Star Spangled Rhythm is a patriotic WWII musical comedy featuring all the biggest Paramount Studio stars of the era. Musical mayhem ensues when an attendant at Paramount (Victor Moore) tries to impress his navy son (Eddie Bracken) … by claiming that he is a studio mogul!
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Here are 10 things you should know about Lynne Overman, born 135 years ago today. He enjoyed success in the theatre and in vaudeville before changing his focus to motion pictures.
Carole Lombard and John Barrymore in True Confession (Wesley Ruggles, 1937)
Cast: Carole Lombard, Fred MacMurray, John Barrymore, Una Merkel, Porter Hall, Edgar Kennedy, Lynne Overman, Irving Bacon, Fritz Feld, Hattie McDaniel. Screenplay: Claude Binyon, based on a play by Louis Verneuil and Georges Berr. Cinematography: Ted Tetzlaff. Art direction: Hans Dreier, Robert Usher. Film editing: Paul Weatherwax. Music: Friedrich Hollaender.
A somewhat too frantic screwball comedy, True Confession plays fast and loose not only with the legal profession but also to an extent with the careers of its stars. Fred MacMurray plays Kenneth Bartlett, a lawyer who insists on defending only those he thinks are really innocent, which gives him some trouble when his wife, Helen (Carole Lombard), goes on trial for murder. She's a would-be writer who can't always be trusted to tell the truth, so even though she didn't commit the crime, she winds up saying she did and pleading self-defense. Meanwhile, the trial is being watched by Charley Jasper (John Barrymore), an alcoholic loon who knows who really did the deed. None of these people make much sense, especially Barrymore, who seems at times to be reprising his earlier, far more successful performance as Oscar Jaffe opposite Lombard's Lily Garland (aka Mildred Plotka) in Twentieth Century (Howard Hawks, 1934). Alcohol had taken a serious toll on Barrymore, who was 55 when he made this film; he looks 70. Lombard was better, more controlled in her comic flights in Twentieth Century, too. Here she verges on grating at times. Comparisons are seldom fair, but it has to be said that the difference between the two films has to be that the earlier and better one was directed by Hawks from a screenplay by Ben Hecht and Charles MacArthur, and True Confession was directed by Wesley Ruggles from a screenplay by Claude Binyon based on a French farce. Still, there's some fun to be had here, and the cast includes such stars from the golden age of character actors as Una Merkel being giddy, Porter Hall being irascible, Edgar Kennedy doing multiple face-palms, and Hattie McDaniel playing one of her always watchable (if regrettable) roles as the maid.
Edison the Man (1940) starring Spencer Tracy, Rita Johnson
Edison the Man – A biography of Thomas Alva Edison, starring Spencer Tracy. It’s the story of Edison, starting as a young man, beginning his career, through the fight to bring electric lighting to New York City.
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