Tumgik
#you can't take it with you
lizztaylor · 2 months
Text
Tumblr media Tumblr media
James Stewart as Tony Kirby in You Can’t Take It with You (1938)
922 notes · View notes
digitalfossils · 5 months
Text
Tumblr media
14 notes · View notes
newwwwusername · 6 months
Text
Acid Reflux/GERD Fic Requests Open
My reflux has been getting worse despite medications so if anyone has any fic requests related to that, I need somewhere to work this out lol
My fic rules can be found here
The following is a list of fandoms I'd especially be curious to write for
Cabaret (Stage Musical)
Monster High (Live Action Movies)
The Amazing Spider-Man (Andrew Garfield Movies)
The Owl House
Arcane : League of Legends
Helluva Boss
The Play That Goes Wrong
School Bus Graveyard (Webtoon)
The Road Within
Tales from the Gas Station
Goosebumps (Disney+)
Death Note : The Musical
Spicy Mints (Webtoon)
Spider-Man : The New Animated Series (2003 Cartoon)
You Can't Take It With You (Stageplay)
Newsies : The Broadway Musical! (2017 Proshot)
14 notes · View notes
gladysgeorgiannagreene · 10 months
Text
Tumblr media
Jimmy Stewart and Jean Arthur in "You Can't Take It With You" 1938
13 notes · View notes
hellostarrynightblr · 2 years
Photo
Tumblr media Tumblr media
James Stewart in You Can't Take It with You (1938) dir. Frank Capra
92 notes · View notes
kwebtv · 8 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Cast of "You Can't Take it With You"
6 notes · View notes
fictionadventurer · 1 year
Text
Tumblr media
All I'm saying is, I've watched three Capra movies this week and we're three for three.
26 notes · View notes
emeraldexplorer2 · 3 months
Text
Tumblr media
Ann Miller and Mischa Auer in Frank Capra’s YOU CAN’T TAKE IT WITH YOU (1938)
4 notes · View notes
tsnbrainrot · 1 year
Text
Tumblr media Tumblr media Tumblr media
You Can’t Take It with You (1938) dir. Frank Capra
18 notes · View notes
thebestestwinner · 1 year
Text
The top two vote-getters will move on to the next round!
8 notes · View notes
oscarupsets · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
This one was definitely a contentious match-up for me. Rom-com You Can't Take It with You won over the war drama La Grande Illusion, the first foreign language film to be nominated for Best Picture.
You Can't Take It with You was based off of a 1936 play of the same name. During the film's release in 1938, the play was STILL running on Broadway. It was an instant box office success. The Radio City Music Hall had to increase to 5 screenings a day to handle the demand.
It was clearly a play adaptation, and it was wonderful. I have a soft side for screwball comedies, and this one was definitely a riot. There are also way too many characters, but not in a bad way.
La Grande Illusion is listed as a war drama, but definitely has some light-hearted comedy to it. I struggled to find a solid review from its US release, but many considered it the best French film to date.
Honestly, there was something different about La Grande Illusion. I'm not sure if I'm just getting desensitized to 1930s films, but this one felt significantly more sophisticated. And I couldn't even tell you exactly why (and it was not just the fact that it was in French). There were nuances that did not need to be described. The film style was simple but effective. It's aggressively political in nature without being overbearing. All around a great film. Great job, France.
As for the Academy Awards, we may have ditched the categories of Dance Direction and Assistant Director, but we've still got the weirdly similar Original Story and Screenplay, AND we've added a new confusing duo: Original Score and Scoring!
There were also some brief changes to the voting system prior to the 11th Academy Awards, but each source seemed to just confuse me more on that.
Current reception for both films is solid. Some argue that You Can't Take It with You is one of Frank Capra's weaker films, but still praise the comedy and the casting. Critics consider La Grande Illusion to be a successful anti-war film on par with All Quiet on the Western Front (and even more so because both were banned in Germany for some time.)
Unofficial Review: Watch both!
2 notes · View notes
jackbeauregards · 1 year
Text
That scene in You Can't Take It With You where Jimmy dances the Big Apple with the kids is just so cute.
3 notes · View notes
byneddiedingo · 1 year
Text
Tumblr media
Halliwell Hobbes, Spring Byington, Dub Taylor, Ann Miller, and Mischa Auer in You Can't Take It With You (Frank Capra, 1938)
Cast: Jean Arthur, Lionel Barrymore, James Stewart, Edward Arnold, Mischa Auer, Ann Miller, Spring Byington, Samuel S. Hinds, Donald Meek, H.B. Warner, Halliwell Hobbes, Dub Taylor, Mary Forbes, Lillian Yarbo, Eddie Anderson, Charles Lane, Harry Davenport. Screenplay: Robert Riskin, based on a play by George S. Kaufman and Moss Hart. Cinematography: Joseph Walker. Art direction: Stephen Goosson. Film editing: Gene Havlick.
"Opening up" a stage play when it's adapted for the movies is standard practice, and even a necessary one when the play takes place on a single set the way George S. Kaufman and Moss Hart's Pulitzer Prize-winning You Can't Take It With You does. But director Frank Capra and screenwriter Robert Riskin have done more than open up the play, they have eviscerated it, scooping out much of its wisecracking satire on bourgeois conformity and red-scare jitters to replace them with Capra's characteristic sentimental populism, some high-minded speeches about Americanism, and a rather mushy romance. It unaccountably won the best picture Oscar and Capra's third directing award, in a year when the nominees included Jean Renoir's Grand Illusion. Capra and Riskin load on a kind of superplot: an attempt by the villain, Anthony P. Kirby (Edward Arnold), to corner the munitions market by buying up the property surrounding his rival's factory. The property includes the home of Grandpa Vanderhof (Lionel Barrymore) and his family of Sycamores and Carmichaels, along with some others who turned up there at one time or another and just stayed on to pursue their various eccentric pastimes, which include making fireworks in the cellar. The goings-on in the household are enough to sustain the play, especially when Alice Sycamore (Jean Arthur) brings home her boyfriend, Tony Kirby (James Stewart), and he invites his stuffy parents to come to dinner. (As in their play The Man Who Came to Dinner, the Kaufman-Hart formula punctures bourgeois stuffiness by putting the squares and the nonconformists into confining circumstances with one another.) The film puts more emphasis on the romance of Alice and Tony with scenes in which they are taught by a group of kids to dance the Big Apple and go to a high-toned restaurant where Alice is introduced to the Kirbys, resulting in some not very funny slapstick. Eventually, the Kirbys and the Vanderhof household wind up in jail and night court, where Capra musters his usual sentimental tribute to the people: As in Capra's 1934 Oscar-winner, It Happened One Night, in which a busload of the common folk join in singing "The Man on the Flying Trapeze," the inmates sharing the cell with Grandpa Vanderhof as well as the Kirbys père et fils join in a chorus or two of "Polly Wolly Doodle." (A cut to the other occupants of the cell reveals a throng of fresh-faced working men, not the thugs and drunks you'd expect to find.) And in the courtroom scene, Grandpa's neighbors gather to pay his fine, with even the judge tossing some money into the hat. All ends well, of course: Mr. Kirby decides not to buy the Vanderhof house after his defeated rival suffers a fatal heart attack. (The rival, Ramsey, is played by H.B. Warner, who as Jesus in Cecil B. DeMille's 1927 The King of Kings saved all of mankind with his death; here his death just saves Anthony P. Kirby's soul.) Kirby undergoes a wholly unconvincing change of heart, and we end with all of the Kirbys, Sycamores, Carmichaels, and hangers-on at the dinner table where Grandpa delivers a prayer of thanks. Capra never got cornier than this.
2 notes · View notes
lazylittledragon · 3 months
Text
can't believe we're all adults being forced into the club penguin level of censorship in 2024
42K notes · View notes
emilnikos · 4 months
Text
I need non autistic people to realise meltdowns are a real debilitating thing that has a serious effect on your mental and physical health NOWWWWW!!! The way its been trivialized and lessened pisses me the fuck off. It's not a tantrum and it doesn't come from "being too weak-willed" it's painful and it's embarrassing AND MOST OF ALL IT'S INVOLUNTARY!! Don't claim to be an ally to autistic or disabled people and then make fun of people who have meltdowns. Literally get the hell out of my sight
40K notes · View notes
wolfspaw · 18 days
Text
Tumblr media
0 notes