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confusing Odysseus and Orpheus is like confusing a liar and a lyre. send post
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hey do you have artstor’s number and is this the case for them as well? I have mourned losing access to artstor for over a decade
actually not emotional over graduating university, just over losing my jstor access
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love how when i get a new interest, i’m like “oh god it’s happening again” and i’m stuck like that for about a week until everything explodes and any interest i’ve had prior is completely dwarfed for an unknown amount of time
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For all my fellow oversharers out there.
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Night and Day by Dominik Mayer
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i have so many hobbies and interests but each day the four horsemen (instant gratification, shortened attention span, procrastination, exhaustion) grab me by the throat and shake me until i collapse in my comfy bed
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A well-researched article on Lady Superior, shipwrecks, and her not giving up her dead from truthorfiction.com
Lake Superior , Canada 🇨🇦 / USA 🇺🇸
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gonna show u guys a little opalescent highlight hack i threw together today
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rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS
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THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!
in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:
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more granular rambling beneath the cut!
u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.
example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.
anyway, back to rambling about this specific method:
i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.
since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.
also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao
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can we talk about how being so pants-shittingly terrified of Doing A Racism you freeze up or Get Weird around anyone a shade darker than the sugar in your cupboard or with an accent is effectively the same as being scared of brown people and doesn't make you much better than Sandra Lilly Smith from the suburbs who clings her purse when a black guy gets on the elevator with her
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while they share a similar base flavor, dick tastes more umami while pussy tastes more acidic, though recent menstruation conveys an overwhelming metallic flavor that some diners object to (though i am not one of them). recommended wine pairings are
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How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.
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this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
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