Composition 4/28/2024 Acrylic on paper towels and cardboard
People think I’m prolific but I’m really not. Works get painted over and over again sometimes. Like this one for example. Started off as a memory from Hawaii of a Luau where there was a fire performance.
The more I worked on it the more it felt wrong or colonialist or something. Then I felt dumb for doing it, then dumb for not doing it, and so it goes. In the end it didn’t fit with anything I care about in painting so it got absorbed into something new.
“obliterator like a spotlight” Composition 4/14/2024 title text from @caroltaylorkearney acrylic on cardboard and paper towels glued to canvas stretchers. #artepovera #artbrut #situationistinternational #CoBrA #automatism #abstractexperssionism #actionpainting #artinformel #brutalistaesthetics #modernism #zombieformalism #whitemalescrawling #nathanrutkowski #nathanrutkowskiartist
These three large cardboard paintings had warped and got them straightened out thanks to James Schlictling who did the backing (2nd photo is his). I’m planning on showing them at the Merchantville Art Walk May 10th. Come out and see them in person! They’re hard to photograph!
This is not AI and it is not meaningless. The hand, mind, and experience brings this work into existence. There is no phrase given to a machine to spits this work out. You could look through an encyclopedia of the 100 + years of western abstraction and see similarities. More important to look for where I mess up.
Composition 12/17/2023 using photographs of Polynesian Art from a Museum Publication. Acrylic on cardboard plastic bag and magazine pages. 37 X 37 inches.
When I decided to use these images I had a lot of hesitation with questions like “are they mine to use?” “Who am I to do this work?” “Why this type of work? “Why this style”. “Don’t you need to ask permission to use this imagery and if so who do I ask?”
Ultimately, as an artist you just need to work and it’s up to whomever powers that be whether they show it.