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#with Doctor Who
katefathers · 3 months
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dissecting companion exits: a doctor who rant in the year 2024
So it's been over a month since I did that Doctor Who podcast, which has miraculously got me back on my Doctor Who bullshit, and after "The Giggle", I've been thinking a lot about companion exits, and how they worked for me and how they worked both inside and out of the narrative. And because what else is social media for than ranting about fiction, here I am.
I find it really interesting how in both Moffat and RTD Who, many of the exits work more successfully outside of the narrative than inside of it, yet for completely different reasons.
Like, "The Giggle" really emphasised how ridiculously tragic the Moffat companion exits were. And while I can't speak for Bill as I haven't watched her series, for both Amy and Clara, those exits didn't make much sense inside the narrative. Amy and Clara could have had non-tragic exits. Amy's run in particular seemed to be working towards her and Rory choosing to stop travelling with the Doctor. They weren't doing it full time, they were getting older (it was highlighted how Amy needed reading glasses now), and it would have made solid character and thematic sense to have them choose to end this chapter in their lives. To focus on their careers, and maybe have kids, and find the joy in the slow path. A slow wind down--a bittersweet yet poignant departure--would not have been untoward.
Clara could have left that way too. She could have either walked off into the sunset with Danny Pink (if he hadn't been killed off. Because he was killed off, right?) or found some other calling. Embracing teaching at Coal Hill. Teaching on another planet. Anything! But I think in both cases, Moffat wanted his "Doomsday", and so what made logical narrative sense took a backseat. These exits worked more outside of the story--"because the showrunner wanted tragedy"--than inside.
Donna, I think, could have also had a non-tragic exit. I know her tragic ending has been reversed, but if Donna had two series instead of one, I think an ending where she chose to leave the Doctor would have been possible. I mean, she loved travelling, but it's clear that she also wanted to do things like get married and have a family, and I think if she had one more series (or was in all four specials), she could have had a Jo Grant exit. But they couldn't get Catherine Tate for another series/all four specials, and RTD was set on leaving before Series 5, so Donna doesn't.
And the constraints of TV filmmaking are what I believe hampered the RTD companion exits. And there are two major ones: actor availability and the time the BBC allowed him to tell his stories.
Granted, while having two tragic exits that weigh on the Tenth Doctor and contribute to him going all "Time Lord Victorious" could have been the plan all along, assuming it wasn't, both Donna and Rose's exits make the most sense when read from an outside perspective: neither Catherine Tate or Billie Piper had signed on for more full episodes.
Rose's second exit, in particular, is the poster child for "outside the narrative" storytelling. I mean, when the Doctor says "But you've got to [stay in the parallel universe]", you nearly expect him to end that with "because your actress didn't sign on for more episodes". Outside the narrative, leaving Rose with TenToo wraps up the Doctor/Rose romance, keeps them mostly safe from the whims of future showrunners, and yet leaves Rose's story a little open-ended for the audience so they imagine whatever they want to happen in Rose's--and future Doctor's--future. Inside the narrative, however, I didn't find it particularly satisfying. The Doctor has been pining for Rose for two series. Rose has worked incredibly had to get back to him. As a character, she's crafted as someone who would stay with the Doctor forever. They have this sweeping, incredibly romantic reunion! Inside the narrative, her staying makes the most sense. It's the most satisfying ending. Especially if you don't have the space to make an ending with Rose's permanent exit gratifying.
Because like Donna and the bigeneration in "The Giggle", Rose ending up back in the parallel world could have been more satisfying if RTD had more time to build up to that exit. In general, much of "Journey's End" feels rushed, and the end of the episode is particularly bad, leaving a number of holes that never get filled. Mickey gives a very brief reason why he's staying in his home universe, but we don't see him say goodbye to Rose and Jackie. We never get a proper reunion between Rose and Jack, or resolution to Rose making Jack immortal, which she is clearly unaware of, nor do we get a goodbye between them. I remember wondering when "Journey's End" first aired, do Mickey and Jack even know that they won't see Rose again? Do they walk off with a quick "see ya later", thinking they'll meet up occasionally? Because Rose sure as hell didn't think she was leaving her home universe. And while we got TenToo on his own to establish that he is (mostly) the Doctor, we don't get much between him and Rose prior to being left on Bad Wolf Bay to build any kind of connection between them. We don't see Ten come to the decision to leave the two of them; we never really know how he feels about it. Yeah, Doctor Who is a very plot-forward show, but "Journey's End" was juggling a lot of plot and a lot of characters, and it should have been longer--or the Series 4 finale should have been a three-parter--to give both the story and characters time to breathe. The audience is left to infer A LOT, and for me it was unsatisfying at the time, and now with over a decade of distance, it's actually even more unsatisfying.
While it might seem like I have more of a problem with RTD's companion exits, I think they're more successful from a technical and audience standpoint than Moffat's. RTD has the incredible ability to write backwards, making you feel like an ending was always something that he was working towards, even when he wasn't. Although both Donna and Rose's stories could have been different given more time, and if they played out in a different medium like a novel, they still, mostly, work. Donna forgets, but gets a family and a mother who values her a little more. Rose gets both the Doctor and her parents--she doesn't have to sacrifice one for the other anymore. Moffat's, on the other hand, feel very slapdash, and I don't recall feeling like we'd been working towards them. Because, as I said, it always seemed like he was working towards a totally different ending.
I'm not entirely sure where I'm going with this, but I find the difference between Moffat and RTD's approach to companion exits really fascinating. One wanted a specific style of ending, but didn't seem to know how to foreshadow it--how to make it work as part of a cohesive narrative. The other had a strong handle on narrative and character arcs, but their ability to craft something satisfying--to give his audience all the information--was hindered by episode length. Going forward, I hope RTD can manage his time better so that the companion exit is more satisfying, like Martha's. But I also hope he takes a leaf out of Moffat's book and plans a non-tragic ending. Because Moffat did set up two fairly sold, amicable partings, and Doctor Who needs more of those again.
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miametropolis · 3 months
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and what if I told you nine was less afraid of love than ten. what then.
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"what does a TARDIS malfunction sound like?"
"idk just dump the entire goofy sound effects library in the span of 10 seconds. That should do it"
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doomed-jester · 8 months
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"I don't like old sci-fi shows, the special effects look too cheesy" you are incapable of joy. Go to the dungeon.
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darthsarcom · 5 months
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And this is useful to me, I didn't know the "n" was silent. But otherwise his name is very intuitive to say. People don't really have an excuse
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fanonical · 5 months
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genuinely, i think watching live theatre can improve your media literacy so much
like people who look at doctor who and are like 'lol the effects are so rubbish'
maybe watch a stage play where there's no backdrops and half the characters are played by the same three guys in different hats and maybe you will calm down
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henryticart · 1 month
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The Doctor and The Master implies a third, less prestigious renegade timelord named The Bachelor
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paintdoktahwho · 4 months
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nat-20s · 5 months
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ninthdoctorr · 5 months
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david tennant's acting choices in utopia haunt me
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thelvadams · 5 months
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The Fifteenth Doctor's new Sonic! ⚡️
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ayo-edebiri · 5 months
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DOCTOR WHO (2005) - The Star Beast
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miametropolis · 3 months
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9th doctor you have to stop. your doc martens too classic. your leather jacket too cunt. your buzzcut too perfect. your swag is too lesbian...9th doctor they'll kill you.
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willgrahamscock · 5 days
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You wouldn’t last an hour in the asylum where they raised me
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hansoeii · 4 months
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The Doctor!
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