre: Daniel Craig’s Last James Bond Is Better Than You Remember

https://ift.tt/3a60miY

It’s hard to believe that it’s been six years since the release of the last James Bond movie. The gap even ties the near fatal six-year distance between Licence to Kill and GoldenEye. But it’s true, Spectre came out in 2015. And as we stand on the cusp of its follow-up, No Time to Die, finally arriving in theaters after a delay of 18 months, it’s strange to think back to the arrival of Spectre, and the polarizing response it received.

The last James Bond movie to star Daniel Craig still sits with a 63 percent rating on Rotten Tomatoes, right in that vague netherworld between “fresh” and “rotten.” And while it was an enormous financial success ($881 million at the worldwide box office), it was considered something of a step back since its predecessor, 2012’s Skyfall, which grossed more than $1 billion. It might have been unrealistic to think Bond could hit that mark again, so in relative terms Spectre did quite well on its own terms and as part of the overall franchise.

There are, let’s face it, only a handful of truly great 007 adventures: Casino Royale, Goldfinger, On Her Majesty’s Secret Service, and The Spy Who Loved Me come to mind. But there are likewise several that are almost all universally despised: Die Another Day, A View to a Kill, Diamonds Are Forever, and a couple of others tend to fall into that sorry category. The rest tend to exist in a mushy middle: fun to watch on a lazy Sunday afternoon but instantly forgettable until the next time you turn it on while doing laundry.

And yet a pall hangs over Spectre, and it seems as if the fans and critics who found it disappointing are really down on the film. Yet I’d place it solidly in that middle category, and if anything closer to the top. With the exception of its third act (more on that later), it’s a solid Bond outing for the Daniel Craig era, with its star more terse than ever (watching it again, one is struck by how little dialogue Craig actually has), while its action and plot points are mostly in line with the “gritty” feel of Craig’s previous three outings.

It also stretches the Craig template a little, allowing for a few more gadgets, some homages to past films, and a little more humor. In other words, it lets Craig come as close as he ever previously had to the fully formed Bond played by the previous five actors. No, he’s not winking and letting his eyebrows do all the acting the way Roger Moore did toward the end of his run, and he’s not quite the cruel misogynist popularized in the beginning by Sean Connery. But this is Craig’s version of that man.

Some of the Bonds that fall lower in the standings tend to have overly complicated plots, like The World is Not Enough or Octopussy. The plot of Spectre is pretty simple and straightforward: following the death of M (Judi Dench) in Skyfall, Bond goes on one last mission at her request (via a message recorded before she died) and without official authorization from the new M (Ralph Fiennes).

He learns that the man he was sent to kill, an Italian terrorist named Sciarra, has taken his marching orders from an ultra-secret criminal organization—the same entity that was apparently behind the actions of Le Chiffre (Casino Royale), Dominic Greene (Quantum of Solace), Raoul Silva (Skyfall) and Mr. White (the first two). Bond also learns that he and the head of this organization, which is named SPECTRE, have a personal connection going back decades.

Although he’s officially suspended from duty, Bond goes in pursuit of SPECTRE and its chief, Franz Oberhauser (Christoph Waltz), while also making a promise to the dying Mr. White to protect his daughter, Madeline Swann (Léa Seydoux). To make matters worse, there’s also a mole in MI6 who plans to surreptitiously turn the entire surveillance apparatus of British intelligence over to (you guessed it) SPECTRE and Oberhauser.

The story has a linear, straight line: Bond must find and stop Oberhauser while bringing down SPECTRE. There’s plenty of action along the way, including a vertigo-inducing opening battle in a helicopter, a chase in which Bond steers a plane down a snowy mountain slope, and a brutal fight aboard a train between 007 and SPECTRE’s top assassin, the monstrous Mr. Hinx (Dave Bautista), which deliberately channels the classic train clash between Connery and Robert Shaw in From Russia With Love.

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Hinx and Bond also have a traditional car chase of their own through the winding streets of Rome, in which Bond utilizes some of the  enhanced features of his Aston Martin, such as a rear-facing flamethrower and an ejector seat (sadly the machine guns are not loaded, much to Bond’s amusing chagrin). Speaking of gadgets, Bond also gets to deploy an exploding watch, just one film removed from Q (Ben Whishaw) asking him in Skyfall, “Were you expecting an exploding pen? We don’t really go in for that anymore.”

It’s all in good fun, and most of the first two hours of this lengthy adventure breezes along with a bit less of the solemnity of Skyfall and a touch more (but not too much) of the old Moore and Pierce Brosnan swagger. We also thoroughly enjoy seeing Ralph Fiennes’ M, Ben Whishaw’s Q, Naomie Harris’ Moneypenny, and Rory Kinnear’s Tanner work as a team and even get their hands dirty in the field.

But then that last half hour hits and it kind of all goes to hell.

We’re not here to yet again relitigate the ending of Spectre and the big reveal of just who Oberhauser is. We’ve done that in our original review and in another recent feature right here. But just to quickly recap: Bond and Madeline are captured by Oberhauser and brought to his lair in a giant crater in the Sahara desert (a crater that looks suspiciously like SPECTRE’s extinct volcano hideout in You Only Live Twice). There we learn that Bond was adopted by Oberhauser’s father after Bond’s parents were killed, and a jealous Franz killed his father, staged his own death, and launched SPECTRE while renaming himself Ernst Stavro Blofeld—all for the sole purpose of seeking vengeance on Bond.

The idea of SPECTRE and Blofeld being behind all the other villains Daniel Craig’s Bond has faced is a sound one—it was, after all, the basis of the first few Connery films—but the notion that Bond’s estranged foster brother started this deadliest of all criminal organizations just because his daddy made him feel sad is ludicrous. By all means, have SPECTRE target Bond, especially after he defeats some of Blofeld’s most fearsome lieutenants, but does it have to be a retconned family squabble?

On top of that, after Bond foils Blofeld’s plan to destroy MI6 and take over its intelligence operation, he leaves Blofeld on the street for M to arrest and walks off into the night with Madeline, woman with whom he has no appreciable chemistry. Their romance isn’t nearly as well-developed as that of Bond and Vesper Lynd (Eva Green) in Casino Royale. When Bond almost resigned from the service for Vesper, you believed it. His actions at the end of Spectre are a little more ambiguous. We don’t know if he’s leaving for good or just taking a holiday, and it’s hard to imagine that this Bond, at the height of his skills, would chuck it all away for a woman he barely knows. Which as we’ve since from No Time to Die is definitely what was supposed to happen.

If you take those two plot points out of the equation, Spectre is a good film and even an above-average 007 outing. Sam Mendes directs with flair, even if a few sequences are too long and the movie overall could be a little tighter. Meanwhile cinematographer Hoyte van Hoytema shoots the hell out of it, and Thomas Newman’s score is propulsive and exciting. The cast is uniformly good, especially the MI6 crew, Waltz, and Craig himself, even as we wish the long-awaited return of Blofeld could have been… different.

But as Madeline Swann says to Bond, “I’m not going to ask you to change… you are who are you are.” Spectre is what it is. And we’re okay with that.

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The post In Defense of Spectre: Daniel Craig’s Last James Bond Is Better Than You Remember appeared first on Den of Geek.

from Den of Geek https://ift.tt/2Yh3XYN

#aion-rsa #Den of Geek

[bladekindeyewear]

HS^2 bloggin’ mainline 2020-09-29

More Homestuck time!  Continuing on the outside-canon plot.  Livebloggin’ starts now...

> CHAPTER 14. The Best Laid Plans

Wait, who’s house is this?  Was this Roxy’s?  (When I saw a glimpse browsing my twitter feed during the debate, I saw Yiffy on the ground accosted.)

> (==>)

THEY’RE JUST HOME?!?!?????

HOW???  HOW could the heat be off so badly?

Jane’s arrogant, but one of the CHARACTERISTICS of her arrogance is that she underestimates the character and capability of her political opponents.  How would she NOT consider the possibility that these kids would return home again even while the heat was on??  How would she assume that JOHN would be too smart to come back to--

...oh right, she may not know John is involved or willing to do anything.  That’s fair.  But the kids??

I’m sure there’s going to be SOME sort of explanation of why the heat is off.  Also, I wonder who made that anti-Jane battle plan chart?  John himself, or Karkat or something?  Karkat’s usually the chart-er.

JOHN: wow, i feel like i'm barely keeping myself sitting. JOHN: if it weren't for keeping you kids safe i'd be out there right now!

Hm.  Are they counting on the fact that Crockercorp would KNOW that John and Vriska are both there to intimidate them from moving in against them?  From a sheer difference-in-firepower standpoint after Vriska’s big display?

HARRY: and some of us aren't gods and shit. JOHN: i'm detecting a hint of judgement in your voice, there, harry anderson JOHN: don't you enjoy being a part of all this? finally getting to be in the thick of it all? HARRY: i mean i was having a fine time at school, if i'm being honest. HARRY: all this tear-assing back and forth between my home and various points of interest over the past few days has me pretty beat.

Yeah, most kids don’t appreciate being involved in war.  Even Vrissy immediately showed some regrets no matter how much she liked to think of herself as wanting to get out there.

HARRY: also i wouldn't call this "the thick of it all" JOHN: oof, getting air quotes'd by my own son. JOHN: we had to hide in a forsythia bush on the way back here when that drone flew by! JOHN: that's the thick of father-son hijinks if i ever saw it! JOHN: well, modern day war hijinks, but i'll take what i can get, you know??

(Be more considerate, John!!)  Hm, so they DID sneak their way back in here?  I mean, John’s powers may have helped them get through unnoticed, but this is still a big stretch.

HARRY: i'm not knocking the old adrenaline thrill, or helping out Vrissy's moms or anything. HARRY: i'm just saying i was literally just here and you told me to leave, so i hope this is where we're gonna park it for a minute. HARRY: a boy's gotta breathe. JOHN: yeah, well, this wasn't my plan, either. JOHN: but rose sent out some false intel about us heading toward my house, so technically this is the safest place we can be right now, since they cleared the area and everything. JOHN: i guess.

Ahhhh.  Okay.  Yeah, a Seer of Light can float an attention lure and know it’ll be an effective enough distraction.

HARRY: hmm. JOHN: what? HARRY: now YOU look like you're hiding some extra commentary. JOHN: oh, i don't need to burden you with all the bureaucratic stuff, it's boring. HARRY: well now hold up, dad. HARRY: a minute ago you were all "we're in the fight together," and now you're backing out of sharing the details? JOHN: it's not really- HARRY: am i a part of this or not? JOHN: well i'd sure say you were! JOHN: but i guess maybe my thoughts on what is or isn't right for the operation aren't up to snuff. JOHN: because here i am, sitting in the dugout, same as you. HARRY: in the dugout?

Mhmm, John’s sore about Rose not counting on John as a heavy hitter.  He got back INTO this in part because he missed all the action and relevance, and now they’re telling him to stop and stand still?  That’s never been a command John’s easily agreed with.  For now, protecting the kids (Blood!) is enough to keep him sitting, but if they (and Vriska) start encouraging him...

HARRY: plus i wouldn’t have been able to get your measurements for some clothes that actually fit you if we hadn’t come back here where all my sewing stuff is.

Thank god, we might get a non-embarrassing god-pajamas John back

HARRY: you were getting pretty into everything back there with rose and them? getting to be with the old crew and everything, like the stories you told me about the game? JOHN: yeah. HARRY: that sucks. JOHN: i had a good plan, too! JOHN: it just wasn't good enough for karkat, i guess. JOHN: i'm just not "experienced enough in combat strategy"

Oh huh, so that’s John’s discarded plan he’s holding.  Karkat's faction hasn’t quite succeeded the bloody (heh) way so far, perhaps he needs John’s Breath to add some inspiration to it for the most success but they’re not giving him enough credit?  It’s hard to blame them for doubting him, though.

JOHN: that is a plus of being here, at least. JOHN: it's been really nice to get to spend so much time with you. HARRY: um. yeah, it's not so bad. HARRY: anyway, before you ruffle my hair or anything, it looks like things are getting a bit heated between the vriskas over there. HARRY: maybe we should offer them a snack to bring the mood back down? JOHN: me, mess up your hair when you’ve worked so hard on that look? i do know you at least that well, harry anderson HARRY: thank god.

Cute!

VRISKA: So you actually want to know what I’m thinking now? You want my opinion? VRISSY: Um...Yes? VRISSY: I'm not Really Sure what’s going on right Now. VRISKA: What? VRISSY: I just was wondering why you’re so pissed off at me. VRISKA: What the fuck are you talking about? VRISKA: I’m not pissed at you, you haven’t done shit 8asically at all since i’ve been here. VRISKA: I just can’t 8elieve I’m 8ack stuck in this tacky rumpusblock after all of that!

Both Vriskas are constantly assuming the other Vriska is thinking about them because they’re both Vriska, when they’re really both self-cente-- no, that’s not quite true.  Vrissy constantly assumes Vriska is thinking about her when she isn’t, and Vriska is somewhat grated because Vrissy belongs in this universe and she isn’t? Or--

Gosh they both have so many issues going on and firewalls up that I can’t actually make heads or tails of it.  Usually what’s on Vriska’s mind is painfully obvious from her dodges, but Vrissy is so oblique with her OWN weird thought processes that-- god I dunno

VRISSY: We could do Something if You Wanted. VRISKA: Huh? VRISSY: If you’re 8ored. VRISSY: This isn’t my House, but Harry has video games and Movies and shit. VRISSY: Actually, we’re pro8a8ly 8etter off not watching his movies. VRISSY: His taste is Worse than His Dad’s. VRISKA: AGGGHHH!!!!!!!!

They’re from two different worlds, yeah.

VRISKA: No, I don’t want to watch a fucking movie! How the fuck can you think a8out movies????????? VRISKA: How are you okay with any of this? VRISSY: Any of What? VRISKA: 8eing left at home like a couple of dri88ling of wigglers!

Vriska invests all of her self-worth in what she can bring to the table relevance-ways.  Her self-esteem couldn’t survive the sidelines.

VRISKA: How are you so calm right now? Your lusii were training you, right? And you’re a troll, you’re definitely five times stronger than a human! And if you’re my clone, you are way more 8adass than little miss Fussy Fangs. VRISKA: I can’t 8elieve you just stayed 8ehind?!?? VRISSY: Well...they told me to. And they’re my Moms.

COMPLETELY different lives.  Vriska has never really accepted, never really KNEW what “peaceful life” is actually supposed to be, nor how alluring and satisfying it is.

VRISKA: Clearly not a good plan, 8ecause then I would 8e part of it! VRISKA: What’s the point of me even coming to this shitty fake reality if I’m not supposed to fix it?

hahahahahahahaha

VRISSY: Yeah, they told me about That stuff, but a Lot of the Shit that Happened in the Session if just not in the History Books. VRISSY: You weren’t Really mentioned that Much. VRISKA: Excuse me? VRISSY: People know who you Are, 'cause we had to Memorize the names of Every one of the Players, Even the ones who didn’t last very Long. VRISKA: You’re trying to tell me that there’s a whole recorded history of SGRUB, and I’m not in it?  VRISSY: You’re not not in it.  VRISSY: I guess they Mostly Focused on the Creators who Ascended, you know?

HAHAHAHAHAHAHAHA

--hm, what if some of the pre-retcon timeline where Vriska WASN’T as involved DID fold its way into this one?  Explaining Jane remembering Gamzee showing up early in her session to sell her troll blood when that was (if we’re remembering right, correct me if I’m wrong) erased by the retcon in favor of Vriska time-traveling in in his place?

VRISKA: Whoever was schoolfeeding you was a complete 8ulgesucker, because I “ascended” 8efore any of the humans did!! VRISKA: Literally 8illions of years 8efore, since our session was the one that created theirs!!!!!!!! VRISKA: I was the 8ne who 8uided John’s 8uffoonish 8lue ass all the way through his first 8ew days in the Medium! VRISKA: I m8de all the plans to take down the J8cks! VRISKA: I SINGLE H8ND8DLY! VRISKA: CURED YOUR MOTHER’S FUCKING ALCH8LISM!!!!!!!! JOHN: uh, vriska, everything okay over there? VRISKA: EVERYTHING’S FINE, J8HN! JOHN: okay. JOHN: do you girls want a snack? VRISKA: AAAAGGH!

HA!

HARRY: vriska, eat whatever. HARRY: just not the zebra cakes, those are mine.

(Zebra cakes are kinda Barbasol-bomb-like, right? Doom thing, because black-and-white stripes like most of the black-and-white-striped explosives in Homestuck? --Nah that’s a stretch.)

> (==>)

--That’s not Jane’s head, that’s JOHN’S head giving a thumbs up.  Wow.

...Your plan prominently features Yiffy even though you didn’t know she existed until a couple hours ago?

JOHN: so anyway, as you can see, this would have worked just fine! HARRY: no i think karkat’s right. this looks like shit, dad. JOHN: you know, me letting your earlier use of the word "fuck" slide wasn't a blanket approval for all cursing in front of me. HARRY: sorry. HARRY: try not to make such a shit plan, and i won't call it that. JOHN: haha wow.

Harry really is his son, wow

HARRY: i mean, i still can't believe i told vrissy and them to bring a dead celebrity to school. HARRY: what was i THINKING. JOHN: you were thinking it sounded hilarious! JOHN: but yeah, in hindsight, maybe not the best call. JOHN: maybe it’s genetic? HARRY: yeah.

Harry really is his son, wow

HARRY: i kinda can’t believe we’re all still alive, actually. HARRY: and how did YOU make it this far, being so bad at this? JOHN: i had my friends with me, i guess.

Pretty much!

Plus, they haven’t really had time to talk about what happened with Dave, yet, and he doesn’t want to tank the mood by bringing him up.

Glad John’s taken some time to deal with that offscreen, so he can keep being cheery here.

He’d spent so long seeing mostly the best parts of Roxy in Harry Anderson. He forgot, he guesses, to look for himself in there, too. And if what they have in common right now is a lack of strategic foresight, hey, he’ll take it.

Hah, fair enough!

JOHN: speaking of friends, i will say the snacks were a good call, at least! JOHN: i don’t hear any more screaming, anyway. JOHN: see, that's one good plan between the two of us!

--they left, didn’t they.

> (==>)

HARRY: oh, that was definitely them leaving, wasn’t it. JOHN: ah.

--So was Vrissy peer-pressured along, or practically abducted?

> (==>)

--Oh, this was the picture I glimpsed and scrolled past on Twitter!  She’s not on the ground, she’s running-- good.

> (==>)

--ALREADY!  Fuck yes!  :D

(and those cute paws on jade’s gloves wow)

> (==>)

--Oh I thought that was an air-lift! No, they were just diving to the ground with her.

Man, the pacing of this panel-to-panel composition throws me SO much.  Stuff happens without being properly established, and we’re shown the wrong keyframes to internalize it easily.  (I hope I don’t have to keep mentioning how much I miss Andrew’s talent at it, even though the art WITHIN panels is better here.)

So Jane is confronting them with soldiers.

ROSE: Oh, is this one of those rare and marvelous beasts, the "villain speech"? ROSE: I've written one or two in my time. ROSE: I'm on the edge of my seat. I hope it's better than your political material; I've always found that rather trite. JANE: I haven't given a political speech in years, Ms. Lalonde. I don't know what you're referring to. I'm just a simple business woman. JADE: right with her own talk show JADE: and multi billion dollar merchant company and lobbying groups! JANE: That's what a business woman is, Jade, dear.

--ah, in this perspective maybe Jane DOESN’T have the resources to be “everywhere” yet.  Makes more sense that they could’ve left the home unguarded.

JANE: But enough of that. I'll skip straight to the point. JANE: You are on my territory, in the presence of my secret police, laying your hand on my investment.

QUIT DEHUMANIZING THE GIRL

JANE: You think I come anywhere unprepared? I haven't left the house without an armed guard in years. ROSE: Is it the libidinous power rush that comes from snapping your fingers at men with guns, or are you worried that you might accidentally do something heroic?

Rose usually has decent snapbacks I guess

I don’t think Rose’s plan was to admit themselves into custody like Jane is asking, but I’m not ruling it out.

> (==>)

(this image is so cute)

JADE: wow could you be any more full of yourself?? JADE: shut the fuck up for a minute and look up!

> (==>)

Ahwhoops.  Jane misunderstood who’s in control of the situation.

> (==>)

Ooh!  That’s threatening.  :)

(Tavros is playing along, but he doesn’t HAVE to fake that sweat.)

KANAYA: If You Make One Single Move I Will Bite Him Directly On The Exterior Shout Tunnel KANAYA:  I Will Turn Your Son Into A Rainbow Drinker KANAYA: Then You Will Have A Rainbow Drinker Son JANE: That's not how troll vampirism works, don't treat me like an imbecile! JANE: You think I don't know everything there is to know about your disgusting biology? KANAYA: KANAYA: Okay Then I Will Just Break His Fucking Neck

HAH

Yeah, mutual child-threat standoff.  Jane isn’t going to make that sacrifice, AND can’t be SEEN making that sacrifice.

> (==>)

Jane Crocker hesitates.

This is something that she used to do regularly. Hesitate. Stop and think and weigh her options. Talk out every possible scenario and the impact they might have, morally and optically and socially. What would the political apparatus think? What would her social media followers think, her friends? As the years went by and she honed her instincts, she found herself doing this less and less.

Yeah, the difference between deserving a Just death or not is whether you’re willing to check yourself and allow another’s will to override your own.  To allow someone who ISN’T you to have a say in how reality unfolds, to consider that what you want may not be right.

The impact that her words made became lessened when spread out across such a wide and thirsty audience, as public sentiment began to swing her way. She stopped thinking about how she would be received, and more about how she could play to the people she knew would receive her favorably. 

Yeesh.  Topical.

Looking up she sees Tavvy with tears in his eyes. Rage and guilt surge inside her. This situation is not her fault.

Anger is based in fear.  Jane is not just afraid for Tavros, but afraid that she’s at fault.  And the more she fears and has to deny that, the angrier she’ll get.

Is it angry enough to make a rash decision here?

> (==>)

JANE: This situation is not my fault! 

Jesus, she even said it out loud?

JANE: I'm the only one who has taken any interest in her upbringing or education! JANE: Or have you forgotten who has been paying for her schooling and taking charge of her introduction into society? JADE: i never asked you to do that! JADE: you offered! JADE: so stop calling me ungrateful for not sucking your dick over things i never asked for!

Taking something that was a clear, ostensibly-selfless gift and using it as a transactional club.  I hate that.  Nothing shows how transparently little you actually believed in the “selfless thing to do” than that.

> (==>)

She can't just stand here and let herself be humiliated, allowing two architects of the insurgency mess her around like this.

If they were to kill Tavros, the entire world would see them commit this war crime. And weighed in the balance, Lalonde and Harley would be off the playing board. Saving your daughter certainly counted as a heroic death, and with the damage they'd done to humanity, it would also probably be just.

Tavros has not called out for her once. Perhaps he knows what her choice was always going to be.

Whoa you made that choice pretty easily, psycho-Jane.  Are you actually gonna try it???

> (==>)

JAKE: Tavvy! 

Oh shit, the plan!  :D

--if Jake isn’t just.  Um.  Taking the threat to Tavvy seriously, not having realized this was a bluff.  Um.  Jake?

> (==>)

That looks like he’s taking it seriously.  Shit.

At least Jane will look like even MORE of a monster if she gives the order this way.

> (==>)

JANE: Stand down!

I don’t think Jake’s gonna listen to you when it comes to Tav’s safety anymore.

> (==>)

JANE: Get out of my sight.

Oh.

Is she letting Jade, Rose and Yiffy go?  --probably, but it’s unclear.

Damn this panel-to-panel framing not conveying what’s going on properly.

Guess that’s it for now!  Patreon Commentary....... I’ve been putting off the commentary backlog for a long time, but I think the Homestuck Commentary coverage deficit still has to wait a while longer because the World Is A Fuck and I have to devote more time to stress relief than usual.  Take care y’all

EDIT: extra bit on gamzee corpse here

#Homestuck #hs2 #Homestuck Liveblog #upd8 #Homestuck^2 #spoiler #spoilers

[jbuffyangel]

The Good and the Bad: Arrow 8x09 Review (Green Arrow & the Canaries)

Arrow did another backdoor pilot for the spin-off even though 7x16 felt like one, 

but it’s clear from this episode things have been… retooled. 

Not always for the better. I liked Green Arrow and The Canaries more than I disliked it, but I’m an easy sell. If Olicity’s progeny are available via my television then I’m watching. Period. End of discussion. 

There’s good content for the writers to mine, but there’s definitely some kinks to work out.

Doing things a little different with this review. Yes, I can change. 

It didn’t feel like a fully fleshed out episode and I have a feeling we’ll be repeating this pilot in some form if Green Arrow and The Canaries is greenlit, so for now we’ll just hit the highlights – the good and the bad.

Let’s dig in…

What I Loved

This is the first episode immediately after Crisis, so we don’t entirely know how the present day is impacted, but the future certainly is bright. Mia and William have grown up in an almost paradise. Star City is the safest city in the country. There’s been no crime for almost twenty years and it’s all thanks to the city’s hero – Oliver Queen.

Source: feilcityqueen 

It’s nice to see Oliver being honored years later by the ungrateful twats of Star City. They are slightly less ungrateful in my eyes. However, it’s even more wonderful to see that Oliver’s children grew up safe, protected, and maybe even a little pampered. It’s everything he wanted for them. 

The big stick with this carrot of course is Oliver not being able to raise William and Mia.

Mia Smoak is the princess we were promised and she is ready to ascend the throne. I loved everything about her character. 

Source: kathmcnamara 

The alternate timeline/universe (?) has softened Mia. There’s no anger. No dark and twisty past. No hatred of vigilantes. No resentment over lies and betrayals. 

Mia knows her father was a hero, but she hasn’t grown up hiding out in a cabin with Felicity. Instead she grew up with William in the Queen Mansion (where she currently resides). On the surface, Mia’s life has been pretty friggin perfect, even if she’s a little adrift. That said, the Grand Canyon sized hole in her life is that her dad is gone.

Source: oliverxfelicity

Mia blissfully wakes 

Source: kathmcnamara

and is proposed to by… JJ DIGGLE!

Source: kathmcnamara 

We have a scantily clad naked Diggle boy and he’s already dropping down on one knee. This show is my crack.

This also means JJ Diggle isn’t evil! Plot twist!! Dun dun DUNNN!!!

Source: kathmcnamara 

Mia says yes after a brief hesitation and the DIGGLE BROTHER LOVE TRIANGLE HAS COMMENCED. I know I’m the only person who wants this love triangle, but I don’t care. 

JJ is the “good” brother and Connor isn’t “evil” but he seems like a colossal screw up with questionable facial hair. 

But also maybe I like the facial hair? 

It’s clear he has an adversarial relationship with Mia, but so many romances have been born from loathing. Enemies to lovers is a classic trope. I’m all in.

Of course, we’re supposed to expect Connor in Mia’s bed since the Season 7 flash forwards more than hinted at a brewing romance between the two, 

but instead it is JJ. A plot twist the Olicity fandom called ages ago.

John Jr. is new and improved though. There isn’t much to dislike about this version of him. He’s kind, sweet, sexy, attentive and pulling out expensive jewelry in the first five minutes. What’s not to love? There’s a smol and tol aesthetic happening too. Everyone knows that’s my shipping jam.

Things immediately get rocky though (pun intended). First, JJ gives Mia the Queen family engagement ring. 

Source: arrowdaily 

Mia makes a point of saying it was her mother’s which gives me the feels. 

I never had the same issues with Moira’s engagement ring others did, but even I can recognize there’s some bad juju in it

Next, Mia gets her memories back (more on THAT later) and officially remembers her fiancé was a psychopathic killer who ran one of her friends through with the pointy end of a sword. It’s a little difficult to kiss JJ after that visual. 

Things don’t get much easier after Mia accuses JJ of being the mastermind behind Bianca Bertinelli’s kidnapping. (Yes, she’s Helena’s daughter). He’s not the kidnapper. All his secrecy revolves around the honeymoon JJ is planning. It does lead to a truly hilarious moment between the two characters. 

JJ: Jumping to conclusions is I’m cheating on you not that I’m a kidnapper. For the record, I’m neither.

It’s a heavy moment, but I died. It’s going to be a little hard to pick out cake now.

The scene itself is heartbreaking. Charlie and Kat acted their asses off in it too. JJ thinks Mia doesn’t want to marry him. She hesitated before accepting his proposal (Yes, he noticed that Mia. So did I). JJ believes Mia is commitment phobic. It’s not wildly unlike how Oliver’s story began. Thank God there’s no cheating with siblings though.

Mia is merely struggling with the idea that her fiancé was a cold blooded killer in another world. She just needs some time to… adjust. She’s also a little commitment phobic. After stopping the real bad guys, Mia reassures JJ, but she doesn’t tell him the truth about who she is.

Mia: I couldn't imagine spending my life with anyone else."

I see your not-so-subtle wink at SmoakNHawke writers. I AM SO HERE FOR THIS.

The truly awesome moment with JJ’s character is when he gets his memories back too. I was not expecting this and was genuinely surprised. Charlie Barnett is a PHENOMENAL actor. He played that scene perfectly. 

Giving JJ his memories back is a stroke of genius because now he's a more complicated villain (I hope). He gets to struggle with his love for Mia and his loony tune desire to take over the city. 

Katherine McNamara also does a fantastic job of blending the two versions of Mia after she gets her memories back. 

Source: supercanaries 

She’s reeling from the suffering and loss, but Mia is still our bad ass princess who takes no crap. 

Source: oh-my-hades

She is still every bit the hero Oliver and Felicity raised her to be.

Source: feilcityqueen 

She’s just a little more pragmatic. Her communication skills are much improved. One of the best moments of the episode is when she gets to show up L*urel with her “new” experience.

Source: supercanaries

Mia telling L*urel where to stick it was a long time coming. We had to wait twenty five minutes for it to happen, but it was GLORIOUS when it did. 

Source: arrowversedaily 

William is a perfect cupcake, excited to be Mia’s man of honor, but bummed his boyfriend cheated on him. We hate Kevin. 

Source: arrowdaily 

He encourages Mia to join Smoak Tech, but she’s not sold on joining Mama’s company. William running Felicity’s company fills me with a deep and abiding joy.

William Clayton-Harris-Smoak-Queen is perfection from start to finish. 

Source: oliverxfelicity 

The chemistry between Ben and Kat is so natural. William’s good natured teasing about their “family heirloom” exuded warmth and love. 

Source: feilcityqueen 

I adore how comfortable the two characters are now. Erasing William and Mia’s separation is the best thing to come out of Oliver’s Crisis retcon.

ZOE IS ALIVE because I said she would be and I like to get my way.

Source: oliverxfelicity 

Din*h owns a bar (Thea’s old club) and lives in the apartment upstairs (Thea and Olicity’s old loft).  

Source: canarynetwork 

She woke up in the future after Oliver’s funeral and discovered she doesn’t exist in 2040. I’m only mildly curious about this. The bigger shock is Din*h is tolerable. She’s compassionate towards Mia and often serves as the peace maker between her and L*urel. She feels like an older and wiser Din*h Dr*ke. More like Season 5 Din*h, but not so angry.  

Also, hello that voice? She can be like Lorne on Angel and randomly break out into show tunes.  Juliana did a beautiful job.

E2 Oliver cheated on L*urel with Sara too. There is no universe where L*urel & Oliver end up together. Nobody hates L*uriver more than these writers.

What I Hated

L*urel. I hated everything about L*urel. 

At first, I thought I was being too sensitive, but after a certain point it was clear she is just an asshole. L*urel being unbearable in Arrow pilots is a tradition apparently.

It starts with how Mia gets her memories back. There were some spoilers out on this, but I wasn’t entirely sure how it would play out onscreen and yeah… total dick move. 

Source: supercanaries 

L*urel destroys Mia’s life by forcing unbelievably painful memories on her without discussing it with her first. And for what? So, Mia can help L*urel find her kidnapped friend. 

Even the newspaper article L*urel drops about the Green Arrow failing the city doesn’t excuse the way she gave Mia her memories back. I understand she is trying to convince Mia to be a superhero, but I feel a more effective approach would have been to sit down, grab a cup of coffee, offer the pros and cons of getting her memories back and then let MIA DECIDE.  

Source: supercanaries 

L*urel didn’t need to grab her from behind at her graduation/engagement party.  It had the uncomfortable vibe of mind rape and no amount of “girl power” makes that okay.

Oh hey - if  J'onn J'onzz from Superg*rl is going around and zapping people’s minds without clearing it with them first - 

What was with L*urel insulting Mia every two seconds? UGH. Where is that damn bird baton?

There’s a fine line between snark and nasty. L*urel was just nasty.

L*urel decides Mia is a lazy, self absorbed, idiot because she’s not immediately jumping at the chance to be the Green Arrow. She literally blew this kid’s life apart, gives her no time to process, and immediately begins insulting her because she’s not following all of L*urel’s commands.

On what planet does L*urel have any authority over Mia's life? 

They have a warm and fuzzy heart to heart about choosing to be a hero to smooth over L*urel’s wildly unpleasant personality, but it’s ludicrous. L*urel didn’t even rate a goodbye from Oliver. I find her suddenly being an expert on what Oliver would want for his daughter pretty tough to swallow. 

This conversation should’ve been with William. PERIOD.

Source: oliverxfelicity 

It’s insane L*urel is judging anyone about anything because SHE IS A MURDERER. But sure, being a socialite is the real crime. Thank goodness L*urel is here to stop all the shopping.

The show was desperate glaze over Bl*ck Sir*n’s history with bizarre explanations.

L*urel: I wasted a lot of time pretending to be something I wasn’t because it was easier.”

So, Bl*ck Sir*n was pretending to be a murderer because it was easier? 

That’s not a thing. You don’t pretend to a murderer. You just are one.

Bl*ck Sir*n wasn’t like Oliver Queen. She killed good and innocent people. We’re just supposed to accept she was always a good person simply because she says so? Sorry sweetheart, the evidence does not exist. I would send your ass to prison for a good 25 to life, but the network didn’t ask for my opinion about your participation in the new show. THEY SHOULD HAVE.

Then there’s the way they casually avoid things Bl*ck Sir*n has done.

Din*h: I can let go of the people I lost and mistakes that I made.

Din*h lost her boyfriend because L*urel murdered him. They ate French fries and drank milkshakes in a ten second scene and now we’re supposed to believe they’re best friends. Umm… no. If you want to make this friendship believable don’t pretend their history doesn’t exist. Most of your viewing audience is coming from Arrow. We remember that L*urel killed Dinah’s boyfriend.

L*urel: D you’re up. You ready?

Din*h: Never not.

Ugh. Cringe. Arrow was effortlessly bad ass because Stephen Amell made Oliver Queen look effortlessly bad ass. 

The action was show, not tell, and that includes the dialogue. There is no making L*urel and Din*h cool, so just-

And POSE. It’s like mannequins in a Macy’s window. YIKES.

Source: canarynetwork

They force this “Ra Ra Girl Power” nonsense with clunky lines and empty camaraderie while at the same time; L*urel eviscerates Mia’s life choices by insulting her all hour. If you want to bolster “female relationships” on this network then start with the women treating each other with respect.

There was a criminal lack of William, Zoe and Connor. TERRIBLE DECISION.

Hopefully, this changes dramatically if the show goes to series. This is what I meant by “retooled.” It is clear two different concepts are being slapped together. The one we saw in 7x16 and whatever KC pitched to the network. The biggest flaw in this backdoor pilot is how disjointed it feels.

It’s like there are two shows. Mia has her life with William, Zoe, JJ and Connor and the other show is Din*h and L*urel. It’s similar to Oliver and L*urel/Tommy/Thea versus Diggle/Felicity in the beginning of Arrow, but it feels really unnecessary to make that mistake again. I do not feel Green Arrow and The Canaries is Marc Guggenheim and Beth Schwartz’s vision for what they wanted the spin-off to be and it is GLARINGLY obvious.

No mention of Felicity or Diggle. Yes, I understand why. We have to watch the Arrow series finale to find out what happens to our beloved characters. Mia and William never mentioning Felicity and JJ and Connor never mentioning Diggle & Lyla is WEIRD. Particularly since it was Mia’s graduation and her engagement party with JJ.

Stray Thoughts

 I vote for this to be Mia’s next tattoo. Source:  amunetblack

Well… that’s new information Din*h. Source:  shawgroves

Why is L*urel calling Din*h “D?” When did that start?

Rene is running for a third term. Do we need to be concerned about a utilitarianism regime happening?

I will never believe Din*h can do “Felicity stuff.” Where the hell is William?

“Oh frack you.” FINALLY.

The adversarial relationship between Mia and L*urel is a wise choice given how KC and Katherine McNamara interact online with each other. Or don’t as the case may be.  

What is happening with L*urel's boots? Are there bombs attached to them or something?

The lipsticks on L*urel and Din*h are not good. There's a lot of eye makeup happening too. Let's tone it down makeup department.

This is my face whenever I see L*urel too.  Source: supercanaries

You killed her fiancée L*urel. Pay your fucking tab.

Female Big Bad. Could be awesome. Just have to wait and see.

I'm really glad William and Mia are rich again. I missed billionaire money. It's fun.

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me. 8x09 gifs credited.

If you’d like to support the blog, please buy me a cup of tea!

#arrow #green arrow and the canaries #arrow 8x09 #arrow 8x09 review #arrow episode review #green arrow #mia smoak #william clayton #jj diggle #Connor Hawke #connor diggle #arrow reviews #mia and jj #mia and william #mia and connor #deathstar #smoaknhawke #anti laurel lance #anti dinah drake #anti black canary #anti black siren #arrow season 8 #season 8 episode review #season 8 episode reviews #olicity #oliver queen #felicity smoak #john diggle #future team arrow #anti katie cassidy

[goldenkamuyhunting]

The fanon wiki lists Tsukishima's first appearance to be chapter 13, with Capt. Wada. The anime also shows this as well. The man resembles Tsukishima, but is it really him? In the manga version I'm reading (I'm reading it online so the volume versions might be different), he just looks like a generic soldier. The first truly recognizable Tsukishima can be found in chapter 70, so shouldn't that be his first appearance? (I'm sorry it's hard to understand, I have no idea what I'm talking about.)

It’s a good question.

So let’s clear up some things. The online version uses the volume scans for the first 10 volumes, in short up to chap 100.

They then moved to a scanned version of the magazine version up till chap 152.

From chap 153 onward (if I’m not wrong) they used the digital version of the magazine version.

So scanlations come from the magazine version from chap 101, but quality increases from chap 153 due to them using the digital version of it.

So basically yes, for chap 13 you were reading the volume version.

Now... when do Tsukishima truly appear for the first time?

In chap 70 which is the first time in which we hear someone (Tsurumi in our case) say the name ‘Tsukishima’?

We know for a fact Tsukishima was around earlier than that.

A Japanese fan managed to ask if soldiers that were looking like Tsukishima were his relatives and Noda replied they’re all Tsukishima... even though his name was never mentioned back then.

Question number 5 (30 March 2018)

Q: I’m curious to see a soldier that looks like Sergeant Tsukishima in book 4 chapter 31

& book 5 chapter 46.

Is he a brother of the sergeant?

A: They’re all Tsukishima. [Translation from Golden Kamuy Central]

Sadly he didn’t ask about the guy in chap 13 but the fact that those guys are all Tsukishima though, confirms that Tsukishima was around prior to chap 70 but the character design for Tsukishima wasn’t established right from the start.

The beard changes shape, the clothes vary.

This lead fans to assume that since Tsukishima was around PRIOR to his official apparition, Tsukishima was meant to be the identity of the following soldiers:

- The guy murdering Wada in chap 13 (same eyes, beard, similar nose although a bit more marked than Tsukishima)

- The soldier with Tsurumi in chap 34 (same face but missing beard)

- and this guy who also appear in chap 46 (same face and same clothes Tsukishima wears in chap 46 but beard missing)

It’s also worth to say that as Noda draws characters in very different ways the fact that those characters are instead VERY SIMILAR seems to support the idea they were meant to be all the same character.

The anime seems to side with fans as it confirmed all the above speculations using Tsukishima instead than a random stock soldier.

Ep 3 (chap 13 scene)

Ep 8 chap 34 scene

Ep 10 chap 46 scene

Tsukishima’s voice seems the one to be used in Ep 2 to tell Tsurumi Ogata has regained consciousness (chap 7 in the manga) but, same as in the manga, we don’t see the speaker.

If the anime confirmed the fan speculation in accordance with Noda or on his own it’s up to speculation as we’ve no idea. What we know is that they had stock soldiers they could have used instead of Tsukishima who, in the first series, didn’t really need to be used as the anime had no idea there would be a second series for quite a while as this is tied with the success of the first series.

Anyway, how common it is for a character design not to be established right from the start?

Common enough although the changes can be small or relevant...

...though I dug into this more in another ask, in which I also analyzed Tsukishima’s character design changes.

Character design changes are sometimes fixed soon, Tsurumi’s design was immediately corrected for the volume version so that in the following chapters he appeared with the right design, Henmi and Usami’s design were fixed the chapter after the one he appeared, but sometimes not to sooon.

Ogata’s character design was changed at his second apparition but there was no way to fix it on the volume version and Noda didn’t even try to do it with the flashbacks showing Ogata in vol 1, Vasily’s character design was fixed only when the chapters were transposed in the volume version in short months after he appeared on the magazine.

It changes from case to case.

But yes, you might argue, who says we should accept, as the anime did, that the guy who drew Wada out and shoot him is Tsukishima? Can’t he be a stock character?

As long as Noda doesn’t confirm it, everything it’s possible and, even if he confirms it, actually everything remains possible, after all Noda even retconned the time in whcih Wilk was jailed and wrote out of the story one of the fake skins so let’s keep in mind this is his story, retcons are an uncomfortable but valid way to fix things in a story and he’s human and can forget details.

Honestly, unless Noda has a better plot in mind for him, I believe it would be detrimental to Tsukishima if that guy were to be a stock character.

Tsukishima is basically Tsurumi’s right-hand man and, since Kikuta is in Noboribetsu and Koito in Abashiri, the higher in rank. It makes sense to send him to Captain Wada, to draw him there, and it makes sense Tsukishima, the higher in rank after Tsurumi, would do that work so as to set an example for the other soldiers.

We know Tsurumi made clear to Tsukishima he would have to do dirty things and Tsukishima agreed.

We know he did dirty things, like taking part to the massacre of all the guards in Abashiri. We know he chased Tanigaki, planning to kill him and, while I like to think he wouldn’t have sunk killing Inkarmat, her unborn baby and Huci, he might have been forced to do it if things were to take the wrong turn. He threatened to kill Koito, he was aware the three Russians would be killed so as they could be considered the culprits of the kidnapping he took part in and he even commented on how they let Ogata kill Hanazawa, clearly aware that the guy would be killed and which consequences this would have for the 7th.

And let’s not forget that Tsukishima knows that Tsurumi wants to go at war with Japan for the ownership of Hokkaido because there’s no way the emperor will let him take Hokkaido without fight.

So it’s not like killing Wada, which for Tsukishima was likely just another pet of the central governement, to protect Tsurumi, is this big of a thing in terms of actions.

However it’s meaningful for us, for the story and for the character that Tsukishima is.

We’ve this guy, this guy who does, as his first thing, something terrible like killing a superior officer, this guy who’s generally around Tsurumi... but we don’t think much of him beyond that he should just be a minion among other minions so we shouldn’t feel concerned about him.

In whatever work no one cares about the soldiers of the ‘bad guy’, they’re just minions whose duty is to do evil and be killed off by the hero... but this applies, in a way also to the soldiers in an enemy army.

Sugimoto himself will say he persuaded himself the Russians were just ‘bad guys without a soul’. We don’t bother thinking at what each soldier in a army felt, which sort of person he was, if he sided with his commander or was forced to take part to that war. They’re all just ‘enemy soldiers’ without a real identity and representing minions as just ‘enemies’ without a real identity is, undoubtedly a narrative expedient but also something that mimicks how humans see the enemy armies.

Only in this story, in Tsukishima’s case, it turns out that minion that killed Wada is not just a minion we shouldn’t care about and could easily forget.

He has a name, he’s a person, a likable person, with feelings, a guy who loves long baths and who feels bad when Edogai dies. A guy who believes Tsurumi’s victory will bring benefits for everyone, a guy who’s capable. And the more the story goes the more this random minion is fleshed out more and more.

In a way Tsukishima stands in for all the minions in Tsurumi’s army.

While the other characters are quickly introduced, we get a name, we get some characteristics, they immediately rise out of the ranks of minions to become characters, Tsukishima doesn’t do it that fast.

It’s impossible for Noda to introduce us to all the 100 minions Tsurumi has, but, Tsukishima’s story in a way reminds us that they are all like him in truth, people with a name, people with feelings who could have a deep backstory behind themselves, who might have noble goals.

Many of us will feel really sad if the minion that Tsukishima is will die.

Plus, showing Tsukishima around, doing tasks and being effectively Tsurumi’s right hand man is a good idea in itself so as to establish Tsukishima as an existing character in the universe and not something Noda pulled out of his hat only at chap 70. Tsukishima existed, did things, was around, Noda showed him around, we were the ones who hadn’t given him the right importance in the beginning.

So yes, not only I believe the one killing Wada is meant to be Tsukishima but I also think it’s a great idea plotwise, one of which the character that’s Tsukishima benefits.

However, unless you consider the anime an official source, so far we’re still without an official confirmation. It might come in the future, it’s possible that Wada was another piece of the Ogata’s rebel group plot or that Wada was actually tied to Kikuta in some form or that Kikuta will just investigate on his fate.

Or maybe Noda will never tell us.

So ultimately it’s up to you decide for yourself.

If you ask me that guy is Tsukishima... but that’s just me.

I hope this will help. Thank you for your ask!

#Golden Kamuy #Ask #Tsukishima Hajime #Tsurumi Tokushirou #Wada Kouji

[kinetic-elaboration]

December 29: The Wrath of Khan

Today’s movie watching was Star Trek II: The Wrath of Khan.

My overall impression versus TMP is that this is clearly a smoother and more consistently entertaining film. It has a definite story with very little filler, good pacing, a lot of great little dialogue and character moments, and a strong conflict at its center.

But its sci fi bona fides are much weaker. Like by a lot.

Mom and I are talking a bit about Genesis and the more we talk, the weaker it appears to me. First, it’s not really as believable, imo, as a lot of Star Trek. Maybe it’s because it’s not alien based, but I just have a harder time suspending disbelief to think this is possible. Second, it’s not clear why anyone thought this was a good idea. I mean, as McCoy immediately pointed out, it just seems so CLEARLY dangerous: an object meant to foster creation that could so easily be the worst weapon the universe has ever known--nothing could go awry there! Third, the reason for creating such a device isn’t obvious at all. Carol mentions the “growing population” and “food scarcity” but nothing we’ve ever seen of the Federation implies they’re running out of space. Or, frankly (Tarsus IV aside), food. And fourth, there really isn’t any point to Genesis in all its particulars in this film. Like, obviously, its actual purpose is a plot device to resurrect Spock. Within just this film, it doesn’t do anything. Khan wants it, for some reason I’ve already forgotten even though I just saw the film, and he gets it, but I didn’t even notice that happening, because it was so unimportant. His REAL mission is his single minded revenge fantasy on Kirk. Genesis is just a McGuffin/space filler/plot device for the next film.

And honestly that’s not such a big deal, except that when you compare it to TMP, ,and its central idea of a human made probe that gained so much knowledge, doing what we taught it to do, that it became sentient and then started searching for the meaning of life, and how this relates to the search for meaning experienced by the main alien lead, and how his search, in that film and throughout the series, is a mirror for humans and OUR need for purpose... well it just seems really weak. “We made this really dangerous and unrealistic thing for no reason whoops!”

Mom is now criticizing Kirk for being too slow on the uptake when he first encounters the Reliant, which is fair. That’s pretty OOC of him. The idea that he’s too old for space is both one that I must personally disregard, and one that the film would have you discard, since we’ve already heard from TWO characters, the people who know him best, that his best destiny is as a starship captain, and command is his proper role. And that he might be a little rusty is also not a great explanation imo, because the rust was supposed to have come off in TMP. So, plot hole probably.

We were trying to do some math--TMP is at least 2 years post 5YM and TWOK is at least 10 years post TMP, so at least 8 years post TMP. I can understand more rust growing but like... he was already an Admiral in TMP and the idea that he was out of practice with actual command was a big part of his arc there. So it doesn’t seem warranted to do that again.

Also, the way he was commanding poorly in TMP was very IC: he was pushing too hard, trying too much, caring too much about the mission and not enough about...the laws of physics. That’s very Kirk. Being slow on the uptake, caught with his britches down--that’s not Kirk. Plus, with no one to call him out on it, like Decker did in TMP, his poor command doesn’t seem like a big character obstacle to overcome but just like...sloppiness all around.

I thought Khan was over all... just not that interesting. I guess I’m just not into the obsession/revenge plot. Also...idk man he didn’t seem that super to me. He outsmarted Kirk, like, once, and Kirk outsmarted him like 4 times. He tortured some people--but regular humans can do that. He used those sandworm thingies, which is also something humans could do. Overall, he didn’t seem to have any particularly special skills. The only time he really seemed like a worthy adversary for Kirk was when Kirk wasn’t really being IC himself.

I’m also not into the fridging of his wife. Think how much cooler it would have been if she’d still been alive! The only non-super human in the bunch and she’s still there! Ex-Starfleet and bitter!

The K/S in this film is very soothing. Imo they are clearly together here, and the whole film is better if you assume they’re boyfriends and everyone knows. That Vulcan convo that Spock and Saavik have? Waaaaay funnier if you think she’s talking about his boyfriend (”not what I expected....very human” “Well no one’s perfect”). Every time they call each other ‘friend’ like ““friend”“? All the Looks? The birthday gift?

Also the “I have been and always shall be your [friend]” scene is a wedding I will not be taking criticism on this opinion. Could it have been written more like a vow? I think not. It’s not quite This Simple Feeling but it’s the best this film has in that regard.

I liked Saavik and I do think she’s one of the better later-movie additions (though I only like her, as far as I can remember, when played by Kirstie Alley). She didn’t necessarily strike me as super alien, though, at least not at first... But I appreciated how persistent she was about the stupid test, and her regulation quoting. I enjoyed her. I also liked how she was obviously Spock’s protege, which makes her Kirk’s step-protege, and they had just a little bit of that awkward dynamic going on. (”Did you change your hair?”)

The Bones and Kirk relationship was great in this film. You can really feel their friendship and their history with each other. Bones knows him so well and can be honest with him, just when Kirk needs it most.

I also love how Kirk has the SAME conversation with both Bones and Spock (re: being a captain again) but with Spock it’s sooooo much flirtier. In case you weren’t sure what the difference in these two relationships is.

Bonus: this bit of dialogue: Spock: “Be careful, Jim.” / Bones: “WE will.” Lol Spock people who aren’t your boyfriend do exist.

Obviously, I cried during THAT scene. Honestly AOS should have taken note about how to do emotional scenes like that: they come after the main action is over and the villain is defeated. Then they hit at the right time and to the right degree. Kirk just slumping down after Spock dies....like he’s boneless...like he doesn’t know what to do... I CANNOT.

I feel so bad for him that I’ll even forgive him that awful eulogy. Spock died for Genesis? Uh, no, he died for the Enterprise, and for YOU. Spock is the “most human”? You shut your whoreson mouth

I remember hating both Carol and David but I actually hated them less this time, Carol especially. My mom is being really harsh about her, though, which makes me feel less confident in my assessment. I mean first off, she’s the inventor of Genesis, which is a pretty big strike against her. Second...pretty lame to keep Kirk from David. Although I did some vague math and Kirk would only have been about 21, still in the Academy, when David was born, so you can see how that would work out. Also, she distinctly says “Were we together?” which means they were not--this was a fuck buddy arrangement for sure. More complicated. But it still feels weird to retcon that, like, he’s known THIS WHOLE TIME that he’s a dad and we’re only learning about it now, as an audience.

Anyway I’m getting off track. Carol. What to make of her? Is she unstable? Is she still mad at Kirk? My mom points out that she just decided on her own that David would want to join Starfleet if he knew Kirk was his father--whereas what seems to have happened instead is he didn’t just become a civilian scientist like his mom but became her specific protege--working on a project where everyone was probably handpicked by her? I would assume? Also..he hates Starfleet. Not to put everything on the mom, but how did that happen?

Also...going down the rabbit hole of this and feeling awkward about it... but David KNEW Kirk. As “that guy you hung around with.” That means Kirk was in his life for quite a while, long enough for him to have memories, and long enough for those memories to still be with him even into his 20s. But he was never allowed to know who Kirk was. That means Carol’s rule must have been “You can see your son but you can’t tell him who you are” which in some way seems meaner to me than just “please don’t contact us again.” If he was already on his way into space, that could even make sense--”I know you’re not going to be able to be a family with us, so let’s not pretend, let’s make a clean break now.” But that wasn’t what happened!

Anyway whatever not to be HAICG!Kirk about this or anything lol

David is mostly annoying because he’s so anti-Kirk lol. I found him least annoying when he came around to Kirk at the end. Another big strike against him: he wore his sweater tied over his shoulders in such a Preppy manner. I honestly don’t see what about him is supposed to be reminiscent of Kirk.

David/Saavik was definitely happening lol. I wish I could have heard that conversation. It sounds like she told him a lot!!! Not sure why she attached herself to this particular annoying human so fast but I guess she did.

....I think that might be all. The uniforms and general styling were much better than TMP (though less funny/entertaining), and it was certainly an enjoyable overall yarn. A lot to pick apart and critique but in a fun way. Will probably watch The Search for Spock soon.

#the year 2020 #2020: star trek #2020: fandom thoughts #star trek tos

[republictrooper]

Thoughts on Discovery S3E4

I am so happy to see so much of Hugh. I always feel like he gets less of a spotlight than he should, he’s DELIGHTFUL and he deserves it after that bullshit they pulled with him back in Season 1. 

(Cut for spoilers beyond this point)

And his speech at the start of the episode was SPOT ON. That “Surviving can turn into living again” thing. Oof. I have BEEN there and I love to see it acknowledged. 

I also appreciate that Hugh has as snarky a bedside manner with Adira as he does with Paul (Seriously, they should just officially adopt them at this point CMON).

Also, are they just straight up gonna make him the ship’s counselor? I’m not 100% sure on how good an example it is if he’s just suddenly ship’s counselor with the requisite degree/training, but gosh, it was nice to see him in kind of a quasi-counselor role. It fits him very well.

I also continue to LOVE Adira. They have a good heart, and just the right amount of snarky teenage rebellion, and I really love that their relationships with Michael and Hugh are shaping up to be just and entertaining and heartwarming as their relationship with Paul.

Interesting to see the first appearance of Zora! It makes me a little taken aback, though. Does this mean Discovery gets abandoned like we saw in the Calypso Short Trek this season? If so, that’s kind of a bummer, given it implies that the Federation is going to revert to the Vdraysh again over X years. Then again, maybe that was just a temporary abandon ship by Saru and they come right back and they’ll retcon/”Clarify” that Zora was never abandoned for a thousand years and just has some internal clock inconsistencies from the time leap? It would kind of destroy the emotional core of Calypso a bit, but would at least tie up some bows and mean we keep the Discovery we know and love instead of getting a new ship just to satisfy the parameters of a 10 minute mini-ep that may or may not have been planned to coincide with the time jump storyline of s2/s3 in the first place. 

Regardless, I love Zora and I hope she gets a happy ending, dammit. And I hate the idea that her story might end abandoned in a nebula with Michael’s mission to reform the Federation ultimately doomed to failure and a reversion to some warlike V’draysh. And I can understand if they decide to give the crew a shiny new 29th century discovery but I LIKE the current ship :(

On the plus side, Saru seems to trust her as of the end of this ep, so I’m hopeful they’re “retcon”/clarify Calypso away from the “Discovery was abandoned for 1k+ years” thing that episode originally seemed to imply.

On the other end of that, Saru remains an awkward turtle duck, and I love him for that. I’m glad he listened to Zora’s advice, even if it didn't turn out well. This crew needs a COUNSELOR, ugh ;_;

Still, the follow up was nice, and that Tilly & Saru scene shows both why Saru is a good captain and why Tilly will be a good captain someday, if that’s how she chooses to go.

As far as Grey Tal goes.... I think it would hurt less if CBS/TPTB didn’t spend so much time hyping him up as the first trans character only to have him be DoA? It feels like Hugh all over again (and I’m still at least 60% sure they only resurrected him because of fan outcry). Like, these big corporations need to stop expecting props for queer rep if they only mean to kill said queer folk within a few episodes of their intro. And twist at the end aside, Grey was killed very quickly and unceremoniously, even moreso than Hugh, during a time when Trans people in particular still face premature death due to violence and murder and poverty at much higher rates than cishet people.

It also means we’re left wondering if Adira’s NB status is meant to be the result of Alien weirdness with their Trill symbiote instead of, you know, NB humans existing from the bout as far back as humans have been sapient.  Hell, As far as I can recall, their NB status still has yet to be spoken in canon, so we don’t know if their pronouns are she/they, just she, some other pronoun combo, and/or if they don’t even yet realize they’re NB at this point in the story

I dunno, I feel like we deserve better, as usual. Their love was so wonderful, and then Gray just dies? I don't know. It feels like GLAAD hyping this is just like GLAAD Hyping Assassin’s Creed Odyssey while ignore the compulsory het they put in the first DLC all over again.

As much as I love Discovery, it is REALLY hard to love the part where they have to give up so much pain and loss for our queer people, especially related to specifically being queer and in love with other queer people. We get enough of that pain and loss IRL.

I hope they can make something good of Grey and Adira’s story. Still. Can’t we just get some nice, safe, HAPPY queers for once? What is this obsession with making them all go through hell? Hugh died and left Stamets traumatized and we had to wait for a completely new season before Hugh came back with NO Guarantee he would and just some wishful thinking on the Mushroom magic, Jett lost her wife, and now Grey and Adira are repeating Hugh and Paul’s story. I suppose there’s a path for somehow bringing Grey back corporeally since he appears to somehow be a separate entity from Tal who can appear to Adira, but why do we have to go through the same song and dance with him we went through with Hugh? Can we just have one happy Queer couple that doesn’t get separated by death, temporarily or permanently?

I don’t think it’s a dealbreaker for the show for me, but I don’t blame anyone for whom it is, and at the least it’s just part of an exhausting pattern. 

Still, if I can disconnect from that for just a moment, I still love Adira a whole lot. I am glad they’re sticking around at least and I hope we continue to see them being affectionately snarky with Michael and Hugh and Paul for a long time to come, but I also hope the narrative is more open about their NB status and doesn’t fall back “it’s the symbiont,” damn it. And that final scene, in another world it would have been absolutely AMAZING just... good, solid queer love, two gay as hell kids being affectionate together. It would be SO GOOD if it wasn’t tainted by Discovery’s weird insistence on inserting death in every queer relationship.

I’m so glad Keyla is finally getting help. I’m really am. She deserves it (and cmon, I’m not saying TPTB owes us Joyla, but that look during the exercise part and that ‘lean against each other’ thing in the shuttle bay at the end were NOT straight).

Anyway, final word:

Trill stuff: Interesting and cool

Adira: The best

Queer stuff: STOP KILLING YOUR GAYS ITS TAINTING EVERYTHING AND I HATE IT but also I still smiled and teared up a bit at the queer affection.

B-Plot: Painful, but I appreciate the exploration of trauma and the steps toward healing

#star trek discovery #cw death #cw queerphobia #cw queer feelings about queer death #cw transphobia #spoilers #star trek discovery spoilers

[twilight-deviant]

So I never saw the Timeless movie but enjoyed your feedback on the show while it was in progress and agreed with you much of the time-- is the movie worth watching ? I'm scared it's going to be rushed, sloppy, and ly@tt garbage

First of all, thank you for valuing my opinion enough to ask. I haven’t rambled about Timeless in awhile, but I’m flattered you enjoyed and remembered my feedback when I did. ♥

Sadly, I have to report that Timeless finale is a movie disliked by Garcy fans, Riya fans, and gen fans alike. Pretty much the only way to like it is if you’re the target audience: Lucy/Wyatt shippers. Or maybe if you’re a very, very casual fan.

Full disclosure: I have not actually watched the Timeless movie. Like you, I feared it would abandon everything Timeless stood for, everything we loved, to waste its last moments on Lucy/Wyatt fan service. Aaaaaand I was right. Good call me on not watching it live. It might have broken my heart. I got the information later through friends and research. And tbh, hearing everything second-hand was actually hilarious. Yes, it was upsetting, but the writing is SO BAD, I actually laughed. Out loud. I may have cried laughing. It’s just… so bad. XD

I spent months dreading a worst case scenario for the movie, and when the time came, it was every bit that. (And then some? Somehow?) But when it got here, all of my fears turned to hilarity. I was RELIEVED. After months of being afraid, I finally felt free. I thought “This is what I was afraid of?” Because toxic shippers in the fandom got everything they wanted, just the way they wanted, but it is HORRIBLE! Because what they wanted was BAD. It watches just like the badly written fanfiction they demanded. Which is ALL this movie is: badly written fanfiction.

To quote Claudia Doumit when she read the script: “It feels like a fan wrote the movie.” Perhaps she means that in a positive way, but if a professional is writing “like a fan,” spoiler alert, it’s never a positive thing. It’s a “basic” thing.

Timeless movie is SO BAD that it is the least rewatched episode of all Timeless. Delayed returns on it are borderline embarrassing. Few people except Lucy/Wyatt shippers wanted to subject themselves to it a second time. Not to mention that support for Timeless and a third renewal fell into steep decline after the premiere. It seems not many people want more if this is the “more” we might have to look forward to.

imo, Future television writers should study this movie for direct examples of what NOT to do. It’s every worst case scenario, presented to you at breakneck speed. You barely have time to get over one absurdity before the next one hits. Not gonna lie. I’ll give kudos where due. I am legitimately IMPRESSED that writing managed to get every single thing wrong. Do you know how statistically impossible that is?!?!

Timeless movie really sort of took all the negatives, low points, disproportionate focus on romance, and bad writing of S2 and ran with them. That’s what it is. Concentrated S2, minus any good parts.

Basically, if you are a fan of Flynn, Lucy, Rufus, Jiya, Jessica, Emma, Connor, Denise, good writing, feminism, no plotholes, Riya, Garcy, or TIMELESS, please do not watch the Timeless movie. Save yourself. If your first (only?) priority is Wyatt and Lucy/Wyatt, go right ahead. It was made just (only?) for you.

Though obviously, I can’t/won’t stop you from watching. You may still want to form your own opinion, and if so, you have my full support. I hope that you find something appealing to make it worth your time. I especially hope that if you don’t, it doesn’t ruin Timeless for you, as it has other people. I still may watch it myself one day. I may. But not for entertainment purposes. Really just to mock it from a more informed standpoint. I’ve considered live-blogging the event. lol.

As is though, I basically know the entire movie through aforementioned friends and research. And I will summarize below the cut on the ways this movie failed Timeless and its fans. (PS: This is by no means everything. There’s just SO MUCH and I got tiiiired thinking about this monstrosity! Anyone is free to add on whatever I didn’t cover.)

[Spoilers]

Future Lucy gives the journal to Wyatt, the writer’s attempt to take something that has always been Flynn/Lucy’s thing and make it a L/W thing. (Somehow, we’re supposed to ignore that this Lucy already would have given her journal to Flynn in 2014. Conveniently, illogically, she has it again. So she can give it to Wyatt.)

Future Wyatt announces that Jessica was lying about being pregnant. Right out the gate. Great. Now, they get to kill her. Don’t worry, writing will strip away her entire character first so we don’t feel guilty when an “evil Rittenhouse agent” dies. It’s fine to kill a woman who was brainwashed from childhood, but let’s not kill a baby. We’ll just erase it instead. That’s different because reasons.

Writing introduces a new stipulation that people can coexist with time travel, but staying too long will kill them. This will come in handy later.

Also the new, updated Lifeboat will conveniently be able to do whatever the plot needs. Coexist? Sure. Autopilot? Suuuuure. Able to jump multiple times on one charge as if it had a nuclear core like the Mothership? Why not?!

If you thought Rittenhouse wasn’t scary anymore in S2, well hold onto this writer’s beer. Gone is any intimidation or purpose they once stood for. Now that Emma is running things, all that matters is stealing art and money from the past. Caution: Never go full two-dimensional evil.

Wyatt decides Jessica has to die and he’s the one who has to do it. But after half an argument from the team, he gives in and agrees not to. FLYNN will clean up Wyatt’s mess instead! Because suddenly, all that matters is he loves Lucy. Not his family. Not stopping Rittenhouse. No, he has to do this so that Lucy can be with Wyatt and Rufus can be alive.

Flynn tells Lucy that the journal can be unreliable. Despite this, he goes to 2012 and dooms himself because he believes, without a doubt, that Lucy’s heart will always belong to Wyatt, something he, ya know, got from the journal. And that neeeeeever changes. I mean, some guy said it was unreliable, but his name escapes me right now.

When 1x06 first aired and we heard the story of how Jessica died and how it was very much Wyatt’s fault, painting him in a negative light, I thought to myself (almost three years ago), “Wow. If we ever get a flashback of that night, writing is going to retcon all of that so hard so that it doesn’t look like Wyatt’s fault.” And lo! It’s Jessica’s fault now. She made Wyatt get jealous on purpose. She made him drink too much. She MADE HIM let her out of the car, per text orders of Rittenhouse agent. Poor Wyatt, what a victim. (Periodic reminder that Timeless hates women.)

Writing in the scene with Jessica’s death is so bad that we’re actually left with no alternative BUT to believe Wyatt was the original killer that night. Rittenhouse agent tells Jessica to get out of the car. This saves her life. No other person is seen on this road (save Flynn later) that could be the killer. And what’s the other course (the original timeline)? Without instruction, Jessica would have stayed in the car. And died. Wow, I can’t believe Wyatt killed Jessica in a drunken, jealous rage, but also I can. Also also writing just told us he did. If Rittenhouse wanted to make sure she was okay, they would tell her to stay in the car with her soldier husband, no matter what. That would save her. But what do they do instead? Hmmmm…….

Flynn kills Jessica and hurries to the Lifeboat, feeling the effects of coexistence taking affect. Set course for any time but this one, am I right? Wrong. Nah, better just die. Flynn sends the Lifeboat back to 1848 for the team and stays in 2012 so he can see his family one last time and then die. Because true character development is letting your five-year-old die violently two weeks before Christmas when you still have the life and power to prevent it.

Why does all of our correspondence end the same? Reply, reply, and then *crickets* Notice me, senpai. TToTT

For some reason (I mean, I know the reason. It’s bad writing by an idiot), dead Flynn’s fingerprints do not pull up when police find a John Doe on the beach. Despite the fact that he worked with the NSA and his prints would be on file.

I can’t with this woman:

Anywaaaaaaay, Rufus returns in a way that breaks all time travel rules thus far established in the show. Even though the team was traveling in 1848 with Flynn, suddenly it’s reset so that Rufus was there the entire time. Which, even if writing wants to claim that’s SOMEHOW possible, is still illogical because to overwrite that timeline, the characters’ memories would have also been overwritten. However, they remain perfectly intact with everyone remembering Rufus died. (Except Rufus, of course.)

Flynn dies because he stayed in the past too long. The writer would then go on twitter and pretend the matter was out of her hands, even though she’s the one who set the condition. She WROTE the rule that killed him, SO she could kill him. (This was previously not going to be a condition on coexisting time travel. Source: Interviews in which it was suggested that had Timeless been renewed for S3, Future Lucy and Wyatt may have stuck around for a few episodes.)

Arika would also say on twitter that, in her opinion, Flynn didn’t deserve a happy ending, to the uproar of many.

Writing tries to claim that Flynn was always the person who killed Jessica in 2012. Deer lord at the plotholes.

And the holes keep comin and they don’t stop comin. ♫

It’s Christmas now. For some reason. When the team returns to the bunker, there are Christmas decorations everywhere and we’re told that it’s Christmas in present day. Even though it was May yesterday.

There are more than a dozen ways to save Flynn at this point, but Arika doesn’t like him and just wants Lucy/Wyatt to bang. So you can bet none of them will be used. Also because she’s an idiot, the woman claimed on twitter that Flynn can’t possibly be brought back because he died while time traveling. Uh-huh. First off, what? He absolutely can be saved. Secondly, tell me how Rufus died again?

The characters acknowledge Flynn for a minute (in a toast give by WYATT, of all people) before promptly forgetting he ever existed until the end of the movie. When they need him again.

When Rufus wants to get intimate, Jiya tells him that she suffered some form of abuse while stranded in the past. That’s it. We will never talk about this again. Forget it ever happened. They brought it up just to scar Jiya even further and then ignore it. Anyone who tells you Timeless loves women is lying. Timeless wants to torture and torment women. FOR NO REASON!

Emma is the only person who cares Jessica is now dead. Because it sure as shirt wasn’t going to be her husband who like two days ago was desperately trying to get her to come home to her “family.” (Remember kids, women are just baby makers. If there’s not a baby in there, she’s garbage, and a minute spent mourning is a minute you’re not banging the next lady.) Emma plots revenge on the team, and honestly, by this point, I say let her do it. They’re horrible people.

Lucy boldly says she won’t be Wyatt’s second choice. So she can forget she said it in 10 minutes, when she’s suddenly fine with it.

Rufus is alive again, but all of his memories after 2x03 are conveniently erased. In his timeline, Lucy/Wyatt have been together this whole time, and he’s their biggest fan. He actually, canonically, verbally says that he’s “Team L/yatt.” That’s great because otherwise we’re left with a Rufus whose last words on the subject are:

“You are so worried about your stupid Lucy-Jessica soap opera that you forgot that there are other people here. Who matter to each other. Who love each other. If anything happens to her, Wyatt… I don’t think I can ever forgive you.”

Yeah, we can’t use that in the Lucy/Wyatt movie. Better erase the black man’s memory since he’s no longer serving his purpose: head cheerleader of the white couple!

Because Rufus’s memories are gone, all S2 development in the Riya relationship is gone with it. Damaging them even more after Jiya spent 3 years in the past (becoming hardened and almost a different person) and then watched him die. Don’t worry, writing will address none of this.

Rufus compares Lucy/Wyatt to Aragorn/Arwen. As a Tolkien nerd, I’ll throw down over this alone. IN WHAT WAY?!

There’s a pregnant woman in labor because leave no cliche unturned. Wyatt delivers the baby because what did I just say about cliches.

Lucy’s hormones go all a-twitter when she sees Wyatt holding said baby. Outside? In weather they admitted earlier is deathly freezing? (I mean, the mother might want to hold her own baby, but no. She has to get in line. Lucy absolutely HAS to have an epiphany that she needs Wyatt’s babies.)

Lucy decides that since Wyatt’s mistreatment of her was technically from another timeline, she can let go off all self-respect and tell herself he didn’t mean it. Also almost everyone else is dead or has their memories erased, so only they will know. Now Lucy can be with Wyatt and no one will judge her? Yay?

Despite Emma’s big speech in 2x10 about abandoning the pillars of “old Rittenhouse” and striking out on her own, she still backs down immediately when Denise makes Benjamin Cahill tell her to knock it off and surrender.

Emma dies at the hands of some deus ex machina random sniper. Letting us know the writer could no longer pretend she cared about any of this and just wanted to make Lucy/Wyatt bang. Are they banging yet? Bang now! Will this convenient and corny mistletoe move things along? Are they banging yet?

So Denise saves the day. In the most anti-climatic way. Meaning Rufus was never actually necessary and could have stayed dead. Actually, none of the team was necessary. Nothing in these episodes was necessary. All it took to end Rittenhouse was Denise and Ben. Roll credits.

Lucy decides NOT to save her sister Amy. Even though it’s what she has been fighting for since episode 2. Her reasoning? She says that trying to save the people they love has negative effects. (Let’s get one last jab at dead Flynn by saying, “Look at all the awful things that Flynn did in the name of saving his family.”) This is said in spite of the fact that Amy is SUPPOSED to be alive, and leaving her erased IS an alternate timeline, carrying the potential of being more catastrophic than SAVING HER and setting the events right.

PS: While in the past, Lucy JUST SAID, “What’s the point of saving history if we don’t save the people in it?” And then saved a stranger that was supposed to die. Writing for this movie does not care about consistency, only what’s relevant in the moment. And clearly the writer wanted Amy to stay dead.

Leaving Amy dead creates this lovely paradox:

Writer is too ignorant in time travel to understand that current timeline is erased, Lucy is now with Noah, and that is our endgame. Movie proceeds with Lucy/Wyatt ending.

The Mothership is dismantled for no reason. So now the team is stuck with ONE time machine for any future situations. Remind me again. Remind me. Why… did we have the Lifeboat in the first place? Oh yeah, Connor kept it in case the crew of the Mothership was ever stranded. And it came in handy after the Mothership was stolen. Right, who needs two time machines? Scrap her, boys!

In a flashforward to 2023, we see that Lucy is teaching at Stanford again. And she just got tenure! Which is a throwback to the Pilot, but completely ignores that it is not what Lucy wanted for herself, only what Carol influenced her into doing. Lucy’s dream job was to teach at a small college in Ohio. (Source: 1x14 conversation with Lindbergh.) But who CARES WHAT LUCY WANTS?! Certainly not a writer who barely knows the show upon which she is the showrunner.

Lucy is a thoroughly horrible fake feminist now. At her job, she teaches a general history class, but only talks about women in history. When a male student brings this up, Lucy says, “I meant to get to the men, but we just didn’t have time.Maybe in the spring, okay?” So he gets to sound sexist for valuing his education. Oh, wow, thanks. Feminism isn’t about ignoring men and acting like they’re not important. It’s about EQUALITY! Label your class as “Women’s History” if that’s all you’re going to teach. Also what if they don’t HAVE YOU next semester, Lucy?! They’re going on to their next classes completely unprepared. Remind me again how this woman got tenure? Because she didn’t get it in the Pilot due to her unconventional teaching methods. Somehow not adhering to your own course description is the secret to success?

Lucy and Wyatt have two twin girls named Flynn and Amy. There are so many bad fanfiction cliches I want to cry. TToTT Why are you making me cry? Never. name. the. second. generation. after. characters. that. died. It’s. THE. corniest. thing. Petition. to. stop!

Jiya and Rufus started “Riya Industries.” That’s right! They squeezed not one, BUT TWO fandom ship names into this nightmare. If you needed further proof no one was taking this movie seriously, here ya go.

2023 Lucy does take the journal to 2014 Flynn in the bar in Sao Paulo, but everything about it is wrong. Not only do Rufus and Wyatt accompany her, but the conversation leads to Lucy telling a man who just lost his family that he can change the past but will never save his family. Also he’ll die. And he should just accept all of that but still do what she says and sacrifice himself to save a world that hates him. And the entire conversation takes place in about a minute. I mean, people had a hard time believing Flynn would buy into Lucy’s story and do what she said after 2x08 premiered. Now? NO EFFING WAY!

A clip (deleted scene from Pilot) of 2016 Flynn at the end shows him about to raid Mason Industries and start us over again. In other words, he is stuck in Hell loop for eternity. His family will die in 2014, he will do horrible things he hates to save them and the world from Rittenhouse, and he will die unnecessarily to save the world. Then Lucy will go back in time, give him the journal, and start him on this quest all over again, knowing full well that he is a good man and this will destroy his soul. But she doesn’t care (actually smiles as she approaches him) because he “did bad things” and the writer thinks he deserves this. Even though Lucy is the one who set him on this path and one can EASILY argue it is all her doing and Flynn was nothing but her tool. Don’t worry, she gets her happy ending.

The movie closes on a young girl designing specs for her own time machine. Motives unknown, other than general interest, same as Connor in the beginning. The writer thinks this is an AMAZING open ending, leaving plenty of groundwork for more Timeless when fans get it renewed for a third time. (It is not. No one cares. You killed Timeless and flew all its plots into the ground.)

In conclusion, yes, worst case scenario on every single plot point. Timeless does nothing to prove or even suggest it deserves a third chance. I personally am left wishing it had never been renewed after the initial cancellation following S1. Let it stay dead now. Forever. It has done nothing to deserve yet another chance.

RIP Timemess.

#hopefully-happy #Ask #TD Reply #I hope you don't mind I published this publicly #I obviously had a lot to say #^__^; #In conclusion: It bad #And I would gladly meet with Arika in a Denny's parking lot #She ruined my favorite show #And then she came back with this movie and DESTROYED IT! #Also she hates logic and I love logic #She is my arch nemesis #I ranted way too long about this movie but if there's one thing I have in abundance #it's an opinion #Hahahahaha #Timeless

[ununniliad]

Burst Beetle Tweseveny #5: "2007: The Web we Weave and the Things Up Our Sleeve!"

Tweseveny and Time-Waster Lad, at the LNH reception desk! Two figures, one young and manic, the other hooded and smelly!

"That's right," says the hooded figure, working enthusiasm into his voice. "The devilish duo of trans-temporal terror!"

The woman raises her hourglass! "Mother Time and the Time Crapper!"

Tweseveny rolls into a fighting pose, hand just above the transformational buckle at her belt! "The Time Crapper, again!?"

The seeming Time Crapper pauses in his dramatic posing, as Mother Time looks up at him, confused! "...again?"

"...oh, no, sorry, right," says Tweseveny, shaking her head. "You're a different Time Crapper than last time." This wasn't the nihilistic avatar of the dark future that she'd faced alongside Carolyn Forge [in Burst Beetle Tweseveny #2-3 - Cyber Footnote Girl]; there were many time-traveling net.villains who - for reasons of their own, Tweseveny supposes - take up the terrible name of the Time Crapper! As a time traveller herself, it makes sense that she's crossing paths with them!

This one... she thinks back to the Infinite Leadership Crisis that she's currently in, and the LNH stories about it. He's supposed to be a version of the very first time Crapper, right? She labels him in her head as Time Crapper I.

Mother Time steps forward aggressively. "My babe's the only one with that stupid name, thanks."

That confirms the 'very first' thing, thinks Tweseveny, but she only vaguely remembers Mother Time. Hadn't they broken up? Repeatedly, in a confusing time-travel manner? Perhaps this is before that?? Oh, does she wish to have the Eyrie Archive on-hand!

"I'm sorry," says Time Crapper I, taking half a step in front of Mother Time, "do I know you?"

Well, Tweseveny remembered the early Crapper stories well enough - Cry.sig, Retcon Hour, the Cosmic Plot Device Caper, so... "...yeah!" She nudges Time-Waster Lad, and whispers, "Play along!" She straightens up and chirps, "I'm a time traveler too, and your future's my past!"

Time-Waster Lad blinks thoughtfully at Mother Time. "...didn't we play World of Warcraft together that one time?"

Mother Time blinks, and her eyes light up, a hint of a genuine smile playing over her edgy pose. "...oh hi, how are you?"

"Well," says Time Crapper I, straightening and putting on a deep, properly villainous tone that echoes thru the lobby, "I certainly hope you aren't going to get in the way of our ascension to power!"

Tweseveny immediately resolves to get in the way of their ascension to power! "No, of course not," she says, "I am absolutely of gray morality myself, definitely. But, ah, what is your quest?"

"Some quest for a ring of power," says Time Crapper I, getting into it, gesturing grandly! "But we quest... for a rung of power!"

"The Rung of Revamp," says Mother Time, grinning. "We got a hot tip that the LNH would be almost undefended today - only two net.heroes on the premises. So we're gonna break into the Plot Device Room and power me up!" She lets out a snotty cackle, whipping her hair around like a swish of silver!

A hot tip... no, it can't be-- no, it probably actually is Tweseveny's nemesis apparent, Burst Beetle M-Plot, sending not one but two powerful villains to battle her. Though Tweseveny's only tangled with her once, it absolutely sounds like the kind of thing she'd do!

But perhaps she can beat them at their own game! She senses the emotions swirling in this strange, mixed-up couple! Hot dog! Perhaps she can foil this plot simply by talking the plotters through their problems! Wouldn't that put a rocket up M-Plot's caboose!

Tweseveny shakes herself out. Right, one step at a time. "Well, no problem from us! Ever since, um, Time-Waster Lad went mad with power and took over the LNH, we haven't seen a single net.hero."

"Took over the LNH?" says Time Crapper I, looking at Time-Waster Lad with new attention from under his hood - attention under which the young man squirms!

"Yeah, he's the leader now," says Tweseveny, pointing. "See the button?"

"Oh, huh," nods Time Crapper I. "Fair."

"Then there won't be any problem with getting the Rung of Revamp!" Mother Time cackles in glorious triumph!

Oh, shoot, thinks Tweseveny. "Uh, oh, sorry, you can't, there's a... bear."

Mother Time, Time Crapper I, and Time-Waster Lad all turn to look at Tweseveny, blinking in confusion. "...a bear?" says Time Crapper I.

"Yeah, the, uh, Cosmic Bear, from, um, the Big Dipper," speaks Tweseveny, prevaricating desperate fabrications off both cuffs! "It got into the Plot Device Room to take... the Cosmic Honeycomb, yeah. The automated defense systems are driving it off, because we don't, um, don't want to go fight it ourselves, because the fight scene would draw in net.heroes. Really inconvenient, we should have it out of the way soon, sorry."

"Oh. Well..." Time Crapper I turns his hidden gaze to Mother Time, shrugs a bit, then turns back to Tweseveny. "I suppose that's all right."

Mother Time looks slightly rankled, wrinkling her bejeweled nose. Time Crapper I sets his hand on her shoulder. The malefic mistress of chronological chaos wrinkles harder for a moment, then lets out a little sigh and puts on her big maniacal grin. "I guess that's okay. After all, we've got all the time in the world!"

"Haha yeah," says Time-Waster Lad in an extraordinarily fabricated cheerful voice. "Hey, could you two sit tight for just a minute, I have to go speak to my, um, henchman, Tweseveny could you just..."

He takes her wrist and pulls her off into the coat check, and whispers urgently inbetween the Neon Trenchcoat (from Easily-Discovered Man's attempt at joining the Net.Trenchcoat Brigade) and the Inside-Out Overcoat (from Pocket Man's attempt at putting a pocket inside a pocket).  "Good job getting them to stop for a second but now what do we do?"

"Look," says Tweseveny, putting her hands on his shoulders. "I know from, uh, time that these two have this really messed-up relationship. So!" She smiles confidently! "What we do is, we talk to them, and we get them to come to some..." She considers for a second. "Like, some good emotional realizations about why they're doing this or such. And then they probably won't want to be net.villains anymore!" She gives Time-Waster Lad a thumbs up!

"...you really think that'll work?" Time-Waster Lad's skepticism face is a thing to behold!

"Maybe! But!" Tweseveny points a finger in the air. "Also, if we keep them talking for long enough, the other net.heroes will come back from missions and help us stop them!"

"...okay, fair," Time-Waster Lad admits. "But I don't think I can get two net.villains to sit down and talk forever!"

"If anybody can, you can!" Tweseveny squeezes his shoulder and leans in, whispering with passion and determination!  "Time-Waster Lad, this is your strength! It's worth something very real - in this moment, you are the net.hero we need!"

Time-Waster Lad's eyes go wide and sparkly for a moment - he shakes it off, but a smile remains. "Okay. Well..." He peeks thru the crack, watching the two sitting on one of the foyer's comfy waiting couches, Mother Time murmuring something into the Crapper's invisible ear. "If we wanna talk them thru relationship stuff, we've got to separate them. I'll take Mother Time, and you take the Crapper, if that's okay."

"Right!" Tweseveny throws open the door of the coat check, walks up to the two net.villains and claps her hands. "You must be hungry, I know how hard it is to keep track of mealtimes when you're zipping back and forth thru the temporal stream. Illustrious leader, why don't you take Mother Time to the cafeteria, while I stay with the Time Crapper so he can know when the Cosmic Bear's done?"

Mother Time looks them over with a suspicious eyebrow! But Time Crapper I puts his hand on her arm, and she glances at him, and the edge of her lips curls up. "I could eat, yeah." She pushes herself up off the couch and walks over to Time-Waster Lad, crossing her arms. "Which way?"

"Uh, this way," says Time-Waster Lad, mind whirling. Okay, engage the villain in a time-consuming discussion. Easy peasy. You've done this a bunch of times. "So..."

"Yeah?" says Mother Time, taking him in with a calculating gaze that, despite his years at a net.hero, makes goosebumps crawl up Time-Waster Lad's limbs.

Waste a moment yourself, an extra couple seconds taking her in, and... focus on the interesting thing! "Sorry, it's just that I love your palette. The silver and purple go really well together."

"Oh!" Mother Time startles back a touch, unused to unprompted compliments! "Well, thank you. I accessorized around the Hourglass."

"Of course! You want your net.hero, er, your net.villain persona to be coherent. I'm not great at it myself," admits Time-Waster Lad.

"Oh, I think it really expresses the concept of 'wasting time'..."

Tweseveny smiles, watching them head down the hallway, and turns to her quarry, rubbing her hands. Time to friendship this motherfucker!

<<<*>>>

Author's Note: "Oh hi, how are you?" is a Bob's Burgers reference.

#Original Fiction #Superheroes #Adventure #Silliness #Drama #Legion of Net.Heroes #Classic LNH #Burst Beetle Tweseveny

[moonlightreal]

Winx Club season 8/26

In which we get one last surprise retcon.

26 Written in the Stars

Recap says the last prime star is the “star of brotherly love.”  Were the other stars “of” things?  I totally missed that.

Valtor’s asteroid!  ...wait, what’s this?  Valtor is having a chat with a bunch of unforeshadowed Shadowy Figures he calls “my brothers of the darkness dimension.”  Valtor gathered the prime stars to free them and they’re getting impatient.

Gee, this series already dropped one big fat surprise motive, I was not expecting another one in the very last episode!

So Valtor wants to be a powerful sorcerer so he can unseal the darkness dimension and free his buddies.  Whaaaaaat even is this?  Valtor’s not from some weird dimension, he was created by the Three Ancestors!  His backstory is what made him cool, and “buddies in the dark dimension’ is so uninspired!

Season 8, whaddaya doing to me?  -_-

Alfea at sunrise! they’re squeezing the best gorgeous Alfea shots out of their software for this last episode and I am here for it.  Upgraded Alfea is just the greatest.

Kiko rocks on with headphones.  The Trix walk in behind him.  How did they get iiiiiin?! Into the Winx common room, past the school barrier and all the students and teachers.

Kiko sees the Trix and freaks out.  Icy knows the bunny’s name, which is kinda sweet. Knowing your enemies’ pets!  Kiko pelts the Trix with apples from an apparently infinite fruit bowl.  The Winx wake up and find witches dodging apples.

Badass Bloom: “I don’t know how you got here, but I know how you’re gonna leave!”

The Trix turn out to be Stella, Flora and Aisha transformed.  Not bad, writers. Professor Wizgiz made the spell for them for Bloom’s plan to get into Valtor’s asteroid.  Flora says it’ll be dangerous and Aisha sounds kind of fed up when she says, ‘Ok, Flora, but don’t worry too much.”

Bloom’s phone rings, it’s Sky with a be-careful call.

The star box poofs in.  “The goal of your venture will not slip away, but listen carefully to what I’m going to say...”  I assume she’s telling them where Valtor’s asteroid is.  The Wishing Star would know, and I don’t see how else the Winx would.

We cut to the real Trix walking down a dark blue and purple corridor.  Icy is keen to challenge Valtor, she thinks their prime star will give them enough of an advantage.  Darcy and Stormy are not so confidant.  Stormy sensibly suggests they just take their freedom and clear out.

Icy: ‘because right now we’re standing on the needle of a scale.  A scale that will tip in our favor when we take Valtor’s three stars.  We’ll have the power of the wishing star all to ourselves.”  Icy wants to break the spell on Sapphire.  Stormy wants them to be undisputed queens of the magic universe.  Darcy’s dream is to “overturn the law of nature itself.  A world of illusion, can you imagine?”  Ok, they’ll try attacking Valtor with Icy.

Wow, and Icy says, ‘If things go bad, run, and leave me to my fate.”  so Icy is putting it on the line not just for Sapphire but for Darcy and Stormy, which is remarkably honorable, for Icy.  They hug, and it’s sweet.  Then they enter the throne room!

Valtor’s just done chatting with his shadow buddies I guess.  Icy starts to say something, I think she’s going to bluff that they couldn’t get the star, when the room shakes and rocks fall from the ceiling. Thunder.

Stormy: ‘don’t look at me, I didn’t do it.”  Heh.  Valtor orders the Trix outside to check it out.

Outside, it’s Bloom,  Tec and Musa who’s hitting the building with “sonic shake” I think meant to draw their enemies out.  And it worked!

The Trix are happy to have a fight, even though this would be the perfect time for Icy to do a little “enemy of my enemy” stuff.  But the Trix just like fighting the Winx I guess.  It’s their hobby.

Inside, fake-Trix walk along the corridor and Aisha-as-darcy nearly falls over because her shoes are too tight.  it’s an illusion spell, why are you wearing Trix shoes?  Flora suggests they fly instead.

Fake-trix sneak into the throne room.  Valtor is back to taking to his shadow buddies and he explains his whole plan before turning and seeing the fake-Trix.  Stella is kinda hilarious doing the whole, ‘prime star? Oh, um, didn’t you have it?” thing as Icy.  She says it might be in her pocket and Valtor reminds them they have no pockets.  Pffffft. Seriously, Valtor is dumb as a doorknob not to realize.

The real Trix and Bloom bust in through the roof and Valtor is momentarily confused before the Winx all turn back into themselves.  

Valtor demands the star from Icy.  Stella says, ‘don’t give it to him!” and spills Valtor’s plan to release his shadow buddies.  Valtor tries activating his mark on the Trix but surprise, it’s gone!  

Bloom does a little speech about “if you give it to Valtor it will be the end of everything, the magic universe will cease to exist, is that really whet you want?”  and “On Dyamond I realized there is love in you.”  Bloom doesn’t know about Sapphire, remember, she just knows Icy likes cute baby animals.  

Valtor blasts Bloom and reminds Icy that the Winx are their worst enemies and that they’ll be rich and powerful beyond imagining if they help him out! Then he blasts Bloom again, but she shields herself, lights up, and says, “In your heart you know there’s only one thing to do.”

But Valtor evil-lights up.  

The Winx and Trix know a bad thing when they see it and fly away.

The whole castle busts open and there’s a gargoyle with Valtor’s mark across its chest.  It doesn’t look or sound like Valtor at all, but I guess that’s him.  Giant gargoyle goes after the Winx.  It throws blast after blast of dark magic at them and the girls raise their shields. Rainbow put in a little detail, Tec’s is green and techy, Aisha’s is morphix.  But they can’t hold out for too long.

Here come the Specialists in their ship!  It flies back and forth distracting the gargoyle.

Back on the asteroid, Darcy and Stormy want to skip town, leave the Winx to deal with the giant monster.  But Icy does not want the magic universe destroyed!  Darcy and stormy plead with her, Let’s just save ourselves!”

Flashback to Princess Icy on the overlook, vowing to save her sister.  Young Icy raises glowing hands to her hair, smoothing the yellow frizz into sleek silver, and conjuring the tall thingy Icy uses to hold up her ponytail.  “So, sis… Icy.”  Like she’s embracing the darker possibilities of her name.

Present time Icy: ‘I watched a world crumble before.  I won’t let it happen again. we’ll face this threat!”  The other two go with her.

Valtor at first thinks they’re on his side, but then Icy gives the star to Bloom! She puts it in the star case and the other three fly out of the castle and go into the case as well.  We fade into magc-space and the Wishing Star gets herself back together!

“Yes Winx, you’ve achieved your goal, and I am free.  To make your greatest dream a reality.”

Stella’s stoked. Wishes!  But the others realize they have to ask for something that’s good for everybody.  Bloom knows what they should wish for!

Bloom: “Our wish is to be able to protect the magic universe.  We want to preserve it in harmony, now and forever.”

The star: ‘so be it, Winx.  My brave and generous fairies of light.”

The star sends her light to the Winx and they all glow golden.

Valtor gargoyle tells the Trix this is all their fault.

But before he can bring the violence the glowy Winx all blast him and he is swallowed up in light.  The asteroid disappears, leaving empty space. In the spaceship, Sky cheers.

The Trix realize there’s nothing else for them here, and head off to their next scheme.  Before she does, Icy and Bloom look at each other and share a moment of understanding.

Ok, I think that was a dumb wish.  The Winx protect the magic dimension already!  If you get a wish, you should save it for something you can’t accomplish with the powers you already have!  Maybe they couldn’t have defeated Valtor without lighting up, but they defeated him last time without star power.  I  would’ve liked it better if the Winx had been zapping and then the Trix had to join in to defeat Valtor, or some other use of having three sides in this fight.

I’m also so sure that Bloom would have used the wish to save Dyamond if she’d heard the story about Icy’s sister.  Bloom’s a softie anyway, and she literally suffered the same thing herself.  They could’ve used the wish without powering Icy up further… sigh. it’s such a weird skipping of such an obvious plot.

The Wishing star flies off, and we see her pass the star ship Purripla.  The nautical lumens are happy.  The star visits the cave lumens, unilumens, surf lumens, and then we see Twinkle fly into the throne room on Lumenia. ‘The Winx have won, my queen!  The Wishing Star is back!”  Time for a party on Lumenia, but Twinkle is more interested in the one at Alfea.

Where they’re having a concert, of course.  This song’s a bit livelier than some. The minor fairies, the boys, teachers and Knut, a couple of lumens, and Twinkle and Lumilla are there.  They are my OTP!  I scan the crowd for Orion, but he doesn’t seem to have made it.

In the sky the Wishing Star zooms past, drawing a W between six stars.  It’s the Winx constellation!

And that’s season 8!

But you’re not getting out of here without more ponderings!

It occurs to me that the Winx know—or at least Bloom thinks she knows—that Icy is capable of love, but they know nothing about what the white fox really is.  In the real world where things don’t end after 26 episodes the next thing Bloom would want to do is go back to Dyamond and figure everything out.  Making Icy stop being a threat to the magic dimension would be a huge win.  Although… Icy has spent ten-ish years doing really awful things, she’s not a good person. She’s a terrible person who loves her sister, and if Sapphire regained human form Icy would be… still a terrible person, just one with a human sister.  it’s hard to imagine Icy just returning to being princess of Dyamond and doing a good job.  Or even enjoying it.

I do wonder if we’ll see Sapphire again.  I guessed this is setup for movie 4, it could also be setup for season 9 or it could just disappear like the fairy animals from season 7 just disappeared.

Some thoughts:

The art bugged me less than I thought it would, I honestly stopped noticing after a few episodes.  Even the boys… still looked weird, but my brain didn’t remind me loudly just how weird they look.

Musa/Riven, why must you be so bad as to force me to take a side in a fandom I don’t want to take sides in? -_-  

Liked seeing Knut and the Alfea teachers again, and I’m glad they took the time to bring the minor fairies along to the new art style.  Of course it was all made very confusing since some parts of the world seem to have gone back in time and others don’t.  Mielle looked much younger but was described as being still a teenager.  

All in all, I liked this season!  I will have at least one more post of afterthoughts, and maybe a deep-dive into Icy’s past.  The official Winx youtube channel has a video about it that I haven’t watched since I didn’t want to spoil myself.  We’ll see.  Depending on just how unemployed I turn out to be and how hard I’m working on my fanfics, I may have plenty of time to write about Winx!

#winx season 8 #winx club

[lucyreviewcy]

Hobbs and Shaw (2019) Dir. David Leitch

Let me begin by saying that I am incredibly biased in favour of this movie because it was apparently made just for me. Personally. I have never seen a movie more obviously tailored to my tastes, so don't expect me to treat it fairly when someone clearly spent a long time monitoring my Facebook page to figure out how to make the perfect movie for me. Honestly when I rewatched the trailer before viewing, I legit teared up. And people say there’s no benefits to owning a Huawei phone.

Also, just an FYI, it was directed by one of the co-directors of John Wick and that’s why the fight sequences are brilliant but it still makes sense. 

It could be very easy for this film to be a total hot mess. It is also very easy to engage with this film with an ironic eye-roll and be like “I mean it’s stupid but I guess that at least it knows that.” Please don’t do the latter. This is a big budget action flick, if you’re embarrassed to watch a big budget action flick then… why? These movies are fun, and while the storylines and action sequences might be preposterous, they’re consistent with the world of the movie and the franchise in general. 

It’s established pretty early on in the franchise that if you can drive a car you’re essentially an invincible wizard. Learn that truth, remember it, and the films will make sense. This is a series of movies that is 80% redemption arcs, with villains turning into heroes all over the shot, and the occasional storyline retcon to bring back a dead hero that was a fan favourite. These movies have been being made for almost two decades, so they’re not without fault (they’re actually quite useful as a chronicle of shifting social values over the last 19 years. Compare Vanessa Kirby’s character Hattie in Hobbs and Shaw to Mia in The Fast and Furious for just one example of the progress that’s been made within this franchise.) These movies are imperfect: all I ask is that people don’t act surprised that they enjoyed a movie that’s mostly enormous men solving crimes and kicking ass, because guess what: millenia of culture have taught us that HUMANS ENJOY THIS STUFF. 

It took four films for the Fast and Furious franchise to really nail its format, and this is a whole new ungainly arm for the brand to try and control. However, the film begins with clear, concise exposition of the stakes, the villain and the characters involved. Vanessa Kirby as the fantastically ruthless Hattie, an MI6 agent, injects herself with a supervirus in order to keep it out of the hands of big bad nasty organisation Etheon. Etheon then try and catch her. Meanwhile, security services from the US and UK team up to catch Hattie who is being framed for the deaths of her team. As a result, Hobbs and Shaw must work together. Oh and they’re also being pursued by half-robot super soldier Idris Elba, who wins all the prizes for living up to the most surprisingly evil character name: Brixton Lore. Why does that combination of words even sound evil? It should just mean “the myths surrounding an area of South London…” My friend lives in Brixton and I don’t know if there’s any kind of special Lore there, are there Brixton kelpies that come out after dark and help you avoid puddles of vomit on your walk home? I’ve gotten sidetracked… 

A movie with Dwayne The Rock Johnson is now pretty much officially a movie that makes bank. Skyscraper (a.k.a. Big Die Hard) was an absolute corker. Pairing Johnson with Statham, star of The Meg (a.k.a. Big Jaws) can only mean one thing: this movie is going to be BIG. It doesn’t disappoint on that front. The team travel the globe at an impressive pace, each big fight is set against an exciting new location, ending with an elegant showcase of Samoa. I don’t know how Samoan people feel about the way their country is represented in this movie, but if it’s anything like how I feel about the way they’ve represented London then it’ll be “Huh, sure is less traffic in their version of Samoa.” 

As we travel with our enormous be-muscled pals, we’re given the chance to get to know Vanessa Kirby better.

Reader, I loved her.

As I’ve already mentioned, I like to think that the Fast and Furious films are a really good chronicle of how far Hollywood has actually come with things like gender representation. And while there’s a slightly awkward forced love story in this movie involving Hattie, and she’s definitely about 17 years too young to have been a child at the same time as Jason Statham (FYI he was doing this when she was literally two years old), but in movies you suspend your disbelief. My disbelief duly dangling from the ceiling, I loved the way that Kirby’s character was put together. It is her choice, at the start of the movie, to inject herself with the virus and risk her life to save humanity, that drives this entire plot. She gets Hobbs and Shaw out of multiple sticky situations. She’s rude, she’s deadly, she’s a lot more than you would have expected a female character in this kind of movie to be even as recently as 2009. We also see no more of her flesh than we do Statham or Johnson’s: WHAT A TREAT. 

There are of course the obligatory random shots of ladies’ butts at a party but anyone who is a fan of the franchise knows that unfortunately this is a trope of the genre, I hope they grow out of it one day. 

This movie, for me, has everything: car chases, big fights, mad stunts, a bit with a recognisable brand name from my country that made everyone in the audience go “Huh, yeah, Greggs.” The storyline is clear and concise, the characters explain what is going on regularly enough that you don’t lose track (this is why I love a 12a, they keep reminding the kids what’s going on between all the explosions and jokes they don’t quite get). 

TO SUM UP: I enjoyed this movie so much, but that was a given. I didn’t expect to love Vanessa Kirby as much as I now do, and the cameos that I will not spoil literally made me so excited I made squeal noises. 

#Hobbs and Shaw #movie #review #fast and furious #vanessa kirby #jason statham #dwayne the rock johnson #david leitch

[starwarshyperdrive]

The Rise of Skywalker - adding my very important opinion to the internet.

Opinions are like **holes, everyone has one. Just that this isn’t true. People rarely substitute theirs with someoelse’s **hole. 

Looking back at some of my predictions I was wrong about some major plot points. I always said that the Bendemption and Reylo would make me walk out of the cinema. I thought it would be the two things that would ruin Star Wars for me and quite arrogantly assumed it’s ‘too stupid for Star Wars’. 

Now.. I stand corrected. To be honest, after the premiere I didn’t know what to think. Like everyone else I had this idea what the movie should be in my head. All the puzzle pieces I put together to a picture I liked. All the clues that lead my to my own personal conclusion. And like everyone else I saw the movie through this filter. 

I have to divert a bit to explain what I mean.

A Zen master was asked about Zen by a critical guest. Instead of answering he filled the guest’s teacup but did not stop pouring when the cup was full and the tea spilled out and ran over the table. 

"Stop! The cup is full!" said the guest.

"Exactly," said the Zen Master. "You are like this cup; you are full of ideas. You come and ask for teaching, but your cup is full; I can't put anything in. Before I can teach you, you'll have to empty your cup."

Letting go of our expectations is hard. Very hard. There is comfort in the familiar. There is stubbornness in wanting to be right. The unknown is scary and we want to be in control of our own narrative. So I watched the movie again and saw it for what it is. I’m gonna be honest. I am a ‘true believer’ and apologist. I will find goodness in every bit. If you want to find mistakes you will find them. Psychologically we mostly make up our minds whether or not we’ll like the movie before we see it subconsciously. Then we just look for proof we’re right. I didn’t really want to see Joker. I expected it to be a pretentious attempt to make a Scorsese 70ies movie while lacking substance. And that’s exactly what I’ve got. Knowing what to expect in the 2nd viewing I was able to appreciate it more. There is so much depth and love for Star Wars in it that’s not apparent if you walk out of the 1st screening snubbed about what you don’t understand. I sound like a broken record when I say Star Wars is not a Comic Book movie, not everything has to be explained or tie into everything perfectly. Just look at the Original Trilogy. Nothing is 100% clear. Obi Wan is twisting the truth and nothing aligns perfectly. Star Wars is like a Greek myth. WHY did Thetis dip Achilles in the river Styx? What was her motivation? How could she forget to dip his heel? That’s stupid. That’s RUINING Greek mythology.   

I liked the movie, very much. I’m not even sure if it might not be my favorite sequel. Before I go into my thoughts here is what I didn’t like.

I liked it, yes, but that doesn’t keep me from agreeing that it seemed like a mash-up of fan-service. And with fan service I mean the kind of parents who have no idea would give their kids. ‘You like your Nintendos, right? The man at the shop said this is as good.’ It somehow felt like a panicked corporate decision to undo the backlash after The Last Jedi (a movie I have seen 13 times in the cinema and now consider to be the weakest installment since Attack of the Clones), so they mistook the loudest voices on the internet to be the most representative for all fans. So they had to include Bendemption and Reylo because ..fanfiction.. ?! And people have long asked for ‘bring back Legends’ so throw in a bit of that. And then we need Han Solo and the Emperor to save this trilogy after we made the mistake of not overseeing what these film makers actually do and have an overall idea for the trilogy and Rian Johnson wrote the story into a corner. The Last Jedi felt more like the 3rd movie of a trilogy, so what are we gonna do? Rey has to be SOMEONE, right? How about the emperor is suddenly interested in his bloodline for some reason despite the Sith never having cared about that (what is her midi-chlorian count?). 

But I can live with all of that and I have my explanations for everything. Palpatines son who must’ve been born after his face got all f**ked up. So was he a clone? Some sort of attempt to create life like Anakin? An artificially created baby like the Nazis did to get a super soldier, just to be able to possess his body and when he ran off and fled he was more interested in his ‘granddaughter’ because her body was even younger? Did the force skip a generation like some diseases.  Not everything has to be answered, but it’s fun to think about these things. I find this to be more Star Wars than the thought he had a wife all the time, which is absolutely not in character. 

The one thing I didn’t like was the super cringy, cheap jump-scare with monster teeth during the Dark Rey scene. We have seen this too often. It’s not ‘worthy of Star Wars’. It didn’t even look good in IT or any other movie. 

And the kiss? Would I have cut it out if I’d have something to say. YES DEFINITELY. Do I think it’s romantic and actually hints to romantic feelings? HELL NO! In my opinion their bond is different. Calling it romantic undermines their connection and ridicules something that could be very deep. Kylo/Ben even says it, they are a Dyad. Whatever that means, it surely doesn’t mean something straight-out of Twilight. I see the kiss as relief, burst of emotion. Not unlike a kiss a mother would give a child that has been missing or rescued from peril. Affection yes, romance no (aka ‘no tongue’). The beauty of it is that it’s ambiguous. If you want them to be in love, then you can think that for yourself, probably wondering why she is not really grieving.

I said I’d hate Bendemption and many people have stated that Ben should’ve survived. No offense but this is completely missing the point. The way his redemption is portrayed is absolutely beautiful. The shame and regret in Ben that leads him to the realization what he needs to do is what makes his who he is. He says it himself. He can’t go back to his mother. She sacrificed herself for him. He killed his father. Everything is lost for him. He made so many mistakes. But he can do the right thing for once by saving Rey. And this is why he disappears. This is why he became one with the force. If it he’d have survived there wouldn’t have been a redemption. Ben Solo was ‘weak and foolish’ which led him to the dark side. Ben Solo is flawed, the good in him understood that to kill the looming darkness he has to sacrifice himself. Like the Terminator at the end of Judgement day. This is what made the scene so powerful and mirrored Vader. Ironically you could say he finally became like Vader in the last moments of his life.

As for the emperor being alive. Why not. If you’re that sort of badass and considering that Maul and Vader both survived major injuries with the aid of the dark side of the force it’s not that unlikely. And here is something some people seem to miss. He is desperately looking for a new vessel to transfer his spirit into because he is a corpse. He is a corpse on life support. As hinted at in the movie and as explained in the visual dictionary he is being kept ‘alive’ by a mixture of medical aids and Sith alchemy. One might argue that ‘we never heard about Sith cultists and all that’ but that’s not entirely true. Even outside of the books, comics and what not there are things you can easily retcon to fit the narrative. Just look at the emperors advisors in Return of the Jedi. At the time of The Force Awakens there have been theories that Snoke is nothing but a puppet. I have used the Wizard of Oz comparison before. When we got to see him ‘in the flesh’ in The Last Jedi we were nothing the wiser. So that somehow adds up.

Chewie got a medal now? Well that just serves to show what I always say: no one in the cinematic universe cares a great deal about books and comics. A lot of fans are always so eager to see stuff from canon in the movies and get upset when there are contradictions (also see S-foil from Lukes X-wing being used as door) but I think it’s best to consider whatever is not in the movies as ‘soft canon’ and take it with a grain of salt. This might change in the future now that Star Wars is free of the shackles of the Skywalker saga and it;’s very likely they learned from the lack of consistency, but it also opens it up to mediocracy and weird stuff like the world between worlds and space whales.

If you only watched the movie once there are many things that might have slipped by you. Which is a shame. I think some f the outspoken critics will change their minds about the movie over time. A lot of the emotional backbone of the movie was in these tiny moments, such as the scene in which Rey feels that she won’t see Leia again and has to say good bye. It is in the open whether or not Leia feels it too and just taunts her by saying ‘tell me when you're back’.

Let me just say that Rose is absolutely cool in this. I always maintained the position that the backlash against her character was mostly based on the weak costume design that made her more like like a cosplayer. Now that she looked the part she was fantastic. It’s not about quantity. Her screen time was impactful. The argument that JJ cut her screen time in favor of his buddies is ridiculous and uninformed. Everyone had their specific parts to serve the story. According to the visual dictionary Dominic Monaghans character was a former teacher and served as the ‘Sith’ expert to explain why the Resistance wasn’t collectively going ‘umm wut?’ when they heard about Palpatine being back and all that. Greg Grunberg was the link to the fleet and Rose was at the heart of operations. I can't understand how this isn’t obvious. 

And in conclusion let’s talk about the impossible task to end a 9 part saga, with the additional challenge of having lost Carrie Fisher. Can you even imagine being in that predicament? How did JJ Abrams say yes to this? Well knowing that he’d get shit from all sides. RESPECT! It is a miracle the movie turned out the way it did. I liked it and if we look at the numbers of things I didn’t like in the other movies despite liking them it might become my favorite or close 2nd of the sequel trilogy over time. Only this blade tells.

#the rise of skywalker #star wars the rise of skywalker #jj abrams #star wars #star wars episode IX #the last jedi #return of the jedi #attack of the clones #the phantom menace #Revenge of the Sith #joker #A New Hope #star wars a new hope #The Empire Strikes Back #The Force Awakens #Star Wars The Force Awakens #rian johnson #chris terrio #carrie fisher #leia organa #kelly marie tran #bendemption #reylo #star wars legends #star wars fan #star wars leaks #star wars theories #star wars review

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10 Injustice Characters the DC Animated Movie Needs to Get Right

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As we wait an announcement pertaining to the existence of NetherRealm Studios’ Injustice 3, we at least know that Warner Bros. is set to adapt the games into a DC animated movie.

Ever since its release in 2013, the Injustice franchise has not only become a staple of NetherRealm’s roster, but the comic spinoffs have made it a beloved part of the DC multiverse. The plot revolves around a reality where the Joker was able to mess with Superman so badly that the Man of Steel gradually became a mass-murdering dictator, with the support of several members of the Justice League. Left without any other option, Batman brought in counterparts of the Justice League from the “mainstream” universe to help him fight a civil war against his former friend. It was a story that merged the Justice Lords two-parter from the Justice League cartoon with Marvel’s original Squadron Supreme comic series.

A popular prequel series was released, mostly written by Tom Taylor, that explained the five years in-between Superman killing the Joker in cold blood and Batman’s last stand. Sometime later, the game’s story was adapted into the comic Injustice: Ground Zero. And the Injustice universe has only continued to grow since then.

As snazzy as NetherRealm’s story modes are, they are going to have to make some changes to the narrative for the animated movie. It’s not like every character is going to stumble into exactly four best-two-out-of-three fights in a row before someone else is the focus. Knowing that there will be alterations, some characters are really going to need some tender love and care.

Superman (Both of Them)

Injustice: Gods Among Us didn’t invent the idea of an evil Superman, but things are a bit over-saturated these days. Face it, “Dark Superman” has been done to death, what with Brightburn, The Boys, Invincible, and everything Zack Snyder intended with his Justice League movies.

It’s important that the animated movie really get into the WHY of what turned Superman evil instead of the Joker just getting a tragic win over him. The Injustice comic nudged him over and over again with multiple betrayals and manipulations before he finally snapped and angrily broke every bone in Green Arrow’s body. Hit all that, or at least enough of it.

More importantly, Injustice is a story of two different Supermen. The mainstream Superman has to ring true. He has to be the beacon of hope and positivity that pop culture has been missing for the past decade.

Ultimately, as long as they don’t do that minigame where Superman blows up cars and the people in them with his eye-lasers, we’re cool.

Batman

In this DC take of Marvel’s Civil War, Batman is by default the better person when compared to Superman. He has a line he won’t cross and that means no murder and no tyranny. That said, he still needs to be portrayed as a flawed hero. He may be competent, but he still behaves like a total douche at times and deserves to take one to the chin every now and then.

Being a paranoid futurist who buries himself in contingency plans means alienating allies, friends, and even family members. There’s a great moment in the Injustice comic where he reveals that he infected Cyborg with a virus within a week of meeting (you know, just in case), which Killer Croc says is outright sinister. It’s this kind of behavior that led to Superman’s fall to darkness, because even if Bruce wasn’t behind any of the horrors, he still chose coldness and paranoia over being there for a friend who was going through some serious shit.

Harley Quinn

A hype trailer for Harley painted her as a major protagonist in the first game but the game’s story mode just didn’t measure up. The comics did a better job and the Ground Zero volume was specifically about telling the game’s story from Harley’s perspective. I’m not saying that she should be joined by her team of BFF henchmen from Ground Zero, but she should definitely be a prominent hero.

Similar to the Mark Waid comic series Irredeemable and Incorruptible (also about an evil take on Superman), Harley’s turn to heroism is the universe’s response to Superman’s actions. She’s done some horrible things and may never make up for her actions under the Joker’s thumb, but she’ll keep fighting to stop Superman’s atrocities.

Wonder Woman

While Batman did a bad job trying to pull Superman from the darkness, Wonder Woman succeeded in pushing him in. It’s noted here and there, but this Wonder Woman was also altered by tragedy. In this timeline, Steve Trevor turned out to be a Nazi traitor. His betrayal left Diana feeling much less optimistic and hopeful than her mainstream self.

Wonder Woman’s villainy isn’t as pronounced as Superman’s, but she’s definitely the friendly face who eggs him on and wants him to stand over all mankind. As Superman uses her to fill the void left from Lois Lane’s death, the power couple become very good at bringing out the worst in each other.

Damian Wayne

The Injustice game did Damian a little dirty, revealing deep into the story that the Nightwing fighting on Superman’s side was not Dick Grayson, but Damian. According to Batman, Damian murdered Dick. The comics dove deeper into that and made it more of a freak accident brought on by Damian being an impulsive and angry child. Still, Bruce and his son were unable to make amends due to their shared lack of warmth.

Later stories, and even Injustice 2, added more depth to Damian. It always made sense that he’d join Superman’s Regime, but there was a soul in there who would eventually see that this wasn’t the right path. In the comic Injustice vs. Masters of the Universe, which was treated as a sequel to Injustice 2’s dark ending, Damian took up the mantle of Batman to oppose Superman and even grew a long-missing sense of humor in the process.

Lex Luthor

The great tragedy of the DC multiverse is that Superman and Lex Luthor just can’t get along. They will always be at odds no matter what Earth they come from. The Injustice universe was the one exception, as Luthor was portrayed as fairly warm and altruistic. Much like Batman, he has contingency plans up the wazoo, but they don’t come off as creepy.

Seeing him there as Superman’s longtime friend who sadly has to stab him in the back brings back that multiversal truth about the duo. Just because this is a world where Superman kills and things get very bleak doesn’t mean it’s the worst world and that it isn’t worth saving. The mainstream Cyborg is reluctant to come to terms with this heroic Luthor, but he ultimately accepts the miracle that this universe created a Luthor worth befriending and even looking up to.

Hal Jordan

Maybe it’s just me, but I was never a fan of how Geoff Johns retconned Hal’s past and gave him deniability for everything he did as Parallax. I liked that a boring hero dude like Hal snapped, did some bad stuff, and then had to accept his failures in an attempt to be better. With Injustice, they gave us that exact Hal.

Read more

Games

Injustice Beat Zack Snyder’s Justice League to the Punch

By Matthew Byrd

Comics

Injustice: Year Zero Brings the Justice Society to DC Alternate Universe

By Jim Dandy

Overflowing with willpower and being an otherwise competent space cop, Hal is still something of a dunce at times, and he’s susceptible to manipulation in the right situation. He’s already following Superman’s lead, but having Sinestro pop in to indoctrinate him into the Sinestro Corps makes him actually interesting. Let Hal be the worst version of himself here so he can double back on it in the sequel and beg Guy Gardner’s ghost for forgiveness.

Shazam

Injustice may be the B-side to Mortal Kombat, but the game itself is fairly tame on the violence. Joker’s death isn’t actually shown on screen, Luthor’s end is fairly clean, and Grodd taking a trident to the torso is relatively tame.

But what we absolutely, positively have to see in the animated movie is Shazam’s death scene to really give an idea of how far gone Superman is. It’s bloodless from our point of view, but it’s grisly as hell and made worse when you remember that Shazam is a literal child under all the mystical power.

Batgirl

The Barbara Gordon version of Batgirl was one of the first DLC characters added to Injustice, but it’s unfortunate that she’s not in the main story mode — something the animated movie could fix by giving her a more prominent role in the fight against the Regime. Her ending gives her a kickass backstory where she returns to the cowl after her father dies at Superman’s hands. The comics go deeper into this, even making it so that Superman doesn’t directly kill Commissioner Gordon.

In this continuity, she was already wheelchair-bound as Oracle. She had to go under a very dangerous procedure under Luthor’s care in order to walk again. This is one of the storylines that could make for a captivating arc in the movie.

Alfred Pennyworth

Alfred isn’t in either Injustice game. He’s already dead by the start of the first game. But I don’t care. Alfred needs to be in the animated movie because he is the heart and soul of the Injustice comics. While others bow to Superman, follow him, or even try to reason with him, Alfred Pennyworth doesn’t play those games. He will straight-up verbally clown Superman for his actions without flinching. He is not afraid of the Kryptonian, no matter how red his glowing eyes get.

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This comes to a head in the comics when Alfred takes a pill that gives him Kryptonian strength and he kicks the absolute shit out of Superman for ruining his family. I know I’m asking for a lot, but I simply need to see Alfred stomp a mudhole in Superman so hard that his own shoe explodes from the impact.

The post 10 Injustice Characters the DC Animated Movie Needs to Get Right appeared first on Den of Geek.

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[readingwebcomics]

Analyzing Questionable Content: Pages 51-100

No Faye, it only looks that way because he’s playing Final Fantasy X-2. Good God, I just realized that Final Fantasy X-2 is someone’s first experience with Final Fantasy. That’s a depressing thought. Although someone starting out the series with Final Fantasy XIII is probably way worse, now that I think about it. At least X-2 had fun.

…huh? Oh right, the comic. You sure you’d rather not listen to me write an essay on Final Fantasy, instead? I have this great point about how Final Fantasy IX has the most emotionally impactful narrative but as a game it only really clicks with long-time players of… no? Okay fine, let’s get back into QC.

The very next comic has Marten getting a tax return check for $1,100, and being the wise adult that he is, decides to spend that money on a new guitar. Tagging along, Faye brings up something that gives us new insight on her character:

And clearly didn’t bore her, considering how much of that information she retained. Here we have yet another example of a shared interest between these two, Marten clearly being into Guitars if he’s invested enough to blow a fat wad of money on it and Faye carrying around quite a bit of information on the instrument herself. I’ve made the point in the last post, but to reiterate – at this point in the comic, it’s clear these two are clicking as far as interests go. They can keep up with each other, can and have provided support for one another, and challenge one another… okay granted that last one isn’t entirely true, it’s clear Faye challenges Marten more than vice-versa, but still. There is a clear, acting relationship dynamic between these two, whether platonic or romantic. The reason why early QC works as well as it does is because these two have clear characters to them and their relationship FEELS real – they feel like people you’d know who’d really be friends – or maybe more than friends. This is Jeph’s character writing at… well I hesitate to call it at its best because to imply he peaked as early as the 53rd comic would be an insult to him as a writer, and I’m not looking to do that here.

I’m looking to do that a little bit later on in this part when we discuss Faye’s “character quirk.”

Before that however, we’re going to get a little bit on insight on Marten:

The story is elaborated on in a future comic, but here we get Marten’s backstory – traveling across the country for a girl, the relationship falling apart and leaving him stuck in this part of the country. This will go on to explain several of his character choices, including Pintsize (although that’s something we’re not going to approach until MUCH later on). It also further elaborates on Marten’s character as a whole: He doesn’t make many active actions as a whole, but when he does, it tends to shift the entire dynamic of how he lives. He decided he wanted to follow this woman across the country, and that action ended up completely upending his life. Could this be part of the reason why Marten is so passive? Does he skew towards this lifestyle because he’s been “trained” to take any kind of affirmative action as an intense, life-changing event?

While I’m not certain myself, and I have a damn good feeling Jeph wasn’t thinking that far ahead when writing Marten’s character, it’s an angle I’m willing to continue exploring as we further our journey down this comic’s history.

This comic was written in 2003. I’m half-tempted to believe Meme culture can be tracked by indie bands now. Wonder if there was any zeitgeist with neo-nazi indie bands ten or fifteen years ago then, if that theory holds true?

…I just made myself really, really sad.

Later on, Pintsize proceeds to eat a cake when he really shouldn’t – again – and we are gifted with… this lovely image.

Okay. I understand Pintsize is an AI, so it makes total sense for him to be able to be uploaded to a PC like this (ignoring for the moment modern commercial hardware can’t possibly support the resources necessary to maintain human-level sapience and ESPECIALLY not in 2003), but this is one of the freakiest fucking things I’ve seen from this comic. Mostly because at the time of writing we’re on comic 4000 and AI as a whole take an entirely different turn in the world of QC around that time, so… this is just kinda surreal to look at.

…We’ll get to AI in regards to QC’s universe later on when it becomes more relevant. Needless to say, it becomes one of the core “themes” of the comic as a whole.

The narrative reason for this turn of events is simple:

Pintsize is now in a new visually appealing model, capable of moving his joints around so he can do more than just stand around and talk!

…also one that has a horrifying government-level laser built into it! Believe it or not, this DOES become a relevant plot-point later and it’s not just for the sake of a gag. This is a great example of Jeph taking a tiny detail he may have originally written in as a joke and building off it to create conflict… although I’ll be getting more into that later on when it actually DOES become relevant.

Pintsize agrees to turn the laser off, and a few comics later Marten and Steve go to the bar to discuss their lives – specifically Marten’s love life.

Further showcasing of Marten’s passive nature and his straight-up lack of confidence.

Say goodbye to Sara everyone – for real this time, I’m fairly certain this is the very last time we ever see her. I could be mistaken, but I highly doubt it. Plus, while we don’t see it in detail we get enough information to gleam Steve as Marten’s exact opposite – charming without being overwhelming, confident without being cocky. Steve is just straight-up a cool dude, and it’s easy to see how he can easily get into relationships while Marten stays there floating along, too scared and/or passive to make the move that comes to Steve naturally.

Wait. Shit, I may have the hots for Steve. Abort, aboRT, ABOR-

I’m showing this in part to showcase the next point of conflict and also to draw attention to the new style Jeph is trying. He’ll do this throughout the run of QC, trying out brand-new styles to see what fits and what doesn’t. I’ll be including this in my comparison pictures at the very end of this post to give a clearer image of what changes and how he improves… although you can see even in this comic he’s struggling against old habits as Marten’s face in the final panel looks drastically different than in the rest, looking more akin to how he looked in older comics. That’s okay! Habits die hard, it’s worth applauding the fact that Jeph is trying. God knows I can’t draw to save my fucking life, so I’ll always support artists trying new things.

I’m mostly including this panel for two reasons: The fact that Faye’s stuck in the closet right now – if you don’t get why that’s funny, you will in about 3700 comics from now – and the way she’s talking. Do you notice something different about the “feel” of Faye’s dialogue? Keep an eye on it, I’ll try to include more panels of her talking from this point onward.

Anyway, Marten dismantles the previously established conflict by revealing he managed to get Faye’s prescription for her and got her a new pair of glasses.

Mark this as the second time Faye has actually displayed real physical aggression against Marten.

Again, depending on how much you know about AI in QC’s world from future comics this could either be a lot funnier or a hell of a lot less funny. Although… the subject of AI mortality would make for an EXTREMELY interesting plot point in more recent comics. Remind me to touch on that when we get further along.

Again: Pay attention to Faye’s dialogue in this comic, especially in that last panel. You’re noticing it, aren’t you? The fact that she sounds a little… different? Give me a little more time, I promise I’ll touch on it a little later.

Hey, guess what? It’s later!

Faye does not punch Marten whenever she says something nice about him. In fact, she has ever only assaulted Marten twice – both times for completely arbitrary reasons not related to her saying anything to or about Marten. Nor has Faye ever spoken completely without contractions, as you see she’s doing now. Later comics will go on to point out how odd it is that Faye only speaks with contractions when she’s drunk and dips into her southern accent… when we’ve seen in previous comics that she is capable of speaking with contractions and talking like a normal human being. This change has shifted the entire “feel” of every line of Faye’s dialogue, as she no longer “sounds” like the Faye we started the comic with.

These are both examples of a writing mistake that a lot of long-form regular updating writers make, be it fanfiction or daily comics – retcons. If you’re reading this, you most likely know what a retcon is. For the few of you that don’t, a retcon – short for retroactive continuity – is the practice of in later works of an ongoing series introducing a fact that changes what was previously established in previous works. This is most commonly seen in Superhero comics from Marvel and DC, but the kind of retcon I’m talking about is more common on smaller scale works, like fanfiction or unedited novels or ongoing RPs.

See, when the writer realizes they wanted to change up something, introduce a plot element that would require them to go back and change something previously to make it make sense and find that for whatever reason they can’t, they may go ahead and introduce the plot element anyway while assuring the reader that no, of course this element was always included. That’s what’s happening here – Jeph had an idea for a plot element he wants to include, realized he can’t exactly go back to older comics and change them considering it’s a regularly updated webcomic, and so decided to retcon these facts by introducing them like they’ve always been a part of things and assert their truth while continuing on.

Not that I can necessarily blame the man – in a situation like this, realizing there’s an important plot element that you want to work with but can’t due to you leaving it no room in what you’ve previously published, there’s not much else you can do besides either retconning things or accepting you can’t introduce that plot element and just move on. However, there are other ways you can work with this that abide by previously established continuity and lets you introduce a plot element you want to introduce. For example, Faye punching Marten: You could introduce it as something she feels more comfortable doing the longer she’s around him. Have more frequent comics of her following saying something nice up with a punch, let us see her actually assault him more, and draw a correlation between her getting more comfortable around him and her getting more physically aggressive – something Jeph does touch on later, so it is entirely possible to introduce this new dynamic without asserting things have happened that we clearly see haven’t happened.

…as for Faye not speaking in contractions however, that’s just stupid. It’s a gimmick for her character, plain and simple, without adding anything to her as a character. If you want something big to showcase she’s keeping herself restrained, just continue as you were, having her speak in a southern accent when she’s drunk. That works as a fun gag to attach to her character without seeming like a dumb gimmick. And I’m sorry to say… this whole “Faye doesn’t speak in contractions” thing? It’s a dumb gimmick.

Okay, now that I’ve gotten that all off my chest, let’s introduce ourselves to the new main character of QC…

This is Dora, the owner of the Coffee Shop that Faye works at. She’s a cool cat and (seemingly) supremely chill. She’s introduced as another secondary character like Steve, but will swiftly become a mainstay character and join what will become a growing ensemble cast.

Also, potential conflict is seeded when it’s revealed she’s totally crushing on Marten.

And if you doubt Faye’s assessment, let’s hear it from the woman in question herself.

Also say hello to Dora’s cat. The cat has a name, I just can’t remember it for the life of me considering the little fella joins Sara on that island eventually. But yeah, Dora DEFINITELY has the hots for Marten, sewing another potential seed for conflict later on – Marten and Faye are certainly in the “will they or won’t they?” phase, and here sits Faye’s own boss with a clear, vested interest in Marten. Will she make a move and push Faye to take action? Time will tell.

Jeph enjoys trolling his audience, and Marten is suffering because of it.

Dora goes on to establish herself in the reader’s minds by having a clear, distinct personality that bounces off Faye’s beautifully. They banter so comfortably with one another it makes it so much fun to read, which goes on to make Dora a more appealing character to the reader. The more she talks, the more you want to see her because she’s such a genuinely charismatic individual… which can further serve to establish her as a very real conflict in the potential Marten and Faye relationship. After all, what’s a greater spanner in the works of this “will they or won’t they?” relationship than a character who will gladly say “Yeah, I will” that the audience likes enough that they are completely on-board with seeing go through?

The most dangerous thing to a romcom relationship is a third wheel that a good portion of the audience prefers over the teased relationship, and that creates good drama.

(Also Sara’s name is spelled wrong but eh it’s not like she’s around to complain anyway)

…that said, Dora goes on to assure Faye that she has no intention of swiping Marten off his feet away from her when it’s clear Faye’s interested in him. Then again… the more Faye insists she’s not interested in him, the more likely it may be that Dora believes her.

True story, I found this concept so funny that in a campaign I ran a few years ago, I actually had one of the players – who was supposed to be stuck as a worker in a dreary 9-to-5 job that he’d desperately want to escape to go onto adventure – be labeled as the Office Bitch. My only regret is that I didn’t print out a real business card for his player. That either would have gotten a laugh from the table or gotten me punched.

This here is Scott, Marten’s boss. He’s a cool dude, but for reasons that will become evident later on we don’t see very much of him. At first, I thought he was going to end up being the future husband of Marten’s father – and if you haven’t read through QC yourself that sentence will probably completely catch you flat-footed – but looking it up later I found that Marten marries a man named Maurice, not Scott. I only thought they were the same person because they’re both blonde and the art style changes so much later on anyone could look like anyone else.

Actually, fun fact: I started reading QC when 2512 was the most recent comic, so before she was introduced I thought Faye and Marigold were the same person because of how drastically the art style changed and I only recognized “curvy white girl with glasses and brown hair”.

Anyway, Scott’s pretty chill and… yeah. Yeah, that’s pretty much it. He’s a chill dude to work for, and that’s probably the only reason Marten hasn’t outright quit his job yet. The worst job in the world can be made tolerable with a good boss, and the best job in the world can be made unbearable with an awful boss.

Further evidence of the lack of contractions hurting the way Faye’s voice comes across than anything else. Seriously, is it just me or does this not sound like Faye? Like, at ALL? I’m open to being told I’m wrong, just… seriously.

Aaaand here we have Steve officially having broken up with Sara. Also, it’s a small thing but like I’ve said, I’ll give Jeph credit where it’s due – that visible wince on Marten’s face is the most expressive any of his characters have been thus far. Good work man, I’m happy to see you improving with your art!

After drinking together, Marten and Faye decide to go to an all-night diner for some drunken late-night pancakes when we get this bit of information from Faye:

That is Faye, if you can figure out which of the two Martens your fist will connect with. But yeah, the fact that Faye speaks in a southern drawl while intoxicated went from a joke to actual character – she’s legitimately from Georgia and that’s her natural way of speaking. Which may raise the question to the reader, why does she repress that voice so much? Don’t worry – they touch on it in later comics. For now though, another round of applause to Jeph for slowly and organically creating new information about his characters.

Faye is clearly not telling the whole story – the lack of eye contact being a key indicator of just that. Still, we’re getting a little bit more information on her, and the fact that she kept her wording vague leaves a lot to still explore in her future. Needless to say… it was a LOT more than just her mother being over-protective that led her to moving up north.

Marten’s just kind of accepted his lot in life by this point. Although when I was first reading through these I honestly thought this was going to be the headbutt-into-crotch moment.

Once again, if you haven’t read through QC yourself that sentence made zero sense to you. I’m kind of giggling at the thought of someone reading that and doing a double-take, actually.

Finally, we have the last comic of this batch, setting up a bit of conflict for our next batch…

Wuh-oh! Marten walked in on Faye changing! One really nice detail is that you can see the scar on Faye’s chest right there in the first panel, which means Jeph had a LOT of Faye’s backstory already planned out while he was drawing this stuff. Which just leaves me to wonder… how far back did he have this planned? When Faye first showed up in the third comic? When he had her start speaking in a southern accent while drunk? When he decided to have her stop speaking in contractions? I’d love to ask him, but I know for a fact he wouldn’t give me the time of day. Oh well, either way: He’s got shit planned out, shit that we won’t see until Comic 500 or so, and that’s always good for a long-form comic like this.

Like last time, let’s do some quick comparisons between the first comic of the batch, the comic where Jeph made a clear and active effort to change the art style, and the last comic of the batch:

It looks like Jeph found a happy medium between the style he was originally going for and the newer style he tried to incorporate, keeping the relative size and position of the characters’ facial features while rounding out everyone’s faces, making things much less angular than previously. The bodies are also beginning to get some real texture to them, looking closer to real human bodies than stick figures with a shirt.

Overall, what did I think about this batch of comics? Well aside from my complaints about Faye’s lack of using contractions and the sloppy way Jeph tried to incorporate that into the narrative, I thought it was better than the first batch! Marten and Faye are getting into a comfortable rhythm with each other, and we’re falling in-line with that rhythm ourselves. We just met a new character who’s going to be a mainstay of the series and in the few comics she’s shown up in, she’s made her presence stick with the reader. Even if I didn’t know how important Dora would become, I’d be saying I’m looking forward to seeing more of her.

You know what time it is now? That’s riiiiiight! Data compilation time!

Between comics 51-100, the following characters’ proportional “screen time” as it were are as follows:

Marten: 46/50 – 92%

Faye: 45/50 – 90%

Pintsize: 12/50 – 24%

Dora: 8/50 – 16%

Steve: 6/50 – 12%

Sara: 2/50 – 4%

Scott: 2/50 – 4%

Dora’s Cat: 1/50 – 2%

And the grand total of each character’s screentime, not including non-canon or guest comics, from most to least time shown:

Marten: 91/100 – 91%

Faye: 83/100 – 83%

Pintsize: 27/100 – 27%

Steve: 14/100 – 14%

Dora: 8/100 – 8%

Sara: 7/100 – 7%

Jim: 2/100 – 2%

Scott: 2/100 – 2%

Raven: 1/100 – 1%

Dora’s Cat: 1/100 – 1%

Yes, I’m counting Dora’s cat among the statistics. I’ll change the name when I learn what the critter’s name actually is. Also, I was reminded that when the Secret Bakery becomes a thing later on in the comic there will be another character named Jim, with this particular construction worker being called Jimbo instead. I’ll change the name properly when he’s called “Jimbo” proper in the comic, don’t worry. I’ll be doing my best to keep this list from getting confusing… it’s in as much my best interest as yours seeing as I want to keep track of everyone properly.

Tune in next week when we see the exciting conclusion of this spicy “Marten happening to walk in on Faye undressing” drama! And Dora flashing someone. See you then.

#Questionable Content #Analysis #Long-form analysis #Faye #Marten #Pintsize #Dora #Steve

[headspacedad]

Since s7 retconed canon& threw our theories/meta in the trash, we've felt really disrespected.But then we started piecing together facts from interviews,credits & obvious cut-pasting (contrasted w/ natural arcs/plot) & theorizing what was supposed to happen. Thats what happens when u piss off meta writers who adore ur story by sloppily retconing everything we love. We passively-aggresively use ur interviews & cut/pasted content to figure out what u tried so hard to bury & use it to drag u w/ it

I don’t know about ‘passive-aggressive’.  That makes it sound both malicious and snipey and I’m not getting that over-all impression from the fandom.  (which isn’t to say there aren’t people posting that way, just that, overall on my dash at least, the reason behind so much of the post season seven dissection doesn’t seem to be revenge driven)  I’m not posting what I’m posting for malicious reasons or to ‘take a jab’ at the EPs or writers and I think I’ve been pretty clear about that in my responses. 

But yes - there IS a section of fandom, and has always been, that wants to dig into what we’re given. We like getting our fingers down into the dirt of it and shuffling around what we find and sharing the little tie together pieces that we turn up.  A lot of us are creators ourselves and there’s always an innate need to break things down to basics or ferret out the tricks and keys of a thing.  We have fun, we enjoy passing it along and VLD has, to me at least, always had a wonderful and extremely high amount of people that enjoy working out meta for it.  Its one of the main reasons I got into the fandom so completely and enthusiastically.  I LOVE that kind of stuff!  Give me the meat and the bones of a thing and I am a very happy camper.

The ‘problem’ VLD had/has after season seven is that these same people are still doing what they’ve always done.  Digging down into what we’ve been given and pulling out the roots of it to share.  Its not new and we’re not doing anything new.  Its not the fandom turning our attention on something we weren’t paying attention to before and its not the fandom maliciously hunting down things to dig at.  It’s not revenge.  Its driven by the same thing its always been driven by - which is the desire to analyze.

if we’re pointing out the broken, shitty bits now - its because that’s what we’ve been given to dig through.  We’ve always been in this exact spot, rummaging around in this exact garden, doing exactly what we’re still doing.

Its just that the last season backed in a dump truck and buried everything in shit.

#seven salt #Anonymous