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#but i just really wish i could see ttpd songs live and it seems like i won’t get that chance until the next tour
youdeserveprison · 24 days
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i’m absolutely not complaining about ttpd as an album, i love it even more than i thought i would, but i do kind of wish she would’ve waited to release it until after the eras tour was over so it could’ve gotten its own tour :/ like the visuals and the stage design and the outfits are just sooo good and not only is it being cut down into only seven songs so it can fit into an already massive setlist, but everyone who went to the shows in the us, mexico, south america, asia, and australia — aka a huge portion of the tour dates — didn’t get to see any of it live. like it’s so impressive that taylor was able to add the ttpd section into the existing setlist but i can't help but feel disappointed bc this means we likely won't get a ttpd tour, which is something i would kill to see </3
#i know so many people demand new content from her constantly but with everything she’s been doing we didn’t NEED this album so soon yk#i personally would’ve been fine waiting another year or even longer if it meant ttpd could get its own era#bc it’s kind of impossible for it to fully have that when she’s already a year into this huge tour#she’s already had to cut so many songs to fit everything (not even everything bc there’s no debut set)#with lover/folklore/evermore not getting their own tours bc of covid it makes sense why she did the eras tour instead of a midnights tour#but now that touring is an option again it would’ve been nice for her to slow down her releases a bit to really focus on new albums more#idk maybe this is a hot take bc ofc the eras tour is incredible and i do feel so lucky to have gotten to go at all#but i just really wish i could see ttpd songs live and it seems like i won’t get that chance until the next tour#which will likely be years from now and who knows how many albums she’ll have put out by then#rn all i can do is hope that she’ll add another us leg or something so i can see eras again with the new setlist#but that’s very unlikely since she’s already added shows in miami/indy/etc none of which i can afford travel for let alone resale tickets#no one’s gonna even see this but if anyone does i hope it’s not taken the wrong way bc she’s given us so much in the past few years#sorry for the essay i just love ttpd and i want to see it live </3#lj speaks now
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h-f-k · 21 days
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Thoughts on ttpd ?
THANK YOU lmao.
incoming long ass raaaaaaant, wohoooooo
(anon who also asked me about what i liked and disliked i hope this could answer your question as well!!)
I think i need to give a bit of context of my first thoughts on it back when it was released: i disliked it. i thought the lyrics were clunky, the productions was super meh, the album's topic of discussion was just also incredibly meh.
i decided to give it a second chance bc i kept seeing my friends talk about certain points that were interesting and i also wanted to listen to the album in peace without some random weirdo screaming that x song was about joe alwyn or matty heally or her current boyfriend trevor.
I think i will start with the things that changed for the better for me:
The album is good. I think it's definitely an improvement from midnights and i think this time there's kiiiiind of a clear direction and purpose behind it rather than being a collection of songs about specific topics that kept her up at night or whatever, which tbh that was incredibly random but ok. The pacing of the album felt good, it's not too long yet not too short, there's a good balance between the songs and even tho some of them have a very mid production they're still fine, i can vibe with them and i can listen to them (except but daddy i love him, that shit is unnecessarily long) if they come up on shuffle. I think lyric wise there are really strong moments, some very mid and others that are quite weak but still there's not a song that's terrible or unbearable to listen to.
Some of the production elements are really good, i LOVE the violent drums on florida, i would kill to hear that song live. And while the production of little old me reminds me A LOT to a florence + the machine song it's really really good, the cellos and the overall bass scratches a part of my brain and it's so good. Her vocals are also really good and i know it's not her strength but i'm glad she included a bit of harmonies with her own voice in so long london, it contrasts so well with the rest of the song (aaron dessner my beloved)
It's definitely a grower and to some that's a good thing, for others it's a bad thing and for some others it doesn't mean anything. TO ME is 50/50, i think there are many layers we can discover each time but i also feel like the album once you start peeling them it falls short which brings me to the negatives: __________
It's still quite a superficial album to me imo. i think the concept is quite solid and had SO much potential yet once again she chose the easy way which is diluting it so it's appealing to everyone, which is fine! but at the same time it leaves me with this feeling of wondering what this album could've been if she really committed to it, if she really dived into the tortured poet concept and translated that into the songs. It makes me wonder if she could've skipped the anthology and sort of blend all of that and make small interludes that could convey the same feeling and explore the same narratives. It could've added WAY more layers, bc she could've added spoken word versions of some poems (which is my problem with taylor in this era, a poem is not a song and a song is not a poem and it seems that taylor swift does not know the difference) like she does with seven during the intro of folklore!! that could've been SO cool and way more enriching for the overall concept she wanted to create. Aaron's brother Bryce composed some pieces for the album i think and i wish taylor could've take more advantage of that. Aaron and Bryce both composed beautiful pieces for the movie Cyrano and this album could've had some of that. I know her strength is lyrics but sometimes just because an album has a shit ton of lyrics doesn't necessarily make it good. I do like that he produced most of the songs from the anthology and i do really like some songs like the albatross, the prophecy and i hate it here but the rest is just there. Again, transform the general concept of the anthology intro interludes, or just adding interludes would've made everything way more exciting. To sum up: i liked the album and i will still like it if i don't really think much of what could've been, which i think is something that i will have to stick with with this current taylor which sucks lmao but oh well i have other artists i can listen to. I don't think i see myself going back to the album but i do see myself listening to the songs i really liked more than once, it's just good, it fits maybe in the middle of my ranking.
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missbrunettebarbie · 2 months
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TTPD -the album proper- first thoughts
Here are some thoughts about TTPD -the album proper, cause I do not have the time or energy to analyze The Anthology (Taylor, wtf was this double drop???)- before I’m influenced by other people’s thoughts. Warning: I may be waaaay off the mark in some cases cause half the time when I was listening to these songs for the first time I was like “???”
Fortnight (feat. Post Malone) - Great melody, smart choice for an album opener, nice lyrics, no idea wtf the song is talking about. Like, I am guessing it’s about (a first?) break-up with Joe Alwyn in February -and they might have gotten back together for only a fortnight then broke up again for good?- but I’m so confused. Also, why is this the lead single? Taylor, this is not gonna win you SOTY at the grammys. 7/10
The Tortured Poets Department - This was … unexpected, to say the least. This was truly a picture of a moment in her relationship, while I expected either some kind of introspection or parody. Also the line about what he told Lucy and she said the same to Jack? Insane. Girl, you are both better off single. The ring and the wedding allusion? God, it hurt. (And it was only the beginning with this album…). Amazing song anyway. 9.5/10
My Boy Only Breaks His Favorite Toys - Girl, this is mental illness for me. Love it to bits and I kinda wish it will become a single (I think it’s my … 3rd choice for a single?), but… girl, I’m happy you two broke up. 9.5/10
Down Bad - I had low expectations from this song cause the title inspired nothing in me, but it really delivered a punch. Probably one of the most honest songs on the album proper. Oh, and her vocals here? Her tone of voice? No notes, it just … hits different *_* 8/10
So Long London - Funny enough, I did hear a leak of this! But it was like … 10 seconds from the intro and I wasn’t sure it was real. It is a very good song, and I can understand why she chose it as a track 5. But for me, when compared to other track 5s -and with a title so inflammatory- it was a bit of a let down. Still love it of course. 8.5/10
But Daddy I Love Him - This one is about Matty Healy, isn’t it? Like, it has to be, cause for the life of me I can’t see who this guy could be but Matty Healy. This song … I laughed out loud. She’s unhinged. ‘I’m having his baby’. Girl, you are unhinged. The wedding fever continues, and now we get the first glimpse of the baby fever. God, I love her. You can literally hear how done she was with everyone having an opinion about whom she dates. I need to listen to this and I Can Fix Him (No Really I Can) back to back, cause this girl was so so wrong. Except that bridge. The bridge is gospel and spoke straight to my soul. 10/10
Fresh Out the Slammer - And I’m guessing this is the continuation of the track before, so still about MH. I have to say, this is really meh for me. Maybe because I was expecting something even more high tempo, but this is just … there for me. It doesn’t help that the ‘pretty baby’ annoys me. 6/10
Florida!!! - Nice to see Florence get so much singing time. Their voices mashed surprisingly well. But just like with Fortnight -and these two do seem connected- I have no idea what she is talking about here. I think it might be a composite sketch referring to both her first post break-up shows and Florida as a metaphor for escaping from your life? Idek. But the melody is great and this might be my fave collab of hers so far. 8.5/10
Guilty as Sin? - Another Matty Healy one IMO. Amazing how much material she got from such a short-lived affair. IMO she made a mistake making this track 9 and Florida!!! track 8. I would switch them around to make more sense. I’m not 100% sure this is about emotional cheating, as I think the Joever break-up wasn’t as clear cut as it was made to be, but there is something here about overlapping timelines. 9/10
Who’s Afraid Of Little Old Me? - Well, everyone should be now!!! I adore this song, it’s my fave of the album. If I have one complaint about it is that I would have put it more towards the beginning of the album instead of in the middle of the Matty Healy Saga - which makes no sense to me. Honestly, I don’t have much to say about this track cause in my eyes it’s perfect. This is the Taylor I’m here for. 10/10
I Can Fix Him (No Really I Can) - That last line! I laughed so hard. On one hand, I feel sorry for her. Otoh, girl, you should have run the first time you saw him. Great song to end the Matty Healy Saga on. 9/10
loml - Wow, this was a punch to the gut. Every lyric here is a masterpiece and a dagger to the heart. I would love it if she made this a single (this is SOTY material IMO), but it’s probably too emotional for her. The melody reminds me of Last Kiss, but the piano is giving Evermore. 10/10
I Can Do It With a Brokern Heart - Why is this not the lead single, Taylor??? It has everything: melody, lyrics, airplay value, SOTY potential, why?! I love every single second of this song, especially the chorus. I’m probably gonna listen to it on repeat. Second fave after WAOLOM. 10/10
The Smallest Man Who Ever Lived - Every song I thought was gonna be cutting turned out to be just plain sad. IMO, this song is both about JA and MH. I don;t really have much to say about this song, as it is just .. painful. 9.5/10
The Alchemy - Yeah, I’m team This Song is About Travis. Nice song, and I like that she included something about the current relationship, but it’s not exactly a fave for me. 7.5/10
Clara Bow - This was my predicted fave, but it was def dethroned. Still, I do think this is Top 5 for me. I love the direct reference to herself at the end and the way this is both hopeful and still somewhat sad. Also really like the vocals here. 10/10
Final score: 8.87 
Not bad at all. Gonna deal with The Anthology later. Much later as I actually have a life to go back to.
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