astorythatwritesitself

[astorythatwritesitself]

Overview of a good guide with links to several more.

[astorythatwritesitself]

details about ocs!

send an emoji/description of emoji to learn more about a writer's oc! many of these are taken from my munday asks meme, because i thought it would be fun to make a version for characters too! the prompts are categorized by emoji type and given descriptions in case anyone can't see the symbols. can be used for roleplayers and any general writers alike! for roleplayers, these can also be used for your interpretations of canon characters if you so desire as well!

𝐎𝐁𝐉𝐄𝐂𝐓𝐒. 💭 THOUGHT BALLOON — what is your oc's MBTI, enneagram, and/or other personality aspects (if known/interested in)? 🚗 CAR — does your oc have a driver's license? can they drive/operate any automobiles/machinery besides cars? ✈️ AIRPLANE — does your oc like traveling, or do they consider themselves a more homey person? 🎮 VIDEO GAME CONTROLLER — what are three of your oc's favorite hobbies? 💍 RING — does your oc have any piercings? do they want any (more) piercings? 🖊️ BALLPOINT PEN — does your oc have any tattoos? do they want any (more) tattoos? 📚 BOOKS — what level of education has your oc most recently completed/is currently in (GED, undergraduate, grad school, phd, etc)? 🎻 VIOLIN — does your oc play any instruments? what is their skill level (beginner/intermediate/advanced/virtuoso/etc)? 🩹 ADHESIVE BANDAGE — does your oc have any physical and/or mental disabilities? 🩸 DROP OF BLOOD — what is your oc's blood type?

𝐒𝐘𝐌𝐁𝐎𝐋𝐒. 🎶 MUSICAL NOTES — what type of music does your oc like? do they listen to music very often? 💯 HUNDRED POINTS SYMBOL — share three random facts about your oc that others may not know. 💤 SLEEPING SIGN — is your oc a light sleeper or a heavy sleeper? how are their sleeping habits? 🔱 TRIDENT EMBLEM — can your oc swim? do they enjoy swimming? 🔺 RED TRIANGLE POINTED UP — does your oc know how to use any weapons? 🔶 LARGE ORANGE DIAMOND — does your oc know cpr? do they have any other medical expertise? 🚫 PROHIBITED — does your oc drink/smoke? do they do it regularly, or is it more on occasion or for special events?

𝐍𝐀𝐓𝐔𝐑𝐄. 🌈 RAINBOW — what is your oc's sexual orientation/gender identity? what pronouns do they use? 🎄 CHRISTMAS TREE — what is your oc's favorite holiday? 🐶 DOG FACE — does your oc have any pets? 🐈 CAT — does your oc prefer a wide circle of friends or a few close friends? 🐷 PIG FACE — what is your oc's favorite animal? 🐉 DRAGON — what is your oc's favorite mythical creature? 🍃 LEAVES FLUTTERING IN WIND — what is/was your oc's favorite subject in school? 🌴 PALM TREE — does your oc have a green thumb? do they enjoy gardening? 🍎 RED APPLE — where was your oc born? do they still live in/around their place of birth or do they live somewhere else? how do they feel about their birthplace?

𝐇𝐄𝐀𝐑𝐓𝐒. ❤️ RED HEART — what are three of your oc's positive traits? 🤍 WHITE HEART — what are three of your oc's neutral/questionable traits? 💔 BROKEN HEART — what are three of your oc's negative traits? 💘 HEART WITH ARROW — what and/or who do(es) your oc consider the most important to them? 🧡 ORANGE HEART — does your oc tend to prioritize family or friends? 💛 YELLOW HEART — how many languages does your oc speak? what language(s) are they learning, if any? 💚 GREEN HEART — does your oc prefer being inside or outside? 💙 BLUE HEART — does your oc have any cool/special powers and/or abilities? how are they with magic, if it exists in their world? 💜 PURPLE HEART — what is your oc's ancestry/genetic background? 🖤 BLACK HEART — has your oc killed or seriously wounded anyone before? have they broken someone's heart and/or broken someone's trust?

𝐅𝐎𝐎𝐃𝐒. 🎂 BIRTHDAY CAKE — when is your oc's birthday? how old are they? what are their sun, moon, & rising signs (if known)? what about their tarot card, ruling planet, & ruling number (if known)? do they fit the typical traits of these sun, moon, & rising signs? 🍝 SPAGHETTI — what is/are your oc's favorite food(s)? 🍰 SHORTCAKE — what is/are your oc's favorite sweet(s)/dessert(s)? 🍦 SOFT ICE CREAM — what is/are your oc's favorite ice cream flavor(s)? 🍔 HAMBURGER — is your oc good at cooking? are they good at baking? which one do they prefer? 🥯 BAGEL — what does your oc's typical breakfast look like? do they usually eat breakfast? 🥪 SANDWICH — what does your oc's typical lunch look like? do they usually eat lunch? 🍛 CURRY AND RICE — what does your oc's typical dinner look like? do they usually eat dinner? 🍸 COCKTAIL GLASS — what is your oc's favorite alcoholic drink, if they can drink? ☕️ HOT BEVERAGE — does your oc prefer coffee, tea, hot chocolate, milk, water, or some other drink? how do they like to take this drink (ex. coffee with milk, hot chocolate with whipped cream, a specific kind of tea, etc)?

𝐏𝐄𝐎𝐏𝐋𝐄. 😊 SMILING FACE WITH SMILING EYES — what are your oc's career/general life desires? what do they want to get the most out of life? 😖 CONFOUNDED FACE — is your oc an introvert, an extrovert, or an ambivert? do they let people in easily, or are they more reserved? 🤔 THINKING FACE — what are some of your oc's quirks/mannerisms? 🧐 FACE WITH MONOCLE — is your oc more logical or emotional? 🤓 SMILING FACE WITH GLASSES — is your oc chatty or quiet? are they at ease in social situations, or are they more shy? 🤩 FACE WITH STARRY EYES — is your oc a planner, or are they more spontaneous in their actions? 😥 SAD BUT RELIEVED FACE — is your oc prone to getting stressed out, or is it easy for them to keep their cool? 😓 DOWNCAST FACE WITH SWEAT — is your oc open-minded or stubborn? are they inquisitive or do they prefer to keep to their bubble of knowledge? 😞 DISAPPOINTED FACE — does your oc attract others, or do they tend to be left alone? 🤒 FACE WITH THERMOMETER — does your oc get sick easily? 👨‍👩‍👧‍👦 FAMILY WITH MOTHER, FATHER, SON AND DAUGHTER — how many people are in your oc's immediate family? how many people are in your oc's extended family? do they have aunts, uncles, cousins, grandparents, etc? who in their family are they closest with? are they close with their birth family, or do they have a found family?

#ask game #i got tonight n tomorrow off and wanna talk adrian or sid!

[astorythatwritesitself]

PACING IS ABOUT LOAD BEARING WALLS.

*staples violently to my own forehead*

[astorythatwritesitself]

Send me a number and I’ll write a micro story using the word or phrase

(creator note: I recommend 3-10 sentences but go for a longer piece if you really feel it! Replace pronouns as needed for the character / point of view)

don’t leave 

this was a mistake

[I] trusted [you]

one chance

help

illusion

silent fury

sunbathing

falling

righteous

drastic

candles

too loud

overgrown

trembling hands

in dreams

empty

flinders

sea change

alone, finally

collapse

nap

sated

tender

senseless

how dare [you]

hide

something about [them]

sweat

harsh whisper

breeze

dust motes

saccharine

bauble

filthy

total control

defy

soak

accursed

pet

comfort food

savior

undone

cheap

svelte

shimmer

crave

rampage

nightfall

accost

#-rattles my cage- thinkin of Shrios make me do literary doodling

[astorythatwritesitself]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[astorythatwritesitself]

Blorbo hours & I am So Deeply Normal about applying When The Night Is Over to canon!Shrios yes yeah I know the album has a story but shh

Like it's one of those that makes me regret my inability to make edits the lyrics are just absolutely delicious for a heartsick & Doomed(tm) Shepard ok especially 'in every window I pass/your reflection in the glass/makes me wonder if my mind is going'

#no tags just enjoy unhinged midnight ramblings #Spotify

[astorythatwritesitself]

*through sweat, blood, and tears* YOU WILL NOT EDIT THE FIRST DRAFT AS YOU GO. YOU WILL NOT EDIT THE FIRST DRAFT AS YOU GO. YOU WILL NOT EDIT THE FIRST DRAFT. AS YOU GO.

YOU. WILL. NOT. EDIT. THAT. FIRST. DRAFT.

[astorythatwritesitself]

Mass answers!

for @aceghosts @mxanigel and @teamdilf !

A: Of the fanfic you’ve written, which is your favorite and why?

At the moment? Honestly... Same Difference is the one I actually like going and reading the most. Irikah's been a fascinatring character to me since the beginning, and I've already been cobbling a little sorta roleswap AU where she's the assassin picked up in ME2 instead of Thane, so that exercise in the server wound up being a really fun sort of... 'origin' for it, and a great way to work more with a character who'd only been haunting the narrative before.

E: What character do you identify with most?  Is there a certain fic of yours that captures these qualities particularly well?

-loud shrug- I project like a motherfucker on everyone at all times, so.

J:  What’s your favorite fanfic trope?  Have you written it?

Oh I am a slut for whump and it's almost exclusively what I write 😂

L:  Which of your fanfics was the most emotionally challenging to write?

Of the extant ones... eh, honestly, all of them are about equal? This Is Fine might have been the 'most' since it's a very anxious mindset?

Q: Do you like getting prompts from your readers?

Oh god yes - I am constantly pulled in a billion directions, so anything that helps narrow focus is great, even if all it accomplishes is 'ehhh turns out I don't wanna do this'.

U: Is there a pairing you would like to write, but haven’t tried yet.

My main Hellsing ships tbh, particularly Yumikel, though I do want to give Alutegra a shot sometime too - I have like. Ideas! But Hellsing is a beast to match tone for, so backburner and constant ramblings it is.

V: Are there certain comments you’ve received on your stories that have stuck with you?

A few! Particularly on a couple of my pieces with Thane & that GLaDOS monologue fic - more than one person said I nailed the voices, which is honestly something I crave hearing when I'm writing fic lol. Like - hearing anything else is good is nice, of course, but my biggest turn-off for fic is a character just not feeling Right (not synonymous with canon-compliance, more the. 'He Would Not Fucking Say That, Nor Have You Adequetely Gotten Him Into The Situation To Say That' vibes?), so. It's always a delight getting a good grade in writing the blorbo xD

Y: What are your thoughts on your personal satisfaction with something you’ve written vs. the popularity of your stories?  Do you tend to be most satisfied with your most popular stories?  

... I'll be real here like I'm Fucking Trying but I uh.

I'm like. Never actually satisfied with my writing 😂 Like I'll get to a point where I Am Okay With It, and there's bits I do like to share, but the imposter syndrome is still very real, very loud, and to this day the furthest I've gotten is an 'okay I don't want to throw myself into the sea if somebody Percieves this'.

That said I am a little surprised Data Decay got such a strong response, since I fired it off literally over a lunch break at work. Like - I'm pretty satisfied with it, but. Huh xD

Z: Is there a story you’ve written that doesn’t seem to get much love?

is it whining to say 'most of them' lmao - very little since the SU fic days gets beyond like 40 hits, but what can you do?

That said goddamn it I actually really like the general vibe of Broken Faith and while I haven't done the deepest of dives, I've been in this fandom for like 12-14 years and have seen so little fleshing out Thane's history let alone the drell at all-

#ask #HA THIS ALSO FULFILLS MY FLOWER ASKS it counts enough lol

[astorythatwritesitself]

Fanfic Writer Ask Meme

A: Of the fanfic you’ve written, which is your favorite and why? B:  What was the first fandom you read fic in?  Which was the first you wrote fic for? C:  How did you come up with the title to [insert fic]? D: What’s the most personal fanfic you’ve written? E: What character do you identify with most?  Is there a certain fic of yours that captures these qualities particularly well? F: Is there a song or a playlist to associate with [insert fic]? G: If you wrote a sequel to [insert fic], what would it be about? H: How would you describe your writing style? I: How many fandoms have you written in?  Do you have a favorite? J:  What’s your favorite fanfic trope?  Have you written it? K:  Do you have a guilty pleasures in fic (reading or writing)? L:  Which of your fanfics was the most emotionally challenging to write? M: What’s the weirdest AU scenario you’ve ever come up with?  Did it turn into a story? N: Any fic ideas brewing that you’d care to share? O: What are your thoughts on people writing fanfic of your fanfic? P:  Where did you find the most inspiration for your story < insert title >? Q: Do you like getting prompts from your readers? R: Which writers (fanfic or otherwise) do you consider the biggest influence on you and your writing? S: How do you feel about fan art inspired by your writing? T: Any fanfic tropes you can’t stand? U: Is there a pairing you would like to write, but haven’t tried yet. V: Are there certain comments you’ve received on your stories that have stuck with you? W: What is your favorite pairing to write?  Favorite pairing to read? X: How would you categorize your fanfic reading?  Are you a voracious reader?  Do you carefully pick and choose?  Something in between? Y: What are your thoughts on your personal satisfaction with something you’ve written vs. the popularity of your stories?  Do you tend to be most satisfied with your most popular stories?   Z: Is there a story you’ve written that doesn’t seem to get much love?

#ask game

[astorythatwritesitself]

FYI I have yet to write, BUT:

Cleaned my room & changed my bedding

All laundry is washed, folding & putting away remains, but still

Lunches made & packed for the next week

Ordered an art!

Deep cleaned the water bottles.

Theory proven I am a genius now let's see if I can make myself write the blorbos

Alright all my executive functions are in a board meeting & have only agreed to get nothing done so let's outsource this shit

For every 🪻 sent to my inbox today i have to write one sentence of my last-worked on scene.

With luck I will write, but also, the overwhelming pressure of Having A Task will cause me to short circuit and instead focus on my chores.

(There's also the possibility of flipping over and catching on fire but that's always there)

[astorythatwritesitself]

#dash line

[astorythatwritesitself]

Alright all my executive functions are in a board meeting & have only agreed to get nothing done so let's outsource this shit

For every 🪻 sent to my inbox today i have to write one sentence of my last-worked on scene.

With luck I will write, but also, the overwhelming pressure of Having A Task will cause me to short circuit and instead focus on my chores.

(There's also the possibility of flipping over and catching on fire but that's always there)

[astorythatwritesitself]

Alright all my executive functions are in a board meeting & have only agreed to get nothing done so let's outsource this shit

For every 🪻 sent to my inbox today i have to write one sentence of my last-worked on scene.

With luck I will write, but also, the overwhelming pressure of Having A Task will cause me to short circuit and instead focus on my chores.

(There's also the possibility of flipping over and catching on fire but that's always there)

#ask game

[astorythatwritesitself]

[astorythatwritesitself]

I’m so sorry but in the nicest way possible do yall actually read books or just read words??? Cause I’ve been seeing that trend of people not understanding how “snarled” and “eyes darkened” and “eyes softened” etc. was used in a book and like…

Genuinely, do yall just not have imagination?? Or not understand figurative language??? Also eyes do literally darken and soften have you not lived a life??? How do you read with no imagination? Is this how you get through so many books in one month - you simply don’t take the time the understand the words as they are read?

#sometimes i look at my writing bc i get very specific in that kind of thing & Worry #... then i say fuck it i'm trying to create a Mood & if you can't see the forest for the trees that ain't entirely my problem

[astorythatwritesitself]

I HAVE to know what’s going on with I Get It But Like, What The Fuck Dude

And for @aceghosts !

Congrats on both picking the one that isn't explicitly/implicitly Shep/Thane by the way xD No this one is going to be for Grunt's loyalty mission 👀

Or, more specifically: Adrian and Wrex's reunion - they were surprisingly close on the original Normandy and Wrex was one of her more frequent companions on ground missions, and got the dubious honor of being around a drunk Adrian on the anniversary of the Akuze incident. She wasn't gone enough to spill the entirety of the story to him, but Wrex got closer to the truth than most people did, and a better understanding of why Shep was dead set on taking out any and every thresher nest they stumbled across.

Point being - Wrex knows Shepard isn't afraid of thresher maws, necessarily, but she gets... different, around them. Extremely detached and almost robotic, there's nothing but strategizing to take it down, and take as much of its attention as she can. And tradition demands the Rite remain unknown... and as much as he cares about Adrian, and does feel bad throwing her into this without warning, he's a clan leader and trying to unite his people, even the most extraordinary human doesn't quite outweigh that.

As far as Adrian's concerned - it's not exactly a betrayal? Like the title says - she gets it. But What The Fuck, Man. But it's a painful little moment for everyone involved, that's all.

#ask #korblez #aceghosts #shep tag #anyway then after that she hightails it to Alchera because there are a Lot of feelings going on and how the fuck do you deal with them

[astorythatwritesitself]

Hey I finally have some of these

Vague WIP titles/description game! They're all mass effect fic lol look talking this out helps & counts as work; message title if you want more explanation!

Common Denominator

Trace

I Get It But Like, What The Fuck Dude

... OK maybe it was only the three so far lol