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safflowerseason · 5 years

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May I ask what you mean by Amy parent!watch?

Of course you can, Anon.

The “Amy-parent!watch” is really a riff on the “Dan-Amy-parent!watch”, which is a recurring theme of the Veep rewatch posts. I think if you skim through the tag on my blog (I have no idea what my Tumblr account looks like to users who aren’t me, so hopefully there is a search function somewhere?), you’ll see it pop up in discussions of certain episodes. It’s just my way of noting whenever the writers played with the idea of Dan and Amy as parents…which is a lot. And I started rewatching the series (seriously rewatching) right in the aftermath of S7, when the show essentially gaslighted the audience about Dan and Amy’s relationship. So the “Dan-Amy parent!watch” note became a way for me to reassure myself that I wasn’t insane, that the themes of parenthood and parenting had always been a primary motif that the writers had used to explore their relationship.

In S1, the parent jokes are truly unsubtle, which I find noteworthy, because the audience is already primed to look at Dan and Amy’s relationship as a potential source of romance. We know they dated, we know Amy’s not over it, we already have a sense that Dan likes teasing her….Not to mention the fact that, when you take Veep’s ensemble as a whole, they’re the same age, they’re attractive, and they have chemistry that practically crackles off the screen no matter what they’re saying to each other. Of course we’re going to look for them for romance. But still, the writers somehow think it’s important enough to make up a very silly reason for them to babysit a bunch of second graders who get to tease Amy about how much she might love Dan.

But to be fair, in some of the instances where Dan and Amy are coded as parents to the audience, I think the writers were also exploring the idea of politics as parenting. In other words, they were very interested in the notion that the job of Selina’s political team is to basically parent her. They have to make sure she’s fed, that she looks presentable, they have to control her moods, they have to talk her out of her rages, they have to chaperone her even during private moments, they have to clean up after her…literally in the second episode of the show, Dan and Amy have to sit in the car with Selina after she soils herself. Dan looks revolted, but he does it. It’s part of his job.

Notably in that scene, Mike bails and does not get in the car, which is why I don’t think the two ideas (“parenting as politics” and “Dan and Amy are basically parents because they’re a bickering married couple”) are mutually exclusive. While everything in Veep is a little about politics, there’s enough parenting jokes about the two of them that aren’t really about babysitting Selina, such as the classroom scenes in Baseball or handing off baby Halo in Alicia. And of course, Dan and Amy also share several significant moments, coded as romantic, that have nothing to do with parenting, such as Dan accompanying Amy to the hospital in Signals or the bar scene in Tehran.

(There’s another rant in here about how David Mandel ruined all the complicated and exciting political subtext of Dan and Amy’s relationship and basically reduced their plotline to boring sexist clichés, but I am tired.)

Anyway, so the Amy!parent watch has sprung off from all that because Amy often talks to Selina like she might talk to her daughter, and not in an unkind manner, either. And while I suspect that Amy would have found motherhood extremely challenging and exhausting in ways very different from her job, I also believe there were elements she would have easily recognized. Her kid throwing an irrational temper tantrum because one tiny thing went wrong and suddenly the world is ending and it’s all Amy’s fault and she needs to fix it?!?! That experience would have been very familiar to Amy.

Plus, I’m annoyed that the show tried to shove “Amy would have been a terrible mother so it’s a good thing she never had children!” down my throat during the final season. It would have been more convincing if we had ever, even once, actually heard her express that opinion herself. Also, the suggestion that because Amy’s not particularly motherly around other children she would be a bad mother is impossibly stupid and sexist. So I enjoy pointing out moments in the show where Amy does act in a recognizably “mothering” fashion…the writers were just trying to do something a bit more nuanced with the idea.

#veep #veep parenting #amy brookheimer #dan-amy-parent!watch

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spotlightsaga · 7 years

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Kevin Cage of @spotlightsaga reviews... Baskets (S02E06) Marthager Airdate: February 23, 2017 @fxnetworks Ratings: 0.460 Million :: 0.22 18-49 Demo Share Score: 9/10 **********SPOILERS BELOW********** "Give me a minute, Sheila, I gotta go talk to another nut." I read a fellow reviewer talking about how 'Baskets' S1 was more emotional... I fervently disagree. It might have been funnier, maybe, but I don't even think I can give it that because S2 has just been out-fn'-standing. I've watched 'Marthager' twice now, the first time I watched alone & the second I watched while eating dinner with my partner, who subsequently literally burst into a laughing fit while eating and I ended up with chili all over me (which I think is a great euphemism for the series itself). I've done some serious cathartic emotional work through writing these reviews, S2 has been exceptionally testing. I might be laughing while watching Martha's deadpan delivery and these obscure, absurd characters live in a strangely familiar world doing familiar things in unfamiliar ways, but going back and deconstructing these episodes has helped me work through emotionally challenging & pivotal moments in my life. Saying that out loud sounds like it would be slightly unpleasant, but I love a good challenge... As I reviewed 'Fight' and drew parallels to Chip & Dale & the different points in my life I literally had tears rolling down my face, it was an intense episode and everything up to that moment had been building since the boys father's death. 'Marthager' is very different, but still very emotionally raw in its own way. Tonally, Baskets has been playing with alternate psychological and spiritual areas of growth. Chip has finally reached a point in his life where he's realized, 'this is it, I have to go for it'. For me, that moment has come in several forms over the course of my life and I've tried on many, many hats. Not until my late 20's, early 30's was I at the place in my life where I truly hit that moment, myself. I had a lot of dreams and aspirations, but I was holding myself back because I was so fucking angry that I was pushed into a narrow scope... I felt like my parents issues and insecurities stunted my spiritual growth and my professional growth as well, that they had taken out their issues with one another on me. For that and for other reasons, I was extremely self-destructive. Luckily I was always very charismatic and, unlike Chip, had people to hold it down for me in some way while I took 2 steps forward and then spiraled 38 steps back. Not until one of those people hit a massive roadblock did I decide that no matter what, I had to make a serious fucking go. I'm not talking about pipe dreams, I'm not talking about obtainable dreams... I'm talking about really starting to focus my passion in proving myself to everyone who had ever made a sacrifice for me in their lives, to show them and show myself that I was worth all the bullshit. Like I said last week, Chip may never be considered fully 'emotionally grown', but none of us as human beings can ever reach that pinnacle and it would be unfair to not acknowledge Chip's incredible growth as a human being himself. Starting where 'Fight' left off, Christine kicks out Chip & Dale and begins to renovate her house. They did some serious fucking damage, so it wasn't going to be a couple day thing. Christine heads off to stay with her mother, Esther, played by Ivy Jones. It's really good to see Christine get these important moments of closure and opportunities in her life. The stay with her mother may be covered in a tiny dog's urine but they share a touching moment when Esther gets a phone call from a friend who won some money at a casino and let's slip that Esther had already gossiped to her about Christine's 'carpet selling suitor' she met in 'Ronald Regan Library'. Christine is annoyed and embarrassed at first, a natural Christine Baskets type reaction to pretty much anything involving anything revealing or personal, but Esther shuts it down by having a moment that every mother and child should have in their adult life. Ironically I had mine with a third person who was sitting in the back of a car in a mall parking lot in Ft Lauderdale while my mother broke down why things played out the way they did, her regrets, and her grounded hopes and dreams she had for me in life. Christine had hers with a woman on speakerphone. Maybe it's easier for moms to get honest with a small audience. Who knows. Moms are secretly extremely complicated. Esther is worried that it has been 25 years since Christine's husband died and she hadn't even attempted to move on. If she had someone interested she needs to act. She proceeded to tell her about her regrets, waiting around for a man who she knew deep down was never going to change, he was a drunk and she constantly made excuses for him. She had put Christine and her siblings, as well as herself, in danger... She had stunted them and she wished she could change that. It might be too late for her, but it wasn't too late for Christine. She wasn't going to let Christine sit back and make excuses for not moving on, her children were grown men, and although they had a long way to go, they were going to be fine. It was time for Christine to do something for herself. Christine makes one last excuse... 'But he's all the way in Denver'... Her mother had an easy and absolutely perfect response, 'You mean to tell me you of all people don't have free miles?' Of course Christine Baskets had free miles saved up, this is a woman who shops at Costco religiously. Looks like Christine is going to Denver, baby. As Christine is having a long overdue moment with her mother and heading off to Mike High City, Chip is putting his life into motion. After getting kicked out and getting immediately stood up by his brother, Dale, to 'go to Hooters and get some soup', Chip heads back to the only place he knows. The place where he got his first shot of inspiration, the now defunct rodeo. After sleeping on it, it was off to the only other person in the world who gave a damn about him, Martha's house, where he elected her to be his clown manager. Chip was so ready to fucking go that he was willing to see if the clowns that were jumping out of woods and scaring children at night was a paid gig. Even tho absolutely none of this was Martha's idea, she took her duties as Chip's manger seriously... Unfortunately she sucked at it. It looked like the only jobs she could get him were ones she payed for his services herself, even hiring him to show up at a Costco function where he runs into the 'Friendly Fun Events' manager, Ginny (Karen Maruyama, who is absolutely perfect for this show). Obviously Martha had hired Chip herself and payed out of pocket because this was definitely Ginny's territory. She ends up offering him a job and firing Martha herself. Martha isn't going to go out like that, she tries to get him a job at her nephews birthday but Chip is already booked solid at a parade where she later runs into him by accident. When he hadn't answered her phone calls and ended up being a no-show she dressed up like a clown and tried to fill the role... To horrible results. This dynamic is where things get interesting with Martha & Chip, we've always known there was some sort of unspoken chemistry between the two, but Martha is a wallflower and Chip always aims way too high. Martha doesn't want to be Chips manager, she wants to be his friend (maybe more), and failing as his manager made her feel like a failure as a friend... And she had already fucked up bad by screwing his grating, competitive twin brother. I love that their showdown takes place at the parade she just happens upon. She gets out of the car, still in full on clown makeup and scares a young girl (who she refers to as 'lady') by telling her she isn't a clown, who immediately starts crying. That's when my partner spit the chili on me, so I figured I better work that in somehow. Now we've come full circle, this is the 'Almond Parade' gig and the quote I started the review with is Chip telling a woman named Sheila dressed up like an almond to hold on while he talks to Martha, 'who looks like a small child with lipstick issues'. Holy shit those zingers are so funny they make you forget that two people are sharing a very real & public, vulnerable moment. Martha is upset, she says she knows she wasn't the greatest manager but that she tried her best... She's going out on a limb here anyway, because really he steamrolled her into the manager position in the first place. This forces Chip to define their relationship, 'Look Martha, you're not a manager. You're more of a... Friend.' In the most perky tone that Martha is able to achieve in all her monotone glory she responds, 'Really?!' Chip tried to define it further but was constantly interrupted by an old car behind him in the parade with a 'bahooga' horn. He doesn't even finish, Martha is beaming, you know, in a very Martha way, 'Thanks Chip. That's the nicest thing anyone has ever said to me.' How do you respond to that? Chip gives it a go, 'Really? That's depressing'. Chip, ever the optimist.

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