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ivushk · 3 years

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HELLO. MAY I PLEASE HEAR MORE OF YOUR VAMPIRE AU…. 👉👈

OH MY GOD I'M SO GLAD YOU ASKED THANK YOU THANK YOU THANK YOU

Okay, SO. BUCKLE THE FUCKLE UP 'CUZ here's what I've got so far:

Nishiki and Kiryu are still orphans at Sunflower. They come from a tiny village just a few kilometres west from the orphanage. It's a very close and closed-off community. The boys' parents died in a fire when they were very little (which is a common theme for the kids at Sunflower and isn't that a crazy coincidence? *smiles mysteriously*), however the Nishikiyama family house wasn't as badly damaged as Kiryu's so it's just sitting there, waiting for its former residents to reclaim ownership as soon as they're able to (I imagine Kazama would help them with that).

In the next years it becomes a home for Nishiki, Yuko and Kiryu (and Yumi, too, though she feels like a visitor for the most part) in everything but name. It's their hangout spot, their "base of operations", their not-so-secret meeting place. When Yuko's health deteriorates so much that she can't stay at Sunflower anymore, the siblings actually properly move in to make arranging the doctor's visits easier.

It's Nishiki's 17th birthday and all three of them are celebrating and playing games and eating cake and having a good time at the edge of the woods not far from the Nishikiyama residence. They're young and loud and stupid (and ignoring the fact that several people went missing over the course of the last few months) and if Nishiki's heart beats a little too hard in his chest when Kiryu gives him his gift - a beautiful, heavy silver pendant on a slightly-worn leather cord - he doesn't think about it too much (and if he notices that Kiryu stares at him just a bit longer than usual without saying a single word but his gaze is so, so, SO fond-- he doesn't think about it either). (he leaves these kinds of thoughts for restless nights because thinking about his best friend in that way during the day... it hurts. the hurt is good sometimes but it's overwhelming).

They're drunk on the cheap beer they've smuggled from Gen-san's fridge and high on happiness. Unaware that the very same night it would all go crashing down.

At some point they all quiet down and go a little further into the woods than they normally would but no one pays any mind to that. And when suddenly their trio turns into a duo with the sudden absence of the birthday boy himself no one immediately starts panicking. He's been gone for ten minutes, twenty, half an hour. Kiryu tells Yuko to go back to the village, to gather everyone, make them start a search party or something while he keeps looking for her brother (the only things he'll find are the pendant he's gifted to Nishiki with the leather cord torn and the broken shards of his own hope). They never find him.

A year goes by and they hold a funeral for Nishikiyama Akira. Even though there's no body for them to bury. Yuko doesn't cry (she doesn't believe he's really dead). Neither does Kiryu (he used all of his tears up that night, the guilt choking him, and the night after that, and the night after that, and the night-). Yumi does, however. And the nice old lady who gave both Nishiki and Kiryu money for helping her do chores around the house. And the man who gave Nishikiyama a part-time job at his shop (to put at least something towards the cost of his sister's treatment, he felt so indebted to Kazama, and that debt weighed down on him). And a few of the girls and boys from Sunflower too.

Another two years pass. Kiryu moves away to the big city at the behest of Kazama. "It's important for you to continue your education," he says. ("It's important for you to move on," he keeps these words to himself). Kiryu really tries his best. Even makes a few friends (although he's still on the fence about whether he can actually call Oda his friend). It goes as well as it could have considering his circumstances. They say that time heals but Kazuma Kiryu never finds out if there's any truth to those words because he recieves a very short letter - an invitation, actually. To another funeral. But this time it's Yuko they're burying. This time they actually have a body to bury.

Tachibana offers his condolences. Oda offers him a ride to the village and back. Kiryu accepts both.

He can't help but compare this funeral to the last one he's been to. There are fewer people. Fewer tears, too. More flowers. It's quieter and feels something like closure (in truth, it's anything but). Yuko also left behind a will (more like a bunch of wishes since it wasn't an official document but the community decided to honour them anyway). Almost all of her possessions went to the kids from Sunflower, except for the Nishikiyama family house (which on paper actually belonged to Shintaro Kazama) which she left to Kiryu. He can't quite believe it when he hears it and feels his heart break under the onslaught of childhood memories. Still, he goes there later that evening. He finds that little has changed in the time he spent away from the house, from the village, from... all of this, really. There are the same pictures on the walls collecting only slightly less dust. The same books on the shelves and under the broken legs of the old pieces of furniture. The same medicine bottles and equipment in the bedroom, though doubled in quantity. Kiryu's not as devastated as he thought he'd be when he walks around what he used to call his home.

He goes through all the rooms, taking notes of every single thing he finds and every single thing he doesn't. He probably misses a bunch of things (he's not as good at that sort of thing, Nishiki's always had a much better eye for details). Once back outside, he looks for the secret stash they made back when they were teenagers. It's like going through a time capsule. There's a pack of cigarettes he and Nishiki once stole from the teacher's bag, copybooks filled with ugly doodles, dreams for the future and dried flowers and leaves, caps from soda bottles, rocks they thought looked cool, photos and birthday cards damaged by time and weather... the pendant Kiryu gave to Nishiki the last time they saw each other. And a small notebook Kiryu's never seen before. A diary of sorts, a recounting of their days together and their days apart. The handwriting is unmistakingly Yuko's.

It fills him with nostalgia, tears welling up in his eyes, unshed. His heart sinks when he finally reaches the pages where Yuko recounts the last few weeks before she-

She writes about her brother, which is understandable. What's less understandable is the fact that she speaks of him as though he was there, with her. Physically present. Kiryu could chalk it up to the girl being delusional in her dying moments but it doesn't feel right to do so. It's stupid, it's absolutely impossible, he's confused, he's hopeful, why would Yuko hide her notebook there?

The last page. A message. For Kiryu. "Please, Kazuma-kun, help my brother".

Against his better judgement, Kiryu decides to spend the night in the house. Sleep doesn't come to him but that's fine. He sits in the living room, trying to make sense of everything. He sits there until it's way past midnight, until the distant barking of the dogs quiets down, until the rustling of leaves stops, until the very air around him grows still and silent and somehow charged with strange energy. And then he hears it. Three uncertain taps against the window. Kiryu turns his head. It's him.

"Kiryu... Let me in. Please."

He does, without thinking. (He could never very well say no to Nishiki. Even if it got them both in trouble. Even if he's not real.)

The quiet is deafening. It really is him. His best friend (whom he thought dead). His kyoudai. Before Nishiki could say anything, Kiryu wraps him in a tight hug. The only heartbeat between them is Kiryu's own, thundering against his ribs. Nishikiyama doesn't let the hug last, putting some distance between them. He looks guilty, tired; looks at Kiryu with sadness, with longing and something else that he can't quite decipher yet (and it makes him scared but why?). Nishiki also looks older than Kiryu remembers. Not a 17-year-old boy anymore, no. About the same age that Kiryu is now.

Has his gaze always been so sharp? Have his fangs always been this pronounced?

They talk until their throats are hoarse. Until Nishiki pulls out a bottle with some liquid that smells strongly of iron and drinks from it and in that moment Kiryu believes everything his friend has told him. It's crazy, but he does.

Nishiki was abducted that night. Taken from them. By vampires. They hurt him. Forced him to fight other humans (just like him then) for his survival. They fed on him.

It went on and on and on... Days turned into weeks, turned into months, turned into years. Only thoughts of Yuko, and Kiryu, and Yumi kept him going. He wanted to see them again. He hoped he would. That hope was crushed when Nishikiyama met his match in the arena. No, not his match. Someone far stronger. He lost and was tossed out to die. But another vampire saved him. It was a woman, whose face he saw often among the spectators of his fights. She stood out from the crowd, since she never cheered for any of the humans. Never put any bets. Only looked at all that madness with quiet horror. "Reina" she said her name was.

She gave Nishiki blood. Her own blood, and the blood of the vampires that were much stronger and more powerful than her (but not wiser), and human blood.

He turned and it was even worse than the years of anguish he had experienced. The pain and constant thirst almost drove him mad until he was taught to deal with them.

Nishiki was given a second chance. He escaped. And ever since that moment he's been trying his damndest to help other victims of those monsters. Both, the poor imprisoned souls and the villagers who might have shared his fate otherwise.

THAT CONCLUDES MY MAD RAMBLINGS BECAUSE I HAVEN'T THOUGHT OUT WHAT HAPPENS NEXT THAT WELL

also i don't remember the last time i wrote this much in one sitting and i'm tireeeeeed. i'm not cut out to be a writer and it shows nghghghhhhhh

but! but! but! i have a couple thoughts on where the story goes:

kiryu decides to stay in the village and help nishiki

they uncover the vampires evil plans and recruit a few other characters to fight on the side of JUSTICE (i.e. kazama, who up to that point has been kind of in cahoots with the vamps - hence trying to atone by means of creating the Sunflower orphanage; kashiwagi; yumi; reina; tachibana and oda; majima, and yeah he was actually the one that defeatead nishiki and unknowingly caused him to become a vampire, also majima himself turns into a vampire later in the story thanks to a certain mad simp nishitani)

yuko comes back as a vampire

at some point the scene from my fanart happens; something along the lines of kiryu and nishiki being found by the evil vamps and being attacked. then of course nishiki saves kiryu (who's still baffled that this shit is happening to them and vampires are REAL) and tells him to run which he doesn't but it works out fine in the end

the scene of nishiki drinking kiryu's blood is a MUST because i. love. that. shit. (it's also extremely horny dfjvhsdkfhiasdfhisd)

nishiki's personality is somewhere in between his ykz0 and ykz k*wami self (like, he's much colder now but he still cares about others and does things not just for the sake of his own ambition)

idk about the end but immortal boyfriends? sounds nice?

#i'm so sorry anon this took so long #i went to bed and slept for like 12 hours and then my neck and back were really bothering me ghjklkjljfkjg #i had to take a few smoke breaks along the way #writing shit is hard #OKAY I'M DONE WITH EXCUSES SORRYYYYY #nishikiryu #yakuza #vampire!au #ask

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itsybitsylemonsqueezy · 3 years

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*sigh* I love him... oh, hey there tumblr! It’s been awhile, sorry about that. Been drinking a big ol’ glass of Loving Kiryu juice tho so it’s time for some Kiryu Opinions with Lemon. Sit’ya down and gather close.

I’ve recently been informed that writing Kiryu is hard. This came as a surprise to me because Kiryu is very intuitive for me to wield. Like, there’s a certain amount of pressure with writing any protag, especially one who so defines a series and a universe, even now. But I just... don’t struggle with him. All of his decisions are intuitively relatable for me.

But hearing that Kiryu was deceptively complicated made me stop and thinking about what about him appeals to me, what I find easy to move with him. I don’t know about any of you, but when I struggle to write a character, it’s because I struggle to understand their motivations. (Note that I said understand, which doesn’t necessarily mean agree with.) If I can’t explain to myself why a character is Like That, how the hell am I going to explain it to anyone else? How will I move them believably if I don’t know why they’re moving?

So this got me thinking about... why Kiryu is Like That.

One of the important things for me, whenever I have Kiryu in a scene, is that Kiryu is always in the Present. This is not true for many, many characters. Many people are reliving the past or hoping for the future. But in any given scene, even if Kiryu should be thinking about other things, what he responds to is the present, the here and now. That is first and foremost what motivates him. Whatever is happening right in front of him takes precedence. Both past events and future consequences mean very little to him compared to that.

This is drastically different, as I said, from characters like Majima, who is nearly always living in the past. A strange thing for me to say about a character as self-aware as him, but being self-aware and being in the Present are two different things. But I’m not here to talk about him today.

This is not to say that Kiryu is ignorant or foolhardy or callous. Kiryu does not deny the past its meaning or charge in blindly without an awareness of the consequences. He knows consequences will come, he simply accepts them faster than you might expect. And Kiryu is deeply affected by the past and does spend a great deal of time thinking about the past. But that’s not how his decisions get made. Many people are so afraid of or so hurt by the past, that all of their present decisions are predetermined by what has happened to them before. And that makes sense, we all learn from experience and react to it. It’s just a matter of which pieces of information any one of us is choosing to evaluate per decision. And rather than looking to past pain and past failures, or past successes, Kiryu gives deference to the most recent information. Part of the reason for this is that the only pattern Kiryu sees in the past is his failures. If everything he did before failed, why the hell would he do that again? And part of the reason is because the past is dead to Kiryu.

I said before some people live in the past. They play it out every day, trying to redeem themselves, hoping for a different ending. If they just do it right this time, things will be different, things will be better. Other people believe in do-overs. Kiryu doesn’t. Kiryu internalized when he was young that there are no do-overs. Sometimes you get one shot and you live with the consequences. That’s what Kiryu believes. When he entered the yakuza, that was the ethos instilled in him. If you make a call, you stand by it and you live with it, good, bad, or break even. Kiryu believes that, even to this day. And in his defense, many of the decisions he’s had to make were like that. Any time he made a bad call, the consequences were permanent. Any mistake he made, he could lose a friend, he could lose a war. And when he made that decision, he had to be ready for those consequences. That’s what he learned. So for him there are no do-overs. The past is dead. It’s not an active, dynamic thing that he could change, even if he wanted to. He can’t bring Nishiki back to life, he can’t save Tachibana, he can’t un-orphan Haruka. Those decisions are made and gone.

He’s not a fool and he won’t torture himself thinking about what he could have done differently. He accepts that these are the consequences. Sometimes you’re wrong and sometimes there’s nothing you can do about it. In some ways, this helps Kiryu let go. It means he’s never trying to save someone who’s already dead. It means he doesn’t dwell in regret. This gives him the ability to move forward. If he couldn’t do this, he never would have gotten up from the end of Kiwami 1. But Nishiki’s dead and there’s nothing he can do about it. So he doesn’t try. That’s the downside. Kiryu never goes back. He never tries to make it better, even for himself. Because he doesn’t think there is a way. It’s too painful to even consider that. Who is there to forgive him? Who is there to let him try again? The dead don’t talk. Kiryu accepts that he cannot change the past. Instead he flees from it.

This is an opposite defensive maneuver from trying to relive the past, he’s trying to outrun it. If he never has to make those decisions again, then he can never fuck up like that again. It’s why he refuses to be chairman, it’s why he hates being in Kamurocho. It’s all a constant reminder of his mistakes and how much they cost. And Kiryu’s defensive strategy is sometimes overactive, deciding that he can’t fix situations that haven’t yet burnt to the ground. He always assumes people won’t forgive him, that they don’t want him to try. He always assumes his failure is enough to ruin all the relationships he has. Why would you forgive someone who ruined your life? Kiryu doesn’t know why you would and doesn’t think you should. He’s paranoid about failing the people he loves and he believes that if he has failed you, you rightfully don’t love him anymore and wouldn’t want to see him. He sees his mistakes too big to know how small they are to you. So he runs from good relationships because he thinks he’s already failed them, he thinks he’s already made too many mistakes and he doesn’t deserve that relationship anymore. Maybe he never did.

And the more faith people put in him the worse this is. People treat Kiryu like he’s a god, a savior. And every time it makes Kiryu’s heart sore. He’s not afraid of his own power; he’s actually fairly confident in his abilities and has a good grasp of their reach. But seeing how much people trust him... it makes every mistake cost more. Kiryu worries because he knows he is human. No matter what anyone else thinks, he’s still just a guy. He sees himself as just a guy, maybe better trained or more gifted than some, but just a normal, mortal, flawed human being like anyone else. He knows he makes mistakes. He knows he will make mistakes again. And what if he makes a mistake that affects you? What if he’s wrong and it fucks you over? And how betrayed your trust is, how your faith in him falters... then you’ll finally see he was never worthy of it to begin with. Then you’ll feel deceived because he couldn’t live up to your expectations.

Kiryu doesn’t want to hurt you like that, hurt anyone like that. He takes the expectations on him very seriously. He knows you’re only asking because you do need help. He knows you’re very sincere. And he badly wants to do right by you. But if he... if he fucks up, that doesn’t hurt him, it hurts you. And sometimes he can’t bear that. He can’t bear failing people, being responsible for their disappointment and hurt and ruined situation.

It’s not that Kiryu wants to be reassured that he’s doing okay. People who want reassurance want to do the job they have. Kiryu hates this job. He hates being in the position to save or damn people. He hates the potential of getting it wrong and it mattering so much. And he would rather not help than risk it sometimes. His heart aches every time he’s asked again because that means... there’s no one else. It means he’s still the best you’ve got. And you deserve better, you deserve more than what he is. He’s just some guy and he’s not sure he can be what you need. He doesn’t trust himself to do it right. He wants you to have someone who WILL be there every time, who CAN weather it all. He doesn’t think he can.

He will still help, because there’s no one else, because he does understand that if he doesn’t worse things will happen. And he’ll become responsible by not having stepped in. But this is why he’s inconsistent, he doesn’t think he can do more, he doesn’t trust himself. And he gets scared of how much people believe in him.

He really doesn’t think that people could still love him, knowing he’s just some guy. He’s scared that if he isn’t perfect, like he’s supposed to be, like everyone wants him to be... everyone will feel betrayed. So he runs away to Okinawa to do something entirely different. But even then he’s scared of fucking up. He’s taken on all these young lives who depend on him and he’s waiting, he’s just waiting, to have someone tell him he’s a bad father, that he’s failed them, that he’s fucking up. And when that happens, he runs away again, so he won’t hurt them anymore. And because he doesn’t deserve to have relationships that bring him comfort and joy, he doesn’t deserve to feel useful and good, because he isn’t. He’s always been a failure.

Kiryu carries the pressure on him EXCEEDINGLY well. He almost never breaks down. But he has those break downs. He has anxiety. He worries about fucking up. His confidence curves towards stables, but when he hits a rocky point... he’s unmoored. He’s left without any reassurance that he does know what he’s doing, that he is doing okay, that he hasn’t failed every relationship he’s ever had. People still love him and forgive him and want to be with him. Want to help him try again.

I might even go so far to say that Kiryu has Imposter Syndrome. He has ex-gifted kid syndrome. Brought up with high expectations and high standards, more talented than his peers, launched into the stratosphere when he was still young, all of his personality moorings ripped away... He’s constantly just trying to be a good person, the best he knows how. And he takes it very, very hard when he falls short of what he was told all his life he could be. He doesn’t believe he ever achieved it.

I love Kiryu. I hope this helped show why.

#Kiryu Kazuma #Please hug him #Please tell him he's okay #He never gets a chance to tell anyone how he's suffering #And it breaks my heart looking at him some times #Yakuza

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