in regard to the icemav convo about american made cars: I think it would be funny if after mav gets his regular license, ice buys him a truck that they can use for transporting stuff to the hangar and when he gifts it to mav all the man can do is laugh bc stamped across the ass is MAVERICK. It’s a 2023 ford maverick (in area 51 bc I’m partial to that color)
and mav likes it, but he doesn’t love driving it bc it’s so big (and he just likes being a passenger princess too much), so ice drives it mostly which inspires a whole lot of jokes about ice liking having maverick’s name stamped on his ass. bradley gags from the other room every time.
if it matters to u, i agree with this hc 150% on rhetoric grounds. thank god for your mind.
however i would like to raise the issue that recent american pickup trucks have become non-useful, overexpensive, and suburban-coded in a way i think ice and mav would reject. the ford maverick was built with the intention of dropping kindergarteners off at school, not of actually doing hard labor. see below infographic for what I mean.
It’s a fucking travesty. Trucks are so ugly and useless now. the maverick is not immune to this. (maverick below)
what good is having a fucking truck if it can’t even hold two REGULAR ASS BIKES in the bed. & when the bed is empty the chassis is unbalanced in a way that leads to more accidents etc. (tbf that was true in the 70s/80s too but im feeling more hateful towards modern trucks rn). In short—the modern American pickup truck is no longer useful, it’s a way to virtue signal to other Americans that you *think * you know what hard labor is, even when you’re driving around in a glorified odyssey with a teeny tiny bed that can barely hold a couple bags of mulch for the back garden
ice & mav don’t even have any little kids anymore, i think they’d consider a backseat useless & a waste of space
SO i would like to offer you a Compromise, which is that ice & mav buy either (or both) a 1974 ford maverick AND/OR a 1990 ford maverick
for the Funny Name & coolness factor (& the “making Bradley vom cause of how cute his parents are” factor), and then soup up, like, a 1984 Chevy C10 for actual towing/hauling purposes.
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Thinking about IDW Optimus again and the fandom's aversion to even acknowledging he exists bc he's a cop or whatever and like. Most of the time people literally just replace him in fic with some white bread knockoff archivist/librarian, not even bothering to keep in IDW OP's personality (which just bolsters my theory that the problem isn't him being a cop the problem is that he's too multifaceted but I digress).
And it's annoying because you could totally write IDW Optimus as not a cop while still keeping his canon personality. You just have to realize that the reason IDW OP became a cop in the first place is because his formative experiences when he was young shaped him to basically have two priorities: 1. To help people and 2. To do it by being on the ground actively doing something about the bad things happening to people.
IDW OP would not be a fucking librarian or archivist because even though those are noble pursuits that can help people and change the world, and Optimus is educated/smart enough for the profession, he wouldn't be satisfied just teaching people or spreading information about activism or social-historical studies or whatever. He's a mech of action: he needs to be doing things right now, in front of him, to people he sees/interacts with in his own eyes, improving society with concrete actions rather than indirect action or abstract inspiration.
So basically the alternate job ideas I can think of for IDW Optimus are something like being a firefighter (or any first responder really) or even whatever the equivalent would be to international charity organizations, those ones that send volunteers across the world to do stuff like build housing/infrastructure or distribute food or whatnot. I mean I can't imagine that the equivalents to these things would be exactly the same in IDW Cybertron, so you'd have to get a little creative with it, but these are just some ideas of jobs that would fit IDW Optimus' personality while still filling the niche of "not a cop" for people who are just that opposed to it.
Though I think the revulsion against coptimus is annoying in general tbh because IDW is already a continuity that rejects the idea of easily defined good/evil people or groups. It feels like people really want Optimus to be a good person in a very sanitized and academically approved way, so he has to be nice and squeaky clean but also like, a perfect leftist who knows theory and holds the most progressive opinions on every single issue....
There is no room for the idea that good people join bad institutions, there's no room for the idea that the reason people think cops are good guys who help people is bc of the government propaganda everything is saturated with. Hell there's even later issues of the Optimus Prime series by John Barber where Optimus like, MULTIPLE FUCKING TIMES, is shown in flashbacks grappling with the fact that he as a cop/Zeta's regime that he works for might not actually be improving society like they say they are, and dealing with the fact that he feels more like a lesser evil compared to the Decepticons (perhaps not "lesser" at all).
It's like there's this idea in fandom of like, fictional media and opinions on media having to strictly adhere to progressive ideals at all times. So people just go "cops bad, this character is a cop, therefore they suck" without being willing to engage with the idea of like. IDW OP is born wanting to fight injustice and protect people -> a good way to protect people is to fight the people who are hurting them and committing crimes -> surely following the law is a reliable moral code to guide him in this -> becomes a cop because he's been indoctrinated into a society (much like our own) where he was told that the state/the law exist to protect the people and being a cop means you get to fight bad guys that hurt people. There's really so many interesting concepts there that could be (and CANONICALLY IS) explored about how good, well-intentioned people can be led to harmful actions simply because they have been fed the idea that the things they're doing are good/helpful/noble. Which is especially important for a character like Optimus, I think, who has a cultural icon status as The Irrefutable and Perfect Good, so it's really important actually to use IDW Optimus as an example of how even the most noble people you know have held problematic beliefs or done bad things at some point in their life. You know, because no one is born perfect and ideologically pure, and in fact society is constructed in exactly a manner to make people drink the kool-aid and believe that the systems designed to hurt them/others are just a normal, if flawed, society.
I mean the writing in IDW literally has Optimus deal directly and indirectly with the harm he's done as a cop and how people don't/didn't trust him because of that. I don't know what the fuck else this fandom wants if the source material literally saying "OP realizes that cops suck and he hurt people and earned their disdain by doing the things he did" doesn't stop them from going EW cop bastard sucks and is the worst Optimus. Like the narrative barely stops short of outright saying ACAB and Optimus himself would agree with this sentiment.
At that point, the collective fandom beef with IDW OP isn't because he's a cop and the narrative didn't do enough to condemn that. The problem is literally just that people don't read and don't care
TLDR: Consider the fact that good people can do bad things sometimes especially when living from birth in a corrupt society that thoroughly disguises its vices/oppressive structures as completely normal parts of existence
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I just have a lot of feelings about Eliot Spencer managing to quietly give Parker and Sophie the perfect flowers for each of them in such a way that they would never suspect it was him. Just because he wanted to make them smile. And in the same episode he promises to cook for Hardison and knows enough about both wine and Hardison to immediately offer to help with his sommelier cover. And the whole episode starts with him just comfortably reading in the empty bar with Nate, quietly making sure the guy isn’t drinking by himself.
Eliot Spencer goes out of his way to take care of the people he loves and he LOVES his team and I’m simply never going to stop thinking about it.
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I need like. A Don't Make Me Tap The Sign about Alfonse Fire Emblem specifically about his character and how he's perceived sometimes. Like Book 7 Chapter 12 he's just like that. He's always been like that.
I feel like I've def said it more eloquently before probably in Book 5 (regarding Reginn and Fáfnir), where like. He Will try for and favor a peaceful solution, but if it's clear there's no way out without violence and killing the threat/adversary. He won't hesitate. He won't falter. Crit line literally references this actually, "Above all, the mission".
Like I feel like the difference between Alfonse just doing Alfonse things (most recent chapter Seidr having to kill Kvasir, no way out of it -- plus also even considering killing Seidr herself, if that were to end Gullveig) and the Letizia moment was like. The Letizia moment was a BOLD gambit he played, which is WHY it was so shocking in the story and as an audience member, and why I think it left such a deep impression. Still very in character for him and the way he thinks/problem solves on the fly, carefully evaluating the situation and what would be the best move with the highest rate of success. (THAT LAST BIT ACTUALLY........ he'll do this even with low rates of success, out of sheer stubbornness as well. Which is why I still stand by him being rash at times, a LOT of his rashness is disguised as "calculated risks" and he just has the willpower to pull it off. The worst-best type of guy to me LMFAO)
Going back a bit though, the Letizia moment also stands out as an example of how far Alfonse is willing to go to win, especially if his back is pushed against the wall. It gives you a FASCINATING glimpse into his character and into his mind. A lot of times Lif would be an enigma to me, beyond the basics, character wise. Like yeah I guess that would fuck up a guy. But his methods (working and making contracts with gods when especially as Alfonse he knows better than that??) would be inscrutable to me. But everything absolutely finally clicked when Alfonse made that gambit, playing to Letizia's personality and whatever preconceived notions she may have, that maybe Alfonse could find a weak spot in and take advantage of. Lif is doing the exact same thing. His judgement is maybe a little worse for wear on account of, well *gestures vaguely to all of him* but he's still very much doing The Same Thing.
LIKE. I'm def straying from my point which is. Alfonse isn't shy about having to resort to violence. It Is a resort. But if it has to be done, it will be done. Any damage control (such as Sharena's feelings -- she has CLEARLY been extremely upset these past chapters) can be resolved later. (This.... is also fascinating to me..... bc it's always been clear to me his loved ones are the people who ground him, who stop him from losing himself, from becoming cruel in his practicality and tendency for detachment. There Is his morality as well -- but his loved ones are a huge part in what keeps him kind.)
I guess what I'm really trying to say is. Hit me up next time Alfonse is playing 4D chess with the enemy or throwing himself in a ditch on purpose just to indulge his baby sister's current pet project. THOSE feel like standout examples of Alfonse Off The Shits (but still completely in character for him tbh), while like. The rest is just par for the course for him. Just another (especially traumatizing) Tuesday.
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🗣️!!
🗣️Talk about your favourite WIP
One of my favorites I got going on right now is a short story i'm working on (maybe even publish!! But it's coming along VERY slowly lol): takes place in the 70s, rez horror, main character is a fat gnc Cree residential school survivor, & there's supernatural shit going on with witches, ghosts, and bad spirits & some colonizer fuckery. There's revenge, trauma, anger, hippies, and murder, and more
Some of the events and places are inspired by real life (like especially the rez horror aspect & reservation life & trauma & shit) but aren't necessarily directly lifted: i kinda wanted the setting to feel authentic in the way that ndns will be able to instantly recognize & relate to, like it feels like it could have happened where you live or to someone you know. Cree will also be included.
Book/author & film influences/inspirations for my writing this I'd say are Silent Hill, Dance Me Outside, Annihilation, "Sharp Objects" by Gillian Flynn, "Monkey Beach" by Eden Robinson, "Indian Horse" by Richard Wagamese, "Beloved" by Toni Morrison, & Métis Maria Campbell.
I think it's my favorite because it came directly from my own brain & it's one I'm actually more confident in! Like I feel like despite my struggles with writing a coherent plot, this one I've actually managed to think up a pretty solid outline for, at least as a jumping off point. I don't want to reveal TOO much bc I'm scared of story theft (not that I'm super duper popular enough to steal from lol but still) & just in case of the event i make some drastic changes. Some of the slowness is due to me getting the details just right & doing more research on things i need to know more about (like Christianity. My family shielded me from it so successfully that I can barely tell apart the various denominations fvshfydh. Im straight up thinking of attenting a Bible study club specifically to do research).
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