betadereader - Tumblr blog

betadereader · 3 years

Text

It’s “just” fiction.

How many of us have come across the typical phrase "it's just fiction"? Starting from a personal basis, I have always found it as a justifying sentence of an author with its content. And if the author has to get away with this defense, it is because someone has previously questioned said content.

To begin with, I will clarify a point. Writing about a murder does not make you a murderer, just as writing a rape does not make you a rapist; role-playing a sadistic and abusive character does not make you that character, acting in your real environment just like them.

In the world there are people who know how to separate the line of fiction and reality very well, while others do not. However, this is not the focus of this essay. I wanted to focus on the undervaluation of fiction in that very phrase "it's just fiction." I am going to articulate it with several examples that have occurred or continue to occur in reality, in addition to raising a series of questions.

For better or for worse, the news media have configured a heritage of History. We are aware of History because there is written and / or audiovisual material, but the story offered by the media may not represent History itself. We know the version of history that they tell us.

If I have gone to a very current example, the simple fact of creating a story in the format of an informative speech does not always reflect 100% of the object that occurred.

With information abuse (the saturation of information) and so-called fake news, they also have the possibility of affecting the user's conscience, despite being a totally invented, fictitious story.

Again, for better or for worse, and putting history and the media together, people tend to learn history more easily with fiction series. The fictional discourse can be educational and, at the same time, not represent History as such, trivializing some political aspects or creating a polarized world of black and white; good vs. bad.

I also wanted to highlight a sociological experiment that was carried out on television, replicating Milgram's experiment.

Milgram's original experiment, now cataloged by several experts as immoral, reflected very favorable results for the scientific community in its day. His main objective was to study the forms of obedience and whether they could find connection with those condemned during the Nazi era. Translated to the television world, in the documentary The Game of Death, they wanted to see to what extent a game show could become an authority, in addition to coming up with several theories.

Like the original experiment, an agentic state (sometimes conformism too) was found in the contestant, relegating all authority to the guidelines of the program. There is an additional theory that mentions “belief perseverance”. In the contest, electric shocks are given to a subject who cannot be seen but can be heard. As the program progresses, the greater the intensity of the shock. Obviously it is an experiment and the pain is acted out, but in the participant —who did not know that they were part of the experiment— the following belief came up: "I can't really be hurting him because this is television."

“This is television” as a synonym for prior planning and pure spectacle; as a synonym for falsehood; just fiction.

I mentioned this example because, especially at the beginning of the documentary, it denounces a normalization of violence and physical and emotional torture on television. It denounces, also at the end, that commercial televisions, in their desire for money, "teach us that it is normal to humiliate, eliminate and be sadistic." (It’s an old documentary but if you want to see it, click here. It’s in French, I’m sorry).

Continuing with sociological experiments, how many experiments have tried to study the link between violence and video games? Or sexism and video games? Or xenophobia and video games? Or nationalism and video games?

It should be said that the last mentioned are more common in the attitude of the player, using the video game as an expressive way to say whatever they want. However, we cannot ignore that, like historical television series, video games can also serve for nationalist discourses by demonizing the enemy and sanctifying themselves (especially when talking about video games which main topic is war).

I do not wish to dwell too much on each of the questions raised, since the emphasis is not the result of these experiments, but the undeniable interest and concern on the community of experts, as well as more and more students who are interested in these problems in order to analyze and debate them.

We are not indifferent to the images or books we consume. No matter how invented a story is, it stirs up real emotions. We grow with the media (traditional or digital media) and the content they have to offer us. There is socialization with the media at a very early age, and when we grow up we continue to learn from them.

Media acts on our emotions. And the stories that are told to us through media help to frame a collective imagination that even affects the vision of reality itself. Reality can also help build fictional worlds. And so the cycle would begin, since new ideals in fiction can act as a mirror for a future society and/or perpetuate harmful values (especially when under romantic treatments). They are two worlds that feed into each other.

For this reason the famous so-called "romantic love" has been so analyzed and criticized for promoting toxic ideas such as 1) love is the final happiness of every person and we are not complete otherwise, 2) we must to depend on someone else consider ourselves a "whole", 3) "for love everything is forgiven", "true love is eternal" and more idealizations that impacts on society and its perspective of love.

(Closely linked to romantic love, monogamy has been accused of being toxic and I wanted to make a small point that the decision of a closed relationship is as valid as an open relationship, and that an open relationship can be as toxic as a closed one. Here everything is said).

If fiction lacked that power, censorship would never have existed. The witch hunt in Hollywood or censorship that existed in the USSR for the control of the media and its content should not have happened. And many more historical contexts that I am ignoring. Governments were afraid of a content contrary to the predominant ideology, because it could break and violate their established values.

If fiction lacked power, propaganda would also lack power. Propaganda, especially in the context of dictatorships, offers a cult of personality; they idolize, endow dictators with divine values.

We just have to see the television advertising: it is all an idealized, invented version of the product. Don't give me that you've never been disappointed in buying the real product because "it wasn't like it was on TV."

We just have to see how certain groups in society (racial groups, different sexual orientation and gender identity groups, cultural ...) demand to be participants in fictional stories because fiction configures a mirror of the real world, where they are already participants.

Okay, taking a step closer to the "it's just fiction" statement ... so why do film academies exist? Depending on the film, they work with fiction to a greater or lesser degree, but it is still fiction. Why would there be jobs that are dedicated to worlds which work with fiction, if that is worthless? If "it was only fiction" nobody would pay for a movie or a book. And the same happens with television and animation series; no one would consume them. Any story that contains fiction, that is, any made-up story (depending on the needs of the script and the historical context), has no value.

By the same logic, any literary work would not have survived in memory and the writers we know as the "classics" would no longer be. By the same logic, any artistic movement (theater arts, literature, audiovisual and more), would have fallen into oblivion and its formal codes by which they acquire identity, would not be worthy of analyzing and studying.

Because what difference does it make. It is just fiction. Nothing happens for the massive creation of very questionable content (the topics of which this blog will address later).

Continuing with this essay, does anyone remember 50 Shades of Grey trilogy? Yes, that mess that originated (if I remember correctly) as a Twilight bad fic. How much movement was there on social networks denouncing an abusive and toxic relationship? Apart from BDSM and the criticism that it was painfully written (I started reading it by laughing and ended up wanting to tear my eyes out), there were countless posts in which the relationship of the characters was analyzed. Many voiced their complaint and amazement at how a book that focuses on and romanticizes a toxic relationship could hit the market.

I suppose that something problematic is even more when it becomes popular and it is about making money with it. And probably publishers don’t give a damn because they're going to make money anyway. Although the world of FanFiction is not destined —in principle— for commercialization, the fic that romanticizes problematic subjects is not "less important" for this reason, because it can do the same damage. There is a vast "FanFiction culture", and more than one fic has made the jump to the market. We have all seen a book with its brilliant promotion of "phenomenon on Wattpad".

Fickers —writers of FanFiction— are not film or television producers. It is good that FanFiction (and like FF we have Wattpad and AO3) is not a strictly professional universe. A fic, like a movie or a television series or a video game, can narrate very murky and dark things from life. A story can talk about drugs (or other types of addictions), the inhumanity of war, torture, sexism, rape, pedophilia and more that I’m ignoring. You can do it from the critical perspective of the characters and their actions, or from the point of view of the addict, inhuman, sadistic, sexist, rapist or pedophile respectively with the aforementioned.

Why if the producer/writer who whitewashes the image of pedophilia or terrorism (for example) or romanticizes them is considerated as a pedophile or as a terrorist but nothing is said against romanticization and the subsequent normalization of rape in the FanFiction world?

That question is one of many examples of harmful behavior by content creators, which toxicity can be seen thorugh fiction. That question is one from many others that this Tumblr account wants to develop as essays.

Because fiction is not “just” fiction. Whoever wants to rely on this phrase, is the equivalent of being a shameless person... as something to begin with.

#fiction #power of fiction #long post #essay writing

1 note · View note