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eskapitel2online2022deutsch · 2 years

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Sehen ES Kapitel 2 (2022) Stream Deutsch Online Kostenlos

Sehen Sie sich den ES Kapitel 2 (2022) ganzer film stream auf Deutscher and ES Kapitel 2 | ES Kapitel 2 (2022) stream deutsch online kostenlos HD ohne anmeldung.

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ES Kapitel 2 (2022) Ganzer Film Deutsch: Kinostart, Besetzung & Kritik

ES Kapitel 2 ein Film von Justin Lin mit Vin Diesel, Michelle Rodriguez. ES Kapitel 2 (Originaltitel: F9) ist ein US-amerikanischer Actionfilm, der am 25. Juni in die US-amerikanischen und am 15. Juli 2022 in die deutschen Kinos kam. Es handelt sich um eine Fortsetzung zu Fast & Furious 8 aus dem Jahr 2017 und um den insgesamt 10. Spielfilm innerhalb der Fast-&-Furious-Filmreihe. Die Regie übernahm erneut Justin Lin, der bereits die Teile drei bis sechs inszenierte.

Diesmal muss Dom, der eigentlich ein idyllisches und ruhiges Leben mit seiner Familie verbringen möchte, es mit seinem lang verschollenen Bruder aufnehmen. Jakob Toretto (John Cena) will eine alte Rechnung begleichen und hat sich mit "Fast and Furious 8"-Bösewicht Cipher (Charlize Theron) verbündet. Ein Flugzeugabsturz und ein Hackermodul führen Doms Frau Letty und Doms Schwester Mia nach Tokio. Die noch größere Überraschung als Doms Bruder: die Rückkehr der Rolle Han, der in "The Fast and the Furious: Tokyo Drift" den Filmtod starb.

Im Kampf gegen Doms jüngeren Bruder muss das Team Jagd auf einen gepanzerten, achtachsigen Schwertransporter machen und nutzt dazu riesige Elektromagneten. Der damit verbundene Kollateralschaden ist "Fast and Furious"-typisch beeindruckend. Einer der Höhepunkte im Film ist fraglos, wie Roman (Tyrese Gibson) und Tej (Ludacris) in einem umgebauten und mit Raketenantrieb bestückten Auto vom Rücken eines Schwerlastflugzeugs in die Wolken starten. Ob sie damit den Kampf zwischen Gut und Böse bei "Fast 9" (2022) gewinnen können, verraten wir an dieser Stelle nicht. Eine Menge Action, zig Drehorte verteilt auf der ganzen Welt und massig PS sind aber garantiert.

Kinostart für "ES Kapitel 2"

Lange mussten die Fans auf "ES Kapitel 2" (2022) warten. Ursprünglich sollte der neunte Teil der Actionreihe am 21. Mai 2020 Premiere feiern. Schon Anfang 2020 kündigte ein erster, fast vier Minuten langer Trailer den neunten Teil der erfolgreichen Filmreihe an. Doch die Pandemie machte Produzent:innen wie Fans einen Strich durch die Rechnung und der Kinostart wurde auf zunächst unbekannte Zeit verschoben. Später folgten gekürzte Versionen der Teaser, die zum Beispiel in der Werbepause des Superbowl 2022 zu sehen waren. Im April 2022 schürte erneut ein fast vier Minuten langer Trailer die Spannung auf den Actionfilm. Zunächst für den 25. Juni 2022 angekündigt, bekommen Fans "Fast 9" schließlich ab dem 15. Juli 2022 zu sehen.

Besetzung Von ES Kapitel 2 (2022)

Bei der Besetzung für "ES Kapitel 2" sind Vin Diesel, Michelle Rodriguez, Tyrese Gibson und Chris Bridges erneut am Start. Weitere Rollen bekleiden Jordana Brewster, John Cena, Charlize Theron, Anna Sawai, Nathalie Emmanuel, Hellen Mirren, Kurt Russel, Jason Statham sowie als Regisseur Justin Lin, der schon die "Fast and Furious" Nummer eins bis sechs verantwortete und nun den zu "Hobbs & Shaw" abgewanderten Chris Morgan ersetzt. Das überraschende Comeback feiert Sung Kang in der Rolle des Han. Es fehlt Dwayne "The Rock" Johnson.

Kritik der FILMSTARTS-REDAKTION

Bei „Critters“ passierte es schon im vierten Film, bei „Freitag, der 13.“ hat es hingegen bis zum zehnten und bei „James Bond“ sogar bis zum elften Teil gedauert. Aber irgendwann verschlägt es offenbar jede langlaufende Filmreihe mal ins Weltall – und bei „Fast & Furious“ ist es jetzt eben auch soweit: Reihen-Rückkehrer Justin Lin („Star Trek Beyond“), der dem Franchise mit den Teilen 4 bis 6 überhaupt erst seine aktuelle Identität als Quasi-Superhelden-Blockbuster verpasst hat, pfeift in „Fast & Furious 9“ endgültig auf jede Bodenhaftung – und verabschiedet sich dabei für eine Handvoll Szenen folgerichtig gleich ganz von unserem Planeten. Wer also in den Vorgängern schon damit gehadert hat, dass die Action mit den allgemeingültig geglaubten Gesetzen der Physik nur noch wenig zu tun hat, dürfte in „Fast & Furious 9“ endgültig aus der Kurve fliegen. Aber wer sich drauf einläs…

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ES Kapitel 2 ganzer film deutsch kostenlos und legal streamen

ES Kapitel 2 ganzer film können Sie auch kostenlos und legal online sehen. Bei den Online-Filme-Anbietern Pelisplus-online.club/de finden Sie bekannte TV-Serien, Klassiker und Kinofilme kostenlos im Stream, den Sie legal und ohne Anmeldung direkt im Browser ansehen können.

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Pelisplus bietet mittlerweile Hunderte Filme in echtem HD (1.280 x 720 Pixel) an. Alle Filme können Sie entweder im Fenster- oder im Vollbild-Modus anschauen. Noch ein Hinweis: Einige mit FSK 18 gekennzeichnete Filme aus den Bereichen Action und Horror sind aus Jugendschutzgründen an unterschiedliche Geräte angepasst. So sind verschiedene Filme für Erwachsene erst ab 22 Uhr verfügbar.

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Noch mehr Filme und Serien

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Unser großer Artikel zum Thema zeigt Ihnen sogar, wie Sie Inhalte aus den Mediatheken herunterladen und so dauerhaft darauf zugreifen können.

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jarpadean · 3 years

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Jordana Brewster - Fast 9 Premiere

#Jordana Brewster - Fast 9 Premiere #velozes9 #velozes e furiosos #f9 #fast9 #fastandfurious9 #fastfurious #f9完整版2021 #universal #mia #mia toretto

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angclinajolie · 3 years

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Jordana Brewster, Fast & Furious 9 Premiere

#jordana brewster #this is just Unreal i cant!!!!!!!#goodbye #what a fuckin Look #ch. reina thane

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weekendwarriorblog · 3 years

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THE WEEKEND WARRIOR 6/25/21: F9, WEREWOLVES WITHIN, THE ICE ROAD, FALSE POSITIVE, I CARRY YOU WITH ME and More!

Well, June is quickly coming to an end, but that means it’s officially summer. No, for real this time. Summer started June 21, and that means we have the latest attempt to revive the box office, and really, if this doesn’t do it, then we’re sunk. Doomed. It’s over, and Jeff Bock, the Streamer Relations guy, has won. We’re in the endgame now. Go to the movies this weekend, and don’t let Jeff Bock win!

Before we get to the theatrical releases, the 20th Tribeca [formerly Film] Festival ended over the weekend, and it certainly “looked different” as we were reminded every time some local celebrity introduced a movie on the festival’s virtual platform. As far as the movies I saw, a few are mentioned below but generally, the documentaries once again outplayed any of the narrative features, which was pretty much the same with other festivals this year. Besides the Rita Moreno doc that I reviewed last week, I quite enjoyed A-Ha the Movie, a documentary that covers the famous ‘80s “one hit wonders” travails since their first hit album and the ubiquitous “Take on Me.” It’s a great doc that really shows what can happen when you try to keep the band together even when you stop travelling or even talking to each other. Also Bitchin’: The Sound and Fury of Rick James was another great musical doc about a funk/soul singer who I really never knew very much about, so it was quite educational. I also liked 7 Days quite a bit, and that was one of the better narrative films at the fest.

It felt like there were two very different Tribecas. There was one for the elitist journalists who were allowed to attend all the in-person screenings and parties, and there was the one for the rest of us -- where we were just sitting at home watching stuff on our TV sets, just like we did with Sundance and SXSW. And make no mistake, as someone who has been covering Tribeca since Year Two (where I *bought* all my tickets), it definitely felt like I was being pushed aside by the current Tribeca regime who just wants to be seen as something exclusive just for certain people, including as a woke festival catering to the underrepresented (but not really… if that was the case, they would have given free tickets out to people who live in the areas of the city where they set-up their pop-up screenings). I only know a few locals who received the better in-person badge -- pretty much the entire staff at IndieWire, for instance -- but as someone who has covered the festival for years and received a Hudson Pass for the effort, it definitely felt like I don’t really need to cover Tribeca anymore. It’s just not the elite festival it thinks it is, and as far as I’m concerned, it will never be Cannes, it will never be Sundance, and it will never even be SXSW. It continues to be a festival with zero identity that caters to the rich, white New Yorkers that already get special treatment wherever they go. I’m not even sure how much of it even takes place in Tribeca anymore, since the premier location for movie premieres seemed to be at Hudson Yards, which is about four miles North of “Ground Zero,” the area affected by 9/11 that precipitated the need for something like the Tribeca Festival in the first place. I feel that this year’s festival was an even bigger disappointment than last year’s virtual only, but that’s because they’ve finally just given up on the press they don’t feel are worthy of covering them. So yeah, not for me.

It’s hard to believe that F9 (Universal Pictures), the ninth movie in the “Fast Saga.” is finally being released in North America, since I felt like I reviewed it five years ago. Actually, it was only a month ago, but it just seems like forever since I’ve been so busy this month.

In case you have no idea what to expect and wanna know: Vin Diesel is back as Dominic Torreto, and this time we meet another member of his real family, brother Jakob (John Cena), who is now working with the criminal spy organization Cypher. Most of the gang are back, except for Dwayne Johnson’s Agent Hobbs and Jason Statham’s Deckard Shaw, who you may remember went off to make Hobbs and Shaw a few years back. In fact, that last movie was the last movie in the franchise, which was supposed to act as a tie-over between 2017’s Fate of the Furious and F9, which was originally supposed to come out in 2020. Got all that?

Hobbs and Shaw opened with around $60 million in early August, which is generally one of the few weekends in the late summer where a movie could still open big. That was the lowest opening for the franchise in over ten years, because ever since 2009’s Fast & Furious, every single movie has opened over $70 million and closer to $100 million or more. 2013’s Fast and Furious 6 and 2017’s The Fate of the Furious didn’t quite hit a $100 million opening, but still, it’s a pretty good barometer of how big the franchise was in the before-times. James Wan’s Furious 7 still sports the biggest opening with $147 million in early April 2015, hampered by the year-long delay after one of the film’s stars, Paul Walker, died in a car crash a year earlier. Walker’s death may have helped drive audiences to the movie with the same morbid curiosity way as Christopher Nolan’s The Dark Knight back in 2008. (Furious 7 grossed $353 million domestically, which is also a high watermark for the franchise domestically.)

The Fate of the Furious grossed slightly less than the previous two installments and then Hobbs and Shaw ended up with $173 million, which is nothing to sneeze at… unless your movie ended up costing $200 million, which that one did. We’re talking about very expensive movies here, and one presumes F9 is up there in that $200 million range, but it bodes a couple questions. Was the success of the franchise since Fast 5 mainly due to “franchise Viagra” Dwayne Johnson and was that helped by the addition of Statham? With the two of them gone, does that take away from the movie’s potential or do people like Diesel, Tyrese Gibson’s Roman, Ludacris and the other long-timers like Michelle Rodriguez and Jordana Brewster enough to make this an opening weekend must-see?

There might some questions whether theaters in bigger cities like New York and L.A., where F9 would generally do big business, will be as full as normal -- even with full capacity finally being allowed. The other question is whether Universal may have released this movie overseas too far in advance of the States. Think about it. When you start to think about movie piracy and where a lot of that comes from, it goes right to China, and a movie like this at a time like this when people are cautious about running to theaters, well if you walk down the street and someone is selling a copy for 5 bucks, why wouldn’t you buy it? That’s the reason why studios release movies day and date across the globe, or at least they try to. Piracy used to be a big thing hurting the movie business, but that seems to have been forgotten.

Reviews for the movie have been mixed -- I already reviewed the movie over at Below the Line -- but about the same as the last two installments, so those won’t necessarily stop people from going to the movies, since this is a classic summer popcorn movie where it feels like everyone should go see it opening week. Like in the past, F9 will open Thursday night for previews, but it seems to getting more Thursday night previews than normal -- I’ve seen five to six screenings in many locations -- and that might because Universal realizes how important this release is and how many people will be looking to see if it can revive theatrical.

I think I’m going to say that F9 will make around $72 to 74 million this weekend, which takes it back to Fast & Furious days, but I do think audiences will like the movie more than critics, and because of that, the decision to make two more movies will probably be warranted.

I was very excited to see Josh Ruben directing another movie so soon after last year’s Scare Me -- a terrific horror-comedy you can watch on Shudder -- and his latest film, WEREWOLVES WITHIN (IFC Films), based on the Ubisoft game, is just as funny AND scary. It stars Sam Richardson as Finn Wheeler, the new park ranger arriving in the small and remote town of Beaversfield, which seems to have just as much politics and backbiting as the biggest of the cities. He quickly becomes friends with the bubbly postwoman, Cecily (Milana Vayntrub), as she introduces him to the quirky townsfolk… oh, yeah, and there is something brutally mauling them to death.

The premise for Werewolves Within seems fairly simple, and maybe that’s because it is based on a VR game where I assume you have to figure out who is the vampire, so that’s pretty much what’s going on as Finn, Cecily and seemingly the entire town wind up locking themselves up in the Beaversfield Inn trying to figure out who is killing the others. Thankfully, there are more layers built into the ongoing relationships between the townsfolk.

Ruben’s got a lot of things going for his second feature film, the first thing being a super-funny script by Mishna Wolff, but also the amazing cast he put together that not includes Richardson and Vayntrub with some brilliant chemistry but also the likes of Michaela Watkins and Michael Chernus, who can never do wrong in my book. Those two elements alone would make Werewolves Within worthwhile, but Ruben ably takes on the challenges of a much bigger cast than his previous movie and finds a way to keep the viewer constantly on edge and interested in what will happen next, especially to some of the characters who are not as jovial or friendly as Richardson’s Finn.

But what works best about the movie is that there are plenty of unexpected twists, maybe some more obvious than others, and the fact you never really know who might die next or house keeps the movie quite entertaining. It also shows off Ruben’s great skills at combining horror and humor, something that’s very difficult for even the best directors, but when you’ve got it -- as Ruben proved so perfectly with Scare Me -- then you might as well use it to its fullest.

It’s hard to describe how well the humor works without using jokes ala something like Shaun of the Dead, but it’s more of a light-hearted charm that one wouldn’t expect to go so well with the dire situation in which the characters find themselves. It doesn’t hurt that many of the characters are so unlikable that getting their comeuppance adds to that humor. If you’re expecting a lot of werewolf transformations or even werewolves plural, you might be slightly disappointed, but it’s nice that a movie can be its own thing without trying to copy other films in the horror subgenre.

Either way, Ruben is 2 for 2 with his second attempt at comedy-horror, which ventures just far enough away from Scare Me to make me think that he’ll continue to be a great voice in the much-maligned and hard-to-muster horror subgenre.

Werewolves Within just debuted at the Tribeca Festival, and it will be released in theaters this Friday and then be On Demand and Digital starting July 2. I’ll also have an interview with Josh Ruben over at Below the Line a little later today, too, so check that out!

Not getting a theatrical release in the United States unfortunately is Jonathan Hensleigh’s THE ICE ROAD (Netflix), starring Liam Neeson as a truck driver in Winnipeg, whose special skill is driving that truck across the frozen lake up north. When a diamond mine collapses in the very north side of Canada, it’s up to him and a crew of other ice truckers to drive their big rigs across the frozen lake to save the men trapped in the mine.

I quite liked this movie that definitely marks a return of Hensleigh to some of those great action movies he wrote in the ‘90s, like Die Hard with a Vengeance, but this is also a significantly better action movie than some of the ones he’s directed, like the 2004 The Punisher. The sad fact is that I’ve been pretty disappointed with Neeson’s recent film choices, particularly in the last year when disappointments like The Honest Thief and The Marksman managed to get theatrical releases even during the pandemic. The Ice Road is a much better movie, maybe because Hensleigh wrote and directed it himself, but also he had much better source material in the docuseries, Ice Road Truckers, and he clearly did his research into these 18-wheelers on these dangerous trips across iced-over lake that could crack at any time. Hensleigh uses this idea well to tell a story where much of the movie takes place on that dangerous ice.

There are elements to the story that might not work quite as well, such as the decision to have Neeson’s brother Gurty (Marcus Thomas) be suffering from such horrible PTSD that it makes him almost a bigger hindrance than a help on the trip. On the other hand, the movie does have the always great Laurence Fishburne in a smaller role and the real breakout has to be Amber Midthunder, the bad-ass Indigenous Tantoo who proves that she can drive as well as the guys. I also found that Hensleigh��s use of the corporation as the ultimate antagonist in sending these truckers to their potential deaths more for the money than to actually save lives works well to add to what would have been a simple rescue mission.

The Ice Road is a pretty solid (ugh, bad pun) action-thriller that has some elements of other similar movies but then really throws the viewer for a loop with the amazing on-ice truck driving stunt work, that keeps one invested while really putting it ahead of some of Neeson’s other recent action fare.

You can read my interview with Hensleigh over at Below the Line.

Next up are two very different movies that played at the 20th Tribeca Festival over the past week

Heidi Ewing’s I CARRY YOU WITH ME (Sony Pictures Classics) finally gets a theatrical release after getting its Oscar qualifying run way back in December and premiering at the Sundance Film Festival in January 2020! Based on the true story of Mexican immigrant lovers Ivan and Gerardo, who travel from Mexico to New York City and are reunited after decades apart and many struggles to rekindle their romance.

This is an interesting movie for Ewing, best known for her award-winning docs like Jesus Camp, because it’s not an easy story to tell or movie to make, covering a span of decades, and using flashbacks to tell the individual stories of how these two men discovered their homosexuality while surrounded by a toxic culture who hates them for loving each other. We meet Iván as he’s cooking in a Mexican restaurant in New York before we flashback to Pablo, Mexico in 1994 when he’s younger (and played by Armando Espitia), married with a young son, but when he meets Gerardo (Christian Vázquez) at a gay club and the two click, he’s put in a place where he has to keep his sexuality hidden if he doesn’t want to lose his son. As the romance blossoms, Ivan realizes that he needs to go to America if he really wants his culinary skills (he even went to school) to be used, because in Pablo, he’s relegated to being a dishwasher.

Ivan decides to make the dangerous trek across the border with his best friend Sandra (Michelle Rodríguez -- not the one in F9) with the promise to return to Gerardo. Things don’t necessarily go as planned but decades later they’re reunited, and struggle to make it in New York City as restaraunteurs. As you watch their story unfold, you can fully understand why Ewing might want to tell this story, co-writing the script with Alan Page Arriaga, but there are still elements of documentary in this narrative beautifully shot by Cinematographer Juan Pablo Ramírez AMC.

Unfortunately, those elements of documentary are what really confused me, because there are moments in the present day when the real Ivan and Gerardo are playing themselves, but then there are times when the two main actors are made up to look older, and I couldn’t really figure out what was happening at times, maybe due to some of the more dream-like nature of the storytelling.

Even so, Ewing has created a terrific character piece and quite a warm and wondrous love story, even if it’s plagued by violence and discrimination due to their roots and their homosexuality. I couldn’t help but think that I might have liked Moonlight more if it wasn’t told in such a linear fashion, separated into three chapters. By using the flashbacks to keep the viewer fully focused on what’s happening, Ewing creates something more on par with Cuaron’s Y Tu Mama Tambien that feels just as authentic as if Ewing were a gay Mexican herself.

Probably the weakest part is the second act where we watch Ivan trying to get to America, because that’s been done in so many other movies, including Cary Joji Fukunaga’s earlier film, Sin Nombre, and that feels a little less unique or special compared to the rest of the duo’s story.

It’s a shame that I Carry You With Me wasn’t able to build any awards traction, partially due to Covid and the long gap between festival appearances. Either way, it proves that Ewing is a lot more than a “mere” documentary filmmaker, able to mix those skills with that of a sharp narrative filmmaker with a keen eye for storytelling. This is a particularly strong character piece and a beautiful love story based on two real men, unlike anything I’ve seen in recent memory.

Honestly, I’ve given up on figuring what Sony Classics is doing in terms of their theatrical releases. I guess this could be opening in New York and Los Angeles or in more cities. I have no idea, because no one tells me anything. But I also wanted to share the review by my friend J. Don Birnam that he wrote out of the New York Film Festival last year. He has reasons to be able to connect with this material much more than I can, which is probably why his review is so damn good: http://splashreport.com/nyff-film-review-i-carry-you-with-me-an-inspiring-story-of-triumph-by-rarely-depicted-peoples/

Not quite as good is John Lee’s horror-thriller FALSE POSITIVE (Hulu/A24), starring Ilana Glazer from Broad City, who also cowrote the screenplay with Lee. It’s a very different non-comedic role for Glazer in which she plays Lucy, a pregnant woman, who finds her pregnancy turned into a nightmare, as she puts herself in the hands of the nefarious ob/gyn Dr. John Hindle, played by the great Pierce Brosnan, who happened to be her husband’s (Justin Theroux) medical teacher.

Man, did I want to like this psychological thriller, because I think Glazer is just the best in Broad Street, and the fact that she co-wrote this and is trying to do something unexpected out of the ordinary just thrills me to the end. That being said, her character Lucy seems to be a rather standard powerful NYC woman with a good job where she’s better than the rest, who ends up going through a torturous experience as an expectant mother who isn’t able to trust her own doctor. Part of the conflict comes when Julie is told that she is having more than one baby, but she has to choose between twin boys or a single girl, because she’s told that she won’t be able to take all three of them to term.

It’s an okay premise dealing with the many worries that women must have while pregnant, and things get crazier and crazier as Julia begins seeing everything, and while Glazer isn’t bad while playing a straight-up no-humor dramatic role, it’s hard not to see her more as a Debra Messing type when she has her hair straightened out to look different.

The horror elements are decent whether it’s the body horror idea of having a number of dead baby fetuses inside you, which is pretty creepy, and Lee doesn’t do a bad job with the trippier parts of the movie, though I feel like it overuses and leans on the use of blood to step up the horror, and it doesn’t work that well. There are also aspects to the story that feel somewhat predictable only because there are only a few way things can go the way things are set-up.

It’s obvious that Glazer and Lee wanted to make social commentary on the male-dominated field of childbirth with some of the weirder aspects of the movie, like the Stepford Nurses that constantly surround Brosnan’s Dr. Hindle. Having them there smiling eerily always boosts Lucy’s suspicion that her husband might be cheating with one or both of them. Still, there are too many aspects of False Positive (including the fact it was produced by A24) that makes one think that this is another attempt at the kind of “elevated humor” that’s been done so much better by the likes of Ari Aster and Robert Eggers.

Ultimately, False Positive is okay, it certainly tries hard, it’s maybe not quite as good as I hoped or expected of what might have been a perfectly fine vehicle for Glazer. I certainly had high hopes for what she might do with a pregnancy thriller, that this movie just never quite delivers.

False Positive debuts on Hulu this Friday.

From Sweden comes the horror film THE EVIL NEXT DOOR (Magnet) from filmmakers Oskar Mellender and Tord Danielsson, which follows a new stepmom Shirin (Dilan Gwyn), who has moved into a duplex with her partner Fredrik and his young son, Lucas (Eddie Eriksson Dominguez), but they soon learn that strange things start happening that seem to be coming from the abandoned house next door.

I’m always open to see what’s coming from the Scandinavian countries, because there’s been a lot of particularly good genre over the years -- Let the Right One In, for instance -- but I got the impression right away that originality was not going to be in the cards for this one, which immediately has the small boy having an imaginary friend, who you know is either an evil spirit or one of the spirit’s previous victims. Sadly, that’s the case here, and without the originality of some of the original horror films it's emulating, The Evil Next Door just seems like an international copycat.

If you’re even a modicum fan of modern horror, you’re likely to have seen many better versions of this movie, which is just kind of bland overall, but constantly resorts to scenes of a woman walking through the house acting scared and the cheap scares that inevitably come. This one even uses the eerie “next day” chapters that have been used in so many other horror movies, including the Paranormal Activity movies.

Mellender and Danielsson certainly come off as capable filmmakers, and they could do far worse than the incredibly dramatic and emotional performance by Gwyn -- the movie does get slightly better as it goes along -- but the feeling that you’ve seen it all before and know what to expect completely detracts from appreciating any of the finer aspects. For instance, there’s some decent creature design work but even that sometimes goes for the expected in terms of the spirit’s look. The filmmaker’s skills are also evident from the use of music and sound design, which is crucial to a movie like this working in any fashion, but it’s hard to fully appreciate it when you feel you know where things are going.

The Evil Next Door just feels like a movie made by fans of the far superior “Conjuring” movies who managed to cop some of the tricks to scare the viewer, but without fully understanding why those movies work due to original characters and storytelling ideas. These are decent filmmakers, but I’d really like to see them do something more unique or original.

If you live in NYC and feel like going up to Harlem, Questlove’s documentary, Summer of Soul, is opening a week early, this Friday at the AMC Magic Johnson in Harlem, New York, and it’s also opening at El Capitan in Los Angeles. It will open in theaters elsewhere and on Hulu NEXT Friday, July 2, so I’ll write more about it in next week’s column.

Debuting on Apple TV+ Friday is Drew Zanthopoulos’ documentary FATHOM (Apple TV+), which follows scientists Dr. Ellen Garland and Dr. Michelle Fournet as they study the whale songs of the humpback whale and try to figure out ways to communicate with them and understand whale culture. Oddly, this is one of quite a few whale documentaries coming out over the next few weeks.

Another movie that I just don’t have time to review just now is Eytan Rockaway’s gangster thriller, LANSKY (Vertical), which stars Harvey Keitel, Sam Worthington, John Magaro, AnnaSophia Robb and Minka Kelly. Worthington is down-and-out writer David Stone, who gets a call from the legendary gangster Meyer Lansky (played by Keitel), who has been of the grid for decades but worth a fortune. Stone meets with Lansky as the FBI closes in on the Godfather of organized crime, and he’s told about Lansky’s time with Murder Inc. and the National Crime Syndicate.

Other movies out this week, include:

SILENT NIGHT (Samuel Goldwyn)

SISTERS ON TRACK (Netflix)

TOO LATE (Gravitas Ventures)

Next week is the 4th of July (on Sunday), and we’re getting FOREVER PURGE (Universal) and THE BOSS BABY 2: FAMILY BUSINESS (also Universal!!?!?)... I guess someone really wants to dominate the box office again, huh?

#The Weekend Warrior #F9 #Werewolves Within #False Positive #I Carry You With Me #The Ice Road #Movies #Reviews #Streaming

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f9-teljes-film-2021 · 3 years

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Halálos iramban 9 Teljes Film Magyarul - HD 2021

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Halálos iramban 9 2021 8.2/10 által 95 felhasználók Dom Toretto visszahúzódva él egy félreeső helyen Lettyvel és fiával, a kis Briannel, de tudják, hogy a veszély állandóan ott les rájuk a békés horizonton. Ezúttal ez a veszély arra kényszeríti Domot, hogy szembenézzen múltbéli bűneivel, ha meg akarja menteni azokat, akiket a legjobban szeret. Összehozza csapatát, hogy megakadályozzanak egy olyan tervet, amely megrengeti a világot. A terv kiötlője a legképzettebb bérgyilkos és legprofibb sofőr, akivel valaha találkoztak – és aki történetesen Dom elveszett öccse, Jakob

felszabadított: 2021-05-19 Runtime: 145 percek Műfaj: Dráma, Akció, Kaland Csillag: Vin Diesel, Michelle Rodriguez, Jordana Brewster, John Cena, Charlize Theron Rendező: Sanja Milkovic Hays, Clayton Townsend, Gary Scott Thompson, Neal H. Moritz, Vin Diesel

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Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2021 movie audiences are going to be suffering from ‘~F9: The Fast Saga [ Halálos iramban 9 ] 2021 ánis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, ~F9: The Fast Saga [ Halálos iramban 9 ] 2021 án at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard

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tabloidtoc · 3 years

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Star, January 18

You can now buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Duchess Kate and Duchess Camilla holiday from hell

Page 1: Teresa Giudice goes Insta-official with her new businessman beau while her ex Joe Giudice posts a pic of his own -- Luis “Louie” Ruelas lavished Teresa with gifts and he doesn’t let her pay for anything while Joe posted a photo of his supposed love writing Happiness doesn’t depend on wealth

Page 2: Contents, Bachelorette Tayshia Adams slipped on a bauble from Zac Clark

Page 3: Jennifer Garner pulled on a Santa-approved sweater and a striped mask before heading out in L.A., Sophia Bush wore a mask saying I’m Smiling as she stopped by Greenblatt’s Deli in Hollywood, newlyweds Niecy Nash and Jessica Betts piled into their car to see Regina King’s directorial debut One Night in Miami in Malibu

Page 4: Bilingual mom of five Hilaria Baldwin gets flamed for faking her European identity -- the yogi is upset that so many people were bashing her and she felt compelled to defend herself -- her husband Alec Baldwin went on the attack in a rant because he won’t tolerate anyone trolling Hilaria

Page 5: It’s the role of a lifetime and actresses are lining up to play Madonna in her biopic and current frontrunners are Florence Pugh and Julia Garner -- the bosses at CAA which is the agency helping put the movie together want Florence and promised to take her to the next level but on the other hand fans and press want Julia because she’s such a dead-ringer for early-career Madonna

* Days after Dakota Johnson flashed a giant emerald ring from boyfriend Chris Martin the singer’s ex Gwyneth Paltrow is calling dibs on their wedding -- Chris and Dakota are looking to get married next summer and Gwyneth has already talked to them about playing a big part in their big day -- Gwyneth feels very close to Dakota which puts the bride-to-be in an awkward position because Dakota wants to make her mom Melanie Griffith her bridesmaid and Melanie is warning Dakota that Gwyneth will end up upstaging the whole day if she’s in the wedding party

* Soleil Moon Frye and Jason Goldberg have parted ways after a 22-year marriage -- the parents of daughters Poet and Jagger and sons Lyric and Story will move forward with love and compassion and they have a good chance of keeping their split amicable -- they’ve been drifting apart for years and eventually it dawned on them that they’re on different paths

Page 6: Six months after splitting from wife Megan Fox, Brian Austin Green was spotted boarding a flight at LAX with Dancing With the Stars pro Sharna Burgess -- their relationship is new but it’s moving fast and they’ve become inseparable over the last few weeks -- the timing has some friends of the dancer concerned because no one wants to see Sharna get hurt or caught up in a toxic rebound relationship as Brian’s still clashing with Megan over their divorce

* Emmy Rossum looks unrecognizable playing Angelyne but that’s not what caught her coworkers’ eyes on set: she looks pregnant -- Emmy wed Sam Esmail in 2017 and they’ve talked about starting a family forever so it’s a very special time

* Star Spots the Stars -- Kendall Jenner and Kylie Jenner and Hailey Bieber, Angela Bassett, Chrishell Stause and Keo Motsepe and Gleb Savchenko and Cassie Scerbo, Irina Shayk, Ramona Singer and Colin Cowie

Page 8: Star Shots -- Mark Ballas and his dog Hendrix both donned holiday sweaters, Reese Witherspoon and her dog Minnie

Page 9: Martha Stewart on her snow plow, Emma Slater who hails from the U.K. and Russia-born Sasha Farber passed their U.S. citizenship test

Page 10: Director Regina King suited up for the drive-in premiere of her film One Night in Miami at Calamigos Ranch in Malibu, Donnie Wahlberg and Marisa Ramirez headed to the wintry beach to shoot scenes for Blue Bloods in Queens

Page 11: Tessa Thompson brought along her father Marc Anthony Thompson to a film premiere, Bindi Irwin at 26 weeks pregnant

Page 12: The Bachelor Matt James hit the links in Jupiter, Marlon Wayans on a pre-holiday getaway in Tulum, a masked Katie Holmes toted some last-minute Christmas shopping

Page 13: Eva Longoria working out, John Legend and Chrissy Teigen enjoyed a hike together during a getaway to St-Barth

Page 14: Days after saying goodbye to her beloved New York state home Sandra Lee was on garbage duty at her $3.4 million west coast digs in Malibu, Jordana Brewster with boyfriend Mason Morfit enjoy a stroll in Los Angeles

Page 15: Elle Macpherson during a day of shopping in Miami, Candice Swanepoel with her youngest son Ariel at the beach in Miami

Page 18: Normal or Not? Renee Zellweger did some heavy lifting while out in L.A. -- not normal, Bella Hadid made a snow angel in NYC -- normal, Bai Ling stepped out in Hollywood dressed in a currency-inspired ensemble -- not normal

Page 19: Madonna with pink hair -- normal, Justin Bieber appeared to be deep in thought leaving the studio in Burbank -- normal

Page 20: Fashion -- stars look marvelous in metallics -- Kerry Washington, Tracee Ellis Ross, Jessica Alba

Page 21: Kate Beckinsale, Camila Morrone, Zoe Kravitz

Page 24: Khloe Kardashian and Tristan Thompson engaged -- despite their rocky history the couple are happily tying the knot -- Khloe is convinced Tristan has changed and won’t dare deceive her a third time

Page 25: After a year of dating Liam Hemsworth and Gabriella Brooks are playing house -- Liam recently purchased a $4.9 million five-bedroom estate in the posh seaside town of Byron Bay and the model has moved in -- they get along great and have a nice easygoing vibe between them and Liam loves that there’s no drama with Gabriella and he says she is the one; they both feel that they are soulmates

* Lori Loughlin and Mossimo Giannulli marriage on the brink -- things were fraying between them well before they went off to prison and there’s been a lot of finger-pointing and blame and they both acknowledge their foundation has crumbled

* The release of Justin Timberlake’s latest film is bringing back a bad time in his eight-year marriage to Jessica Biel -- as he gears up to promote the premiere of Palmer the couple are bracing for a new round of headlines about Justin’s bad-boy behavior in which he was spotted getting handsy with costar Alisha Wainwright -- Justin’s expected to do promo interviews alongside Alisha albeit via Zoom and that’s not cool with Jessica at all and the bickering between Justin and Jessica is setting in again big time

Page 26: Cover Story -- Christmas From Hell -- with Duchess Kate and Duchess Camilla at war over who should fill Queen Elizabeth’s shoes the holidays were anything but merry for the royals

Page 29: It’s been a year since Prince Harry and Meghan Markle shocked the world by stepping back from their royal duties last January and now it seems they’re rethinking severing all ties with the monarchy because the couple are seeking a 12-month extension of their so-called Megxit deal which expires at the end of March in the hope of keeping their royal patronages and reinstating the military titles that Harry was devastated to lose when the pair left the U.K. for the U.S.

Page 30: Jennifer Lopez and Alex Rodriguez: the wedding is off -- postponing her Italian nuptials with Alex gave Jennifer time to think and now she’s rethinking getting married at all

Page 32: Teen Heartthrobs: Where Are They Now? Jonathan Taylor Thomas, Donny Osmond

Page 33: Leif Garrett, Andrew Keegan

Page 38: Entertainment

Page 48: Parting Shot -- Paris Hilton and little sister Nicky Hilton Rothschild showed off their good sides in pastel Alessandra Rich frocks during a recent photoshoot

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