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hauntyngmoved · 4 years
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rebecca.
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tma as “the haunting of bly manor”: self-indulgent au ramblings
this started as me really loving thobm’s ending (both in general and as a representation of what i want out of tragic gay love stories in horror) and thinking “wow it’d be cool if tma ended like that,” and ended up here because i started analyzing the parallels and where other characters fit in and couldn’t stop thinking about it. indulge me on this one please
(putting this under a cut in case anyone is watching the haunting of bly manor and doesn’t want to be spoiled. i don’t think you necessarily need to have seen thobm to understand this but it probably helps.)
· okay as pieces of horror that deal a lot in tragedy and death and love and themes of being trapped and fighting against things and reliving moments in time and losing yourself to outside forces, i think thobm works really well as a template for a tma au
· to start off: martin is the storyteller. of course martin is the storyteller
·“statement of martin k. blackwood regarding… a ghost story” more on this later
· the magnus institute stands in for bly, and it’s pretty much the same except it’s in the middle of fuck-all nowhere, and is much less staffed, and half the staff just like. lives there out of necessity
· it isn’t just a temple to the eye though; it’s mostly that, but it’s also kind of like a sinkhole for all the powers. the land it’s on is a mess and divided up between the powers like a mini fearpocalypse
· consider: tim and sasha as owen and hannah come and suffer with me
· ok aside from the inherent tragedy of their stories being in parallel, consider: tim would make those awful puns and sasha would absolutely pretend to hate it
· ok but also consider: sasha dies and no one notices, not even her. she’s taken by not-sasha the lady in the lake and she dies and no one notices it, but everyone wonders where sasha’s always going, why she always seems to be so out of it.
· imagine sasha fading into the background not realizing that shes dead... tim not understanding why she's pulling away or constantly disappearing, why she acts so strangely when he suggests they run away... sasha reliving moments with tim, unable to understand why she keeps coming back to the moment where she pushed him out of the way when something was in the institute, not realizing it’s the last time she saw him alive
· “tell him i love him…” oh my god
· not sasha is the lady in the lake. just because.
· jonah elias magnus is a little bit the lady in the lake a little bit peter quint he’s got the backstory of this being his house and being there for fuck-all-ever, and he’s using all these people as cogs in the machine, trying to get them to lose themselves to the eye or anything else there, using their lives and wellbeing to benefit himself (especially jon more on that later)
· (it should be noted there’s a very good fic with a huge manor and ghosts and romantic stuff and jonah possessing people called antigonish that makes way more sense than this but anyways)
· basira and daisy are a little bit quint and rebecca jessel. not entirely; their backstory is different and so is their dynamic, and daisy doesn’t possess basira to kill her and trap her there forever or anything like that. but she does go over to the hunt and ask basira to come with her. the difference is, basira wants to
· georgie is henry wingrave. minus the spousal infidelity and secret daughter, but in that she refuses to come to the institute. she’s brushed enough with it (with the end) that she doesn’t want to come anywhere near it, or anyone involved. she’s henry wingrave who separates herself from everyone for her own preservation but also loses jon and melanie in the process… who calls all the time because she misses them and wants to either apologize or beg them to leave but can never get up the courage to say anything… who comes back to get them out and dies briefly and has her encounter with the end… who talks to sasha when she reveals she’s dead and says, “tell him i love him…” who helps melanie leave in the end…. jesus christ
· melanie and jon are both dani yes i will elaborate
· melanie is dani in that she’s the last to come, and she thinks it’s going to be a new start even though it’s anything but. (she’s running, although not from a ghostly fiancé, but from the slaughter and the war ghosts and the humiliation she faced on the internet.) she comes to give a statement and ends up never leaving, and the slaughter only tightens its hold on her. georgie disapproves. melanie wants to leave when she figures out she’s trapped but she doesn’t know how
· jon is dani in that he is the second to last to come, and also the linchpin to ending all of it. but he’s also a little bit the kids, in that he’s being manipulated and taken over by the eye and in a lot of danger but he has no idea. he’s still the archivist he still takes statements and elias (who’s a lot less present here but still has some sway over everything) is manipulating the hell out of him ala quint to miles and flora
· the covering mirrors motif pops up here somehow mirrors looking glass eye all of that
· jon still takes statements, and statements are a version of dream-hopping. where they can relive their statements and their fondest memories and all of that, but jon is unwilling voyeur to all of it
· tim and martin are the ones who don’t stay at the institute overnight. jon and melanie and sasha and basira do. gradually tim and martin start to leave less and less
· it ends in a big confrontation i’m not sure how. lake + eye imagery, the power well trying to pull everyone in. sasha accepts she’s dead. georgie comes for her loved ones. jon gives himself over to the eye to save everyone, so they can all leave
· here is where storyteller martin comes in because imagine that ending of dani and jamie in a jm context. holy fucking shit
· jon and martin who leave the institute and go to scotland on borrowed time, knowing jon will inevitably lose the rest of him to the eye someday, but wanting to spend whatever time they have left together. the safehouse period but it lasts for years pls imagine. all of that. oh my god
· jon eventually going back to the institute to protect martin and martin following him and getting there too late… that entire scene by the lake… holy shit holy shit
· storyteller martin who won’t talk about it for years before finally giving the statement (possibly at georgie and melanie’s wedding just because, possibly not like that at all). who gives the statement futilely hoping it’s the key to seeing jon again because that’s always worked before. storyteller martin who is still looking for jon years later, who fills the sinks and tubs and sleeps with the door cracked open. storyteller martin who sleeps unknowingly with jon’s hand on his shoulder
· this is messy and unformed but i’ve been screaming about it for weeks oh my god someone draw this for me
· i don’t expect actual tma to end anything like this but i’d die if it did
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