“April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain.”
— T.S. Eliot, The Waste Land
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— Apprehensions, Sylvia Plath
[text ID: Is there no way out of the mind?]
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we who hollowed out our hands to scoop
spaces dark where weapons break down in rust and
rot - we sang, didn’t we, as we wove little lattices
with fog -
when the hangman neared, our hearts sped up, we
remembered we were alive
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Carl Moll - The Roman ruins in Schönbrunn (1891)
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Helen of Troy (detail) Frederick Sandys
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Sean Sexton. German designer Alfred Bollacher copying hieroglyphs on the wall of the mortuary temple of Ramesses III, Medinet Habu, Egypt, 1920.
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night after night, an empty room,
and dreams shaped from the soft melancholy of
wildflower fields, the silky poppies, the grazing
herds of goats that people the side of the road
dark’s phenomenon: my heart turns into a toad,
I croak and croak, all loneliness and want, an emergence
from startouched waters, a terrible beauty
an embarrassment of abundance, I grow and grow
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I like to think about the lives of small things
names and objects that pass into obscurity, dreams
never realized for they were lost upon waking
Is that the cruelty of dawn? Time’s inevitable effacement -
that a morning will come when I realize I forgot my
mother’s laugh, a lover’s hand, the cumulative
moss of my living, the tree’s underside, a place where
a giant rests, a home for smaller things: creatures, invisible
insect work, the memory of a lover’s hands
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Alexandre Dubois-Drahonet: detail of Female nude, back view (1831)
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Solar Eclipse, Howard Russell Butler, 1925
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The market cart by Thomas Gainsborough (1727 - 1788)
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night after night, an empty room,
and dreams shaped from the soft melancholy of
wildflower fields, the silky poppies, the grazing
herds of goats that people the side of the road
dark’s phenomenon: my heart turns into a toad,
I croak and croak, all loneliness and want, an emergence
from startouched waters, a terrible beauty
an embarrassment of abundance, I grow and grow
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“Among The Foxgloves” by Jessie Wilcox Smith
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Ida Rentoul Outhwaite: The Water Fairy (1921)
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let me collect those flowers still, on those hills I’ll never return to -
in that time that nearly never was - yellow, teethlike, rows and rows
of graves poke out haphazardly: childhood
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Katherine Mansfield, from Journal of Katherine Mansfield
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