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pearlgisa · 10 months

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qala and the style over substance argument

so, i watched qala (dir. by anvita dutt) immediately when it came out - a story that exposed the music industry and the position of women in it, especially focusing on the toxic nature of indian classical music? it was like they made the film for me (someone who's spent a good chunk of their life trained in hindustani classical music). however, i was sorely disappointed.

in essence, qala, along with other films that did commercially well that came out in bollywood last year, solidified my understanding that the audience of today's generation of movie-watchers genuinely puts style over substance and in fact, uses it as a way to defend their favourite movies from criticism. the recent resurgence of praise for om shanti om of all films, only strengthened this opinion.

my criticisms for qala are in plenty, yet i will choose to expand on the ones that strike out the most to me, all of which range from the lightest to the harshest criticism:

the choice of music

the acting

the direction + writing

the handling of the serious issues that are the main theme of the film

before you read ahead, please know that there are spoilers.

in indian classical music, there are two distinct forms: hindustani (or, north indian) and carnatic (or south indian) music. each have their differences and similarities and even someone who hasn't trained can tell them apart upon listening. within hindustani music - which is the genre of music that qala learns from her mother - you have many different styles of singing, ranging from shastriya sangeet (classical form of singing) to laghu sangeet (semi-classical and sometimes, light music). of course, this categorization also has its roots in religion and caste. shastriya sangeet has forms of singing like dhrupad (the oldest form and a strictly devotional medium), khyal (the most common one, telling tales or speaking of human emotions), bhajan (also a devotional medium), etc.

laghu sangeet has forms of classical music like the thumri, a form of singing popularized and invented by courtesans. the lyrics were sensual, romantic and more explicit. of course, owing to these, they were looked down upon. even the british had a huge role in diminishing the status of indian women performers. the "other woman" concept was specifically one that they propagated and the rise of the "perfect housewife" phenomena began since the seventeenth century. the extreme effect of that? the courtesans lost out on their patrons and were forced into prostitution.

hence, that was the primary history behind qala's mother, urmila, shaming her into never being a performer, i.e, in a more derogatory term, a "singing girl". a courtesan, essentially. which is accurate, considering the film is set in the 1940s. if a girl was too "out there in the world", i.e, her achievements being publicised in newspapers or her getting recognition for her academics, her future marital prospects were ruined. and the "shame" that befell the family if she was learning music or dance was worse. a significant number of the prominent female musicians that emerged from this era of pre-independence to post-independence were unmarried. or they had many patrons and salacious rumours regarding their love life were in plenty. the film pakeezah (1972) explores such themes quite well. and the many renditions and retellings of devdas also serve as a good example of the stature of performing women.

however, it's the music itself where it goes wrong for me. the choice of songs as well as qala's singing (of course, all of qala's songs are sung by the amazing sireesha bhagavatula), is in a style all too similar to laghu singing. the years of egregious training, no matter how much her mother dismissed her, would've developed a voice which would've sounded a lot more like what a lot of classical singers would sound like, unless they were singing a lighter form of singing. and it isn't a matter of pitch or using falsetto. qala's mom is referred to as a master of qawallis, which is a sufi form of devotional singing (and comes well under hindustani music too). even the lyrics of qala's songs, while full of very obvious foreshadowing, do not match the overall orthodox classical upbringing that the film portrays.

while bhagavatula has an amazing voice well versed in classical music (especially since she sings bhajans so often), considering the time that qala was set in, you would've expected a sound similar to something along the lines of noor jehan or even roshan ara begum. instead, it sounds a lot like a mix of semi-classical instrumental with a more pop-based voice. which is easier for our generation to digest and consume, however, it comes at the cost of a sound which is very typical of the 50s-70s era of bollywood.

one that qala does right are the costumes. they do their job well. not the sets as much, which i will get into later. at some points, they are well in line with the rest of the era of the film, other times it just sticks out like a sore thumb. here's where the "symbolism" comes in.

one of the most jarring examples is the song qala sings at the first performance, a very light classical song just by the sound of the vocals. even the song jagan sings is very contemporary at its core. despite the characters having an allegedly strict, traditional schooling of music (jagan's voice is devoid of the typical heavy accent or dialects that those who are from underprivileged backgrounds tends to have), the songs at hand present a very modern take on qawallis, despite bollywood being a flourishing ground for many iconic qawallis. therefore, the compositions sometimes falter at some points specifically because of the vocal choices. choosing to do away with alaaps, especially in qala's part, less aakar and more bariki, are all signficant details that feel jarring to someone who's lived in the world of classical music as long as qala. otherwise, there are some signature sounds retained from the era that the film is set in.

and while still on the topic of singing, a very important issue that i find least addressed is the acting of it. despite there being little vocal variations in the compositions, the actors don't show that they are singing. and in the film specifically revolving around music, that's an extremely important detail that i find amiss. hardly opening the mouth, the movement of the lips, the posture as well as the hand gestures (yes, a very important detail!), are all obvious flaws. a recent film that does that does those details well is the disciple (2020). the first scene of urmila teaching qala singing displays urmila wearing an elaborate piece of nose jewellery that covers half of her mouth, and that's when they're doing rehyaas (practice), not a performance. it's huge details like these that don't sell the film to me.

the acting is quite underwhelming and here is where disagreements with my opinions might enter. i find trupti dimri's rendition of qala extremely, for lack of politer words, exasperating. she tends to show the same expressions for all of her problems, i.e., there is no great difference between her feeling anger or feeling despair or feeling depressed or feeling cheated or just plain exhaustion. qala's character is a complex one and difficult to act, which is a concession i will give, however, the hype around her is a little unnerving when the audience is given such an unremarkable delivery of dialogues and emotion. it comes off as school-play acting at times. swastika mukherjee, who plays urmila, is quite two-note with her acting, which sometimes suits her character and sometimes just feels very low-effort. babil khan has his moments, yet there is such less versatility. you'd think the babil of qala's hallucinations and the one who existed in real life would have some distinct characteristics (which they do), but they never come off as that. it feels so half-hearted at times.

the whole point of symbolism is that it's subtle at heart and not on the face. qala has on-the-face symbolism, which is an irony in itself. the black swan scene, the frosty room in the beginning, the ghostly jagan, etc. almost made me bump my nose into a wall. it comes off as pretentious at best, as if the viewer is stupid. it is also very off-putting in some scenes. for example, the black swan scene - there is very little buildup and it feels very predictable in the sense that "it all goes downhill from here". however, there is one scene which i like, which is the gargoyle one (a very traumatic scene, for those who recall, it is the one right before ghodey pe sawaar gets recorded for the final time). i think that is the most effective filmmaking in the entire film. the best thing about symbolism is always the subtlety. it makes the viewer keep coming back to pick up on something they might have missed in the first watch, it helps them pick up the pieces along the way instead of being able to tell the twists thirty minutes before they are revealed.

and one of the most egregious crimes of the entire film is the direction. here is where we get a little more technical (but just briefly, do not worry). the way it cuts from one scene to the next is like watching a poorly edited reel put out by the team of an out-of-touch marketing firm. the editing could have been better at many places. the writing falls flat specifically when it comes to the characters. i'm pretty sure on paper, the script must've been a delight to read. the story has so much potential - considering that it's based on two books, where there might've been even more depth given to the characters - it isn't new in any way but it offers a different, feminist perspective of the indian music industry. yet, the characters are paper thin on screen - in their ambitions, psychology and sociology. hence, urmila suddenly turning a new leaf in the last ten minutes of the film is something that feels wrong, because all along, she has been portrayed as a heartless mother. qala's actions make sense because her character has nearly always been rooted in self pity and rage. jagan is nothing without music. there is very little dimension to them apart from me summarizing their characters in one sentence with less than thirty words each.

that is why, the film feels even more half-hearted when it speaks of the issues that it centers around. all of these elements add up and make for a tiring watch. i gave qala a second chance, to be fair and omitted some of my pettier criticisms, yet the more serious ones remain. to a certain extent, it does aestheticize depression, which i have a huge issue with. however, baby steps as always with bollywood. it's no dear zindagi considering it is set in a different period with a different ending. however, the writing of the characters could've been so much better. a little more exploration of urmila's intentions would've given her so much depth. a few more interactions between qala and jagan might've given qala the chance to befriend him and not just see him a rival, thus intensifying the decision she took. the characters do not feel human, they are strictly white or black and qala being the anti-hero feels very off since it requires better writing and a stronger plot. and of course, much better acting.

however, qala re-opened up discussion of a nearly-always forgotten discourse - that of the position of women in music. and for achieving that bare minimum, i give it full credit. however, when there have been films with much better writing, characterization and cinematography in bollywood itself, with a similar theme, qala needs to be seen for what it contains than what it displays. just because it glitters, doesn't mean it's gold.

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bollywoodirect · 3 months

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Today marks the 18th death anniversary of Nadira, the iconic actress of Hindi cinema during the 1950s and 1960s (February 9, 2006).

Nadira, also known as Florence Ezekiel, was a dominant figure in the film industry during the 1950s and 1960s. Renowned for her roles in 'Mud Mud Ke Na Dekh,' she was one of the era's most sought-after actresses, portraying both princesses and vamps. Notably, she was perhaps the first Bollywood star to be driven in a Rolls-Royce.

She is fondly remembered for her outstanding performances in films like 'Shree 420' (1955), 'Pakeezah' (1972), and 'Julie' (1975), the latter earning her the Filmfare Award for Best Supporting Actress.

Originating from Nagpada in south Mumbai, Nadira was a Baghdadi Jew who made a spectacular entry into Bollywood at the age of 19 with Mehboob Khan's 'Aan' (1950), starring opposite the legendary Dilip Kumar.

Her portrayal of the villainous Maya in Raj Kapoor's 'Shree 420', where she captivated audiences with the iconic club-dance number 'Mud Mud Ke Na Dekh,' remains unforgettable to countless fans.

Additionally, the song 'Ajeeb Daastan Hai Yeh,' featuring Nadira alongside Rajkumar and Meena Kumari in 'Dil Apna Preet Parayi,' continues to be a beloved classic.

#Florence Ezekiel #Nadira #bollywood #bollywoodirect #irani actors in bollywood #irani actresses in hindi movies

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theartistknownaslymond · 2 years

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Oh and cursed playlist concept. What kind of music does Gabriel put on at the ashram (Pune or Nevada) to decompress from intense group therapy… (from research I’d say overarching - general vibes: happy, maybe danceable; lyrics: English or Hindi probably :P)

aka the desire to be subtle vs the desire to be funny: FIGHT

A Purely Spiritual Love

A band AU playlist for running away from the world aged nineteen and accidentally falling for your cult leader. Or just for chillin' post dynamic meditation, that's cool too.

Nazia Hassan - Aao Naa

ABBA - Me & I

Asha Bhosle - Dum Maro Dum (pt. 2)

The Buggles - Video Killed the Radio Star

Asha Bhosle - Koi Shahri Babu (pt. 1)

The Monkees - I'm a Believer

Kishore Kumar - Ye Jawani Hai Diwani

Talking Heads - Once in a Lifetime

Lata Mangeshkar & Kishore Kumar - Jai Jai Shiv Shankar

Carly Simon - You're So Vain

Kalyanji-Anandji - Dharmatma Theme (pt. 1 - instrumental)

The Human League - Don't You Want Me

Nazia and Zoheb Hassan - Dosti

Don McLean - American Pie

Lata Mangeshkar - Bangle Ke Peechhe

The Beach Boys - Sloop John B

Kishore Kumar, Mahendra Kapoor & Shailendra Singh - Amar Akbar Anthony

The Beatles - All You Need is Love

Usual deal: explanation below the cut. Album cover featuring Joel Kinnaman's chin.

Caveat and apologies that I don't always have a very detailed explanation for why all the Hindi songs are on here because for some I just couldn't find English lyrics/descriptions of the film they're from, they're just here because they're bops. Caveat and apologies that the English songs are really NOT subtle and I had way too much fun picking them.

Nazia Hassan - Aao Naa Not Hindi, but also no great explanation beyond: what a CRACKING album opener!! Jerott's probably got the cassette and has playlist privileges at Nevada.

ABBA - Me & I Frankly ALL of Super Trouper is on the ashram playlist. The Winner Takes It All? GRM approves! But for supreme trolling-through-playlist purposes, get boogie-ing to this disco track about psychoanalysis: Sometimes I have toyed With ideas that I got from good old Dr. Freud Nothing new of course It may seem to you I try to break through open doors Oh no, oh no I just wanna say a lot of that applies to me 'Cause it's an explanation to my split identity 3) Asha Bhosle - Dum Maro Dum (pt. 2) This was an epic hit, from the film Haré Rama Haré Krishna (1971) which involves, ooh, international bigamy, cults, selling off artifacts to rich Westerners, suicide, hippies beating people up, and all sorts of things that people suspicious of Rajneesh's movement would recognise as threats. I think it would tickle Graham Reid Malett to have people dancing to the big song from a film warning about the dangers of his type. 4) The Buggles - Video Killed the Radio Star Cheesy, a bit sad, a bit sinister even, but everyone can dance along and everyone knows it. 5) Asha Bhosle - Koi Shahri Babu (pt. 1) I'll be honest and say that Bollywood thriller plots are somewhat impenetrable when reduced to short Wikipedia summaries, but this is from Loafer (1973) which seems to be about love across rival gangs and spying on one another. The song is about falling coyly for a guy who gives you a gift. And Asha is the queen, so we put as much Asha on the playlist as we need to. 6) The Monkees - I'm a Believer :))) be happy! Your dynamic meditation has finished and you have taken another step towards enlightenment/entrapment by Graham Reid Malett. 7) Kishore Kumar - Ye Jawani Hai Diwani No explanation, couldn't find the lyrics anywhere BUT what a tune!! Kishore and R.D. Burman, more icons. The film it's from (Jawani Diwani, 1972) has people leaving/becoming estranged from their families for love and intergenerational repeats of that so. A bit of a Jerott vibe. 8) Talking Heads - Once in a Lifetime People from well-to-do background suddenly asking themselves 'how did I get here?' and packing it all in to give their money to the ashram…? 9) Lata Mangeshkar & Kishore Kumar - Jai Jai Shiv Shankar Laughter therapy, praising Shiva (god of meditation, among other things, Rajneesh discoursed on him a lot). And from a film (Aap Ki Kasam, 1974) where paranoia and possessiveness ruins relationships. 10) Carly Simon - You're So Vain Do I think I'm funny? Yes. Yes I do. It's about the death of the ego babe, let go of yourself! But genuinely, you could sway along and dance to this when you were exhausted from meditation! And when Carly Simon finally tells us who (else) it was about you mark my words, Graham Reid Malett will be on the list :P You had me several years ago When I was still quite naive Well, you said that we made such a pretty pair And that you would never leave But you gave away the things you loved And one of them was me 11) Kalyanji-Anandji - Dharmatma Theme (pt. 1 - instrumental) The film (Dharmatma, 1975) is apparently based on the Godfather but set in Afghanistan. So absolutely the kind of thing that would appeal to teenage Jerott, who never knew his grandparents who spent time around the (then) India-Afghanistan border. Plus teenage boys love gangster stories. Plus Jerott doesn't realise the similarities between the ashram set up and that of a mob. 12) The Human League - Don't You Want Me A man who feels entitled to another person because he plucked from obscurity and 'made something of them'? Remind you of anyone? I picked you out, I shook you up and turned you around Turned you into someone new Now five years later on you've got the world at your feet Success has been so easy for you But don't forget, it's me who put you where you are now And I can put you back down too I feel like the background story to this song's release is also relevant: the band hated it and thought it was a filler track and didn't want to release it as a single, the record company forced them to, and it was a huge success. Reminiscent of Francis and GRM's interactions in PiF. 13) Nazia and Zoheb Hassan - Dosti Just another of Jerott's cassettes with good Pakistani disco pop on it! :') 14) Don McLean - American Pie It's just….it's such a GRM/Jerott kind of vibe? The disappointment, grief and sense of loss for something you never quite had, the crushing of hope, the nostalgia for something half-remembered as life-changing, but all sounding so beautiful and dreamy and it kind of cheers everyone up to be able to sing along? The idea of the American Dream as an ideal that can never be lived up to as well, kind of like what Jerott is hoping to find from the ashram vs what he gets. Oh, and there we were, all in one place A generation lost in space With no time left to start again So come on, Jack be nimble, Jack be quick Jack Flash sat on a candlestick 'Cause fire is the devil's only friend Oh, and as I watched him on the stage My hands were clenched in fists of rage No angel born in hell Could break that Satan's spell And as the flames climbed high into the night To light the sacrificial rite I saw Satan laughing with delight The day the music died 15) Lata Mangeshkar - Bangle Ke Peechhe Another I couldn't find the lyrics for, but it's R.D. Burman again and was a massive hit. It's from Samadhi (1972). 16) The Beach Boys - Sloop John B Another one that kind of sounds cheery until you listen to the lyrics when it's actually really miserable! Jerott are you ok? The first mate, he got drunk And broke in the captain's trunk The constable had to come and take him away Sheriff John Stone Why don't you leave me alone? Yeah, yeah Well, I feel so broke up I wanna go home 17) Kishore Jumar, Mahendra Kapoor & Shailendra Singh - Amar Akbar Anthony From a 'masala' film of the same title, about three brothers separated and raised as Hindu/Muslim/Christian, so I figure a good ashram vibe for bringing people together in a synthesis of teachings… Also look out Francis. Look out Jerott. <Two are better than one Three are better than two The bride and the groom are not together There's music but not a wedding procession The bride and the groom are not together There's music but not a wedding procession There's nothing to fear This is a night of union and not of sadness Smile my friends, why do you have such a crying face Smile my friends, why do you have such a crying face When the three of us get together in one place> 18) The Beatles - All You Need is Love Can't have a playlist about a rich white guy exploiting an already exploitative Indian cult to make himself powerful without putting some Beatles on it, right? Sure Graham, 'love'. There's nothing you can do that can't be done Nothing you can sing that can't be sung Nothing you can say, but you can learn how to play the game It's easy Nothing you can make that can't be made No one you can save that can't be saved Nothing you can do, but you can learn how to be you in time It's easy

#playlists: period appropriate #(i've made a mess of the tags sometime because i always forget how to spell his name)#character: jerott blyth #setting: ashram #setting: nevada #setting: pune ashram #pink people #setting: 1980s #character: graham reid malett

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indiejones · 8 months

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THE MOST POPULAR DEVOTIONAL SONG IN HINDI FILM HISTORY! - IT'S OFFICIAL!

'AAO KANHAI MERE DHAM - MERE JEEVAN SAATHI' !

🙏

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keepalivebollywood · 11 months

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10 Timeless Bollywood Classics By The Legendary Lata Mangeshkar You Should Listen Today

For more than seven decades, Lata Mangeshkar has been an iconic voice of Indian film music. As the most recorded artist in history, she’s had a hand in making some of Bollywood’s most beloved classics. Today, we’re taking a look at 10 of her timeless tracks that have stood the test of time and still inspire listeners.

Introduction to Lata Mangeshkar

Lata Mangeshkar is a legendary Indian playback singer. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages. She is one of the best-known and most respected playback singers in India.

Mangeshkar was born on September 28,1929 in Indore, Madhya Pradesh, into a Marathi family. Her father, Pandit Deenanath Mangeshkar, was a classical singer and her mother, Shevanti, was a homemaker. Mangeshkar’s elder sister, Meena Khadikar, was also a playback singer.

Mangeshkar started singing at an early age and made her film debut when she was just thirteen years old. She has recorded songs for films in various Indian languages, including Hindi, Marathi, Bengali, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya.

Mangeshkar has won several awards for her contributions to Indian cinema, including the Padma Bhushan (1969), the Padma Vibhushan (1999) and the Bharat Ratna (2001). She has also been awarded the National Film Award for Best Female Playback Singer five times.

Mangeshkar’s career spans more than seven decades. She has sung songs for some of the biggest names in B

List of the top ten Lata Mangeshkar songs that have stood the test of time

Lata Mangeshkar is a legendary playback singer in India who has sung thousands of songs in her career spanning over seven decades. Her voice has been heard in some of the most iconic Hindi film songs of all time. Here is a list of the top 10 songs by Lata Mangeshkar that have stood the test of time:

1. Aye Mere Watan Ke Logo: This patriotic song was composed by C. Ramchandra and written by Kavi Pradeep. The song commemorates Indian soldiers who died during the Sino-Indian War in 1962. The song is still remembered today as one of the most emotional and patriotic songs ever sung.

2. Lag Jaa Gale: This romantic ballad was composed by Madan Mohan and written by Raja Mehdi Ali Khan. It was picturized on Manoj Kumar, Sadhana and released in 1964. The song is still popular today for its soulful melody and lyrics.

3. Chhup Gaye Sare Nazare: The song is a romantic ballad and is one of the most memorable songs sung by Lata Mangeshkar. Her voice is so beautiful and expressive that it perfectly conveys the emotions of the characters in the song.

4. Tere Bina Zindagi Se Koi: This evergreen love song was composed by R.D. Burman and written by Gulzar. It was picturized on Sanjeev Kumar and Suchitra Sen from the film “Khamoshi” and released in 1975. The song is still popular today for its soulful composition and meaningful lyrics.

5. Bahon Mein Chale Aao: The lyrics of the song are very heartwarming and describe the feeling of being in love. The song is from the movie Anamika. Bahon Mein Chale Aao is one of those songs that will stay with you long after you’ve heard it.

6. Yeh Galiyan Yeh Chaubara: This melodious song is from the movie Prem Rog. The song is sung by Lata Mangeshkar, and the music is composed by Laxmikant Pyarelal.

7. Ek Pyar Ka Nagma Hai: This song is one of the most popular songs sung by Lata Mangeshkar and Mukesh from the movie Shor and was released in 1972. The lyrics of the song are penned by Santosh Anand and the music is composed by Laxmikant-Pyarelal. It is a perfect track to listen to when you’re feeling romantic or missing your loved one.

8. Kora Kagaz Tha Yeh Man Mera: The song was sung by Lata Mangeshkar and Kishore Kumar, and picturised on Sharmila Tagore and Rajesh Khanna. The song starts off with a simple melody that gradually builds up into a crescendo. The lyrics are written in a simple yet emotive style, which perfectly captures the feelings of love and longing. The two singers have done a phenomenal job of conveying these emotions through their voices. The music is also very catchy and will stay with you long after you’ve heard it.

9. Yeh Kahan Aa Gaye Hum: This is a classic Bollywood song that has been sung by Amitabh Bachhan and Lata Mangeshkar. The song is from the movie Silsila and is one of the most popular songs of all time. The lyrics of the song are very meaningful and the tune is very catchy. The song has a very strong emotional impact on the listeners.

10. Tujhse Naraz Nahi Zindagi: This song from the movie Masoom is sung by Lata Mangeshkar. The song is a beautiful ballad that has a message of hope and resilience. It is a perfect song for someone who is going through a tough time in their life. The lyrics are very relatable and the melody is very soothing. This is one of those songs that you can listen to over and over again and never get tired of it.

Describe what makes Lata Mangeshkar’s voice so unique and special

Lata Mangeshkar is often referred to as the Nightingale of India and is one of the most celebrated playback singers in Bollywood history. Her unique voice has been described as “honey-coated” and “clear as a bell”, with a wide range and perfect pitch. Lata Mangeshkar began singing at a young age and made her film debut in “Paa laagu kar jori re” from “Aapki Sewa mein” (1947). She went on to record songs for hundreds of Hindi films and has sung in over 20 languages. Mangeshkar’s voice is truly one of a kind and her contributions to the world of Bollywood music are immeasurable.

How Her Songs Are Still Relevant Today

Lata Mangeshkar is often referred to as the Nightingale of India and has been praised for her exceptional vocal abilities. She has recorded songs in over a thousand Hindi films and has sung in multiple languages .

One of the things that makes Lata Mangeshkar’s music timeless is her ability to connect with her listeners. Her songs are full of emotion and resonate with people even today. In a world where Bollywood movies are increasingly becoming more formulaic, her songs offer a much needed respite. They are a reminder of a simpler time when movie songs were truly reflective of the human experience.

Some of Lata Mangeshkar’s most popular songs include “Bhigi Bhigi Rato Me”, “Tum Aa Gaye Ho Noor Aa Gaya”, “Zindagi Pyar ka Geet Hai”, “Gum Hai Kisike Pyar Me” and “Dil To Hai Dil”. These songs are still relevant today because they deal with universal themes such as patriotism, love, heartbreak and longing. No matter what language you speak or where you’re from, these songs will speak to you on a deep level.

The continued influence of her music and how it has impacted subsequent artists

Lata Mangeshkar is one of the most prolific and respected playback singers in India. She has sung hundreds of songs in Hindi and other Indian languages over her career, which spans more than seven decades. Her music has been influential to subsequent generations of Indian artists, both in terms of her vocal style and the choice of songs she has recorded.

Mangeshkar’s influence can be heard in the work of many contemporary Indian singers. For example, Sunidhi Chauhan has cited Mangeshkar as an inspiration, saying “I grew up listening to Lataji’s songs and try to emulate her style in my own singing.” Similarly, Shreya Ghoshal has said that “Lataji is my biggest inspiration… There is no one who can match her versatility or expressiveness.”

Lata Mangeshkar’s work has also been referenced by a number of international artists. In a 2013 interview, Beyoncé said that she was influenced by Mangeshkar when she was growing up: “My mom used to play a lot of Hindi movie music around the house… I definitely remember being fascinated by the sound of Mangeshkar’s voice.” .

Conclusion

Lata Mangeshkar has been an iconic figure in the Indian music industry for over 70 years, and her influence on popular culture will no doubt continue for generations to come. Her timeless songs have touched the hearts of millions, transcending boundaries of language and geography. There is no denying that Lata Mangeshkar was a pioneer when it came to Bollywood music, and she deserves all the respect and admiration that has been bestowed upon her by fans around the world.

#10 Timeless Bollywood Classics By The Legendary Lata Mangeshkar You Should Listen Today #old hindi songs #binaca geetmala #yesudas song lyrics #music #filmfareawards #binaca geetmala hindi songs #filmfare award winners 1960 #old hindi songs lyrics #binaca geetmala 1960 to 1970 #aesthetic

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aparnaj-1981 · 1 year

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A ROMANTIC BOLLYWOOD MELODY.

Hi everyone, Welcome to my website and have fun. 😊😊

MUSIC VIDEO Hi friends, Before ‘I sign off for the day, ‘I would love to share this beautiful Bollywood song sung by the legendary late Kishore Kumar for India’s first Superstar Rajesh Khanna for the movie Mere Jeevan Saathi (1972) also featuring Tanuja as the heroine. The translation of the song is as under: Lyricsgem.com. Thank you so much for taking your precious time to visit my website.…

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#Music video

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hits1000 · 2 years

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Top 100 Songs of the 1970s - Old Hits from the 70s [Top 10 Yearly]

Top 100 Songs of the 1970s - Old Hits from the 70s [Top 10 Yearly] A list of TOP 100 Songs of the 1970s, including: Creedence Clearwater Revival - Have You Ever Seen The Rain, Don McLean - American Pie, Harry Nilsson - Without You, John Denver - Take Me Home, Country Roads, John Lennon – Imagine, Middle Of The Road - Chirpy Chirpy Cheep Cheep, Pop Tops - Mamy Blue, Rod Stewart - Maggie May, T. Rex - Get It On, Tom Jones - She's A Lady and many more!!! Related Searches: Hits Of 1970s, Hits Of 1970 To 1979, Hits Of 1970S In Music, Hits Of 1970 Songs, Hits Of 1970 Uk, Hits Of 1970 Australia, Hits Of The 1960S And 1970S, Kannada Hits Of 1970, Bollywood Hits Of 1970, Top Hits Of The 1970S Billboard, Pop Hits Of The 1970S, Hits Of 1970 Youtube, Hits Of 1970 And 1971, Hits Of 1970 Album, Hits Of 1970 June, Hits Of The 1970S Uk, Music Hits Of 1970, Hits Of The 1970S Youtube, Country Hits Of 1970, 1970S, Music, 1970 Songs, 1970 Music, Top Songs 1970, Best Songs 1970, Top Songs Of 1970. 1970 The Guess Who - American Woman 1970 The Beatles - Let It Be 1970 Creedence Clearwater Revival - Lookin' Out My Back Door 1970 James Brown - Sex Machine 1970 Simon & Garfunkel - El Condor Pasa 1970 Elton John - Your Song 1970 Christie - Yellow River 1970 Simon & Garfunkel - Bridge Over Troubled Water 1970 Black Sabbath - Paranoid 1970 Lee Marvin - Wand'rin Star 1971 Middle Of The Road - Chirpy Chirpy Cheep Cheep 1971 Tom Jones - She's A Lady 1971 Pop Tops - Mamy Blue 1971 T. Rex - Get It On 1971 John Denver - Take Me Home, Country Roads 1971 Rod Stewart - Maggie May 1971 Creedence Clearwater Revival - Have You Ever Seen The Rain 1971 Harry Nilsson - Without You 1971 Don McLean - American Pie 1971 John Lennon - Imagine 1972 The Osmonds - Crazy Horses 1972 Chicago - Saturday In The Park 1972 Neil Diamond - Song Sung Blue 1972 Elton John - Crocodile Rock 1972 Andy Williams - Speak Softly Love 1972 Neil Young - Heart Of Gold 1972 Deep Purple - Smoke On The Water 1972 Chicory Tip - Son Of My Father 1972 Alice Cooper - School's Out 1972 Gilbert O'Sullivan - Alone Again (Naturally) 1973 Suzi Quatro - Can The Can 1973 Sweet - The Ballroom Blitz 1973 Demis Roussos - Velvet Mornings 1973 Gilbert O'Sullivan - Get Down 1973 Mocedades - Eres Tú 1973 Slade - Cum On Feel The Noize 1973 Billy Joel - Piano Man 1973 Demis Roussos - Goodbye My Love Goodbye 1973 Roberta Flack - Killing Me Softly With His Song 1973 Tony Orlando & Dawn - Tie A Yellow Ribbon Round The Old Oak Tree 1974 Bob Marley & The Wailers - No Woman, No Cry 1974 Gloria Gaynor - Never Can Say Goodbye 1974 The Rubettes - Sugar Baby Love 1974 Nazareth - Love Hurts 1974 Lynyrd Skynyrd - Sweet Home Alabama 1974 LaBelle - Lady Marmalade 1974 ABBA - Waterloo 1974 Blue Swede - Hooked on a Feeling (Uga Chaka Uga) 1974 Grand Funk Railroad - The Loco-Motion 1974 Terry Jacks - Seasons In The Sun 1975 America - Sister Golden Hair 1975 The Carpenters - Please Mr. Postman 1975 David Bowie - Fame 1975 Aerosmith - Walk This Way 1975 Eric Carmen - All By Myself 1975 Bruce Springsteen - Born to Run 1975 Pink Floyd - Wish You Were Here 1975 Rod Stewart - Sailing 1975 KC & The Sunshine Band - That's The Way (I Like It) 1975 Queen - Bohemian Rhapsody 1976 Oliver Onions - Sandokan 1976 Steve Miller Band - Rock'n Me 1976 Tina Charles - I Love To Love 1976 Boston - More Than A Feeling 1976 Smokie - Living Next Door to Alice 1976 Kc & The Sunshine Band - Shake Your Booty 1976 ABBA - Dancing Queen 1976 Paul McCartney & Wings - Silly Love Songs 1976 Queen - Somebody To Love 1976 Elton John & Kiki Dee - Don't Go Breaking My Heart 1977 Kansas - Dust In The Wind 1977 Bonnie Tyler - It's A Heartache 1977 Eagles - Hotel California 1977 Status Quo - Rockin All Over The World 1977 Meat Loaf - Paradise By The Dashboard Light 1977 Queen - We Will Rock You 1977 Bee Gees - Night Fever 1977 Queen - We Are The Champions 1977 Bee Gees - Stayin' Alive 1977 Paul McCartney & Wings - Mull Of Kintyre 1978 Village People - YMCA 1978 The Jacksons - Blame It On the Boogie 1978 Dire Straits - Sultans Of Swing 1978 Blondie - Heart Of Glass 1978 Bob Seger - Old Time Rock And Roll 1978 Queen - Don't Stop Me Now 1978 Gloria Gaynor - I Will Survive 1978 Rod Stewart - Da Ya Think I'm Sexy? 1978 Boney M. - Rivers Of Babylon 1978 John Travolta & Olivia Newton-John - You're The One That I Want 1979 ABBA – Chiquitita 1979 Donna Summer - On The Radio 1979 Goombay Dance Band - Sun of Jamaica 1979 The Buggles - Video Killed The Radio Star 1979 Kiss - I Was Made For Lovin' You 1979 The Knack - My Sharona 1979 The Police - Message In A Bottle 1979 Supertramp - The Logical Song 1979 AC/DC - Highway To Hell 1979 Pink Floyd - Another Brick In The Wall Related Hashtags #hitsof1970 #hitsof1970to1979 #hitsof1970s #hitsof1970songs #hitsof1970uk #hitsof1970australia #hitsofthe1970sand1970s #kannadahitsof1970 #bollywoodhitsof1970 #hitsof1969and1970 #tophitsofthe1970sbillboard #pophitsofthe1970s https://www.youtube.com/watch?v=Au15UlhSRhg

#80S Greatest Hits #Songs Of 1980S #Old Songs #80S Songs #80S Music Hits #80S Hits #80S Songs Playlist #Grea

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creekmodem34 · 2 years

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30 Pop Songs You May Not Know Are Covers

"The pizzicato strings grew to become guitar skanks, and the melody floated excessive." Joni Mitchell wrote "Woodstock" in a second of non secular reflection, contemplating the Woodstock gathering a biblical fishes-and-loaves story of optimism. Crosby, Stills, Nash & Young ran with that idea, conjuring up a celebratory, electrified jam, woven together with the band's mellifluous harmonies to create yet one more iconic soundtrack of a technology.

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The album it was featured on, Unchained, won the Grammy for Best Country Album in 1998. Karen and Richard Carpenter's monster hit was written by rock legend Leon Russell and Bonnie Bramlett (of Sixties rock/soul duo Delaney & Bonnie) for Rita Coolidge. Others have lined this craving ballad, although none rise to the level of Thurston Moore's devoted homage to Karen Carpenter. It reveals an uncharacteristically sensitive aspect of the caustic and arch New York City rock band. To record a song for launch to the public, a performer must acquire permission from the music writer of the track and pay a fee, referred to as a mechanical royalty.

Take Heed To Covers Of Top Tracks On Billboard's The New One Hundred Chart

The issues of their life collectively did give the world a canopy model that has gone down in rock and roll historical past. Ike and Tina coated Creedence Clearwater Revival’s Proud Mary so properly that it has become the usual for the bar band favourite. It is safe to say the singing profession of William Shatner has not been fully profitable. A quick search of YouTube brings up 1000's of videos mocking the Star Trek icon. However, Shatner’s model of Pulp’s Common People is a traditional cowl version.

There are many YouTubers and struggling artists, who tend to do a unique thing and all they do is create a music cover of their own. You can also take inspiration from different artists and learn the way properly they've created their music cover. “Proud Mary” is a song written by John Fogerty and was first recorded and launched by his band Creedence Clearwater Revival in 1969. In 1971, Ike & Tina Turner released their cover of “Proud Mary” and the track instantly turned a success. The track reached excessive on the Billboard charts and gained the duo a Grammy for Best R&B Vocal Performance by a Group in 1972.

Take Me To The River By Speaking Heads

And this season, there are a number of songs which might be currently unreleased, and you’ll hear them within the show first. music news have a pair new covers from our amazing composer, Kris Bowers. He did the quilt of “Material Girl,” and — a primary for Bridgerton — a canopy of a Bollywood music known as “Kabhi Khushi Kabhie Gham,” which I’m actually enthusiastic about. You’ll be listening to a cover of “How Deep Is Your Love,” the Calvin Harris x Disciples observe, and a cover of P! Nk’s track, “What About Us” from Duomo, who did the Taylor Swift monitor [“Wildest Dreams”] last yr that everybody was obsessed with. And we’ll even have a cover of “Diamonds” by Rihanna, which labored out fantastically.

Once you may have your channel created and the social media accounts you want to help your efforts and gather followers, one of the most essential jobs you could have is to remain consistent.

Because O'Connor recorded the music without Prince's knowledge, he had asked her to come back to his home to talk about it, and things apparently obtained violent.

If you don’t already have a music diploma, higher information by method of manufacturing and vocal recordings can be hugely helpful, and can also contribute to your progress as an artist.

The Guess Who had released their model of the track way again in March 1970 with out the exhausting rock fringe of Kravitz.

The Reverand Al Green recorded the unique model of Take me To The River.

Talk Talk broke up in 1991, although Hollis put out one solo album in 1998 and left the music industry shortly after.

#music news #music #music covers #karolina protsenko #Allie Sherlock

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waheedarehman-infinitelylovable · 6 years

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“Zindagi Zindagi” / 1972 / Song booklet featuring Waheeda Rehman / Source: Osianama

#Waheeda Rehman #Zindagi Zindagi #Old Bollywood #Indian Cinema #Bollywood2 #Bollywood #Vintage Bollywood #1972 #1970s #song booklets #Meeta Sharma

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yeh-raat · 3 years

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Honouring Lata Mangeshkar on her 92nd birthday! Here are some stills from my favourite songs of hers. Can you identify them?

She had an amazing career spanning several decades and delivered some of the most beautiful Bollywood songs.

In my opinion, I believe Pakeezah (1972) was her best work.

I will add the movies and songs in the comments!

#lata mangeshkar #mugal e azam #pakeezah #meena kumari #madhubala #dil apna aur preet parai #nutan #sunil dutt #waheeda rehman #dev anand #nargis #raj kapoor

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bollywoodproduct · 3 years

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Lyrics Tum Bin Jeewan Kaisa Jeewan

Lyrics in English | Tum Bin Jeewan Kaisa Jeewan | Bawarchi (1972) | Rajesh Khanna | Jaya Bachchan Tum Bin Jeewan Kaisa Jeewan (2)Phool Khile ToDil MurajhayePhool Khile ToDil MurajhayeAag Lage JabBarse SaawanTum Bin Jeewan Kaisa JeewanTum Bin Jeewan…………. Songs Starting from “T” Roothe Tum Jab Se PiyaRoothe Tum Jab SeSoona Sa HaiMan Ka DeraBairi Hai Duniya (2)Baante KoyiKyoon Dukh MeraApne…

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postoastblog · 3 years

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21 Bollywood Old Songs That Will Remain Evergreen Till Eternity

Our Bollywood film industry is known for its amazing songs and dance moves. Indian cinema has a long history of music in films. The legendary singers like Kishore Kumar, Lata Mangeshkar, etc have sung some of the evergreen old songs whose lyrics are so beautiful they’ll instantly make you love the song. Maybe that’s the reason your grandfather or dad keeps playing the old classic songs and gets lost in their melody.

Here we have a list of some best old Bollywood songs that tend to stay close to you forever.

Zindagi Ek Safar Hai Suhana: This song was sung by the legendary Kishore Kumar for the movie Andaz in 1971. The song also received the Filmfare for the Best Lyricist. It was written by Hasrat Jaipuri.

Tere Bina Jiya Jaye Na Jaye Na: This iconic old song was sung by Lata Mangeshkar, written by Gulzar for the 1978 film Ghar featuring and stars Rekha and Vinod Mehra. The music direction of Tere Bina Jiya Jaye Na was done by R.D. Burman.

Hamen Tumse Pyar Kitna: This song was sung by Kishore Kumar for the 1981 film Kudrat. Written by Majrooh Sultanpuri, and the Music Director of Kudrat was R.D. Burman. The song was also nominated for the Filmfare.

Abhi Na Jao Chod Kar: This iconic song was sung by Mohammed Rafi and Asha Bhosle for the 1961 film Hum Dono starring Dev Anand and Sadhna. Jaidev was the Music Director and the lyricist was Sahir Ludhianvi.

Roop Tera Mastana: The song was sung by legend Kishore Kumar and he won the Filmfare for the Best Male Playback Singer for this song. The song was sung for the 1969 film Aradhana that featured Sharmila Tagore and Rajesh Khanna. The lyrics were written by Anand Bakshi and the music was composed by S.D. Burman.

Pyar Hua Ikrar Hua: This amazing song was sung by Lata Mangeshkar, Manna Dey. This song was featured in the movie Shree 420 starring Raj Kapoor and Nargis.

Ek Ajnabee Haseena Se: The song was sung by Kishore Da and was featured in the 1974 film Ajanabee starring Rajesh Khanna and Zeenat Aman. The on-screen chemistry of the actors together made this song magical. R.D. Burman was The Music Director of this song.

Kuch Toh Log Kahenge Logon Ka Kaam Hai Kahana: This superhit classic old Hindi song was sung by Kishore Kumar from the blockbuster Hindi movie of Amar Prem (1972) starring Rajesh Khanna and Sharmila Tagore. The music was composed by R.D.Burman and lyrics were penned by Anand Bakshi.

Mere Sapno ki Rani Kab Ayegi Tu: This iconic Hindi classic romantic song was sung by Kishore Kumar and was featured in the 1969 film Aradhana that featuring Rajesh Khanna and Sharmila Tagore. The lyricist of the song is Anand Bakshi.

Lag Ja Gale: Sung by Lata Mangeshkar, this evergreen song features in Who Kaun Thi?. Written by Raja Mehdi Ali Khan, the iconic song was released in the year 1964. It stars Manoj Kumar alongside Sadhna. Madan Mohan Kohli is the music director.

Likhe Jo Khat Tujhe: Sung by Mohammed Rafi, this old Bollywood song was one of the most heartwarming songs of the movie Kanyadan. The film featured legends like Shashi Kapoor and Asha Parekh. The lyrics were written by Neeraj.

Kya Hua Tera Wada: The song was composed by R. D. Burman. Sung by Mohammed Rafi and Sushma Shrestha, the song won both Filmfare best male playback singer and National film award.

Humein Tumse Pyar Kitna: This beautiful Hindi song was sung by the legend Kishore Kumar and was composed by R. D. Burman. The song was featured in the 1981 Indian Hindi drama film, Kudrat. The movie starred Rajesh Khanna and Hema Malini. The song is heard twice in the movie, the first time by Parveen Sultana and the second time by Kishore Kumar.

Kabhi Kabhie Mere Dil Mein: It is an old Hindi song from the movie Kabhi Kabhie released in the year 1976 featuring Amitabh Bachchan and Raakhee. The lyricist of this amazing song is Sahir Ludhianvi. The original song is in literary Urdu and was in fact a poem from his collection Talkhiyan.

Yeh Dosti Hum Nahi Todenge: This is one of the most epic Bollywood songs on friendship. The song was sung by Kishore Kumar and Manna Dey for the popular movie Sholay featuring Amitabh Bachchan and Dharmendra. R. D. Burman composed the music, and the lyrics were written by Anand Bakshi.

Mera Joota Hai Japani: This song is one of the most popular old songs from Raj Kapoor’s film Shree 420 that was released in 1955. The song was sung by Mukesh and Shailendra was the lyricist.

Tera Mujhse Hai Pehle Ka Naata Koi: This song is from Shashi Kapoor and Sharmila Tagore starrer movie Aa Gale Lag Jaa. Kishore Kumar sang the song and the music was given by R. D. Burman. The lyrics are penned by Sahir Ludhianvi.

Ek Radha Ek Meera: Sung by Lata Mangeshkar, this song featured in the 1985 romantic drama movie Ram Teri Ganga Maili that starred stars Mandakini and Rajiv Kapoor. Ravindra Jain was the music director of the film and he received a Filmfare Award for this movie.

Yeh Raaten Yeh Mausam: Sung by legends like Kishore Kumar and Asha Bhosle, this song featured in the film Dilli Ka Thug. The music was by Ravi and the lyrics were penned by Shailendra.

Tum Ko Dekha Toh Ye Khayal: This evergreen ghazal was sung by Jagjit Singh and Chitra Singh for the 1982 film Saath Saath featuring Farooque Shaikh and Deepti Naval in the lead roles.

Tujhse Naraz Nahin Zindagi: The song has a female and a male version that was sung by Lata Mangeshkar and Anup Ghoshal respectively for the 1983 film, Masoom. The song was composed by R. D. Burman and the lyrics of the song were written by Gulzar. He also won a Filmfare Award for Best Lyricist for this song.

#oldsongs #hindi video song #bollywood

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bollywoodirect · 4 years

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40 Years of Qurbani (20/06/1980)

Qurbani is an action film. It was produced and directed by #FerozKhan. The film stars Feroz Khan himself, #VinodKhanna, #ZeenatAman, #AmjadKhan, #ShaktiKapoor, #ArunaIrani, #AmrishPuri and #KadarKhan.

It is an adaptation of the 1972 Italian film The Master Touch.Qurbani was famous for the Bollywood disco song “Aap Jaisa Koi”, sung by Pakistani pop star #NaziaHassan and produced by #Biddu. The movie is known for its music and songs, including the title qawwali Qurbani Qurbani, written by the Urdu poet, Faruk Kaiser and rendered by Anwar, Kishore Kumar, and Aziz Nazan. It has a song performed by Mohammed Rafi, Kya Dekhte Ho, which was written by Indeevar. Qurbani Qurbani received a special award for ‘The Most Amazing Evergreen Song’ by Bollywood music producer, Kalyanji–Anandji.

Feroz Khan met Biddu and Nazia Hassan at a party hosted by a close friend in England. Nazia’s parents insisted Feroz listen to Nazia sing. Feroz did and was highly impressed. But Feroz had his eye on International star Biddu to score a song for Qurbani. Biddu was reluctant to score music for an Indian film. It was with sincere persistence and Feroz telling Biddu to do it for his mom who lived in India. Feroz also played the Bangalore card with Biddu since both Feroz and Biddu both hailed from Bangalore. Many music directors (including the film’s original music directors Kalyanji–Anandji) opposed Feroz Khan hiring Biddu to score a solo song in the film. Many tried to stop this because they viewed Biddu as an outsider. After several discussions, Feroz Khan stuck to his choice.

#qurbani (1980)#feroz khan #vinod khanna #zeenat aman #amjad khan #shakti kapoor #aruna irani #amrish pu #kadar khan #nazia hassan #biddu #bollywood #Bollywoodirect #kalyan ji anand ji #Indeevar #Faruk Kaiser

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indiejones · 8 months

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THE MOST POPULAR SONG IN WORLD FILM HISTORY! - IT'S OFFICIAL!

HA HA YAHOO!………………….KITNE SAPNE KITNE ARMAAN LAYA HOON MAIN, DEKHO NA!

A Film that should've been in Bolly's Top 30, yet as blogged, pulled down to Top 130!

But with songs, not so easy!😀

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keepalivebollywood · 1 year

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From `Mere Sapno Ki Rani` to `Roop Tera Mastana`: Exploring Kishore Kumar And Rajesh Khanna`s Greatest Hits

Get ready to take a nostalgic trip down memory lane as we explore the greatest hits of two legends who ruled the hearts of millions in the 70s – Kishore Kumar and Rajesh Khanna. From the soulful “Mere Sapno Ki Rani” to the groovy “Roop Tera Mastana”, their music has stood the test of time and continues to captivate audiences even today. Join us on this musical journey as we celebrate their timeless melodies, unforgettable lyrics, and unparalleled chemistry that made them an inseparable duo in Bollywood history.

Introduction Kishore Kumar and Rajesh Khanna were two of the most popular actors and singers of Indian cinema during the 1970s. They worked together on numerous films and songs, many of which became huge hits. In this article, we’ll explore some of their greatest hits, from the classic “Mere Sapno Ki Rani” to the more recent “Roop Tera Mastana”. Kishore Kumar was known for his unique voice and style of singing, which was often imitated by other singers. He also had a great range, being able to sing both fast paced songs and slower ballads. Rajesh Khanna, on the other hand,was known for his good looks and charm, which helped him become one of the most popular actors of his time. Together, these two created some of the most iconic songs in Indian cinema. So let’s take a look at some of their greatest hits!

Kishore Kumar – The Melodious Singer and Music Composer Kishore Kumar was a singer and music composer who was popular in the 1950s and 1960s. He is known for his melodious voice and for his ability to compose catchy tunes. Some of his most popular songs include “Mere Sapno Ki Rani”, “Roop Tera Mastana” and “Pyaar Deewana Hota Hai”. Kumar was born in Kolkata, India, on 4 August1929. His father, Kunjalal Ganguly, was a lawyer and his mother, Gouri Devi, was a housewife. Kunjalal was also a singer and often sang at events and weddings. Gouri Devi would often accompany him on the harmonium. Kumar’s elder brother, Ashok Kumar, was an actor who later became a film director. ‘Kishore Kumar’ and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Music director Khemchand Prakash gave Kumar a chance to sing “Marne Ki Duayen Kyon Mangu” for the film Ziddi (1948). After this, Kumar was offered many other assignments, but he was not very serious about a film career. In 1949, he settled in Bombay. Apart from being a playback singer, Kumar was also an accomplished music composer. He composed several songs for films and albums throughout his career. Some of his famous compositions include “Haal Kaisa Hai Janaab Ka”, “Ek Ladki Bheegi Bhagi Si”, and the evergreen classic, “Aane Wala Pal”. Kumar was also an actor, appearing in some Hindi films between 1949 and 1967. Some of his most notable roles were in the films “Chalti Ka Naam Gaadi” (1958), “Door Gagan Ki Chaon Mein” (1964) and “Half Ticket” (1962).

Rajesh Khanna – Bollywood’s First Superstar Rajesh Khanna was born Jatin Khanna on December 29, 1942 in Amritsar, India. Rajesh Khanna’s career in the Hindi film industry, also known as Bollywood, spanned over four decades. Khanna is often referred to as “Bollywood’s first superstar” due to his immense popularity during the 1970s. He starred in some of Bollywood’s most iconic films such as Kati Patang (1971), Anand (1971), Amar Prem (1972), and Namak Haraam (1973). Rajesh Khanna passed away on July 18, 2012 at the age of 69.

The Unbeatable Combination of the Two Superstars Kishore Kumar and Rajesh Khanna were two of the biggest superstars of their time. They had a unique chemistry that was unmatched by any other actor-singer duo. Their songs were always a hit with the audience, whether it was a romantic ballad or an upbeat dance number. Some of their most popular songs include “Mere Sapno Ki Rani”, “Roop Tera Mastana”, “Agar Tum Na Hote”, and “Kabhi Kabhi Mere Dil Mein”. Each one of these songs is special in its own way and has been cherished by fans over the years. What made Kishore Kumar and Rajesh Khanna’s partnership so special was the fact that they brought out the best in each other. Kishore Kumar’s playful personality complemented Rajesh Khanna’s intensity perfectly. Together, they created some truly magical moments on screen that are still remembered fondly by fans today.

Greatest Hits from Kishore & Rajesh Kishore Kumar and Rajesh Khanna were two of the most popular actors and singers of their time. They collaborated on many hit songs that are still loved today. Here are some of their greatest hits: “Mere Sapno Ki Rani”: This song is from the film “Aradhana” and is one of Rajesh Khanna’s most famous songs. The song is a romantic ballad that expresses the protagonist’s love and admiration for his dream girl, whom he has not yet met. He describes her as the queen of his dreams and expresses his longing to make her his own. The song has become an iconic representation of Rajesh Khanna’s charisma and charm, and Kishore Kumar’s soulful voice adds to its timeless appeal. “Ek Ajnabee Haseena Se”: This song is from the film “Ajnabee” sung by Kishore Kumar. The song is a romantic ballad in which the male protagonist describes his encounter with a mysterious and beautiful stranger who has captured his heart. He expresses his desire to get to know her better and asks for her love and affection. The soft and melodious tune, combined with Kishore Kumar’s soulful voice, makes the song an all-time favorite among Bollywood music fans. “Ye Jo Mohabbat Hai”: This song is from the film “Kati Patang” and was composed by R. D. Burman. It was sung by Kishore Kumar. The soundtrack became as beloved as the film itself, with songs that were to take their place among the classics. The song is also remembered for its iconic music video featuring the lead actor, Rajesh Khanna, who was known for his charming and romantic performances. “Zindagi Ka Safar”: This song is a classic Hindi song from the 1970 Bollywood film “Safar,” featuring a beautiful collaboration between the legendary singer Kishore Kumar and the iconic actor Rajesh Khanna. It is a poignant reflection on the ups and downs of life’s journey. With its beautiful melody and heartfelt lyrics, “Zindagi Ka Safar” is a timeless gem that continues to resonate with audiences today. – Hamen Tumse Pyar Kitna This song is a classic Hindi song from the 1981 Bollywood film “Kudrat” that features the soulful voice of Kishore Kumar and the magnetic charisma of Rajesh Khanna. Kishore Kumar’s emotive rendition and Rajesh Khanna’s captivating on-screen presence have made it a beloved hit that continues to be cherished by Bollywood music lovers.

Rajesh Khanna & Kishore Kumar’s Unbeatable Collaboration Kishore Kumar and Rajesh Khanna were a legendary duo in the Indian film industry during the 1970s. Kishore Kumar was a prolific singer with a unique voice, known for his versatility and ability to convey a wide range of emotions through his singing. Rajesh Khanna, on the other hand, was a charismatic actor who was a heartthrob of the masses, known for his romantic roles and his ability to connect with audiences.Together, Kishore Kumar and Rajesh Khanna created some of the most memorable songs and films of the era. Their collaborations produced a string of superhit films such as “Aradhana,” “Anand,” “Amar Prem,” and “Mere Jeevan Saathi,” among many others. The songs from these films, many of which were sung by Kishore Kumar, continue to be beloved classics that are cherished by music lovers even today. Kishore Kumar’s soulful voice was the perfect complement to Rajesh Khanna’s charming on-screen presence, and the two were able to create an unbeatable combination that captured the hearts of audiences across the country. Their collaborations remain an integral part of the Indian film industry’s legacy and have left an indelible mark on the hearts of generations of fans.

Conclusion

Kishore Kumar and Rajesh Khanna were an unbeatable combination in the 1970s. Their on-screen chemistry was undeniable, and their string of hits together cemented them as one of Bollywood’s most popular pairs. From light-hearted comedies like Chupke Chupke to tearjerkers like Amar Prem, they proved time and again that they had the range to tackle any genre. There will never be another team quite like Kishore Kumar and Rajesh Khanna. Their films defined a generation, and their impact is still felt today

#music #old hindi songs #binaca geetmala #filmfareawards #yesudas song lyrics #binaca geetmala 1960 to 1970 #old hindi songs lyrics #binaca geetmala hindi songs #filmfare award winners 1960 #aesthetic

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