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#but all my ideas left are franmaya + very long and very involved and i just dont have it in me anymore
monimolimnion · 1 year
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That was probably my last fanfic for a while. Just so everyone knows. rambling in the tags for the curious.
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zombolouge · 3 years
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⭐⭐⭐!! I'm behind on catching up with Indefensible (bc I am also in the US and have been Big Overwhelmed too, so sending positive mental health vibes your way as well), so I will leave it to you to pick a part of a fic that you are most dying to discuss!
AH bb take your time catching up, there’s no rush!! It will still be there whenever you’re ready <3 I will send some positive mental health vibes right back at you, lord knows all of us in the US really need them lol 
Okay, so my pick for this...hmmm, why don’t we talk about TRAUMA. I’ve had a lot of people comment about how I handle everyone’s trauma in the series, so I figure that’s a solid point of interest :)
I knew I was going to be writing this fic before I had actually played all the games, which gave me a bit of an advantage from a writing perspective because I actually took a HUGE amount of notes while I played. The most important of these notes were pages that I called “Lists of Trauma”. And I had one for every character. I would set them up every time I saw something in the games that would have been potentially traumatic, including backstory stuff that came to light. Then I’d write down what the trauma was, when it occurred, and how I felt it would affect them (both immediately and long term). 
Pretty much everybody gets that Miles Edgeworth is traumatized. The game does a decent job of showing some of that, by giving him PTSD and mentioning his fear of elevators, using his recurring nightmares as a plot point, etc. But Miles is by FAR not the only one in the series traumatized. Pretty much every case is enough to send someone to therapy for a hell of a long time, but it’s not always highlighted as much as Miles, and I think it’s easy to brush everyone else’s trauma under the rug because their coping methods were a little more understated. I do think the evidence is there in the games, but it’s not obvious (Capcom puts a lot more subtlety in there than I initially would have expected. Either that or I’m adding subtext on my own and giving them too much credit. EITHER WAY, it did give me a lot to study and pick apart.)
One of the biggest themes in my writing is addressing and processing trauma (lol can you tell I have trauma I have worked on processing? hahaha). I tend to lean towards doing it in healthy and productive ways, as well, so I was HYPERFOCUSED on all the events happening to each individual character. By the end of the canon storylines, I had a pretty solid idea of what people still needed to work through and how things were holding them back, which is honestly how I arrived at some of the plotlines I did. They’re all engineered to be ways to push the characters where they need to be in order to heal. Or at least to grow (full healing is gonna take decades and y’all I can’t be writing this for the rest of my life haha)
In some cases, like with Phoenix and Miles and their relationship, I knew that it was going to involve a massive breaking point to get them anywhere. It’s been decades in game-time and they haven’t taken very many steps forward, which tells me that repression is so ingrained you basically have to make them completely snap and land in a place of “nothing left to lose” before they’d take any more steps. Hence the remote location and the cold temperatures and them working together and the closet scene and the hot tub scene and the spit-take scene and the obvious trap and...etc. Really had to slam their damn heads together repeatedly for this one. 
But their trauma, while being some of the most obvious, wasn’t the only kind I wanted to address. Like, seeing everything play out with Apollo and Dhurke, I just kept thinking how fuckin badly that would mess someone up, and that isn’t even considering what he’d gone through BEFORE that (former boss was a murderer, and the ways he found out weren’t the softest. Best friend murdered, and the circumstances around it ended up with him getting physically injured TWICE. There’s a lot going on with that poor boy.) And Maya, who is forever cheery in the games, always struck me as someone who hid any negative emotions at all costs, and holy shit she has to have a few. She’s been accused of murder, manipulated by family, her sister was murdered, she had to raise her cousin from a young age, she’s been kidnapped MULTIPLE TIMES, had her body taken over by someone that DEFINITELY wanted to kill her and her best friend. On top of that, the first games make it pretty clear she has some inferiority issues, and alllll those traumatic situations would have only fed into it. I think she got really good at covering that up rather than really good at feeling confident. 
Pretty much all the characters got trauma’d at one point or another, and the timeline over the span of canon basically meant that nobody ever had much time to recover before some other bullshit was happening. It’s why many of the characters in Indefensible, sometimes more than once, have opined about it being neverending or how they were losing hope that they’d ever have a whole year that was just normal. 
I’ve included so many scenes where they are just breaking down and talking about feelings, because holy fuck they all need to. lol It’s also why I ended up jumping on the FranMaya bandwagon so hard because the way that the pair of them are traumatized and how they handle it is very complementary to each other. I think they’re both able to pull the dark out and soothe it within one another, keep each other from overthinking things, and provide a sudden rock to lean on when things get difficult again. If they didn’t have each other, I think the second half of Indefensible wouldn’t work as well, because Franziska absolutely would have snapped irreparably. But, uh, that won’t make as much sense until later. ;)
Anyways, this was long and rambly and I could probably make a separate post about each individual character’s trauma and how the fic is designed to shine a spotlight on it and get them to start processing it. I THINK ABOUT THIS STUFF A LOT, OKAY? 
Link to the fic if anybody needs it: Indefensible 
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