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bethygauw · 7 years

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[1/2] Enstars: Gamegift interview with Mika’s voice actor

Published on 28 April 2017. It’s to celebrate Enstars second anniversary.

Please note that Gamegift does not allow reproduction or repost of this article without permission. A reminder that you are reading a shady blog.

Previously there’s also an interview with Kuro’s voice actor, Shinichirou Kamio, translated by Creampuffs (tumblr)

[edit 7/5/17: fixed small points for grammar and one mistake: × As for Mika, when he’s acting he doesn’t make up any sort of voice. ○ Regarding Mika, when I act as him I don't make up any sort of voice.]

An interview with Jun Oosuka, Mika’s voice actor, that totaled up to 2 hours. They’re talking about how Oosuka feels about the characters and his play style (which is part 2).

Writer/Interviewer: Tamao (Twitter) Gamegift link

Tamao: It’s my pleasure to be working with you today.

Oosuka: The pleasure is mine. Holding my phone on one hand while getting interviewed is a novel experience (laugh).

Tamao: I don’t mind if you’re grinding on the event (laugh). First, could you please tell us about your first impression on Mika and what happened when your role was decided?

Oosuka: At first, I was only told, “Your role in Enstars has been decided.” At that time, the game was already released and I knew it’s getting richer and richer in content, so I thought to myself, “Wait wait, I thought they only cast veterans or young voice actors?” (laugh) So I was surprised when I got the offer. Then, when I got the character materials and looked through them, I was like, “His character setting is like a full course meal…!” He has heterochromia, speaks Kansai dialect… I wondered if I’m really up to the job. I’d never had a role that speaks Kansai dialect either (laugh).

Tamao: You’re from Kyushu, aren’t you?

Oosuka: Yes, Fukuoka. Kyushu and Kansai have similar intonations. But the details and vocabularies that they use are different after all, so for recording, I would have notes for the dialect. That’s also why even now, when I hear Kansai dialect on the TV, I would pay attention to it and see how it’s done.

Tamao: When you act as Mika-kun, do you have anything you like? Or is there anything you find to be relatable?

Oosuka: What I find relatable is how he’s lacking in self-confidence. I reflected again after KYOMAF event (an offline event held in September 2016) that I really don’t have confidence in myself. But there’s also a part of me that will go through it because there’s a strong voice inside me that says, “I have to do it!”. I feel that’s our common point. Putting it in a good way, he’s an honest boy. Putting it badly, he’s a foolish boy. He’s very straightforward. Although I also see it as a good point of his. Also, there was quite a long period of time between the time I finished recording and when he’s introduced into the game. In that period, I was really anxious thinking about what everyone will think. After it was made public, I see he’s loved by many and I’m relieved.

Tamao: He’s really popular, isn’t he? He also ranked high in the popularity poll from the other day.

Oosuka: The dakimakura one, right? I also voted 17 times (laugh). The MV wasn’t even released yet, but a Valkyrie member made it to the ranking board. But to be honest, Mika’s popularity as a character can become pressure at times.

Tamao: Certainly from a player’s perspective, I got a bit sceptical when they’re introducing a new character full of quirks this late into the game. What is this character going to be like? I wondered. But once I tried to open the lid, he turned out to be such a boy with no self-confidence, but very kind, and when Jun Oosuka-san’s voice is added—

Oosuka: I feel like my voice makes him more pitiful (laugh).

Tamao: No no! Conversely, I think it makes me feel more affectionate about him. I suppose you could say it stirs up one’s desire to protect him? (laugh)

Oosuka: Aah, so that’s why his [Gamegift] birthday article was like that (laugh). I was so surprised. A friend told me, “It was very poetic.”

Tamao: This is the second round I’m writing birthday articles for all characters, and year-by-year it gets more and more poetic (laugh). Among the characters, I think Mika-kun is a very unique character. It’s like this person called Mika-kun is incomplete in his own.

Oosuka: No matter what, Oshi-san is always already there, isn’t he?

Tamao: Yes, that’s it. That’s also what made it a bit hard to write at times. But from my point of view, he’s like someone who got deep into a Bible-like thing without himself realizing.

Oosuka: In a way, he worships Oshi-san like a god, huh.

Tamao: That image of his is really vivid, so I thought his existence is like that of Saint Peter. I also received feedback that says, “Mika-chan is that kind of boy.”

Oosuka: Among Enstars characters, Mika-kun seems to be someone who is worldly but is actually naive, and I feel that in a way he may be the least idol-like among them. He also feels like every other young man who could just be around the corner over there, but when he enters the stage he undergoes metamorphosis, which I think is his charm. I hope that part of him could be brought out in his singing as well.

Tamao: Can I ask you to elaborate a bit more about what you think about Oshi-san?

Oosuka: If I consider Valkyrie, Oshi-san looks like he’s pulling the team along, but in reality he’s very frail. There are a lot of instances where you can see Mika-kun being the one who’s supporting him—perhaps it’s the fragility that one doesn’t have unless they’re a genius. In Scout! Nocturne, I really like how we can see a glimpse of Ryuu-kun (Kuro Kiryu) and Oshi-san’s past. Also, Scout! Eccentric is a story that have all Five Oddballs in it. I could see how Oshi-san back then was a properly sociable person as well.

Tamao: I can see that. He also made matching outfits for everyone, didn’t he?

Oosuka: When he’s talking to the Oddballs, you can see his gentleness, and there are humane qualities that he doesn’t show in front of Mika and Nazuna. That’s what you may think, but he can be super cool just like in Tanabata event (Dance Performance! Thoughts that Bridge the Milky Way).

Tamao: That Oshi-san had a threatening presence like a demon god*.

[*trivia: “demon god” is here is 鬼神, consisting of kanji for “demon/ogre” and “god”. There are many readings and I don’t know which one is used, but one of them is apparently “kijin”, which is homophonic with “kijin” from “奇人/Oddballs”.]

Oosuka: As graduation gets closer, we get scenes suggesting Oshi-san “may one day cease being able to talk with Mado-nee”. I wonder if it means Oshi-san is becoming an adult, or if he’s on his way conquering something on the lines of unspoken trauma. By being separated from Mado-nee, Oshi-san may turn into an ordinary person, or he may become even more of a genius. I’d like it to be the latter, but also, I feel that Oshi-san is showing us his humane side more than Mika-kun does.

[It’s getting bulky so I’m only putting up one picture... There are more pictures in the original]

Tamao: After the third-years graduate, there will be units that have only one member remaining. Akatsuki is like that, and Mika-kun goes without saying. Personally, what do you think Mika-kun will do?

Oosuka: I think he’ll depend on the transfer student. Though there’s also a possibility that Oshi-san may leave him a parting gift. Maybe Oshi-san will leave him at the stage where he can look for friends even on his own, or maybe he’ll have those friends prepared already—I don’t know. But since Oshi-san has always been doing anything for Mika’s sake, I hope as a result Mika will become someone who thinks that he has to become strong. I want him to change from being a “doll” to a “human”.

Tamao: Are a lot of your favorite events related to Mika-kun, after all?

Oosuka: I suppose. My favorite, as I thought, is Tanabata event (Dance Performance! Thoughts that Bridge the Milky Way). I also like Halloween (React! Magical Halloween), but the event that shows Valkyrie’s awesomeness is Milky Way after all. That event story is where the line “Oshi-san’s sayin’ is absolute” got realized as it is. They managed to surprise that Eichi. To me, Mika’s singing is on a higher difficulty in that event so in a way I’m also bearing a grudge for that event (laugh).

Tamao: Milky Way was really good, wasn’t it? Oshi-san and Mika-kun couldn’t be any cooler.

Oosuka: I thought that must be the Oshi-san whom Mika fell for. It was what he was waiting for.

About the unit songs

Tamao: Speaking of singing, Valkyrie’s unit songs are great, aren’t they?

Oosuka: Really, I was glad I got to do it with Hiroki-san (VA of Shu Itsuki: Hiroki Takahashi). Actually, when I had my debut, I worked together with Hiroki-san. I was able to work together with him for a long time in a certain series*, so we have understanding of each other. Of course he’s also a senior I respect, so that makes our relationship like that between Oshi-san and Mika-kun. So even when I was singing, I was able to think, “it’ll be okay if I follow Hiroki-san.” When my role for Mika-kun was decided, my manager asked me to tell who the co-actor was, and when I told my manager it’s Hiroki Takahashi-san, I was given a triumphant pose with full strength (laugh).

[*I’m not sure which series, maybe Prince of Tennis 2?]

Tamao: Your relationship is very fitting.

Oosuka: It is. Actually, our height difference is about the same as Valkyrie. So when we line up it looks natural (laugh).

Tamao: Are there times when Takahashi-san gives you advices?

Oosuka: No, we pretty much don’t see each other in Enstars-related jobs. In the end I didn’t get to see him during the [unit song] recording either. For some reason though, I got to see Ishikawa-kun (VA of Tsumugi Aoba: Kaito Ishikawa) (laugh).

Tamao: How did you find the recording?

Oosuka: First, as an otaku, my reaction was, “AliPro!?”. A part of me thinks, even if a guy sings AliPro* songs, there’s no way anyone can hold a candle to the great Arika-sama! (laugh) When I tried singing as it is after I received the song, a part of me thought I was losing to the song. The bar was set high, I thought. I went through trial and error thinking about what I should do with it, but the interesting thing is, during the recording, the direction I got was more for acting, rather than for singing. For example, “Imagine there’s an audience beyond the mic and sing” or “Look intently when you sing”. Also, I got a direction, “bring out your emotions gradually towards the second half”. For that one, I think I was able to express the concept of Mika-kun being a “doll” well, so I was thankful for that direction.

[*Ali Project, the group behind Bewitching Theater. Lyrics (also unit’s vocal): Arika Takarano. Composition & arrangement (and unit’s keyboard): Mikiya Takakura]

Tamao: Certainly you can see a picture of something like a stage play expanding before your eyes.

Oosuka: As for the recording, Oshi-san (Hiroki Takahashi) and Nazuna-nii (Yuki Yonai) finished theirs first, and I was the last to record. For the most part I practiced with the singers in the demo tape. But I was able to [record] while listening to the rest of Valkyrie singing, and I felt like Hiroki-san’s singing pulled me along. I’m glad I was the last to record. But I hope one day we’ll be able to do that…

Tamao: In other words?

Oosuka: Being on the stage together, the two of us with Hiroki-san… no, with Yonai-kun as well—I want the three of us to sing together. I know it’s really difficult for that to happen, but it makes me think of the possibility of me and Hiroki-san wearing those Valkyrie outfits (laugh).

Tamao: Please wear different colored contacts too!

Oosuka: I can’t have piercings, so I’ll wear clip-on earrings (laugh).

Tamao: Valkyrie especially is a unit that has a perfected worldview, and since it’s their first unit songs, people had high expectations for them.

Oosuka: They were way too high! It was so scary. When I’m singing character songs, I’m the type to get super nervous until the release date. This time too, I was really at loss thinking about Mika’s “singing voice”. It was possible to sing in the way he speaks as it is, but I was also contemplating if Oshi-san would allow that.

Tamao: Oh! I see, that’s something to consider.

Oosuka: My interpretation is that Mika-kun’s singing in Bewitching Theater was what was born after Oshi-san’s training and maintenance. Regarding Mika, when I act as him I don't make up any sort of voice. So when I act as him “I” am the one who is out there, but his singing voice is what is produced after Oshi-san’s guidance. I hope you can capture that.

Tamao: I’m incredibly moved by what you said.

Oosuka: If I sing in the way Mika speaks in normal times, I thought it would be disrespectful to the song and AliPro. But, I bet there are those who expected the usual Mika, so I also feel sorry for them. But when I consider Valkyrie as a piece of work, Valkyrie as artists, I believe I did the right thing this time, so I hope you can accept it kindly.

Tamao: Well, I think you couldn’t be any more correct. I think that’s why it gained so much popularity too.

Oosuka: When I went to Tower Records a day after the release date, they ran out of Valkyrie’s CD. When I asked the staff, they said it was sold out. I replied with a sad face, “I see…” but the me inside was like, “Serious… Are you serious!?” (laugh).

Tamao: What do you think about the other unit songs?

Oosuka: There was a song preview event* on the other day so I got to listen to Switch’s songs. Now, I can pretty much sing them, somewhat.

[*Switch and Valkyrie cast and Satoru Kuwabara (2nd series music director) hosted an event where they previewed the songs and talked about their impressions and behind the scenes etc. There are sessions with the rest of the CDs too.]

Tamao: What? Really?

Oosuka: I like computer-programmed songs. Sound-wise, Akatsuki’s songs are unique and I like them too. The quality of Enstars songs are so high—you may end up not being able to tell if they’re character songs or artists’ songs. But they’re idols in the first place, so I do think that song quality is something that is demanded from them. But I get the impression that there are many songs that are polished really well. By the way, I have sung the opening theme at the karaoke. One thing though – and I think everyone agrees on this – when you sing Morikubo-san’s parts you’ll end up singing like him, no matter what.

Tamao: I understand (laugh). You will, won’t you.

Oosuka: I’ll never sing it in front of him, though (laugh). That song is also really good, isn’t it? I’d like Valkyrie, Leo Tsukinaga, and Switch to be part of it.

Tamao: I agree. There’s a disadvantage to the new characters who are not involved in the main story… By the way, have you seen Enstage?

Oosuka: No, I haven’t! One day, when Valkyrie participates in the stage play, I’d like to visit Mika-kun. Being in this line of job, there are times when I get to see my roles appear in stage plays. Before I watch the play, I would keep a slightly arrogant stance. Something like, “How will you act out my character, I wonder?”. But mysteriously, when the play starts and my character appears, I’d be all, “Foowaaaaahhh…! I said this! I said this!” and it made me give my stamp of approval (laugh).

Tamao: Enstage hasn’t finished the main story yet, so I think they’re at that stage wondering about how they should proceed if Valkyrie were to participate.

Oosuka: It's not for me to say, but a lot of characters that are introduced later are popular, so I think there are a lot of people in the audience who are holding up expectations. I’m looking forward to who will be chosen as his actor. Their character reproduction is amazing, after all. On the topic of character reproduction, I was surprised with Kitamura-kun! [who is the VA and stage actor for Arashi].

Tamao: That was an unfair move, wasn’t it? (laugh) From Knights, there were only two of them in the first part, but even so they were perfectly Knights.

Oosuka: By the way, I like tokusatsu. I didn’t know Maeyama-kun (Eichi’s stage actor), who was in Kamen Rider, was participating until later. I wanted to go.

Tamao: Maeyama-san was wonderful. His way of expressing that charisma of Eichi’s was solid.

Oosuka: You know, Eichi is up there on my list of favorite characters. This is my own selfish interpretation, but he reigned the academy by oppressing everyone, right? But I think the scenario inside Eichi himself may have been, “only until someone who defeats fine appears.” If I think that way, I don’t hate fine’s position—I don’t hate Eichi.

Tamao: Interpretation for Eichi’s character varies a lot depending on the person, doesn’t it? If there are those who see him as virtuous, there are those who see him as evil.

Oosuka: To Trickstar, he’s a villain. Valkyrie thinks the same too. In the app, there’s the main story, but there are also a lot of people who basically just focus on their favorite characters. So they may build an impression on another characters but stop at that.

Tamao: Ah, that may be the case. There are parts you won’t be able to understand unless you have covered everything, but there’s no way everyone is doing that.

Oosuka: Everyone plays the game with their favorite characters as their focus, and moreover, everyone has their own depiction of the stories in their minds. I’m one of the “people behind the scenes”, so I have to think about the relationships between my character and other characters, and by extension, everything.

Tamao: After you see a character’s bad side, you stop at that and that’s your impression… That sort of thing may be happening.

Oosuka: I think there are a lot of ways you can come to like them. By changing the way you view them, you may come to like characters you previously hate. As a result, you will have more favorites, and you may be able to have more fun.

Tamao: Do you have other favorites?

Oosuka: I like fine members, like Wataru Hibiki… Actually, all Oddballs are a pain, aren’t they? (laugh) Even Oshi-san, from Jun Oosuka’s point of view, is a pain (laugh). Other than that, I like Mika-kun’s classmates. Like Oogami-kun, or Naru-chan. As for first years, I like Midori-kun. I can sympathize with that favorite phrase of his, “I feel sluggish…” (laugh)

Tamao: The main story will be fully-voiced soon.

Oosuka: But [Mika’s] not appearing! I only realized after I gave my response on Twitter the other day. He’s not in the main story! (laugh) But I’m probably the one who’s scared of having it fully-voiced the most. I have to speak with a dialect after all.

Tamao: Because it will be voiced to the full anyhow, huh…

Oosuka: It’s not my official language (laugh).

Tamao: Come to think of it, there was a voiced drama in the unit song first series. Since Valkyrie only joined in the second series, they didn’t have the voiced drama.

Oosuka: That’s right. So in the probable event of Valkyrie releasing a drama CD, there will be at least three roles: Mika-kun, Oshi-san, and Mado-nee. So compared to Hiroki-san, I would have it easier.

(To be continued to part 2)

#ensemble stars #gamegift #jun oosuka #mika kagehira #staff

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macorion · 7 years

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Hari ini, 20 Februari adalah hari terakhir Nanamin sebagai member Nogizaka. Suppose I did some memorial? Tidak, sudah terlalu banyak tentang hal ini yang beredar. Tak ada lagi kata-kata yang bisa menggambarkan pencapaian Nanamin. Well, dari polling di S48 sudah menjelaskan semuanya dan aku setuju dengan hal ini. Menjadi center adalah pencapaian terbesarnya. Tapi bukan itu yang menjadi inti utama artikel kali ini.

Memang hari ini adalah dimulainya 5th BD Live yang juga sekaligus momen perpisahan Nanamin, but come on, cukup lah meratapnya karena itu tidak akan mengubah apapun. Aku melihat cukup banyak yang masih bersedih karena Nanamin akan pergi, well, acceptable tapi masa iya nggak mau move on? Nah, karena aku tidak ingin banjir air mata, dan secara kebetulan ada sesuatu yang lebih menyenangkan untuk ditulis, aku akan mengangkat hal lain.

Sama dengan Nanamin, ada member lain yang juga lahir di tanggal 20 Februari, berbeda usia 3 tahun; Bebitan. Ya, Bebitan lahir di tanggal yang sama dengan Nanamin. Bukan kebetulan yang menyenangkan bagiku, jujur saja. Dan juga bukan satu-satunya karena kita punya couple lain yang juga berbagi tanggal lahir;

Misa-Ue (4 Januari), Maichun, Gummy, Ikuchan (20 Januari), Katoshi-Renka (2 Februari), Nanako-Maaya (23 April), Nijika-Aoi (7 Mei), Double Ponkotsu (16 Mei), Yumi-Berisa (27 Juli), Maiyan-Manatsu (20 Agustus), Mei-Hazuki (23 Agustus), dan Mao-Tama (10 November). Banyak bukan?

Nah, seperti yang sudah sering kukatakan, Bebitan termasuk salah satu member yang berada paling atas dalam daftarku. Alasannya? Nothing special. Aku tertarik pada bagaimana dia memiliki sisi kreatif di dirinya dalam fashion, bidang yang dulu pernah kuselami. Hanya itu. Tidak ada alasan lain seperti personality atau apalah, karena memang bukan itu.

Aku tidak berbagi kegemaran yang sama akan lumut, I’m not into biology, dan tidak juga fans berat dari Marika yang tidak terlalu talkative di variety. Tapi aku fans beratnya dari segi kepribadian Bebitan yang edgy & quirky. Seperti foto-foto diatas, how can you not love this girl? Oh, dan jangan lupakan Marikka 17.

Dan untungnya, manajemen tidak tutup mata begitu saja pada kemampuan Bebitan. Dia mendapat push yang banyak sejak 2014 keatas. Well, pertama kali Bebitan di-push lebih adalah saat rilisnya Barette, karena dia adalah satu-satunya member non-Fukujin dengan screentime berlimpah di MV itu.

Sebelum itu, Bebitan hanya menjadi Under Center di Ookami ni Kuchibue Wo, yang -sadly- kini menjadi lagu kebangsaan para serigala. Oh dan satu lagi, dia ada di unit Hoka no Hoshi Kara, meski dengan lineup monster seperti itu Bebitan tidak terlalu kelihatan. Unit ini sukses, namun tidak begitu ceritanya saat kembali di unit Sukima di album Sorezore no Isu.

Di 2014, tahun yang sama aku pindah ke Nogi sepenuhnya, Bebitan menjadi center di Umareta Mama de, seperti yang kukatakan sebelumnya lagu ini adalah Under Song favoritku, dan karena dia adalah center, otomatis aku langsung menyukainya. Lagunya superb, MV yang eye candy, dan center dengan muka yang bundar menggemaskan, strike on me.

Masih berada di Under di Natsu no Free & Easy, Bebitan kembali menjadi center Under untuk ketiga kalinya di Koko ni Iru Riyuu. Di Nandome, kekuatan Bebitan sebagai center abadi Under tak bisa dibantahkan. Meski resminya center Ano Hi Boku wa Tossa ni Uso wo Tsuita adalah Sayu, namun jauh lebih seperti WCenter Bebitan dan Ashurin.

Maju ke tahun 2015, Bebitan berperan dalam film EYES, major individual job pertamanya. Meskipun filmya paling bagus hanya kelas B, tapi decent untuk membuatnya lebih bersaing. Selain itu seri Marika Meets Creator di majalah MdN dimulai tahun ini, satu lagi push yang diberikan manajemen untuk Bebitan. Sementara di grup, akhirnya Bebitan kembali ke Senbatsu untuk pertama kalinya setelah setahun absen di Inochi.

2015 adalah tahun yang biasa-biasa saja untuknya. Yah kembali ke senbatsu dan individual job tidak terasa spesial juga karena di tahun ini banyak member yang di-push. Sementara di 2016, bersama Sayu, mendapat duet Ikuate no nai Bokutachi di Hadashi. Selain itu kembali berperan dalam EYES 2 dan mini movie Kinenbi ga Yukue Fumei.

Di awal tahun 2017 ini, Bebitan diikutkan dalam promo software Gravity Daze 2 : Gravity Cat dan kembali menambah portofolio filmnya dengan terpilih untuk berperan di Kizudarake no Akuma. Memang kali ini bukan peran yang besar, tapi cukuplah. 4 film dalam rentang waktu 2 tahun sudah luar biasa bahkan untuk ukuran member Nogi, apalagi yang non-Fukujin.

Kemampuan aktingnya memang menurutku masih sangat standar, tapi entahlah jika stage play seperti Every Dogs Goes To Heaven, Joshiraku, dan Hakaba Joshikousei karena kita tidak pernah melihatnya, kurasa bagian produksi tentu akan melihat stage play seperti ini. Untuk fashion, Marika Meets Creators, atau Marika X Isetan bisa kukatakan push yang sangat segmentatif untuk Bebitan. Jadi bisa dikatakan, Bebitan dimanja dari segi push, tapi untuk senbatsu, dia bukan favorit.

Sayang, dia tidak pernah merasakan sesuatu yang wajar untuk kaliber seseorang yang di-push sampai level ini, yaitu Fukujin. Bebitan memegang rekor sebagai member kedua yang paling banyak muncul di Senbatsu -9 times, for God sake- tanpa sekalipun merasakan Fukujin, hanya kalah dari Sayuranger. Posisinya yang seperti digariskan mentok di 3rd row selalu membuatku frustasi.

Namun, nasib Bebitan dan Sayu jauh lebih baik dari sesama anggota Onsen Trio, Himetan. Dia baru 3 kali merasakan senbatsu, dan disaat berpeluang besar menambah jumlahnya, dia absen dengan menyakitkan, er, literally. Tapi jika melihat jumlah senbatsunya, push yang didapat, tentu saja pantas kita mengeluh soal Fukujin dan non-Fukujin ini bukan?

Tidak terlalu spesial dan mendetail seperti saat Yumi, Ashurin, dan Aka? Well, karena memang tak ada hal lain. Oh, jika mau jujur, aku sempat kesulitan membedakan antara Ashurin dan Bebitan di awal-awal dulu. Butuh waktu cukup lama bagiku untuk bisa membedakan mereka. Yah, mainly karena ukuran wajah mereka sama-sama kecil, jadi fans baru mungkin akan cukup kesulitan.

Di awal-awal, aku selalu menganggap Bebitan dan Ashurin seperti kembar, dan benar saja, struktur mereka memang hampir sama. Perbedaannya hanyalah wajah Ashurin sedikit lebih kecil dan tirus dibanding Bebitan.

Happiness is simple, selama dua adik ini rukun semuanya baik-baik saja

Bebitan mungkin bukan member favorit semua orang, but why did I care as long as I like her? Memang bukan member paling idolish dari Nogi, atau yang paling cantik, paling bagus vokal atau dancenya, tapi tak perlu dibantah dia memberi warna sendiri, warna yang bold pada Nogi dengan karakternya; fashionable, edgy, and quirky girl. Variasi karakter inilah yang membuatku sangat menyukai Nogi, dan untuk Bebitan, memberi warna lain di hatiku. Neru pun mengkonfirmasi bahwa dia adalah Bebitan oshi.

At last, happy birthday to the cutest round face in the world, may the best be with you 🎁🎁🎁

All images used is credited to it’s respective owners

To my precious Bebitan Hari ini, 20 Februari adalah hari terakhir Nanamin sebagai member Nogizaka. Suppose I did some memorial?

#Nogizaka46

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