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#'dies irae' i will accept as its own thing but only when it's referring to the chant melody because that's such an established Thing
supercantaloupe · 1 year
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pedantic shit that's annoying me today is people referring to verdi's requiem just as "reqiuem" or "the reqiuem". basically every choral composer since the sixteenth century wrote reqiuem masses, verdi isn't special, get a grip
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obsessedwvampbois · 3 years
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𝐑𝐚𝐧𝐤𝐢𝐧𝐠 𝐚𝐥𝐥 𝐭𝐡𝐞 𝐃𝐋 𝐬𝐨𝐧𝐠𝐬
Oh boy so this is gonna make people really mad. I have listened to a total of 52 songs from the Diabolik Lovers franchise (that I could find) and ranked them for the hell of it. For this ranking I will be including all character songs, openings (both anime and game) along with the remixes. I will not be counting solo versions of songs (eg. Gin no bara), soundtrack bgm or the endings themes.
My ranking is based on these things:
how well does the song fit the character/s or game, both in lyrics and aesthetic
the overall production and performance of the song
is the song a bop? would I willingly listen to it again?
Couple of disclaimers: I do not speak Japanese so I will be crediting the translations of each song as I go through them along with any think pieces / essays that I come across. If there is any song I missed, please let me know and I’ll slot it into the rankings, its hard to find one source that has all the songs recorded. Finally, just a reminder because I know I'm gonna make someone mad, this is my list! If you don't like it make your own or ignore mine, I'm only one person and my opinion is not final!
With that in mind, my rankings are below the cut
*Least Best*
These are the songs I will probably never listen to again. I have a few gripes with them that I'll talk about in my explanation.
52. 誓いのカンパネラ (Chikai no Campanella)
Shu, Ayato & Subaru
~translation~
This song is just super underwhelming overall. The guitar is my favourite thing about the song but that's it. There is so much build up for a boring chorus. The lyrics don't have much for me either.
51. 血戦のDies irae (Kessen no Dies irae)
Tsukinami Brothers
~translation~
On the opposite end, this song is so overwhelming. There are so many elements to follow and its hard to keep up. This is the first time I'll bring it up but the volume of the voices is so quiet compared to the backing track, its frustrating. The lyrics is what brings it up a notch as it talks about the day of wrath (dies irae) as the day the founders take over. I was also low key hoping to hear some version of the dies irae song hidden in the background but I couldn't hear any.
50. S.O.S-ΑtoΩ-
Tsukinami Brothers
~translation~
This song just feels so forgettable, I just feel like there isn't much to comment on. There are some interesting lyrics sprinkled out like comparing literal self mutilation to abstinence. Also the actual delivery of 'S ah O ah S ah', I can't take it seriously.
49. Dystopia
Kino
~translation~
This had an interesting start because I hadn't heard anything similar for DL but then after a few lines the tone change was just a nope for me. Again, Kino's voice is super quiet and the constant barrage of all these instruments that don't really gel together its confusing. Overall, it didn't leave much of an impression and I couldn't really visualised DL in the song.
48. 吸愛ラビリンス (Kyūai Labyrinth)
Shu, Ayato & Subaru
~translation~
Praise for the saxophone! Props to that because it shines here and is really the only memorable thing besides that final line of the chorus. The song does give the vibe of the Vandead Carnival with its more playful energy though. The lyrics feel really typical, like there are so many times I read lyrics about drinking blood before I get bored.
47. 極限(UNLIMITED) BLOOD -Remix ver.-
Shu, Ayato & Subaru
~translation w/ original ver.~
I don't think I really need to hear EDM/dubstep and Diabolik Lovers again thanks. It feels super dated and the vocoded singing is a little much for my taste. Good source material and the stripped back vocals at some points is quite nice.
46. 愛しきPain (Itoshiki Pein)
Subaru
~translation~
First off please never let me see Subaru near a fedora again thanks. Overall I felt bored with this song, like its nice, but that it. There are similar sounding songs that just hit home similar themes a lot stronger later on. The best part of this song is the spoken word but it feels weird for Subaru to be singing such a slow song.
45. Luv Apple Juice
Ruki & Azusa
~translation~
Yes, I am counting Ruki's spoken word, its my list. Lyrics are a must read with references to Adam, Eve and Eden throughout. Again, the voices are super quiet and with how fast paced the instrumentals are its annoying. The tempo also backfires because these are two of the more 'chill' characters. The last complaint is that the speed of Ruki's speaking compared to Azusa's singing just isn't right.
44. DIE IS CAST
Kou & Yuma
~translation~
This has to be my least favourite opening to a song, the staccato is just really grating to me. The way I'd describe the chorus is loud, the same note over and over again isn't appealing. The lyrics are an interesting read but nothing feels super important. The highlight of the song is the pre-chorus, thanks production!
43. カレイドナイト (Kaleido Night)
Kanato & Subaru
~translation~
This song is just generic, like overall. The sound, the lyrics, the production. There just wasn't must for me to listen to without zoning out.
*Average*
These songs don't leave too much of a lasting impression on me, but I still enjoy them.
42. 苺の罪 (Ichigo no Tsumi) (strawberry sin)
Reiji
~translation~
First of the generic rock songs! I couldn't really find much in the lyrics of note I think the actual performance of the song is my favourite element here.
41. 真夜中の饗宴( MIDNIGHT PLEASURE) -Remix ver.
Shu, Ayato & Subaru
~translation w/ original~
One the best part of the original is that opening section with the steps, it creates some nice anticipation for the coming song. The chorus this time round feels a little low energy after the hype of the pre-chorus. After watching the actual opening with the remix, I kind of wish they had the voice over, the song is so chill the last chorus could have it to make it feel more grandiose.
40. ZERO
Subaru
~translation~
Second generic rock song, this time it actually suits Subaru's brand! The lyrics do have some hints to Subaru as a character which is better. My sustaining thought is that this sounds like an off brand Arcadia.
39. Bloody★Mayim★Mayim
Sakamaki Brothers
~translation~
This has to have one of the strongest hooks for DL. For how many people sing in the song, it's easy to keep track of and the chemistry between them all is in sync. The main issue is that it feels like its missing some element to make it shine, the lyrics aren't in-depth too which brings it down another peg. The bridge/interlude is the best part though as I can visualise some mini story within the song here.
38. ADDICTED (2) PHANTOM
Ayato
~translation~
This song would be so much higher if I felt like it was more memorable cuz the lyrics here really shine. My interpretation is that this is Ayato questioning where his love stops and his sadistic nature to satiate his desires begin, can he separate the two? He both loves and despises the idea of draining his s/o dry. Another gripe with the song is that its not quite Ayato's aesthetic sonically.
37. Kindan no 666 (Three Six)
Kou & Azusa
~translation~
What puts this song so low is the majority of the instrumental, it takes a backseat here when I feel there could be more added. Props to percussion, drums are great though. After watching the MB opening so many times its hard to not see DL. Lyrics match with this one line here describing Kou in a nutshell:
"Sin spread from mouth to mouth, saying 'I’ll be gentle' pulls the trigger on a casual disaster!"
36. Iolite (アイオライト )
Shu
~translation~
I don't know why the producers associate electro-pop with Shu, I can't really see it much. I think they should have gone full glitch-pop instead considering how the song does a deep dive into his mind and thought process. Again, I think the voice is also quiet here but the instrumentals have some great moments, especially the strings.
35. 常夜KNOW UNDERSKIN
Sakamaki
~translation~
Well this gives Sakamaki vibes, nice guitar! Again, I like how it isn't overwhelming despite the amount of people involved. Lyrics aren't super impactful but super catchy.
34. 冷たい血 (Tsumetai Chi)
Ruki
~translation~
You have to read the lyrics while reading this, please! Its surprisingly wholesome and emotional overall. Again, there is the issue of the voice being way to quiet as the instrumentals swallow him whole after the second clock tick. The delivery is really well timed and production does a great job adding elements that works with the lyrics. There is a subtle echo to the voice that feels super enchanting as he comes to terms with the fact that he has fallen in love. Biggest drawback obviously is that this is just spoken word.
33. KISS♥MARK
Shu
~translation~
This song delves into the more perverse side of Shu, but we haven't really reached the level of Laito (we'll get there). The phone feels a little out of character but it suits that narrative. The straight cut out of music for the intermission was a bit abrasive but the transition back to music makes me forget about that with how slick it is. At least its better than a generic rock song.
32. カモフラージュ (Camouflage)
Shu & Laito
~translation~
What a great match up for subject matter, my interpretation is a denial and inability to accept oneself, ultimately using a mask to hide. So please look up the lyrics for some gems. However, after the 'against the blood' nothing really hit that same point sonically, furthermore its not the most aesthetically fitting for the two characters.
*Great*
These songs I actively enjoy, think about and do listen to occasionally and would recommend you check it out too.
31. >REDRUM<-
Ayato & Subaru
~translation~
This song is full of anagrams in the lyrics, I mean look at the song title. Its super catchy and is hard to forget about. The bridge is the weakest part of this song but it is made up by the distortion of vocals after the final chorus.
30. Fanatic of Night
Sakamaki Brothers
~translation~
Well time to party, talk about a bop and a half! Its just so fun, even though its to exactly DL to me, but that's Lunatic Parade for you. Shout out to the guitarist and percussion once again.
29. Bad Howling
Shu, Ayato & Kou
~translation~
This is super catchy, its nice to hear Kou in the opening song this time round, it spices things up. Theres some really nice elements played with the vocals as they sing over one another that is really well balanced. The biggest peg down is that I don't get super DL vibes and the lyrics aren't the deepest.
28. I.M.I.T.A.T.I.O.N. G.A.M.E
Kino
~translation~
Overall this song is a little generic and doesn't sound like DL but! There is a lot to love here too. Starting off with the performance, I really like the vibrato in his voice and the decent of notes at the end of the chorus is just, yes. It a nice hook and the lyrics are pretty good too. My only other complaint is that the drums mask some smaller elements in the background of the song which would have been nice to hear more in the forefront.
27. 極限(UNLIMITED) BLOOD
Shu, Ayato & Subaru
~translation~
This is where the rankings get pretty hard cuz I wish this was higher but oh well. the dramatic shift from the opening piano to the song is so abrupt but it gets you pumped. The intermission does a good job of changing things up without cutting tension. The lyrics themselves seem to be from the view of the Adam project during more blood and the unquenchable thirst they get in the story.
26. アルカディア (Arcadia)
Ayato
~translation~
Immediately I get Ayato vibes from this song and the rapping does help too with a nice flow that isn't too jarring from the rest of the song. These lyrics are basically Addicted2Phantom on steroids, I can't see anyone else other than Ayato in them.
25. Kekkyoku Night
Ayato
~translation~
Don't know why but the guitar melody just seems like I had heard it before but I can't put my finger on it. The bass is super slick here and I really enjoy it. The vocal distortion at the start of the verse sets a scene for him to hunt down this person and its a narrative choice. The main issue is that I wish there was a little more pizzaz to the chorus.
24. Kaikan DEATH-TRUCTION
Kanato
~translation~
Spoilers but I have placed both a Kanato's songs pretty high up so this was a little bit of a let down after the other two. The main issues here is that I don't really get too much of Kanato in the song and the yelling before the chorus is a little much. This, to me, is a self reflection from Kanato which is a good switch up from his last two songs. Overall, the song is abrasive in a good way that isn't overwhelming and the 8-bit section is my fave.
23. 血濡れた密会 (BLOODY SABBATH)
Laito
~translation~
Oh boy, look these lyrics up for a good time. This song is about his hook up with a women with the song getting progressively darker as it goes on. Nice psycho reference but I don't know if it does much in the end. Really catchy hook and the escalation of the final chorus is just so good. Also I'm just going to leave this line from the song here:
“You wend all out with the rodeo girl play? So then, let’s grind!!!”
22. 幻日理論-Parhelion Logic
Ayato
~translation~
This song is meant to be kind of an open letter to Cordelia and my word these lyrics are haunting. It fits the vibe of Haunted Dark Bridal so well, super strong overall. I just wish there was a stronger performance vocally.
21. 暴言シンドローム (Seiron Syndrome)
Yuma
~translation~
Yuma, to me has some pretty good observation skills and its really highlighted here. The first line just hits the nail on the head in terms of how rough he is both in and out of the bedroom. This song is the best of the 'generic rock' with production being really smooth despite the high energy, it matches him really well. First line:
The pain of your sprained neck won’t subside
20. 蠱惑のParade (Kowaku no Parade)
Reiji & Kanato
~translation~
We got another catchy banger here! This song just screams 'the two of us are here to hunt you down and we won't stop till we get a taste.' I mean this song is super pleasing aesthetically and great lyrics to boot!
19. KILLYOU,AGAIN
Azusa
~translation~
The strings are an immediate attention grabber and its hold it throughout the whole song. Super catchy, and these lyrics are Azusa, especially this chorus. Id be interested to hear what people think about the second verse in particular cuz there's a lot to read into:
"In a worn out state of mind, no matter how many nights we question it... We’ve idealised too much."
18. SQueeze…
Subaru
~translation~
Okay before anything else, the squeeze at the start is goofy, I can't take it seriously. Anyway, I can't help but tap my foot to this song. Third times the charm, finally hitting Subaru's aesthetic to a T. The voice is a little quiet on the track but what takes over just sounds so good. The contrast of the bell and the guitar is just, yes thank you. The pre-chorus is a nice mix up to the status quo and these lyrics are great too.
17. 愛の檻 (Ai no Ori)
Ayato & Laito
~translation~
The opening is a nice tone setter for a haunting head bopper. These voices work together so well, just like how the sirens work with the strings. The singular violin during the bridge is great, praise to anyone who can do that my god. The string motif climaxes at the final chorus and it creates an awesome song!
16. 月蝕(Eclipse)
Kou, Yuma & Azusa
~translation~
Well we have a nice build up ballad here. The opening is a little out of place but I forget about it as it builds to this final chorus with the tempo getting faster and faster. The stripped back production also ends up aiding the song in the end with its punches and message. Speaking of which; I get the idea this is about watching some either currently or in retrospective how their personality changes after turning into a vampire; a loss of innocence. How fitting for the Mukami's.
“Despising the sunlight that filters through the blinds is only inevitable, I suppose”
*Faves*
This is what I think the best of the best is. It reflects the themes, ideas and characters of Diabolik Lovers in the best way possible. When people ask me what music from the franchise to listen to, I point to these songs.
15. Count off
Kino
~translation~
There is so much to talk about here, this is a mix of singing and spoken piece and it works so well for me. The delivery over this contagious beat I can't help but get hints of a k-pop vibe here. The movement to singing then vocoded voice are interesting and fun. The bridge switch up too is great, my only wish is that the choir hand a little more presence in the final chorus cuz its fun the first times round, it would be a nice call back.
14. A Certain Prophet's Fate [とある預言者の、運命 Toaru Yogensha no Unmei]
Reiji
~translation~
I can visualise a Nutella Kookie moodboard with this opening alone. To me, this is Reiji explain his views on women with allusions to Faust too, not the Ikemen version relax. there are some cool allusions to his mother in the lyrics too. The bass is so cool to listen out for and the guitar nodding to the chorus at the end is a nice way to end. I was just hoping for a little continuation to the opening like Reiji finding this person escaping on horseback.
13. CHAOS☆PARTY
Laito
~translation~
Aaaaaand another innuendo song from Laito, what a surprise! The jazzy, circus-pop vibes are super fun and catchy, I love it. It's like an upgraded version of Bloody Sabbath to me. The distortion on the guitar is also great to listen out for.
"Don’t decide where’s the critical point, grind as you feel it,
Till the moon oh, mockingly"
12. Mr.ButterflyMask
Reiji
~translation~
The opening may be cliche but it works so well, this is such a deep dive into Reiji's psyche; his mother, inferiority complex and village burning to name a few. The actual song is easy to remember which makes it even better here, the descending notes at the end of the chorus is a highlight.
"Burnt black, that awful land mark"
11. 真夜中の饗宴 (MIDNIGHT PLEASURE)
Shu, Ayato & Subaru
~translation~
The song to start it all, thank god it's such a highlight. I get so hyped from hearing the opening footsteps; mirroring the prologue with You stepping into the mansion for the first time. I feel so nostalgic for this and I'm hyped to play the game every time I hear this. The spoken section is the high point in terms of the HDB aesthetic but these lyrics maaaannn:
"With a scream that shatters the moon itself I’ll give you this extraordinary pain called “love”!"
10. Guilty×Guilty!!!
Shu, Ayato & Subaru
~translation~
I'm gonna get crucified for putting this above midnight pleasure but my list and this is my fave game op. The only peg down is the lyrics but it makes up so much for the actual sound variation. The unnerving energy from this scifi-y noise, it screams danger with the Tsunami arrival. The variation between the two verses in robs what places it high and the bridge is excellent to boot.
9. Farewell Song
Shu
~translation~
If I had to make one song recommendation outside of DL with this list it is this song here. The lyrics and melody match up the same way and both are strong in their own right. Onto the song, these lyrics really shine wrangling with ideas and the thought process of depression; something that hits close to home for me. With the inclusion of the destructive nature vampires its truely impactful. The sound of the song aids these lyrics too while all sounding like Shu.
Without pause, the drops of a drizzle had begun to weep...
...Comforting the screams of the things you’ve touched"
8. Mr.SADISTIC NIGHT
Shu, Ayato & Subaru
~translation~
This is my favourite opening of all the games and anime and it is the most on theme with the DL franchise, not just the one game. The guitar rifts at the start are just sooooo iconic. The actual line "Mr Sadistic Night" is delivered so well too. I mean the song speaks for itself. I will make the observation though that this song is the epitome of kids unknowingly singing a song with dirty lyrics.
"If I’m so aroused by the snare of your enticing blood
Tonight, as I thrust deep into you, a lust for death awakens from within you!"
7. 悪魔的(Devil's)Spire!!!!
Kou
~translation~
This song is just Kou at his best, I can imagine him singing this at a concert as a debut single. It has all the elements of a catchy pop song with some sinister elements that just reflects his personality. Production has my praise here too. The song seems to be a friends with benefits situation Kou has as he recounts the tale. Also, more innuendos:
"In the deep red velvet sheets, Do you want to taste my forbidden syrup?"
6. Operation X
Tsukinami Brothers
~translation~
Haven't seen these guys in a while! You can tell production had fun adding all these medical sounds in the back like the sirens and heart monitor. The song itself is super catchy too, that bass just hits you at the core! The lyrics look like the Tsukinami's observation of You as she has become entangled with all these vampires and the situation just seems to spiral even more out of control.
"The risk spreads further the deeper you get involved...
...The more you give up, the more that guy mocks you"
5. GRATEFUL★DEAD★MARCH
Kanato
~translation~
Production had fun again, you can tell. It's more upbeat there is still a sinister vibe here. The constant switch ups within the song all flow so well. I feel genuine despair listening to this chorus, like Kanato is mocking or toying with me before going in for the kill. My only complaint is that the slowing down at the end is a bit of a mood killer.
4. 切断★舞踏会 (KIRISAKI CARNIVAL)
Kanato
~translation~
In terms of character aesthetic, this is sheer perfection. There is a narrative within this song that you need to look at the lyrics for the best experience. The sound effects act as a good way to heighten the story as they match the lyrics. One moment to note it both the chorus and pre-chorus as they act as the extreme ends on Kanato's personality and it creates a great dichotomy when placed together.
3. Q.E.D.
laito
~translation~
My favourite solo song, and the one I constantly visit the most. Laito is a complex character and this song does a self reflection in the best way possible.I would also recommend reading this great analysis by everything laito because I can't do a proper analysis justice. For the song itself, the piano is a great mood setter as it acts as if we are approaching Laito as he plays the piano about to go into one of his many monologues to himself. The intercut from the piano to the guitar is abrupt but it works so well as if there are crack in his facade showing through. The change back to the piano is great too and isn't distracting in any way. I also think this is such an emotional performance, like I can feel the sadness and despair along with almost a self deprecating humour to the delivery. Top notch stuff
2. 罠-If You’re Diablo- (Wana -If You’re Diablo-)
Mukami Brothers
~translation~
I want mention first off that the spoken word from Ruki is such an aid here, the pace is slower, more haunting and despair-inducing in tone. The speaking adds a nice break to the vocals. The chorus in particular packs such a punch its kind of nice to lie on the ground and just let the song envelop you. The lyrics give the impression that there is a mutually destructive relationship here with the Mukami's mentioning of betrayal yet they suck the blood of this person. There is also a feeling of hopelessness that the Mukami's know they can never achieve their goal of becoming Adam.
"I'd been resigned to become Adam since who-knows-when...
I continue to hate this fate, my prayers in zero"
1. Gin no Bara
Sakamaki Brothers
~translation~
And we're finally at the end! This song encapsulates everything that Diabolik Lovers is. Vocally, it's really catchy with such a somber vibe, because that's what DL is. It's a dark series but you can see that darkness with each backstory, the actions these characters take and just the overall hopelessness in this one song. The Sakamaki's all singing together packs such a punch too. There are so many gems in these lyrics, to literally acknowledging the pain and suffering their mothers' caused and coming to terms with the actions they have committed as they fall in love.
"The proof remains on your neck while you sleep quietly Even if an eternal curse awaits me beyond those overflowing tears
I now hold this love and pain in my chest"
*SHOUTOUTS*
I want to give a huge shout out to the following people. They have helped immensely with translation and just overall accessibility to the songs because they would be 1000 times more harder to find without them.
Silvermoon249 (Live Journal)
Asyqin98 Creator (YouTube)
S I s o v o l i (Youtube)
DIABOLIK LOVERS (YouTube)
Dialovers otaka (Tumblr)
Starlight voices (Tumblr)
Cannonette (Tumblr) @canonette
The Precious Sugar Chan (Tumblr)
One final note, I would recommend listening to these with headphones because the audio sometimes does that thing where it jumps from ear to ear and it creates the best effect to be more involved in the atmosphere.
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