awaytobeunshaken

[awaytobeunshaken]

Caught up this morning on making Star Trek: Discovery posters for the current season. Here are my retro posters for episodes 1-5 of the show’s stellar Season 5. Looking forward to episode 6 dropping later this week!

#stunning as always #star trek discovery

[awaytobeunshaken]

Hey now, you’re an all star

listen to what I orchestrated

SoundCloud

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> The college I attended was small and very LGBT friendly. One day someone came to visit and used the word “gay” as a pejorative, as was common in the early 2000s. A current student looked at the visitor and flatly said, “we don’t do that here.” The guest started getting defensive and explaining that they weren’t homophobic and didn’t mean anything by it. The student replied, “I’m sure that’s true, but all you need to know is we don’t do that here.” The interaction ended at that point, and everyone moved on to different topics. “We don’t do that here” was a polite but firm way to educate the newcomer about our culture. […]

> It turns out talking about diversity, inclusion, and even just basic civil behavior can be controversial in technical spaces. I don’t think it should be, but I don’t get to make the rules. When I’m able I’d much rather spend the time to educate someone about diversity and inclusion issues and see if I can change how they see the world a bit. But I don’t always have the time and energy to do that. And sometimes, even if I did have the time, the person involved doesn’t want to be educated.

> This is when I pull out “we don’t do that here.” It is a conversation ender. If you are the newcomer and someone who has been around a long time says “we don’t do that here”, it is hard to argue. This sentence doesn’t push my morality on anyone. If they want to do whatever it is elsewhere, I’m not telling them not to. I’m just cluing them into the local culture and values. If I deliver this sentence well it carries no more emotional weight than saying, “in Japan, people drive on the left.” “We don’t do that here” should be a statement of fact and nothing more. It clearly and concisely sets a boundary, and also makes it easy to disengage with any possible rebuttals.

> Me: “You are standing in that person’s personal space. We don’t do that here.” > Them: “But I was trying to be nice.” > Me: “Awesome, but we don’t stand so close to people here.”

> Them: Tells an off-color joke. > Me: “We don’t do that here.” > Them: “But I was trying to be funny.” > Me (shrugging): “That isn’t relevant. We don’t do that here.”

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Me finishing a WIP? It’s more likely than you think.

After completing this, I have lots more respect for those artists who upload comic chapters every week.

Anyway, this scene has been stuck in my head and I immediately started it right after the episode it’s in but then procrastinated BUT THEN decided to finish it after the latest turn of events in the campaign.

#bb 😥 #critical role #orym of the air ashari

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I think. a part of Yeza must have been relieved when Nott revealed herself.

just. he’s had the worst year of his life. he lost his wife, he was forced to work for shady government figures, he was taken from his home — and his son, oh g-ds his son, he doesn’t even know if Luc is okay — and he’s being held prisoner (and probably being tortured) in a foreign country with weird magic and ...

and suddenly his wife is there. Veth is there, looking exactly as she always did, like she never even died at all. and she’s accompanied by these powerful friends, mages and warriors and holy people, people who would’ve never given either of them a second glance before, but she’s here and she’s alive and it all feels so wrong

Yeza knows people don’t come back from the dead. not without a price. and as beautiful, as comforting as Veth is standing before him, that can’t be all of it, there must be something wrong, something missing, something different

people who come back from the dead are never the same as they were, right?

and then she reveals herself. that the face of Veth was an illusion, and she’s been put into a goblin’s body, and she’s Nott now. but she’s still her — a little different, not because of what was done to her, but because of what she lived through

well, in that regard, Yeza’s a little different too

she’s still her. and as far as resurrections go, having a different body? well, that’s an acceptable price to pay

he’d much rather have Veth in a goblin’s body than something else wearing Veth’s face

#critical role #mighty nein #cr meta

[awaytobeunshaken]

Whoops, I made more comics ^_^;; But hey, it’s Beau and Yasha being adorable and I’m only human. Enjoy!

#that moment was such peak disaster lesbian i cant even be mad #critical role #beauyasha

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The Iranian Regime is going to execute rapper Toomaj Salehi for supporting protests of Jina Amini’s murder by the regime in his songs.

Iranian activist Elica Le Bon says, “Iranians in the diaspora picked up on the fact that the regime tends not to execute people who become known to the international community. We have seen many examples of prisoners that were either released on bail or had their sentences commuted through our “say their names to save their lives” campaign on social media, using hashtags to garner attention for their causes, and even before social media existed, through getting the stories of political prisoners to international media outlets. Once reported on, and once the eyes shift to the regime and the reality of its pending brutality, realizing that the action is not worth the repercussions, we have seen them back down and not execute. For that reason, this is part of an urgent campaign for readers to talk about Toomaj as much as you can, using the hashtag #FreeToomaj or #ToomajSalehi. Every comment makes a difference, and if we were wrong, what did we lose by trying?”

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sometimes I look out across the theatre and stage of fandom with my opera glasses and spot someone making angry bitter seething post after angry bitter seething post, and I quietly wonder if they're having fun, like I'm having fun, often the people they're vaguing are having fun, some of us are having fun, many of us even

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Miranda July, The First Bad Man

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Had a dream this morning that Archive of our Own had a Random button which would simply take you to a random fanfic, like Wikipedia has. (AO3 does not appear to really have this, I checked and couldn't find one, but I kinda wish they did.) Someone had started a game where whatever fic you got, that was your new fandom, which is very fun! I would love this meme in real life.

The problem came in where so many people used the button that it broke and just started sending everyone to Stealing Harry, and like...I have fond memories of Stealing Harry but it's not my best work and nobody should be assigned to be a Harry Potter fan in this day and age.

So I decide to go off and find Astolat and demand she fix this but when I finally did (there was a whole quest) she turned to me like the baddie in a horror flick and said, "But that's the most random story there is" in a dark voice and I was terrified and woke up.

In the cold light of day I know there are more random stories by me on the archive, let alone by others, but I'm not going to try to get back there to argue my case. Pretty sure whatever I spoke to was actually the demon specifically assigned to plague fandom and not Astolat at all.

I'd say "get thee behind me, demon" but I know just how many porny fics on AO3 begin with that premise. (I've written some.) Begone foul spirit, and take your Satanic Panic with you!

#i got transformers rpf

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Crown Keepers sketches

#critical role #exandria unlimited

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ngl, "I'm the only one who understands [x] character" or "only ten people actually get [x] character" is like the #1 biggest red flag to me that a person probably will have an inaccurate interpretation of a character. because if you've decided that you understand that character in a uniquely objective way over others, you inherently wall yourself off from alternate opinions by deciding they're wrong on the basis of simply not being the exact same as yours. if you can't incorporate or even just ponder other people's perspectives, people who have lived different lives and are approaching the content through different but potentially very useful lenses, you might miss out on some extremely enlightening and fascinating interpretations. building yourself an insulated echo chamber is probably the worst thing you could do when assessing a character like that

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Welcome to the Mighty Nein!

#critical role #mighty nein

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C3 E92 spoiler (I also posted just the image, no text/sound in a separate post) - This is my first time playing with adding sound and text. I considered animating it but I didn't have time (and I have other images I want to work on).

Critical Message

Image by LYuenger (me) - voice of Liam O'Brien on Critical Role

Orym after battle, sitting knees to his chest with his arms wrapped around them. In one hand is a glowing sending stone, in the left he's holding the right shoulder (with the double moon tattoo). He's looking up to the sky with a tear running down his cheek. Shield laying on the ground behind him, and both his swords strapped to his back..

#oh wow #critical role #orym of the air ashari

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#on my computer no more than 10 #on my phone i cant see them all so basically infinite

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One thing about Orym saying that he can't put down the lens he sees the world with is that he's completely correct, he's always going to be viewing the moon plot and the conflict with the Ruby Vanguard from the perspective of "a guy whose husband and father were murdered by the Vanguard", but the same could be said about the rest of the party. They all have pre-existing experiences and attitudes that have shaped their perspective on things. Orym isn't uniquely biased in this sense.

The most obvious one is of course Imogen, as her long-absent mother is a Vanguard general. She heard Liliana's voice in her Ruidusborn nightmares telling her to run as long as she had those nightmares, and she came to associate that with her mother trying to protect her from whatever the red storm was. It resulted in Imogen giving a lot of grace to Liliana once she found out she was alive and with the Vanguard, a grace that more recent experiences are now making Imogen start to believe was misplaced, but a grace that was born over what she considered her mother's voice to be for years.

Fearne was raised in relative isolation in the Feywild by Nana Morri, and as result her approach to a lot of the events she's now embroiled in has an oddly naive slant to it. The whole would is new to her and she's approaching it like someone who is new to it; there's a lack of understanding of implications that she has that goes beyond her simply being fey. This is best seen in how she's grappling with the reveal that Sorrowlord Zathuda is her biological father. She's aware that Zathuda is terrible and that the circumstances that led up to her birth are dubious but there's also a large part of her that desires a connection with him as her parent and feels like they could have a relationship. She's naive to what exactly she is to him, and also influenced by having grown up longing for the parents that left her with Morri.

Ashton lost their parents and found themself blown halfway across the world after a cult ritual went wrong, and had a spectacularly shitty life that he often found himself begging the gods to fix without answer, and as a result he's very down on the idea of gods and even more down on the idea of letting a cult do whatever they want in order to achieve the perfect world that is just beyond reach by whatever means they must. Especially after the entire shard debacle in which Ashton learned that their parents were definitely wrong to do what they did and there were no good ends for the means that they engaged in he's fallen even harder onto the line of, as he said himself, "I hope her ends are fucking great because these means are just not forgivable."

Laudna's sole experience with anything resembling a higher power for much of her 50-odd-years of life has been Delilah Briarwood, the woman who had her horrifically murdered and is still rather explicitly using her as a means to some unknowable-to-Laudna end. This has both made her one of the members of Bells Hells most open to the idea of there being no gods (no more puppet masters) but also the most broadly sympathetic towards Liliana's view of the Ruidusborn (that they are creations of Predathos with no choice but to be slaves to his whims). Her ardent belief that her lift ended on the Sun Tree thirty years ago also means that she often refuses to advocate for herself or her own needs, resulting in moments where she openly wonders if it's Imogen's destiny to join the Vanguard, despite having herself been at one point brutally murdered by a Vanguard general.

FCG made it his mission in life to help people; that desire drove a lot of what he did up to and including his final act of sacrifice for the Hells. They saw the people struggling against the Vanguard and with the world that the Vanguard created and chose to do what they could to help them. Their desire to help even extended towards the gods, as one of the first things they asked of the Changbringer upon gaining the ability to cast Commune was, "Do you need help?". FCG was also a character driven by a desperate desire to find purpose and to understand the "why" of their own existence, a desire that ultimately drove them towards religion as a means of shaping the meaning of his life, and made him the most openly religious member of the group up to the moment of his death.

Chetney, while the most able to look beyond his own biases by virtue of being the oldest and most emotionally mature member of the party, still carries with him the perspective of having been someone who ultimately made little impact on the world up until, in his twilight years, random chance granted him the power to affect change. He gained lycanthrophy, he met other adventurers in the Hells, and got caught up in an end of the world plot and is finally making a true difference in the world. It's made him, arguably, the most enthusiastic adventurer in the party because he views that adventure itself as a gift, and as a way to create a legacy. The desire of legacy is also the reason he made the bargain that he did with Nana Morri; to secure a legacy as a famous toymaker that would persist after he is gone.

Orym's right that he's biased, but it's fallacious to assume that an unbiased perspective exists, because everyone in the story has their lens through which they view the world that they can't put down, not just Orym.

#critical role #bells hells #cr meta

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Every time I sit down to draw Ashton I'm like "oh god their design is too complicated this is gonna be a nightmare" and then every time I actually draw them I'm like "oh :) that was fun actually."

#critical role #ashton greymoore