griffnoir

[griffnoir]

My brain: You have so many tight deadlines. So many things on your weekly schedule. So many important jobs. You have to get important work done!!!

My hands:

[griffnoir]

White-fronted bee-eaters By: Natalie J. Demong From: Natural History Magazine 1984

[griffnoir]

Detail from Lorenzo & Isabella by John Everett Millais

[griffnoir]

Your generosity conceals something dirtier and meaner. You're incapable of facing your ambitions and you resent me for it. But I'm not the one who put you where you are.

Anatomie d’une chute (2023) dir. Justine Triet

#it's a movie #anatomie d'une chute

[griffnoir]

Messi the Dog as Snoop in Anatomie d’une chute (2023) dir. Justine Triet

#give this dog an oscar!!! #anatomie d'une chute

[griffnoir]

White-tailed deer By: Leonard Lee Rue III From: The World of the White-tailed Deer 1962

[griffnoir]

One thing most people don't realize about Gazebos is how bloodthirsty they used to be until the 1930s or so. It used to be that in order to appease your average small town gazebo you had to feed it 4-5 marching bands a year, or roughly 2 dozen barbershop groups. Noawadays? Throw it a steely dan cover act every 6 months, maybe a bridal party every few years if you're actively trying to court its favor, and you're pretty much in the clear. And the crazy thing is nobody knows why they calmed down, or that their appetite for flesh won't return to its 19th century heights one day. It's actually an increasingly popular theory among modern Gazebo researchers that we're at the tail end of a period of dormancy and it's only a matter of time until they start howling for blood again. And if/when that does happen there's the question of whether our modern zeeb-keepers are really ready for the task of booking enough sacrificial acts to meet that increased demand. Guild policy has gotten lax in the century since the heyday of Dark Pavillionism and a lot of local keepers refuse to even look at newer research that threatens to upset their status quo. Kind of scary to think about

[griffnoir]

#you can only lose i love it

[griffnoir]

some Wheel of Time art from last year that (i think???) i never posted. Soulmates for ever and ever <3

#them #wot

[griffnoir]

netflix just had to take this one away from us huh 😔

do not repost, reblog only

twitter | ig | commissions | prints | ko-fi  

#she was #inside job

[griffnoir]

[griffnoir]

fed up

#!!!!!! this fucks so hard!!!!!

[griffnoir]

#uh oh #hate when this happens #house of leaves

[griffnoir]

ive gotten so much mileage out of this tweet. every time i see something on the internet that makes me mad i just think to myself "people in real life: hey man how's it going" and i keep it pushing

[griffnoir]

Althea, Brashen & Malta in Liveship Traders: yeah Amber’s not really traditionally beautiful. Her features are too sharp and shes tall and skinny. Her colouration is unique and she looks striking but thats about all

Fitz in Tawny Man: The Fool glows with an ethereal beauty. I was entranced by his piercing eyes. His delicate hands and slender form belie an unexpected strength and when he moves, it is with the fluid grace of a dancer or acrobat. As lord golden, he is the most attractive man in the whole wide world and everyone is in love with him.

#ye.ah #realm of the elderlings

[griffnoir]

Belinda and Rosita, Buenos Aires, Argentina. 1998. Alessandra Sanguinetti.

[griffnoir]

Survivors

#oooooooooh #good omens