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doomtodivide · 3 years

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Imagining The Future: Bastille's New Era Analysis

Hello all! The following is taken from the first of my new era update posts on r/Bastillecult. I highly reccomend reading all the posts on there!

Last time I had a few solid guesses with the whole Goosebumps EP transition period, so I figured I would try my luck with this new era. I've broken everything down into a few categories that should hopefully flesh out a sketch of possibilities

Aesthetic: The new logo has a very sleek design. This complete change in aesthetics is very noticable. Bad Blood was filled with literature references, a cozy and nerdy looking dan, and more earthy looking tones. Wild World focused on nihilism, movie references, and an all too realistic dystopian city aesthetic. Doom Days focused on escapism, partying, fucking, and a red and home-y vibes. The lack of color and the clean and sleek look points towards it being a more future oriented era.

Triangle: For a deeper background, I highly recommend reading u/casperwyomingrex 'spost.

The WW era triangle and this new triangle are technically called deltas. While I am by no means a geometry person, I’ve been told by a few math nerds that these triangles are technically not possible in certain plains and spaces, making them impossible. While it is likely that Bastille just needed to explore just slightly outside the normal definition of a triangle to match this aesthetic, the impossible triangle t-shirts hint that there is significance to having “impossible” triangles. This hints that there may be more in common between the WW Era and the Future Era, ie. a dystopian society.

Dystopia: Bastille created an entire dystopian corporation for WW. I remember them saying somewhere they hated the promo and touring process for this album, leading them to switch up the process for DD and the Goosebumps EP. With the record label change and covid shaking up the world, this opens up the opportunity for them to have a redo with this era, especially considering it is a fan favorite era. Many people have pointed out that hint has a vibe similar to black mirror, a sci-fi dystopian show, which would fully support a sci-fi dystopian aesthetic era.

Sound: Though the clip is only 8 seconds long, it gives us some hints about the new era. Bastille once again uses synths for sound, creating a reference to Sci Fi sound effects. The clip mirrors the effect of oscillators to create things like laser sound effects, teleportation, warping, and other “space” noises. I find the juxtaposition of Sci-fi interesting; it was most popular in the early 1900s, meaning Bastille is referencing the past, yet it focuses on the future, which in the lense of Sci-fi, would mean the 2000s and beyond.

In the lens of broadcasting, short interludes are used throughout advertising to the point where many people don’t even think about this. A lot of them are used to hook us in and signify a certain company or thing. In advertisements they are used to signify the company’s presence and to worm the product into our brain. In casinos they are used as a dopamine reward. News stations use them to signify the station. This especially could be relevant in a dystopian society. I’m mentioning this because the clip doesn’t sound full enough to be a song, rather an intro to a news station segment. I find this especially notable considering WW had a news anchor. Looking back, a few videos from wild world could hold significance. This video

has a sci-fi esc clip in the intro.

In Previous Context: In the context of ReOrchestrated, Bastille is no longer letting imposter syndrome or shitty opinions stop them from what they want to do. Meaning they are going full force into the future. There's one specific time during the ReOrch doc where the boys talk about how ReOrch made them realize they could try new shit, even if management thinks it will fail. Dan has spoken in a few interviews now about being excited about collabing (and mentioning relinquishing control to others in the ReOrch doc), a few artists have come forward about working with Dan. While it’s unlikely that every collab we’ve theorized about will go through, Dan Wilson and Ryan Tedder seem to be confirmed in the roster based off of their interviews

When considering the past, a lot of previous songs focus on nostalgia; for example, in Fake it “We can never go back / We can only do our best to recreate.” Post ReOrch and DD, Bastille has worked up enough confidence to push into making their own future, one unlimited by nostalgia and fear.

In the Context of the Goosebumps EP, Inception and Vanilla Sky are both referenced. Both of these movies mark the first time* (to my knowledge

) that futuristic sci-fi has been referenced in Bastille. There is significant overlap with dreaming and time travel, something that could definitely be applied to this era. While it could be coincidental, Bastille has been quite purposeful with using references to add to the era’s aesthetic (see Aesthetic section). Referencing them during a transition period points towards both the literal future (new era) and a new aesthetic.

*Cosmos: War of the Planets and twilight zone have both been referenced but fall into a different category of sci-fi than Vanilla Sky and Inception

In Regards to Distraction Tactics Space Week and WW, alot of it holds very similar aesthetics. This video

from WW also holds a similar aesthetic. Considering DT is linked through space and WW is linked through dystopian this might MIGHT be related.

Hints: It wouldn’t be a new Era without Dan “Soon” Smith teasing us a bit, so here are a few highlights. In this interview

, Dan says “I want to tell you but I can’t! We just want to reflect on the future…” The No Bad Days tweet and the #ToTheSky post likely plays a part in the new era, but the 8 second clip does not have any immediate hints. The art installation in the #ToTheSky post originally caught my interest when it was posted. James Turrel, the artist that created the installation, uses light as a medium to create art. The installation, called the Space That Sees, is described as an “allegory of light that we generate from inside and light that comes from outside: the emergence into space where light comes forth as in a dream." While I have no fucking clue how to interprete this allegory, I imagine space, light, and dreaming will become key players in the new era. A few other notable works of his are the Raethro Pink and Alta Pink, both of which are pinkish purplish white triangles light projections surrounded by inky blackness. The use of Bastille’s triangle logo and a flash of light purple light means there are likely deep ties between the new era and James Turrel’s creations; furthermore, he also acquired a dormant cinder cone volcano to turn into an a museum/observatory using light apertures to observe the solar system, adding further ties to the space and light themes.

Meaning: "You Don't Predict The Future. You Imagine It" I have purposely not used predict in this analysis so I don’t jinx this era. I’ve found a few variations of this saying (You Can’t Predict The Future. But You Can Create It), but all of them seem to point towards creating the future instead of guessing. I imagine not many of my predictions of this era will not be accurate because I am not the one imagining it. I feel like this might also point towards being conscious about what you want out of the future instead of merely guessing where the tides will take you. This could also be like that one story of a kid's drawings turning into real creatures because of the kid imagining it. I feel like “future” and “imagine” point deeply towards sci-fi because of the creative inventions that will take us there. This could also connect to the theory that the survivin’ coin is linked to A.A., and this statement being a motto to help someone escape addiction. Personally, I feel like this clip is the beginning of some sci-fi choose your own adventure video game, but that's my own opinion.

My Personal Crazy Conclusion: It wouldn’t be a post from me without me shooting out some crazy theories. A Light Cult Utopia. That's right. It would be the opposite of WW, meaning it would be new territory for Bastille and it would break a mold (ReOrch doc). It would also give Dan the ability to be more positive then he has been in the past, while also allowing for his normal cynical undertones. Bastille is purposeful with their references, meaning the Jonestown reference in DD might have a bit more purpose behind it. The lighter colors used in the clip would point to happiness. Considering utopias are “imagined” it would fit the phrase in the clip. Sci-fi would also fit into this as being imagined. Considering there are a few space references, I imagine that humans have imagined perfect spacecraft, further fitting sci-fi and a utopian society. Also, Dan collabed with Future Utopia on the track “What’s In A Name?” That's right, what’s in a name? The name being Future Utopia? An entire new era being the name? That right cultists, Dan ”Soon” Smith snuck this under our noses the entire time that bastard.

Summary Statement: This new era will likely bring collabs from an entirely new approach. A Sci-fi dystopian (or utopian) world, one focused on dreaming, light, and space will likely be the aesthetic for this era.

Loose ends: I am only one human, meaning I physically could not rewatch Inception and Vanilla Sky while also researching James Turrel, so there might be a few things I missed in my brief look at them. If anyone would like to read 1984 by George Orwell through the whole dystopian thing, there might be a few connections there.

Based on some things I’ve heard from a little birdy, expect some big non-album projects that tie in with this era and other things….

Special thanks to u/0verjoyed and @ ja9zimm on twitter

#bastille band #bastille #bastillecult #dan smith #kyle simmons #chris woody wood #will farquarson #long post

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