#NOT yander shuichi im so SICK of yandere shuichi | Explore Tumblr Posts and Blogs

aaaaaaaaaaaaaaaoldretired · 4 years

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alrighty! im gonna talk about my two new dr!ocs and some updates on sheon’s whole thing. remember they don’t have names yet adkaljasdkfa

SURVIVOR: the ultimate jazz singer.

as mentioned, she’s the ultimate jazz singer. pretty subdued personality, but she’s the type of jazz singer who would just. scream into a microphone a la screamin jay hawkins. she is pretty neutral/friendly but disconnected in the prologue/first chapter/second chapter. she gets more jittery as the interactions go on. but once you get to the post-fte section of chapter two, that night she actually tries to kill the protag. at this point its revealed her big Angsty Backstory is she got involved with drugs through the music scene and is currently suffering withdrawal symptoms and is Super desperate (something ive seen a lot with my co-musicians and its not good) big breakdown, really delirious, will eventually be talked off the ledge and calmed down. kind of like if sayaka was actually calmed down in thh chap 1

just so happens that during the night whoopsy someone else was killed. so you two have an alibi but to reveal it means you tell everyone about her issues. either there might be a lying feature like in drv3 to cover, or you tell the truth and end up isolating her. for chapter three and most of four she will keep her distance from the protag bc she’s uncomfortable but will eventually reach out to be friends again after chap 4 execution.

is generally pretty useful during trials, tends to be a person who tries to help calm down more emotional students and look at things logically. is good at trying to calm down the blackened once the protag catches their bluff bc she understands what its like to be desperate. she does, however, cry during/after every punishment. tells others not to speak poorly of their executed classmates.

she compulsively chews gum, and one of her favorite gifts would be gum. jokes about having an oral fixation. during school mode she might joke about singing love songs but being so awkward about it in real life. really likes dogs, has a dog plushie in her room.

a first two fte will focus on her health/wellbeing. the third she’ll ask to not talk about that anymore and the next three are just about general stuff. the final one she’ll basically go a little further into detail but the moral of her story is like, she’s not a bad person for doing what she did, no one is. she’s just a person. and it cn happen to anymore.

dresses in clothes more inspired by late mod/early 70s fashion. hoestly im seeing like a turtleneck/pantsuit combo. short curly hair. big heavy under eyelashes.

MASTERMIND: the ultimate drag racer (ultimate cruiser)

ok but I LOVE him. personality wise he’s the story’s anxious character, think closer in personality to chap 1 shuichi. quiet, skittish, easily flustered, sometimes cracks jokes that fall flat. he’s framed for the chap 1 murder (someone died in a go kart accident, its assumed he sabotaged the other car, his argument is why would he kill someone in a race in front of all his classmates?) the protag obviously works hard to prove he’s innocent. after the execution he makes a promise to the protag that he owes him one big time, and while it seems innocent at the time, the wording should have like. a slight suspicious undertone.

he’ll investigate weirder areas of the school instead of practical (sometimes he has clues sometimes not) and if there’s ever a mechanical question for a trial, you’ll generally ask him for clarification. he’s not very trusting of others and is often the one to accuse others/bring the information learned in trials back into the real world and make a big deal out of it. for example, he’ll make a big deal about the attempted murder in chap 2, and he’s the one who’s constantly accusing sheon of being a traitor

at first he seems like he’s just anxious, but obviously, he’s the mastermind, and he’s trying to tear the group apart.

his fte he’s awkward the first few times but he opens up slowly, showing actual comfort/joy around the protag. wants to be close friends. offers to take protag go karting. while their personality is pretty awkward most of the time, there are flashes of an adrenaline junky every now and then especially when talking about cars, where he seems so full of life and drive it’s almost scary. very competitive during these times, his determination almost taking a sadistic glee when talking about beating others. of course he explains it as his cutthroat sport, but ya know...mastermind. instead of saying we’re going to survive he says we’re going to win. friendly towards the others but doesn’t really care about them focused on protag. is consciously trying to seperate protag from sheon.

for a mastermind he’s actually quite the empath and grows attached to his classmates, which he actually takes pleasure in the amount of despair he feels after each of their executions. reason behind the game is the adrenaline rush he feels, never has felt more alive than on despair. he discovered the rush the first time he got in a car accident, and the moments before his crash where like pure bliss. he wanted to let everyone else feel his feverish joy, and talks about how everyone has enjoyed this, deep down. they’re all getting their sick kicks. breaks the fourth wall and alludes to the fact that the protag (through the player) is having the most fun of all.

final trial where it’s revealed, he’s still v attached to the protag in like an almost yandere way and wants to follow up on the favor he owes from chap 1. he offers a deal to the protag where if they’re welcome to be their accomplice in all this and get out of the game. protag should push to bargain that everyone can give up their morals, sacrifice themselves to despair, and live as the mastermind’s accomplice in exchange for ending the killing game.

eventually, he’ll agree, but only if the group decides one life among them to sacrifice for no other reason than to kill an innocent friend. the way to get to the correct ending is to choose yourself which will like invalidate the deal. protag ends up dying and everyone else lives. leaves the mastermind in a despair, but for the first time, he does not derive any pleasure.

takes a LOT OF GLEE in admitting he convinced everyone else sheon was the traitor when she was not, everyone else is horrified.

anyways. his school mode/love mode events show his more likeable side, he can actually be a really cute partner if it weren’t for the part he’s evil but uh. soft sometimes.

really likes energy drinks. talks about sponsorships. color scheme is like. a black racing suit but his jacket is tied around his waist and he’s wearing a wife beater. tons of accents of neon all over his outfit from like patches and brand deals. backwards hat. blushes easily. has a mullet. i love him.

“TRAITOR” : SHEON FUKUDA (the ultimate film maker)

ok so. still antagonistic. but more in the way of pushing your buttons and pointing out your flaws in a trial. like somewhere between antagonist and kirigiri. super chill personality, cracks a lot of jokes, is hardcore struggling with the games and will be open about her mental illness. her fatal flaw is still her martyr complex

is first framed after chap 2 bc of accused of having the ability to direct and oversee a production like this, and from that moment forward no one can trust her and she’s SUPER alienated. she’s still awkwardly trying to be friends/friendly but people act like she’s going to betray them all. tries to prove innocence multiple times going as far as to beginning of chap 3 announce to the group if they need to kill anyone, let it be her so no one else gets hurt and is super transparent about who she is. but this transparency makes people more suspicious. as she goes on she gets more desperate/gallows humor. last convo bfore chap 5 begins she has a vague conversation about with protag about if they fear death. chap 5 would end up being either a suicide or double murder (they killed each other one in attack the other while being defended against) so there’s no execution but monokuma still wants something. its also in this trial that the ultimate drag racer plants evidence taht makes it look like she’s the traitor and is addressed head on.

a common motif for her is ‘playing the role assigned’ and knowing who she is and who she isn’t. she’s pretty comfortable knowing who she is but expresses unhappiness about being painted a villain. maybe like, three times through the story to this point it’s established as a motif/quirk of fitting a role she’s assigned bc if the protag asks her a question about herself/past/the overall story, she asks the protag a question like well, what do you want 1) 2) and you choose and she’s like. ok. then its _______. same thing here. as she’s finally excused she stares at the protag and is like do you really believe im the traitor? (yes) stares long and hard, somethng sad and defeated in her eyes. ok then. i am.

the trial doesn’t have a punishment originally planned bc the blackened are not alive. but she chooses not to vote and willingly chooses to be punished because everyone else has decided she’s the traitor and she chooses to play along so they can get closure. her last conversation should be about choosing the act of resistance, no matter how convoluted it can be. she doesn’t fear death. the pain sure, but not death. this was her choice to be punished, not the masterminds, and she hopes they lose any glee they take in her suffering because its a sacrifice for hope instead of a death in despair. last request is that she asks for the protag to make sure the manuscripts she wrote during her time are published, the last great work of sheon fukuda.

EXECUTION: CULTURE SHOCK so she wakes up on a soundstage to blinding light. she’s attached with electrodes. monokuma is sitting on a director’s chair with a director’s hat. basically the premise is as the ultimate film maker, she has to recreate different iconic movie scenes and every time she makes a mistake she gets shocked. she keeps on getting thrown into new scenes into the middle of old ones, throwing her off. after a sequence of costume changes/farces she finally collapses in the soundstage.

beat. she looks up. above the soundstage is a sign that says “congratulations” or something. everyone gasps. she believes she beat it. a single light comes on in center stage prompting her to take a bow. she stumbles over, stands up, and looks into the shadows in the general direction of her classmates. a teleprompter prompts her classmates to clap. she takes glee, soaking in her win, and bows. as she comes up she smiles for a second before a short rings out. she’s shot through the heart. culture shock!

fte are mostly talking about directors/film references and what its like to be a film maker. real dry humor, sometimes talks about deeper stuff. her backstory is that her dad was working for an american embassy so she grew up in america going to art shool, and she feels out of place, despite being a japanese student with the same basic culture as everyone else. sometimes talks about slimeball directors, sometimes talks about missing certain food, loves takling about movies. as a filmmaker she specializes in dark comedy/farce which makes her suspicious of how someone can enjoy writing somethng so twisted

views are very intersectional, a little new agey, but still well put together. clearly a free spirit, very quirky from working in cinema, super dry sense of humor. likes philosophy

really likes blueberry jam. favorite item is somthing blueberry.

after chap 1 trial she expresses to the protag how she can never be the blackened, not just because of murdering one student, but to get away with it, everyone else would be punished instead, and she can’t deal with the blood on her hands.

is open about her struggles with mental illness and how she was getting help and showing improvement bfore coming here but now she feels herself spiraling and hates it.

values everyone here as good friends, and while she tries to play it off she hates how they’re painting her as a villain. takes every death very personally.

color scheme is very pastel, and she wears sweat pants and a collared shirt with a light blue robe. you can’t tell if those are pajamas or an outfit. wears rose-colored glasses. all about the aesthetic, just lean so far into film culture with her. personality/feelings towards style are very influenced by the fact she went to an american arts school instead of a japanese school like her peers so every part of her is slightly off/quirky/out-of-touch

she’ll mostly wear the glasses over her eyes, sometimes pushing them down on her nose for emphasis to make eye contact. only her anger sprite (point) shows her taking them off.

during her execution she pushes them onto her forehead before taking her bow, almost to meet eye to eye. after she’s shot the last frame is them landing on the ground, cracking.

i love sheon so much

#dr oc #sheon fukuda #dr after party

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