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#especially since Robbie has that rockstar theme going on
avionvadion · 1 year
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Okay, but I love the thought that the ominous piano music you hear when a Guardian sees Link is just… something that was installed by the Sheikah for freaking giggles and drama a hundred years ago for when the crew went to go face off against Calamity Ganon.
…Only for them to get possessed by Calamity Ganon and thus the ominous piano music was turned against civilization as a sort of Uno Reverse card. Like, you can’t tell me Robbie and/or Purah didn’t think this up. Like, ROBBIE? Man is such a theater kid. One hundred percent it would have been his idea and Purah went along with it.
The found and hired a composer, went hey, make it sound scary so Calamity Ganon knows we be coming for him; we want him to quake in his little hoggie evil deity boots! And they installed the ominous piano music recording into every guardian ever. Just for the giggles of it.
Only for CALAMITY GANON to have the giggles in the end!
And thus Link runs for his life in BotW every time he hears the ominous piano of death.
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ayankun · 4 years
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real quick before I get into season 6
So this is my second time watching Season 6 and I’m p. excited.  This last week or so I’ve been dredging up bits and pieces, but most of it is a blur.  It seems the memories that lasted this whole year were mostly of the huge armored truck and the nonbinary character who works at *spoilers*’s tech startup.
I’m curious to see if the second time through it’ll settle in like it belongs.  I remember Season 5 really didn’t make any sense to me until I saw it again.
But really I’m just excited that in 11 hours I can watch the new stuff?!
But first, before I forget, here’s my last thoughts on Season 5.
So remember how I was surprised at Season 1′s structure, that it folded up nicely down the middle with some pretty tidy symmetry?
None of the other seasons do that.
Instead, I remember particularly strongly how jarring the end of the Ghost Rider arc was in the middle of Season 4.  And then again when the (what I’m calling) Kasius arc also wrapped up mid-season.
I’m not sure when I read about it, but it probably was circa Ghost Rider, that they’d intentionally decided on what I’m pretty sure they called “pods” of episodes, these seasons-within-a-season sort of narratives.
Season 2 sort of kicks it off, what with the race to Terragenesis taking eps 1-10 and the Afterlife/splinter SHIELD stories filling 11-22.  Then Season 3 has the monolith/Maveth mystery to start, followed by Hive & the Inhumans for the second half.  S4 is super poddy, obviously branded as Ghost Rider/Agents of Hydra, and S5 also splits neatly into future!Lighthouse and present day!Lighthouse.
Two points to make on this:
Kasius is such a rockstar villain that I feel really bad for Hale/Ruby/Talbot.  They’re so apples and oranges but having the highlight come first allows for unfavorable comparisons to be made.  It’s like asking any well-to-do Kree to compare Xandarian snail to oops all berries.
Good thing they’d had all this practice writing complete stories in 12 eps, since I’m hoping Season 6 (and obvs Season 7) will still feel as fully formed as their longer antecedents.
Anyway, that first point is my major point for S5.
S3 already feels like the second half of S2, and its internal halves are the most similar to each other as any of the other “pods,” so it’s not like people have a reason to go around saying “I liked the first half of the season waaay better than the second.”
(although I might.  I might say that, actually.  but not because the halves were branded separately from one another)
And S4, though the two halves are barely identifiable as coming from the same show much less the same season, they’re both good.  Robbie Reyes is perfect.  The effort to incorporate new MCU topics/aesthetic from Doctor Strange is great.  Robots who just want to be a real girl is my JAM.  All the Framework cameos really make my day!  And then Robbie Reyes comes back all deus ex machina (ironic) and saves the day, and
it makes sense that he does because the function and nature of the Darkhold was well established in part 1 and
it’s GREAT that he does because he’s perfect and we miss him.
Then here comes S5.  I really really respect so much about the creative decisions that took the story where it went (ie, outside Papa MCU’s sphere of interference), and getting to reuse the same set in a different context while minimizing “on-location” shoots is just technical and financial genius, okay. 
But there’s so much about the first half, in the future, that compels me waaaaaaay more than the gritty anger of the second half. 
Kasius, WOW what a villain.  Dominic Rains, everyone.  I have nothing unkind to say about the performance, the character, anything.  Impeccable.  Spectacular.  Perfection.
The mystery of the season opener!  We had the tag scene where Coulson’s “in space” and plenty of time to ruminate on the how and why, especially with Guardians of the Galaxy Vol 2 coming out right as S4 ended and Thor: Ragnarok literally sizzling in the theaters at the same time as this season started.  They answer the question by the end of the episode, but not before several characters come up with and pursue several different theories, and that’s fun.
What a way to capitalize on the Inhuman storyline your show’s been about for years now, without forcing Papa MCU to contend with all this good work you’ve been doing.  Just go somewhere he can’t reach you (the future), and then un-write all of it anyway.  V. tidy.  Extra style points will be awarded.
LEITMOTIFS.  If y’all’ve seen BSG, then you know Bear McCreary is a master of the art.  But this season has so many good themes, my friends.  The Daisy/Quake theme that’s been knocking around for a season is here in full force, and Sinara’s is the best bad guy theme you could have wanted, and dearest sweetest Flint has the best great guy theme you ever heard.
Just, while we’re here.  Sinara.  She says nothing for episodes (it feels like, I wasn’t counting) and her first line is a scornfully growled “compassion.”  Give it up for Florence Faivre !!!  She hardly has any lines but you always know exactly what she’s thinking and what she’s about.  Sinara and Kasius have the richest on-screen chemistry of anybody on any show from any era fight me on this I dare you.
Mack’s coming down from his second life in the Framework, and that suuuuucks that these folks never have a moment to rest before barreling into their next story.  But he gets to be a father to Flint!  And Yo-Yo gets to be a mother!!!  UGH why couldn’t they have brought Flint instead of Deke lololol oh well.
I think I know another reason why Lincoln seems overhyped to me.  That other Inhuman, Ben I think his name is?  He’s in like two episodes, serves a narrative purpose, and is disposed.  I know Lincoln’s in like 18 times as many episodes but they have the same exact overall impact on my brain-hole.  Imagine if it was Ben that came back with them instead of Deke.  That’s how I feel about Lincoln.  Like, how did this obviously disposable character make it this far?
Then you have Deke.  You love to hate him.  He’s a very well-fashioned character who is flawless in making you feel the way the showrunners want you to feel.  That’s the kind of character that gets killed off twice and still comes back, and it doesn’t surprise you.
So, Enoch.  Enoch is everyone’s favorite character, right?  Right.  Give me genderless robots with a soft spot for humanity ANY DAY.  PLEASE where are they I need them.  (I’m un-repressing memories of S6 and I feel like somehow I should be careful what I wish for)  Man I remember with 1000% clarity the absolute glee I felt sitting down for the opening montage of S5 the first time, how ballsy weird it was, just watching this freaky bald alien of a man go swimming with some fun electro pop number playing in the background.  100/10 please make more television like this
 More monoliths!!  The time one is so pretty!
(remember when there were more monoliths and no one knew where they came from or what they did but then it didn’t matter because they got instantly exploded?)
The low-key obvious answers to the season’s questions, what with the Inhumans running all over the shop, Quake there to tear everything down and Flint there to put the pieces back together I’m not crying you’re crying
Oh man, and Simmons getting to mentor not one but two Inhuman youths to be confident and trust in themselves and their powers.  What a ways from the fear-panic response to Daisy when she turned.
Also, yeah, it has to be said, this show’s blatant “you’re different and that’s okay” agenda sits very well with me.  Agents of SHIELD says LGBTQ+ rights!
So anyway, part 2 falls a little flat for me because its strength is its themes, but I’m not really compelled by the stakes and definitely not by the villains and not really even by the intra-team drama.
Obviously S2 touched on parenthood, but it was pretty specific.  S5 digs in and brings us a lot more on the topic.
Kasius desperately desires his father’s approval but very deeply despises the methods and the people who earn it.
Hale was indoctrinated by Hydra and was very earnest in wanting to uphold the values of the organization, until the organization (and Whitehall) shared with her their narrow appreciation of the gift of her loyalty.  Even then, she struggles to make sense of this loyalty, only realizing too late that being a good Hydra pawn and a good parent are categorically mutually exclusive.
Ruby, obviously, is like a mini-Kasius, the brave-faced rebel who wears her mother’s disappointment on her sleeve like a badge of honor to pretend that it isn’t crippling her.
The Von Strucker kid, boy is he messed up (and his Hydra dad had something to do with it)
((echos of Ward are still heard even this far after his demise, and we know what his father figures were like))
Poor Talbot, got some brain damage and some Hydra conditioning on top of that, cracked that noggin wide open.  He just wanted to do good by his family.  Just wanted his son to know he loves him.
Polly and Robin.  The daughter who needs constant special care because she’s stuck inside her own mind and the mother who’s been through hell and back and still manages to do her best.  Even when she knows she won’t always be there for her daughter.  Even when she knows she’ll be replaced.
May getting a glimpse at the life she and Andrew once talked about.  Getting a chance to do right by that little girl.
Mack recovering from getting that same glimpse, from the echoing memories of a life time spent with his greatest regret erased.  Being roped into being a thug and threatening that dad without knowing the meaning behind his threat -- being told that people like him don’t deserve the privilege of parenthood.  But then getting to know Flint, and having Yo-Yo at his side while they fast track this kid through all the things he’s gonna need to know in order to be the Big Damn Hero the world needs him to be.
The timey-wimey promise that FitzSimmons will one day be parents to a brilliant daughter who will unfortunately give birth to a Deke.
Coulson and Daisy.  Another parent placing enormous expectations on his daughter, desperate that she be ready for his responsibilities because his time is running out.  A daughter who mishandles these expectations and refuses to stop fighting a losing battle, not because she’s not ready to step up, but because she doesn’t want to face the fact that she’s losing the man who raised her.
Anyway, aside from all this good Theme work, part 2 wades perfunctorily through musty remnants of the previous season, from The Doctor to The Russian.  Which makes sense, because that season ended in a way that left so many loose threads -- but then this season comes along and summarily ties them up, all cute little bows, the lot of them.  Dusts its hands.  Nothing to see here.  Move along now.  Time’s up.
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