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icharchivist · 1 year

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Hello, could you tell me a little more about thing? With that rapping doctor? Like, I found some music some time ago, it was pretty nice, but I couldn't make a sense from what it was, like is it a game? Show? Some sort of event for irl groups? I remember trying to find something, but it was mostly in Japanese and I thought it's named Star Division, because that's what I saw in title? No need to go into too much detail, if you don't want to, just curious what exactly it is or where I could find more about it

you mean Hypnosis Microphone?

youtube

(translation)

Yeah i can tell you more about it but you're breaking some dam here, i've been into this saga since 2019 LMAO

Hypnosis Microphone is a multi-media fictional franchise that has its plot mostly happen through CD albums, songs and drama tracks. The core of the plot happens here.

Ever since, the story of the tracks has been adapted into a manga that doesn't have a public fantranslation. There's multiple manga series around this idea with a couple prequel manga and stuff as well.

There's also an anime, a rhythmic game and a stage play that came out but they're totally alternative stories/universes to the main plot though. Aside from the anime that has elements you can take and apply to the Main storyline, they're not where you'll find the main storyline and i'd only recommend looking into it if you're really curious.

So, to get into Hypmic, you want to check the songs and drama tracks.

Here's a few links that can help you:

-Youtube playlist of the songs in chronological order of release -Spotify playlist of the songs in chronological order of release, includes the anime only songs -Spotify playlist of the full albums in chronological order of release, with the songs AND the drama tracks

You'll find all of the translations of the wikipedia. On this list you'll see the details of each album chronologically, with a link redirecting to every translated tracks, including the plot ones.

On a few more details under the cut:

On Hypmic itself, there's a plot that evolves with the tracks and characters arcs and stuff.

The basic plot is that after WW3 broke out, a political party took over the world in order to kick men out of power and ban weapons, imposing instead for people to use Hypnosis Microphone, mics that can cause illusions and psychological damage if used with a good rap flow, if they wanted to settle score.

The plot of the story starts as the government set up Territory Battles in Tokyo, in order to have the most powerful Hypmic users focus on petty wars and fights against each other rather than focusing their power on the government itself.

As such you'll see the discography is usually, individual bands's stories first, then it's what we call Battle CDs, which is when the bands have to fight for said State Mandated Territory Battles.

The audience (us) has to vote during battle season in order to determinate the Champion, and the plot evolves and changes depending on those choices.

So the type of songs are: -Solo songs where each characters basically expose a bit of themselves -Band songs where the bands establish their dynamics -Battle songs, usually smashing two bands together and having them fight each other with their verses -Champion song for whoever won the Division Rap Battle (DRB) -Big All Cast songs usually setting the tone of the season/battle to come -Duets that are bonus contents that were sold with the manga and recently were released as part of the album themselves, and it's usually just the characters messing around being silly. -There's also been a song from the antagonists as a bonus.

The Bands therefore represent Divisions, in season 1 it focus on Tokyo but by season 2 it expands to other cities of Japan as two new bands join the rooster. Each Bands are therefore supposed to represent thematic of their own regions. With the added layer that the leaders of each of the 4/6 bands used to be in One Same Band together until something broke them apart, leading them to have more reasons to pettily fight against each other.

Tbh all of it is mostly set up for the gimmick ahah but it's quite fun and the characters are pretty fun.

The bands are focusing on: -Buster Bros! representing Ikebukuro Division, a group of brothers with difficult past, with a geeky aesthetic -Mad Trigger Crew, representing Yokohama Division, consisting of a Yakuza, a corrupted cop and an ex-soldier, all navigating the more underground illegal side of their city. -Fling Posse, representing Shibuya Division, consisting of a fashion designer, a liar writer, and a gambling addict. More in the trendy fashionable side of the city, strangers meeting for the thrill of the fight. -Matenro, representing Shinuku Division, consisting of a shady doctor, a night host, and an overworked salaryman. The so called "sick city", the night life, old friends and the new. And as season 2 rolls around: -Dotsuitare Hompo, representing Oosaka, consisting of a stand up comedian, a teacher and a conman. The busy streets of Oosaka, the entertainment industry, ect. -Bad Ass Temple, representing Nagoya, consisting of a monk, a visual kei singer, and a lawyer. More on the spiritual level, Buddhism aesthetics, all that jazz.

(in term of notables VA, as you're into GBF i'll just mention that we have, as you know, Sho Hayami (Shiva) as Jakurai (M's leader), Shirai Yusuke (Mordred) as Ramuda (FP's leader), but also Saito Soma (Feather) as Gentaro (FP member), Asanuma Shintaro (❤❤❤❤) (Ryan, Domon) as Samatoki (MTC's leader), Subaru Kimura (J.J.) as Ichiro (BB's leader), and in more obscures NPC, Haruki Ishiya (Arrogante) as Jiro (BB's member), Wataru Komada (Lavritta) as Jyuto (MTC's member), Kengo Kawanishi (Benvolio) as Rosho (DH's member), and Takaya Kuroda (Reizrit) as Rei (DH's member)

So as you're asking because we're talking about Hayami, you want to check out Matenro (麻天狼) especially. (They're one of the only two bands with a Japanese spelling to their band name, and theirs is 3 Kanji long VS Dotsuitare Hompo (どついたれ本舗) so it shouldn't be too hard to find if ever you struggle). They're also Grey themed so you can check them out by their album jacket if you need it. I'm a Fling Posse stannie myself so *waves hand at them* if ya want.

so that should be more or less the gist of it. The plot gets a bit more complicated and the characters are super neat and have neat dynamics with one another, but yeah it's really built around this whole gimmick ahah.

Guess i'll also just drop this song to close this convo

youtube

(translation)

but yeah that should be the outlines, if you ever need more infos on it do feel free to hit me up, it's a fun saga after all.

But that should give you a starting point :3c

Take care!!!

#ichareply #lucyferros #ichatalks about hpm #ngl this saga is kind of more of a guilty pleasure to me which is why i don't talk about it much DLKFJDLKFJ #but i like it so i hope you get to enjoy the ride!

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dtrhwithalex · 3 years

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TV | Leverage (Season 1, Rewatch)

Rewatch of the first season of TNT's LEVERAGE (2008-2012), created by John Rogers and Chris Downey together with Dean Devlin and his production company Electric Entertainment.

In anticipation of the show's reboot / revival / sequel LEVERAGE: REDEMPTION coming to IMDbTV on 09 July this year, I am rewatching the original 77 episodes and writing about my favourite moments and things from each episode, season by season.

(Just a note, this first season was aired out of order, so the dates won't actually form a chronology, since I'm going with the intended order rather than the one they were aired in.)

101: THE NIGERIAN JOB

D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 07 December 2008.

I have lost count of how many times I have seen this episode (or any episodes of this show to be completely honest), but it holds up every single time. It is one of my favourite, if not the favourite TV pilot episode I have ever seen.

The way this pilot sets up who the main characters are and what the core of this show is, is simply perfect. The introduction of Nate at the bar being approached by Dubenich, then the intercut between him convincing Nate to do the job and the actual job happening -- just wonderful. The same goes for the individual introductions of the other players. Nate's comment about Parker ("no, but Parker is insane") which plants a thread for the rest of the show already, the flashbacks of each character to exemplify who they and what their talents are, combined with the episode then showing you those talents and what Nate can do with them -- which is, of course, his talent -- sets up this whole show so well.

So many seeds that come to fruition throughout the show are already planted right here. Nate's mentoring of Parker to become his eventual successor as Mastermind ("Haircuts, Parker, count the haircuts" -- "I would've missed that"), Eliot's role as protector, the iconic overhead shots and the gloating, the alternate revenue streams, "Hardison dies in Plan M" -- it's all already right here in this episode. A brilliant piece of writing. Hats off to Rogers and Downey, no questions asked.

Rewatching this episode made me think of what this show is about, in its essence. Yes, it is about standing up for those who can't do so themselves, taking on the bigger bad, showing how corrupt and terrible the world can be, but also how much good there is to still find in the world. But also, this show is about a lonely man being actively bullied into the family he didn't know he needed or wanted, but will eventually come to realise is the one thing, the only thing that is keeping him alive. LEVERAGE is the story of a man and his crusade to avenge the death of his child, but is is very much also the story of a man who finds a reason to keep getting up every morning in the four people who are on this crusade with him. And this pilot episode already holds the seed and the potential of all of that. And that is why this show is to this day still my favourite show of all time, because it is utterly perfect in every way.

102: THE HOMECOMING JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 09 December 2008.

I absolutely love how John Rogers was like okay first episode, some greedy asshole who does whatever he wants for his own gain, we'll take him down a notch. Episode two? Hmm, oh yeah, the government is completely corrupt, filled with rich greedy assholes who do whatever they want for their own gain and always get away with it. Not on my watch (I love him very much, thank you).

This episode, once again, so good. The re-introduction of every character in this new reality of Nate's crusade is just as brilliantly done as the original introduction of them all. Sophie at an audition (love the John Rogers cameo here) completely butchering it once again, Eliot beating up some thug, Parker stealing valuable art, and Hardison doing what he does best: creating a beautiful office-slash-home space for the team, putting his all into their backstories, the equipment, the behind-the-scenes workings of what they need to get the job done. My man.

The message of this particular episode is also just something I am very fond of. The rehab facility doctor's words in the beginning, and then in the end again -- "people don't just show up to help. that's not the way the world works" -- as well as Nate's ultimate answer to her, "so change the world." That right here is the message of this show. It's already right here, all up in your face, episode two.

I completely adore what this episode does for the character dynamics already. The detail Hardison puts into the other's backstories, the interactions around the conference table, Eliot sharing his knowledge, Nate explaining the money laundering scam, the whole thing about laws being in a wooden box, Sophie elaborating why she knew Congressman Jenkins was lying to her -- they don't just work together, they already start giving the others insight into their talents and their knowledge and share that. It's beautiful. I especially adore the shot of them at the end, everyone leaning against the car while watching Corporal Perry and the other veterans debating what to do with the money. They are already so comfortable and at ease with each other, leaning into each other's spaces. They're family. You can see it here already.

Absolutely fantastic episode. For a long time, whenever I thought about The Homecoming Job, I somehow associated a more negative emotion with it than with other episodes, but I don't quite know why, because this is a brilliant episode and I love watching it.

103: THE WEDDING JOB

D: JONATHAN FRAKES. W: CHRIS DOWNEY. Original Air Date: 13 January 2009.

We love Jonathan Frakes in this house and every single time his name shows up with the director tag on this show, I know that I will enjoy every last second of the episode I am about to watch. Frakes directed the hell outta this thing. The Wedding Job is an absolutely excellent episode. Dan Lauria as our main baddie Nicky Moscone is perfect casting and there are so many great comedic beats in the scenes with him and Nate. Everyone, generally, is so weirded out by Priest!Nate, but Moscone just takes the weirdness in stride. This episode holds a very special place in my heart because it contains the introduction of my favourite FBI duo -- McSweeten (McSweetheart, as we call him) and Taggert. I adore these two bumbling fools so much, and I am so glad they kept being brought back, because they are both just so lovely. McSweetheart especially is very dear to me because of the D.B. Cooper Job from the last season (where, I ask, do I start my McSweetheart for Leverage: Redemption campaign?). Overall just such an excellent episode, really. So many great moments between our main characters--Sophie and Nate and their little "relationship" problem, Hardison and Eliot talking about marriage, Parker pretending she was waiting in the screening room to have sex with Hardison, Hardison appreciating Eliot's cooking. I also absolutely adore the beginning, the four of them convincing Nate that Teresa is definitely the type of client they take on. And Nate's resigned "Yeah, okay, yeah. Let's go rob Nicky Moscone. A guy who kills people and lives in our city. Yeah, let's go do that" as if they weren't going to go above and beyond any of that in the five years they will spend together on this crusade of his. You're so precious, Nathan. Of course, the ending of this episode is beyond brilliant, and lives both in my heart and my head rent free. It is such a magnificent found family moment. Getting Teresa the restaurant back, the news footage regarding Ray's appeal, and of course, Eliot cooking for them all, and them celebrating together, all of them. It is such a beautiful moment.

104: THE SNOW JOB

D: TONY BILL. W: ALBERT KIM. Original Air Date: 27 January 2009.

I adore what the client says to Nate in the beginning of the episode: "You work hard, you play by the rules, but when you need help, you really need help? They let you hang. They let you hang and it's your kid who pays the price." This show hammers home its message so many times in such great character moments and it makes watching these brilliant people take on these greedy bastards and robbing them for all they've got that much sweeter. It is such a satisfying thing to watch. Especially because they're all so damn good at this.

This is a great episode but it is infinitely funnier if you know and speak German, because it makes the scenes between Sophie and Eliot absolutely hysterical. And the delivery of the line that Ute Ausgartner says when she discovers they replaced her with Sophie is just wrong enough to crack you up.

Again some wonderfully brilliant comedic beats -- the Frakes cameo in the hospital waiting room, Parker casually hanging off the ski lift, Hardison and Eliot arguing over who puts dye in the dead body, Eliot carrying off a pissed of Parker, and so many more.

This episode also, for the first time, really gives insight into Nate's drinking problem. We had the one moment in The Homecoming Job, but this episode starts to explore it more in depths. And something that I've always appreciated about this show is that it never glorifies the drinking, but Nate is also never vilified for it. It is a fact of Nate's life and they explore different aspects of it, and everything is done with such care (which does not surprise me one bit since this is John Rogers' show).

The ending of this episode is also, once again, so beautiful and nicely done. It is just so incredibly satisfying to watch these greedy bastards get what's coming to them, and to see the clients be compensated beyond anything they'd ask for.

105: THE MILE HIGH JOB

D: ROB MINKOFF. W: AMY BERG. Original Air Date: 20 January 2009.

Another fantastic episode (you will realise that I will say this about every single of the 77 episodes this show has)! Amy Berg wrote some excellent stuff for this show, and this episode is one of them. Always a lot of great character relationship moments, and absolutely brilliant comedic beats.

I am very fond of the fact that here, in the early days, we have the whole team present around the table during the client meeting. We see all their reactions and inputs here already, and not later when Nate or Hardison (usually) relays the information of their next job to the rest of the gang. It's a very lovely moment.

I am also very fond of the entire recon bit at the GenoGrow office. Sophie's French rave-girl act, the others having to climb stairs, Hardison's absence, the cut from Parker's bomb to the microwave at the HQ, Nate, Eliot and Parker yelling "Oh it's right behind us, it's chasing us!" and grabbing Sophie on the way out, meanwhile the security guys completely buying it. Absolutely brilliant, all the way through.

Both Hardison's adventure at GenoGrow as well as the others on the plane contain so many great comedic moments. Hardison's Spanish maintenance guy act, his interactions with both Cheryl and Steve (talking into the cupboard? His fake meeting and getting Steve to take a dive? The whole birthday thing? A+ all around. Amy Berg, everyone) and of course the reaction he has to the plane safely landing on the highway ("lord I was so scared, I wanna cry and call my momma" I love him so much, y'all). I also have big feelings about Nate's pep talk to Hardison, "you can do this, I trust you ... the only guy I can count on in a situation like this." Sir, I am experiencing an emotion alright.

The sequences on the plane are of course also absolutely fantastic. Nate and Sophie's domestic, Parker's day job and her interactions with Marissa, Eliot being a big softie who holds Marissa's hand all the way up to the in-flight bar and hugs the woman he sat down next to when they safely land (womaniser, big softie. tomayto, tomahto). Also big shoutout to the fake names Nate and Sophie have. We love our DOCTOR WHO references in this show. I love these nerds very much, thank you.

106: THE TWO HORSE JOB

D: CRAIG R. BAXLEY. W: MELISSA GLENN & JESSICA RIEDER (GRASL). Original Air Date: 16 December 2008.

This episode also holds a very special place in my heart because it contains the introduction of our dearly beloved antagonist, Mr Jim Sterling, the absolutely amazing Mark Sheppard. We love Sterling in this house, yessir (again, where do I have to address my Jim Sterling For Leverage: Redemption campaign to?). Every moment he is in is fantastic, but I especially adore the conversation he has with Nate at the race track (especially the "Nathan Ford is a common criminal" -- "Common. That's just hurtful" bit of it).

This, of course, is an episode by our wonder twins, Glenn and Rieder (now Grasl), which they ended up naming the in-universe safe company after. Always fantastic work when the two of them are involved. Some amazing character moments again here.

We get to see some of Eliot's backstory with Aimee which in turn gives us two fantastic moments with him and the women of the team. I love his interaction with Sophie at the racetrack: "I like Aimee, I do. I mean it, I like you both, Eliot. I just, I don't know what comes of chasing the past, you know." -- "Well Sophie, sweetie, I don't think you and Nate get to serve me that particular meal." Just fantastic moment between these two, who I like to call The Conference of Mom Friends whenever they are in scenes together. The other interaction is with Parker in the car: "We need you to do this. I need you to do this." I adore Eliot and Parker's relationship and this already is a very early glimpse at the dynamic they develop which will eventually lead to beautiful moments like that in the ice cave in The Long Way Down Job in season four.

I also love how it is Hardison and Parker's discussion about horses that ultimately reminds Nate of the Lost Heir con. Aldis' delivery of "Wilbur loved Mr Ed! He loved him like a second cousin twice removed" is absolutely brilliant. Unsurprisingly, however, my favourite interaction of this episode is the one Eliot has with Aimee at the end: "You're never gonna be the kind to settle down, but I'm glad you found a family." -- "Th-those guys?" Yes, Eliot, those guys. You might not know it just yet, but that is absolutely your family, and the fact that an outsider already comments on it this early is simply perfect. My deepest gratitude to you, wonder twins.

107: THE BANK SHOT JOB

D: DEAN DEVLIN. W: AMY BERG. Original Air Date: 30 December 2008.

Amy Berg on the typewriter once again (typewriter? Alex what are you talking about this was 2008...)! I really like this episode a whole lot. An excellent one for Nate/Sophie, as well as Hardison/Parker. I have a huge soft spot for my crime children pretending to be law enforcement. Any combination of them is good, but Parker and Hardison as FBI agents especially is just exquisite.

This episode is also just fantastic for illustrating some of the small town criminal activity that happens from the top down. Judge Roy's entire bit about how "these little people" will do and say whatever he tells them to do and that, because he is the law in the town, he gets to decide what is actually true and what is not. To then have Hardison fake security footage and them turning the story against Judge Roy is of course poetic justice. I adore the moment when the bank manager Frank decides that sticking with the false facts these random people have come up with is the better choice than having the judge remain in charge.

I also really love the interaction Derrick has with Sophie and then later with Parker, as well as the moment of uncertainty in-between. His "I don't know what to do with that" when Sophie tells him she's a thief is so funny and so good. The turn of "but they're criminals....then again" when he looks out of the window on the way to Parker is also just a nice moment to illustrate exactly what Parker then later says, "sometimes bad guys are the only good guys you get." Ethics and justice are such muddy concepts and especially in situations like Derrick is currently in, there is no way of knowing who is actually good, who is bad, and who is just trying their best. It is a lovely moment and once again, one of those great instances of "important message within character moment" that this show does so well.

Of course, I am also very fond of Hardison's mention of DOCTOR WHO, his "Geek power baby, stay strong" line, Eliot's fight scene with the crack dealers ("stay in the car!"), Hardison's bullshitting the demands at the bank (Hall & Oates!) and, of course, last but not least, the return of my favourite FBI fools, McSweetheart and Taggert, getting yet another win laid in their lap by the Leverage crew. This episode is filled to the brim with greatness.

108: THE MIRACLE JOB

D: ARVIN BROWN. W: CHRISTINE BOYLAN. Original Air Date: 23 December 2008.

An absolutely excellent Nate-centric episode! We finally get a bit more of a view into Nate's past, aside from the ever-present flashback to Sam's death at the hospital. I really like the relationship of Nate and Father Paul, which I think is very interesting and so well done. Through Paul we get another side of Nate, which may have stayed hidden otherwise. I am also very fond of how Maggie is introduced here. She doesn't get a voice yet, but we learn about her through Nate, Sophie and also Paul, and I quite like that. It sets up expectations for her appearance in the finale, which is really intriguing.

This episode has so many great comedic beats as well, and I barely even know where to begin. From the team's inability to deal with Sophie's acting talents (or lack thereof) to the whole "It's not Santa" gag, the amazing faces Sophie pulls when the mark tells her about Bibletopia, Hardison's "God will smite us" thing -- there is just too much good stuff in this episode.

One of my favourite interactions in this episode was on the construction site, after Grant takes what he thinks are his meds.

Sophie: What is that you just took? Grant: Xanax. For my nerves. Parker: Actually caffeine. With a dash of dextroamphetamine. Eliot: You have him speed? Hardison, shrugging: He beat up a priest!

The look Eliot gives them then with a half-shrug, an expression which cannot be described as anything but "aight, fair enough" -- just absolutely excellent.

What I also really loved about this episode, is that we get to see more of the HQ than just the conference room. We have the team meeting in Nate's office, we see Sophie picking through her mail, Hardison making space so he can build fake Saint Nick statues. Added to that, the team is setting into such a nice familiarity with each other. Eliot brings Sophie a cup of coffee to the meeting in Nate's office. The fact that they all do get mail at the office. This is their space. I love it so much.

What this episode also gives us, is a first instance of the con possibly going side-ways because of how convincing it is. I adore that their possible downfall will never be incompetence, but rather over-competence. They are so good at what they do that sometimes their talent comes to bite them in the ass. We see this again, a bit different, in The Juror #6 Job.

The ending of this episode is very dear to me. It is a very lovely moment between Nate and Paul, but also Nate and the team. It creates such a beautiful moment of intimacy between these characters, which I think is done with extreme care, and it shows. This episode also very nicely sets up a nice sort of grounded-ness for the next episode, which I think the subject matter really deserves and needs.

109: THE STORK JOB

D: MARC ROSKIN. W: ALBERT KIM. Original Air Date: 06 January 2009.

This one and the next episode are excellent Parker-centric plots and this one in particular also has some wonderful Parker/Hardison content. Nate, also, is just very good in this episode as well. Keeping the tone the last episode established especially toward the end, this episode has such a nice grounded-ness to it. Nate's first meeting with the client is so careful in a way, and we don't always see that. Generally, Nate is careful and considerate in this episode, I think. Even when Parker goes rogue, he is so good with Parker (I attribute the brashness entirely to his director role here). It meant so much that he doesn't shoot down the idea of coming back for the other orphans, he knows how important this is to Parker (and Hardison).

With this episode we learn that both Parker and Hardison have grown up in the foster system. I really adore the conversation they have at the van after they find out about the orphanage -- Hardison telling Parker about his Nana, Parker's fear that foster system will be cruel to those children, Hardison's "I like how you turned out" -- it is such a lovely and meaningful moment. This and the "we're a team" / "a little more than a team" moments are such great instances that highlight the importance of these characters and their relationships in this show. It isn't just some crime procedural where every characters is replaceable at any given moment -- this show is about people, and about these specific people.

On a lighter note, I also really adore Nate and Sophie's dynamic in this. How they coach Parker and Eliot individually but at the same time, while also arguing about Sophie conning Nate back in the day, is just brilliant. Their "delightful banter" as Hardison calls it, is so good, and I absolutely love that Nate figures out the way to con Irina is the same way he would have to con Sophie. It's just too good.

David S. Lee as Nicholas is also incredibly good, although since watching THE LIBRARIANS I always expect him to swoon over a blonde and call her Duchess any minute.

110: THE JUROR #6 JOB

D: JONATHAN FRAKES. W: REBECCA KIRSCH. Original Air Date: 10 February 2009.

The lighter of the two Parker-centric episodes, but a brilliant one nonetheless. This episode also brings us the introduction of Peggy played by the lovely Lisa Schurga. We love Peggy in this house and, once again, I ask: where do I address my Peggy For Leverage: Redemption campaign to?

This episode is great for many different reasons, one of course being that Hardison is so good at what he does, that Parker's alias has to go to jury duty. What a talent, we absolutely have no choice but to stan. I love him so much. Other fantastic things that make this episode absolutely excellent are

- Nate's "there is not some evil conspiracy lurking behind the curtain of every routine civic activity" speech which he then has to retract,

- Sophie teaching Parker about persuasion with the help of Eliot who is absolutely precious in this interaction,

- Eliot's friend Donnie, who poses as another employee from the company Sophie pretends to be from, who then turns out to be Scottish,

- Nate and Sophie sending the kids off to work at the door, with a briefcase and handshake for Hardison and a snack and high-five for Parker,

and Hardison's entire act as a lawyer. He is so good. Of course his stalling is brilliant, but the turn-around once he has to actually try and win the trial? A masterpiece. I love how he tears the doctor apart for his drunken airplane misconducts, but what takes the cake by miles is of course his closing statement. He is just, so good, and such a goodhearted, wonderful person. I love how he directly addressed Parker. Hardison is full of sunshine and I love. him. so. much.

And I would be remiss not to mention how incredibly fond I am of the rest of the team watching the feed of the jury room from the HQ with such proud looks on their faces as Parker leads the other jury members and they vote in favour of the plaintiff. This is their girl and she's done so well. What a brilliant episode. My love to Becky Kirsch, honestly.

111: THE 12-STEP JOB

D: ROD HARDY. W: AMY BERG & CHRIS DOWNEY. Original Air Date: 03 February 2009.

Another episode, another instance of me asking the question: Where do I address my Hurley for Leverage: Redemption campaign to? We love Hurley! Drew Powell is absolutely fantastic, I adore him. Also huge shoutout to Joseph LoDuca for that absolute banger of a song that plays during the intro and the credits.

This episode has some fantastic Eliot/Hardison moments that are very dear to me. The two of them looking for Hurley and fighting over Hardison's slushy spill is just lovely. The whole car bomb sequence is also just completely brilliant. It's such a step in their relationship and I love it so much. The moment of "D'you want me to kick it?" / "God, I'm gon' die" is a wonderful comedic beat in this tense situation, but it is the bit after that I really adore. Hardison figuring out how to trick the bomb and then,

Eliot: What's our margin of error here? Hardison: 'bout half a second. Eliot: Run the ba-bag of bricks by me again? Hardison: Are you ready? Eliot: No.

I am just, so fond of these two. Also the fact that Eliot's hand shakes when he reaches for the cables and waits for Hardison's signal always puts me all up in my feelings about him. I also of course adore the scene at the rehab facility with Hardison's "I'm with him. No, I am with him. See, he thinks the flirting makes me jealous, but it doesn't. But if you was like Brad Pitt or Denzel or somebody, oh girl it would be on." It love it so much.

Nate, of course, is also just great in this episode. His entire experience in rehab is another wonderful insight into his character, his issues, how he sees himself and so on. The hallucination of Sterling says so much about him. I think this also very nicely sets up how Nate behaves in the finale double episode.

I also really want to mention Parker here, because Parker in rehab is also something I am very fond of. I love the moment where she pickpockets the Koreans searching for Hurley and then so innocently comes to Nate to confess what she's done and tells him in this tiny voice "I didn't meant to, it was just instinct." I love her so much. And her, at the end of the episode, skipping along and then running toward her people, jumping on Eliot while tossing her stuff at Nate, and then going to hug Hardison, is such a lovely moment. I love how the three of them then walk toward the car arm in arm, too. I love these kids.

112: THE FIRST DAVID JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 17 February 2009.

First half of the first finale! I gotta say I really love the David Jobs very much. It is such a fantastic first finale. I really adore how the opening of this episode is mirrored in the opening of the second half.

Given the set-up of the previous episode, I really like how for a first time watcher, this opening sequence very much looks like Nate is completely off the rails doing his own thing getting revenge on the man who, basically, killed his son. It isn't until Blackpoole introduces Nate to 'Portia' and we see Sophie turn around that it becomes clear that we're on the con, which I think is done very nicely. Only then giving the viewer the "how we got here" part is just great.

This episode of course also brings us, finally, Maggie (yes, I'll ask again: where do I address my Maggie For Leverage: Redemption campaign to?). I absolutely love how she is introduced here as Eliot's date. I also love how absolutely terrified Eliot looks once he realises that she isn't just anyone, but Nate's ex-wife. Maggie is such an excellent character, and I adore her. I also am very appreciative that this episode holds the singular moment of jealousy Sophie has toward Maggie. After her momentary outburst as Maggie tells Nate she hasn't stopped caring about him, we never see it again. Even better, once Maggie learns about Nate's crew, Sophie and her even become friends. And it is lovely.

We also have some great Parker/Hardison moments in this episode as well. I adore Parker and her enthusiasm for their "little naked man" and Hardison being weirded out about it (and turning the little David around so Parker can change in private). I, of course, absolutely love the kiss (and Eliot's grinning question at Sophie who of the two of them Parker had kissed) and then the theft of the First David. Hardison is so in awe of Parker and it is a sight to behold.

I also quite enjoy the "downfall" in this episode. Sterling showing up (we love the bastard), the fight between Eliot and Mr Quinn, the conversation about Sophie conning them on the roof, and then of course the final confrontations on that same roof as well as the HQ. This whole thing of "and then I asked myself, what would Parker do?" / "but then I thought, what would Hardison do?" is just brilliant and lovely. It shows how far they have all come throughout this first season and how much they have learned from each other already. I am very fond of it.

I am sad about the offices being blown up, though. As much as I love both McRory's pub and Nate's apartment in Boston, as well as the Brewpub in Portland, I've always really liked the LA offices as well. It was their first home and it was lovely. I am however very happy that Old Nate made it out unscathed.

113: THE SECOND DAVID JOB

D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 24 February 2009.

And the last episode! As I've said above, I adore how this opening sequence mirrors that of The First David Job. Similarly, I also love how until Sophie notices Parker's laser pointer and Eliot sees Hardison, as a viewer you assume they are on the job together, which is again the reversal of the first half of the finale. Just lovely storytelling, I adore it. Speaking of mirrors, the scene in the MC Hammer mansion where Nate inconspicuously manages to get them all thinking about the con together and putting their differences aside once more, also mirrors one of my favourite scenes from the first episode of season two, where the team does the same to Nate.

This episode on the whole I also just marvellous. Eliot's awkward date with Maggie, Nate finally telling Maggie about Blackpoole's involvement (or lack thereof) in Sam's death, the team involving Maggie in the planning of the con and her, precious as she is, questioning Nate's ability to just get people to do what he wants -- it is all just so good. I love Maggie on the con, too. Sophie coaching her, how good Maggie is at it immediately. Just lovely.

Then, of course, the entirety of the con from the moment Nate shows up at the museum. Sterling hurrying all over the place trying to figure out what Nate's plan is, finding out about the mummy, the release of the gas, the evacuation, the David statue replicas, them finally getting in and finding Nate alone in the exhibit room. I adore that shot of him leaning against the display case with the two Davids still inside, only highlighted from the open hatch in the roof. It is such a beautiful shot. I really enjoy Nate and Sterling's dynamic here, too. And I am very happy that Maggie gets to punch Blackpoole just like Nate got to in the episode before. They both deserve to give this man hell.

The ending of this episode and therefore this season always has me in all of my emotions. If I didn't know there would be more after this, I would just go lie down and weep for a while after watching it. The trademark overhead walkaway shot is of course a must, but the fact that they stop, that all of them hesitate, thinking about turning around, thinking about changing their minds. And then it cuts to black, and if this had been it, we would've never known! Ah, what a show, what a first season. I am completely in love with this show, as pretty much everyone knows, but I just -- this show is so damn good. It gets me every single time. Every time.

[image taken from the electricnow website]

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topweeklyupdate · 3 years

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TØP Bi-Yearly Update #139: Don't You Shy Away (From Blogging About Fan Culture) (4/16/21)

Well... this week has been interesting!

A few years ago- heck, just one year ago- it would have been inconceivable to imagine Twenty One Pilots entering into a new era and me not being all over it. When Trench was released, I was practically a daily update page, covering every new drop of info as I reached it. Admittedly, a lot's changed since then. Some of those changes are just a matter of how much time and energy I have to run a blog. As I said ten days ago when it became clear that a new era was coming, I am deep into my doctoral work at the moment (and, due to defending my dissertation prospectus next Friday, will not be able to post next week either).

But there have also been some fundamental shifts in how I approach fan culture. The events of the last year, in the world and in my personal life, have made me really confront the problems inherent with holding people up onto a pedestal, of devoting any part of your life to following a stranger's, and of parasocial relationships in general. I cannot go back to the same mentality I formed in 2013 and kept until somewhere between 2017-19 where the music that I liked was a core part of my personality and writing about the people who made it was a thing that gave me purpose.

At the same time, though, I cannot pretend that I don't still love the band that provided me with indescribably valuable comfort at a time in my life where I needed it. Twenty One Pilots' music, message, and fan community carried me from one place to the next, and so did this blog. They're always going to be a part of me, my interests, and my history. So, yeah; I'm gonna keep writing about them, just with perhaps a little less gusto. And that's a healthy thing!

But boy, is there a lot to gush about. I don't know about the rest of you, but "Shy Away" has only continued to grow on me over the last week, leaving me very excited about the future of our band moving into the Scaled and Icy era.

Recap's under the "Read More". But before that, just gotta say (since I haven't for awhile): Power to the local dreamer.

|-/ (I ain't changing the logo, Tyler, you doof.)

Ok, so y'all don't need me to explain everything that's gone down in Cliqueland over the last two weeks. We had dmaorg updates that were quickly overshadowed by promo posters for Scaled and Icy (which, of course, is just an anagram of "Clancy is Dead", because Tyler Joseph hates me personally) featuring our new icon mascot, Trash the Dragon and an album tracklist. We had a sweet new website launch with plenty of nifty Easter eggs and the promise of an exciting livestream performance on the album's release date, May 21, after well over a year off the stage. We had several interviews where we got intel over when to expect a tour (no clue), where Ned's at (missing), and if the album's being produced under duress from Dema (no comment).

More importantly than all of that, we had a dope new electro-indie song/tutorial for Jay's music drop. After I initially responded with a somewhat subdued "This is fun", "Shy Away" has just continued to worm its way deeper and deeper into my brain; I'm still humming it every hour or so. I cannot wait to someday hear a room full of people yell "I LOVE YOU (ooh ooh)" in harmony. The music video, directed by Miles Cable and AJ Favicchio, is somewhat light on narrative unless you fall down some Reddit rabbit holes, but has some nifty visuals (and space buns). More exciting for me is seeing another BTS video from Mark; it's been over two years since we've gotten to see Tyler and Josh at work, joking around with each other between takes, and that's such comfort.

Clearly, lots of folks are also digging this song. While it's still early, "Shy Away" has been outperforming "Level of Concern" at this same point in its release, having the best debut performance from an alternative song at Billboard since... "Jumpsuit". We'll see if this poppier track catches on better with radio audiences than other TØP tracks have since Blurryface and deliver the band another bona fide hit. I'll admit, I'm skeptical- I haven't heard anything quite like this cross over to the Top 40 in a few years now, it's gonna need to have some time to grow on people, and those promising early numbers are starting to trail off. I'm excited to be proved wrong!

That's about all I've got for now. Like I said earlier, I don't plan on releasing another update until two weeks from now, but I might change that plan if they happen to mess around and drop another track over the next week. We'll see. I'm excited. My band's back in action! Stuff's wild.

Once again, power to the local dreamer.

|-/

#twenty one pilots #tyler joseph #josh dun #shy away #scaled and icy #billboard #top weekly update

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ghost-nabbers-imagines · 5 years

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👶 The baby is mine isnt it? Larry x reader

Ok so two things about this request. One, this is Larry's I have one started for Sal but really wanted to get this one up And two, a trigger warning is in effect. And in both instances the husband or boyfriend is an asshole who does not treat you well but it's going to be bad in Sal's.

Larry

I never meant to be the kinda guy who slept with another man's girlfriend. People who cheated on their partners were assholes and I wasn't like that. However, Sebastian was worse than any other asshole I've ever met. I've always thought he treated (Y/n) terribly and that she deserved better. I mean the guy treated her like shit, he was constantly poking fun at her, and making her feel bad about herself.

The day the affair happened she showed up at my door crying about how he had apparently cheated on her with a friend of his. We spent the night at my place hanging out like always except we got a bit too drunk and ended up having sex. It was the best sex I'd ever had with anyone and I knew that my love for her was genuine. I thought she felt the same way about me, I thought she would leave him and finally be mine. But I was so wrong.

She all but promised me she was leaving him that they were done. She told me she was leaving him for good this time, but a month later they were back together and she was avoiding me all together. I noticed she was different after that, more closed off, distant, almost scared. It was two months after that Ashley informed us that (Y/n) was pregnant. The news broke my heart and shocked me to my core.

It took me two weeks to get fed up with my feelings and to tell myself I had to to confront her about it. Pulling my hood up over my messy brown hair I trudged down the snow covered pavement. My hands were trembling and my mouth was dry, not because of the weather but from nerves to how she'd be towards me. Had I become a dirty secret that she wanted to hide away? Did she lie when she said she'd always felt that way?

As I knocked on her door a million ways this could go wrong flashed through my head. 'Shes pregnant with his baby what are you doing here?' My head practically screamed at me. Before I could turn and run the lock clicked and the door opened. (Y/n) peaked her head through the door her eyes widening when she saw me. She stepped out into the hallway closing the door.

"Hey Larry."

"Hey really that's all you have to say?"

"I'm sorry I know this is hard to understand right now but please try and believe me I'm doing what's best."

"I thought you were leaving him but now all of a sudden your pregnant?"

"Larry I wanted to leave I did but the baby changed things."

"Did you know you were pregnant when we slept together?"

"N-no I swear I-"

"And what about how much we drank that night? Did you tell the doctor you had gotten drunk within the first month?"

"Larry-"

"No please explain to me how you could be so damn careless. Not just to me but to the baby. And with everything you've told me about that jackass how could you want to raise a kid with him? Do you seriously think he'll get any better? For fucks sake (Y/n) are you really gonna let him treat your kid that bad?"

I truly didn't want to be yelling at her but I couldn't help it I was angry and hurt. Silent tears were cascading down her cheeks falling to the floor. Part of me wanted so badly to wrap my arms around her and stop her tears but the other part of me was focused on the pain in my chest. She didn't bother to wipe her tears away till the door clicked open again. Sebastian stepped out a frown already plastered on his face.

He glared at me in a way animals look at their rivals. It took every ounce of strength I had to not pounce on him, however whether I liked it or not he was still the father of her child. She would need him and that almost angered me even more. "What's going on here?" He asked putting his arm around (Y/n)'s shoulders making her flinch. I clenched my jaw shut balling my hands up into fists in my hoodie pockets.

"Nothing. I was just leaving." I scoffed turning to leave. "Wait Larry please." (Y/n) pleaded in a broken voice making me stop in my tracks. "Yeah. Larry (Y/n) hasn't told you the good news yet." He said in an odd voice. I turned to face the two, (Y/n) was looking away fresh tears pooling in her eyes. He had a boastful smile as he lifted up her left hand revealing a small diamond ring.

I like a sharp knife had pierced right into my heart at the sight. (Y/n) couldn't face me but she had tears falling down her face again. "We're engaged. Right after graduation we're getting married and then moving to Santa Fe with my mom." He informed me. "Congrats. You deserve each other really." I spat turning to leave their building. I felt numb but also broken as I made my way home.

What was the point of any of this any more? The girl I'd been in love with since fifth grade was pregnant and engaged to another man. I had truly lost her for good. I hated thinking I had become just another regret to her. Our drunken one night stand was nothing but that to her while I had hoped it would be the first of many times I'd get to be intimate with the girl i loved.

With slumped shoulders and silent tears I made my way into the apartments. Sal would be with Ashley so I knew I could get what I needed from his apartment. I grabbed the bottle of pills petting Gizmo on my way out. Next I went out to the treehouse turning on some of my favorite music taking a seat in a bean bag chair. I sat pondering the whole situation while staring at the bottle of pills now sitting on my shelf.

"She chose him over you." The voice in my head whispered. I squeezed my eyes shut trying to focus on the lyrics and drown out the voice. "They're going to get married, and have their baby and you'll just be a bad memory she wants to forget." The voice continued. I cranked up the music louder pressing my hands to my ears but it was no use. The voice was in my head, and unfortunately it was right.

Finally giving in I quickly scratched a note for mom and Sal. Once it was finished I began taking the pills followed by a swig of Fireball I kept up in my treehouse. I didn't cry or feel angry it was like something inside me was urging me to continue to take the pills. I made sure to include an apology about taking the pills to Sal in my note. Pretty soon there was only a small amount of pills left and I was feeling almost relieved.

As I took the last pill I leaned back in my beanbag chair my eyes landing on a Polaroid of (Y/n) and I. It had been taken by Sal just two weeks before the affair. Despite the drowsiness overwhelming me I picked up the picture a sad weak smile on my face. (Y/n) had a really bad day at school between Sebastian being a dick and apparently having her period, she ended up borrowing my jacket so she could tie her jacket around her waist. That's when it clicked in my head.

I tried to do the math in my head but I was slipping into unconsciousness quicker than I could add. The world began to get darker and darker. The last thing I saw before I passed out was (Y/n)'s beautiful face. I felt like such an idiot. Now both my girl and my baby would be stuck with that monster.

The next thing I knew I was standing across from my own corpse. "No! No I take it back! I'm not ready! I don't want to die!" I screamed at my slumped over body. Black opaque tears began to fall from my eyes never landing on the floor but disappearing mid air. "No you asshole! The babys yours! Wakeup and go save them before it's too late!" I yelled at my corpse. It was too late, I'd truly lost them both for good now because of my issues.

"Larry dear dinner is ready!" I heard my mom call from the ground. My poor mom would he the one to find me rather than Sal or anyone else. I felt even guiltier for leaving my mom alone. First my dad disappears on her now I kill myself? I felt selfish for leaving so may people behind.

"I'm so sorry mom." I whispered unmaterializing so she wouldnt see me. I stood there and listened as she called me once more still not getting any response. She began climbing the treehouse ladder mumbling something if I was asleep up here in this weather she'd kick my ass. My ghostly tears quickened hearing my mom's voice. When she reached the top of she immediately noticed the bottles and my body.

"Oh no oh god! Larry!" She screamed tears falling down her face. She kneeled next to my body her hand reaching up to feel my forehead. I could practically still feel her warmth but she felt how cold my body was. "Someone help! Please oh god be ok Lar Bear!" She screamed through sobs. She turned me on my side trying to get me to vomit.

Henry came running out to the bottom of the treehouse. "Lisa what is it what's wrong?" He asked in the same panicked voice Sal has sometimes. My mom tried and failed getting me to throw up the pills. "Call 911 Henry hurry!" She sobbed. Henry shakily pulled out his phone and ordered for an ambulance to come quickly before joining my mom in the treehouse.

"Oh no Larry." He said in a saddened voice as he knelt down next to mom who was cradling my head in her lap sobbing and taking her fingers through my hair. "My poor Lar bear." She choked out. I kneeled next to them placing my hand on my mom's shoulder making her turn and face where I was confused. I knew she wasnt ready to see me yet but I kept my hand there till the sirens came.

I watched from the treehouse as the loaded my body into a bag and into an ambulance. My mom and Henry went with a couple officers leaving me alone. After rematerializing I debated going into the actual apartments and talking to Megan but before I could I heard someone shouting my name. "Larry? Larry! Did you think that was funny? Because it was a really sick fucking joke." Sal's shaky voice yelled. I looked down to see him climbing up the treehouse.

Taking a deep breath I stood back preparing to deal with a very hurt best friend. When he got up to the treehouse he was shaking and had clearly been crying before. His eyes wondered up and down my ghost form seeing that it was in fact not a joke. "No. Not you. How could do this? How could you leave?" He said through a sob. "I'm sorry Sally Face. I left you and my mom a note. I went to see (y/n) today and Sebastian said they were getting married and moving so I lost it. I felt broken so I came back here to do this." I explained.

He shook his head sadly using his sleeve to wipe under the prosthetic. "I'm sorry Sal the voices got to me. By the time I realized the truth it was too late." I said apologizing. "Realized what truth?" He asked confused. "I found that picture the one you took remember?" I explained pointing towards the picture.

Despite being hurt and angry he leaned down grabbing the Polaroid. "Yeah that's the day you spent like all night cheering up (Y/n) and making her smile as much as you possibly could." He said confused as to why this was important. "Do you remember why I had to give (Y/n) my hoodie even though she's got a flannel around her waist?" I asked pointing to her in the picture. Sal went to speak but before he did his eyes got wide and he looked up to me.

"Oh my god dude!" He yelled shocked. "I know. I'm an asshole and now I'm no better than my dad." I said sadly. For along time I had a constant battle in my head about why my dad had left and why he didnt want me. Now here I was abandoning my baby and (Y/n). It made me hate myself even more to think about.

"But Larry you have to stop her from going!"

"How the hell do I do that when I'm stuck here? Not to mention, what would I say 'oh hey i know I'm dead and all but since you're pregnant with my baby you should stay in town and not marry that fuck head of a boyfriend of yours."

"You have to do something Larry. I mean she can actually see you and the baby will able to too."

"You're right as always little dude. Just hopefully she'll come over here after I was so horrible."

Not even minutes later we could here someone calling for both Sal and I. The voice was sad and scared but i recognized it immediately. "Go ahead hide for a second I'll try to break it to her." Sal said. I nodded unmaterializing as Sal and I made our way down from the treehouse it seemed like I could only go as far as the ground underneath the treehouse. The sight of (Y/n) almost hurt worse than that of my mom.

Her eyes were red and puffy and she had tear streaks down her slightly pink cheeks. She had a hand on her stomach the other clutching the necklace that had been a birthday present from me. I'd recognize the guitar pick anywhere it had been one I'd gotten at a Santiy's fall concert that she'd been to sick to go to. "Tell me it's not true Sal. Tell me it wasnt him." She pleaded crying. Sal pulled off his mask before comfortingly grabbing one of her hands.

"I'm so sorry (Y/n). But you should know he loved you so much." Sal said as she gradually lost it more at his words. She began shaking her head her other hand covering her mouth. "No! No no it's not true it's not true!" She cried out sinking to the ground. My heart ached and screamed for me to hold her but I knew I couldn't yet. Sal crouched down next to her placing a gentle hand on her back.

"(Y/n) do you remember what Larry and I told you about this place. About how we showed you Megan?" He asked trying to ease her into the subject. She looked up sniffling thinking for a brief minute. "About the ghosts? I thought we made all that stuff up." She said tears still falling down her precious face. Sal shook his head before answering "it was all real Megan was real. If you die in this building you stay here. Larry is still here." He told her. She let out another small sob.

"Where is he?" She asked looking towards the treehouse. I took a deep breath and materialized making her eyes widen in shock and she stood up quickly. "I'll give you some time alone." Sal said excusing himself. I turned my stare to the ground I couldn't look at her knowing what I had done. "Oh Larry. I'm so sorry this is all my fault." She said sadly. I finally looked up at her meeting her sad eyes.

"No I'm sorry. I was an asshole. A jealous fucking asshole and I'm so sorry."

"Larry theres something you should know. About-"

"The babys mine isnt it?"

She nodded and I felt myself begin to weep again. I fell to my knees the pain of this whole situation hitting me again. She moved in front of me and I wrapped my arms around her waist letting my head barely lean against her stomach. Her arms hovering around my neck. I sobbed into her stomach till I felt something gently nudge my cheek.

I looked up to face (Y/n) confused but she gave me a weak smile moving my hand to her stomach placing hers next to mine. "She's kicking." She whispered. Sure enough I felt the smallest little nudge once again. My face broke out into a grin. "She? I have a daughter?" I asked happily. She nodded giggling "Yes Larry we're gonna have a little girl."

My grin only got bigger as I stood up pulling her into as much of a hug as I could manage. "I fucking love you (y/n). I know i can't really be what you need considering I'm a ghost but I want to be a part of your life and our little girl's life." I told her pulling away from the hug but continuing to hold her hands. When I looked down I saw her hand no longer had a ring. "I want that too bear. I told Sebastian earlier it was over. That I wanted to be with my baby's actual father. He yelled and threatened me but I had already packed up my stuff and left. I was heading here when the ambulances passed me. I asked someone out front and they told me the young stoner Overdosed in the treehouse." She said frowning. "I'll have Sal fix my note to mom so she knows about you." I told her knowing despite my moms broken heart she would love to take care of her grandbaby and sort of daughter in law.

"Does Lisa know about any of this? Or about you still being here?" She asked. "No I haven't talked to her about it yet. She asked why you weren't coming over anymore I just told her you were back with him. And I dont think shes ready to see me just yet." I explained making her nod her head. Sal came back out his prosthetic back on but I could tell he too had been crying. "Hey Sal can you grab my note from the treehouse I need to have you change something." I asked smiling at my best friend. He smiled back climbing the treehouse before returning with the note and a pen.

"Tell my mom what happened, that I thought I was losing them both and how much I really longed for (y/n) to be mine and the baby to be mine. And add that Henry was the best step dad I could have asked for." I told him. He scribbled everything down as close to my handwriting as he could get before folding the note back up. "(Y/n) you can stay with me tonight if you'd like and go to Lisa's tomorrow." Sal told (Y/n). She turned back towards me smiling softly. "I'd ask to stay in the treehouse with you but I take it you won't want me climbing up there and everything. I laughed shaking my head. "I'll be watching over you dont worry." I promised.

~your pov~

The next morning I made my way down to Lisa's apartment with a lasagna I had picked up the stuff to have Sal help with. From the outside of the door I could hear Lisa's soft crying coming from inside. Taking a deep breath I knocked on the door. After a couple minutes the door opened to reveal Henry. "You hang out with the boys, (Y/n) right?" He asked observing my growing belly. I forced myself to nod with a smile before answering "Yeah Hi Mr. Fisher. I wanted to bring this by for Lisa."

A moment later Lisa appeared next to Henry. "(Y/n) sweetheart come in." She sniffled offering me a broken smile. Henry let me in and took the lasagna to the kitchen for me. Lisa pulled me into a hug holding me tightly. She was wearing her pajamas but with one of Larry's jackets on. "He loved you so much dear I hope you know that." She said with a small sob.

"I know Lisa. I loved him too. I'm so sorry this is my fault. If I had just told him the truth about the baby, or if I hadn't been so scared of Sebastian he'd still be here. I'm so so sorry." I choked out feeling myself break down into tears again. Lisa pulled away pushing some of my hair back. "Now dont you talk like that Larry wouldn't want you blaming yourself or stressing about his actions. We'll all miss him of course but he wouldnt want you to be in so much pain in this state. He loved you and if you're saying what I think you are he would have loved this baby too. It's not your fault you were in an impossible situation." She told me sternly. I nodded trying to wipe away some of the tears. "The babys a girl. I wanted so badly to go tell Larry when I found that out. But Sebastian said if I talked to him there wouldn't be a baby to talk about." I admitted making Lisa frown before smiling and putting a comforting arm around me as we sat on the couch.

"Where are you staying dear?" She asked taking a sip from a mug on the coffee table. "I stayed with Sal last night once I found out about Larry. I was coming over here to talk to him about our baby but I got here too late." I sniffled. I pulled the picture from my pocket, I had brought a copy of the ultrasound picture for Lisa. She smiled grabbing the picture. "Is this her?" She asked. I nodded smiling at the picture of my daughter and her granddaughter.

"I hope she has Larry's eyes." I sighed. "Hopefully she doesn't have his nose. My father gave him that nose and he hated it. I cant imagine it's a trait he'd want to pass on." Lisa said with a pained laugh. "Oh god yeah. I kinda hope she does. It'd be like having a little Larry running around." I laughed. "What if you moved into Larry's room? I couldn't stand the idea of getting rid of his things or donating any of it." She suggested looking up from the photo. "Are you sure I dont want to impose Lisa especially with everything that's happened." I asked. She shook her head smiling. "Of course dear. I could use more family right now." She smiled.

~Third person pov~

Over the next couple months you lived happily with Lisa helping her around the house while she helped you with baby stuff. You spent most of your time after school hanging out with Larry in the treehouse. Sal and Lisa went with you to your appointments. Sal would take his walkie and let Larry listen in each time. Of course when you'd get back you'd go straight to him and talk to him about it anyways. As the baby was born and got older Larry was an amazing father in your opinion. He was always there for you and your child.

~Lex💛

#larry johnson sally face #larry johnson #larry johnson x reader #sally face imagines #sally face #sal fisher #sally face x reader #sally face oneshots

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